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Four Renaissance Madrigals
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Vous avez sélectionné:
Four Renaissance Madrigals
Partitions à imprimer
58 partitions trouvées
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Four Renaissance Madrigals
Four Renaissance Madrigals
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Renaissance
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Orlando Gibbons, Thomas Morley
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Norman Phillip Hart
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Four Renaissance Madrigals
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Hathor Publications
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1037069 Composed by Orlando Gibbons, Thomas Morley, and Thomas Weelkes. Arranged by Norman...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1037069 Composed by Orlando Gibbons, Thomas Morley, and Thomas Weelkes. Arranged by Norman Phillip Hart. Renaissance. Score and parts. 33 pages. Hathor Publications #6907421. Published by Hathor Publications (A0.1037069). Four madrigals arranged for 2 Trumpets in Bb, Horn in F, Trombone, and Tuba that can performed single or as a group in any sequence: To Shorten Winter's Gladness and The Silver Swan (Gibbons) O Care, Thou Wilt Dispatch (Weelkes) Sing We and Chant It (Morley)
$6.00 ≈
£4.73
Four English madrigals for recorder trio
Four English madrigals for recorder trio
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Morley/East/Bateson
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Clive Lane
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Four English madrigals for rec
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Clive Lane
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SheetMusicPlus
Bass Recorder,Tenor Recorder,Treble Recorder - Level 2 - SKU: A0.1399395 Composed by Morley/East/Bateson. Arranged by Clive Lane. Classical,Renaissance....
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Bass Recorder,Tenor Recorder,Treble Recorder - Level 2 - SKU: A0.1399395 Composed by Morley/East/Bateson. Arranged by Clive Lane. Classical,Renaissance. Recorder Ensemble. 8 pages. Clive Lane #982678. Published by Clive Lane (A0.1399395). Four English madrigals for recorder trio:1. Springtime mantleth every bough (Thomas Morley) [treble/tenor/bass]2. O sleep, fond fancy (Thomas Morley) [treble/tenor/bass]3. Your shining eyes (Thomas Bateson) [treble/tenor/bass]4. Follow me, sweet love (Michael East) [treble/tenor/bass]Four of the greatest three-part English madrigals, arranged for recorder trio.
$4.99 ≈
£3.93
Four English madrigals for clarinet trio
Four English madrigals for clarinet trio
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Morley/Bateson/East
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Clive Lane
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Four English madrigals for cla
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Clive Lane
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SheetMusicPlus
Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - SKU: A0.1401738 Composed by Morley/Bateson/East. Arranged by Clive Lane. Classical,Renaissance. 8 p...
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Woodwind Ensemble,Woodwind Trio Clarinet - Level 3 - SKU: A0.1401738 Composed by Morley/Bateson/East. Arranged by Clive Lane. Classical,Renaissance. 8 pages. Clive Lane #984922. Published by Clive Lane (A0.1401738). Four English madrigals arranged for clarinet trio (or two clarinets and bass clarinet):1. Springtime mantleth every bough (Thomas Morley)Â 2. O sleep, fond fancy (Thomas Morley)Â 3. Your shining eyes (Thomas Bateson)Â 4. Follow me, sweet love (Michael East)Â Four of the greatest three-part English madrigals, arranged for clarinet trio.Duration: 6'21.
$4.99 ≈
£3.93
Four Wilbye Madrigals for SST Recorder Trio
Four Wilbye Madrigals for SST Recorder Trio
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Ensemble De Flûte à bec
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FACILE
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Renaissance
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John Wilbye
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John Geohegan
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Four Wilbye Madrigals for SST
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JGJG Sheet Music LLC
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SheetMusicPlus
Recorder Trio Recorder - Level 2 - SKU: A0.1184328 Composed by John Wilbye. Arranged by John Geohegan. Renaissance. Recorder Ensemble. 54 pages. JGJG Sh...
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Recorder Trio Recorder - Level 2 - SKU: A0.1184328 Composed by John Wilbye. Arranged by John Geohegan. Renaissance. Recorder Ensemble. 54 pages. JGJG Sheet Music LLC #784047. Published by JGJG Sheet Music LLC (A0.1184328). Four English madrigals by John Wilbye are adapted for SST recorder trio. Â Play moving melodies by the master of madrigals! Â Pauses and melismas are marked to preserve vocal phrasing. Â Conductor scores and 2-page individual parts. Â Perform these in your small ensemble!
$8.00 ≈
£6.30
Four Sweelinck Madrigals for SAT Recorder Trios
Four Sweelinck Madrigals for SAT Recorder Trios
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Jan Pieterszoon Sweelinck
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John Geohegan
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Four Sweelinck Madrigals for S
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JGJG Sheet Music LLC
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SheetMusicPlus
Recorder - Level 2 - SKU: A0.1287869 Composed by Jan Pieterszoon Sweelinck. Arranged by John Geohegan. Baroque,Renaissance. Recorder Ensemble. 51 pages....
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Recorder - Level 2 - SKU: A0.1287869 Composed by Jan Pieterszoon Sweelinck. Arranged by John Geohegan. Baroque,Renaissance. Recorder Ensemble. 51 pages. JGJG Sheet Music LLC #878954. Published by JGJG Sheet Music LLC (A0.1287869). Four madrigals for three voices by Jan Pieterszoon Sweelinck, published 1612. Â Intricate and fast-moving trios from an early Baroque innovator in counterpoint. Â Variations in tempo and time signature will keep you counting! Â Easy key signatures (C and F). Â Alternate parts for lines playable on both Soprano and Alto. Â Adapted for Soprano / Alto / Tenor recorder trios. Â Also offered as Alto / Tenor / Bass trios.
$8.00 ≈
£6.30
Four Sweelinck Madrigals for ATB Recorder Trios
Four Sweelinck Madrigals for ATB Recorder Trios
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Jan Pieterszoon Sweelinck
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John Geohegan
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Four Sweelinck Madrigals for A
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JGJG Sheet Music LLC
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SheetMusicPlus
Recorder - Level 2 - SKU: A0.1287872 Composed by Jan Pieterszoon Sweelinck. Arranged by John Geohegan. Baroque,Renaissance. Recorder Ensemble. 51 pages....
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Recorder - Level 2 - SKU: A0.1287872 Composed by Jan Pieterszoon Sweelinck. Arranged by John Geohegan. Baroque,Renaissance. Recorder Ensemble. 51 pages. JGJG Sheet Music LLC #878957. Published by JGJG Sheet Music LLC (A0.1287872). Four madrigals for three voices by Jan Pieterszoon Sweelinck, published 1612. Â Intricate and fast-moving trios from an early Baroque innovator in counterpoint. Â Variations in tempo and time signature will keep you counting! Â Easy key signatures (C and F). Â Alternate parts for lines playable on both Alto and Soprano. Â Adapted for Alto / Tenor / Bass recorder trios. Â Also offered as Soprano / Alto / Tenor trios.
$8.00 ≈
£6.30
Centone V: Four Madrigals for Brass Quintet
Centone V: Four Madrigals for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Richard Decker
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Centone V: Four Madrigals for
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Charles Decker Music Press
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SheetMusicPlus
Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1139644 Composed by Claudio Monteverdi. Arranged by Richard Decker. ...
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Brass Quintet Cornet,Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1139644 Composed by Claudio Monteverdi. Arranged by Richard Decker. Baroque,Chamber,Multicultural,Renaissance,World. 55 pages. Charles Decker Music Press #739914. Published by Charles Decker Music Press (A0.1139644). As one of the most creative composers leading the musical changes from the Renaissance into the Baroque, Claudio Monteverdi instilled into his noteworthy Madrigals not only the contemporary explorations of dissonance and form but also mastered the art of tone-painting of human emotions to an extraordinary level. Scored for a brass quintet of two B-flat trumpet with alternate C trumpet parts, horn in F with substitute flugelhorn part, trombone and tuba, these Madrigal arrangements provide an additional unique opportunity for performances using all conical brass instruments (two B-flat cornets, horn, euphonium and tuba). These spirited Madrigals showcase all the quintet members and will add excitement and drama to performances. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.Use this link to Cherry Classics Music to see Richard Decker arrangements of Cherubini’s Sonata in F for Solo Horn and Wind Ensemble and Coleridge-Taylor’s Sea Drift for Trombone Octet.
$17.99 ≈
£14.18
AMORI: 8 madrigals for male chorus
AMORI: 8 madrigals for male chorus
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Chorale TTBB
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AVANCÉ
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Alessandro Palazzani
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AMORI: 8 madrigals for male ch
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A work by Alessandro Palazzani
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SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pa...
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Choral Choir,Choral (TTBB) - Level 5 - SKU: A0.1399301 Composed by Alessandro Palazzani. 21st Century,Classical,Opera,Renaissance,Romantic Period. 70 pages. A work by Alessandro Palazzani #982575. Published by A work by Alessandro Palazzani (A0.1399301). AMORI (Loves): Eight madrigals on texts by Giovan Battista Marinofor four-part male choirCONTENTS:1. OCCHI (Eyes)2. ERRORI DI BELLA CHIOMA (Beautiful hair wanderings)3. BELTA’ CRUDELE (Cruel Beauty)4. BELLA CANTATRICE (Beautiful Singer)5. AMOR SECRETO (Secret Love)6. PENDENTI IN FORMA DI SERPI (Pendants in the Shape of Snakes)7. LONTANANZA CONSOLATA (Consoled Distance)8. OCCHI (Eyes)The collection comprises eight Madrigals that alternate between different musical styles. In odd numbers, there are more meditative pieces that closely follow the text, faithfully illustrating its keywords; instead, in even numbers, there is a more regular treatment of musical form, with bipartite or tripartite structures and thematic returns of the music, organized into livelier and more rhythmic movements. To give unity to the composition, the author adopted a series of chordal motifs that serve as leitmotifs, formed by two or three chords symbolizing some basic concepts that cyclically reappear in the various pieces (love, life, death, etc.).The ensemble comprises four parts: first tenor, second tenor, baritone, bass, which can be performed by soloists or by a choral group. In the piece Bella Cantatrice, it is possible to entrust the main melody to a tenor soloist. Although a reduction for piano is printed in the score, its purpose is only to support the voices during rehearsal. Public performance is intended for a cappella voices.
$3.00 ≈
£2.36
Three English 4-part madrigals for four clarinets (or three plus bass clarinet)
Three English 4-part madrigals for four clarinets (or three plus bass clarinet)
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Ford/Morley/Farmer
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Clive Lane
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Three English 4-part madrigals
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Clive Lane
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.1401288 Composed by Ford/Morley/Farmer. Arranged by Clive Lane. Classical,Renaissance. 1...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 3 - SKU: A0.1401288 Composed by Ford/Morley/Farmer. Arranged by Clive Lane. Classical,Renaissance. 15 pages. Clive Lane #984475. Published by Clive Lane (A0.1401288). Three English Madrigals arranged for clarinet quartet (or three clarinets and bass clarinet).1. Since first I saw your face (Thomas Ford)2. April is in my mistress' face (Thomas Morley)3. Fair Phyllis I saw sitting all alone (John Farmer)Three of the best English madrigals, that sound great on clarinets!Score and parts. The three together make a good concert item: Moderato-Andante-Allegro Duration: 5' 11.
$4.99 ≈
£3.93
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
Monteverdi - The Sixth Book of Madrigals - 10. Qui rise Tirsi
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767279 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 38 pages. Lyons Music Services #3218699. Published by Lyons Music Services (A0.767279). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song, No 10 starts with the line Here Tirsi laughed and wriggled under the two(twin?) stars of the beautiful Clorinda I think you get the picture! We can see plenty of musical laughing and wriggling in the music with dotted rhythms and semiquaver runs. The top two voices are Clorinda (doing a fair amount of wriggling herself) while the bottom two take the part of Tirsi. There are places where all four voices give vent to an exclamation and where, presumably, the two lovers had to stop for breath! The original incorporates a very basic continuo part, which I have shared between the resting voices. As with all things madrigalian, the lyrics are rife with double entendres.
$4.99 ≈
£3.93
Six Weelkes Madrigals for Recorder Quartets
Six Weelkes Madrigals for Recorder Quartets
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Quatuor de Flûtes à bec
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FACILE
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Renaissance
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Thomas Weelkes
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John Geohegan
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Six Weelkes Madrigals for Reco
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JGJG Sheet Music LLC
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SheetMusicPlus
Recorder - Level 2 - SKU: A0.1078600 Composed by Thomas Weelkes. Arranged by John Geohegan. Renaissance. Recorder Ensemble. 94 pages. JGJG Sheet Music L...
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Recorder - Level 2 - SKU: A0.1078600 Composed by Thomas Weelkes. Arranged by John Geohegan. Renaissance. Recorder Ensemble. 94 pages. JGJG Sheet Music LLC #682824. Published by JGJG Sheet Music LLC (A0.1078600). Six madrigals for four voices are adapted for quartets of S, A, T, and B recorders. From Thomas Weelkes’ first set of madrigals (1597). Pauses and melismas are indicated to preserve vocal phrasing. The lyrics poems are included. Express the joy of country dancing, the drama of mythical beings, and the agony of unrequited love! Easy to read conductor’s scores and two-page parts. Great for small ensembles.
$12.00 ≈
£9.46
Four Madrigals
Four Madrigals
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Thomas Weelkes
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Robert Rainford
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Four Madrigals
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Forton Music - Digital
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SheetMusicPlus
3 oboes / 2 oboes and 1 cor anglais - Easy - SKU: F2.FM004 Composed by Thomas Weelkes. Arranged by Robert Rainford. Score and parts. 20 pages. Forton Mu...
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3 oboes / 2 oboes and 1 cor anglais - Easy - SKU: F2.FM004 Composed by Thomas Weelkes. Arranged by Robert Rainford. Score and parts. 20 pages. Forton Music - Digital #FM004. Published by Forton Music - Digital (F2.FM004). ISBN 9790708085034.Oboe Trio 3 Oboes (optional Cor Anglais part replacing oboe 3). This set of three madrigals by the renaissance composer Thomas Weelkes features frequent time changes and some lovely independant part writing. None of the pieces are overly long - about 30 bars on average. Part 3 descends to low C, but the other parts are relatively straightforward note-wise. Could be tackled by confident players of grade 2-3 standard.
$10.95 ≈
£8.63
Monteverdi - The Seventh Book of Madrigals (1619) - 25. Ohimè, dov'è il mio ben
Monteverdi - The Seventh Book of Madrigals (1619) - 25. Ohimè, dov'è il mio ben
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Seventh Book
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767364 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.767364 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 42 pages. Lyons Music Services #3545477. Published by Lyons Music Services (A0.767364). At long last I have nearly finished the 7th book. This book has posed some issues as it is such complex music it is almost impossible to cut it down to 5 parts while maintaining its integrity. As a result, some songs will be in 6 or more parts.Here is a group of four very short songs for soprano duet with continuo. I have arranged them as a duet for trumpet/cornet with a four part accompaniment.The four songs are related under the commone title Ohimè, dov'è il mio ben but each also has a title of its own:1. Romanesca a 2 (This is the subtitle. A romanesca was a musical formula characterised by a falling sequence of 5 notes and with a fixed harmonic progression.) The text translates as Alas, where is my beloved?2. Dunque ha potuto sol desio d'onore - Can it be that love of honour...3. Dunque ha potuto in me, più che il mio amore - Can it be that ambition and vainglory...4. Ahi, sciocco mondo - Alas, foolish blind worldEach song is a setting of a pair of couplets which together form the whole poem, which is why I have collected them together here. Besides, on their own, each is too short.Here also is evidence of Monteverdi's progress in telling a story through music.These four songs work beautifully on brass, with gorgeous suspensions and resolutions and well directed rhythmic drive from the accompaniment.The seventh book is quite a change from the earlier ones. Monteverdi seems to be concentrating on developing solos and duets, trios and small accompanied ensembles. The accompaniments are often written out with more than just long note chords. The intricate instrumental parts are more than just filling in the harmony (hence the difficulty in paring them down.)Once again, these songs are exquisitely crafted and travel well onto brass.
$8.99 ≈
£7.08
Monteverdi - The Fourth Book of Madrigals (Complete)
Monteverdi - The Fourth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Fourth Book o
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons...
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Brass Ensemble - Level 4 - SKU: A0.767215 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 307 pages. Lyons Music Services #3087101. Published by Lyons Music Services (A0.767215). Monteverdi - The Fourth Book of Madrigals 1603In this book, Monteverdi continues to develop the techniques and writing practices that would eventually form the first opera and his Stile Nuovo. The polyphony becomes more complex and more tonal and the interdependence of the parts more striking. He is experimenting with more dissonance but also moves towards more tonal writing. Although a far cry from the I IV V and minor of the modern pop song, he is nonetheless helping to push forward a more diatonic type of harmony with a more dramatic tonal and harmonic structure that goes much more towards true word painting than his previous books. All 20 madrigals are here: 1. Ah! Dolente Partita – Oh, Sweet Parting!2. Cor Mio Mentre Vi Miro – My Heart as I dream I turn into you. 3. Cor Mio Non Mori? E Mori – My heart did not die? And it died4. Sfogava con le stelle – He dallied with the stars 5. Volgea l' anima mia – Volgea my soul, so dear and sweetly shining 6. Anima mia perdona – My soul forgives 7. Che se tu se ' il cor mio – That if you are as good as my heart 8. Luci Serene e Chiare – Lights, serene and clear 9. La piaga c'ho nel core – The plague is in the heart 10. Voi pur da me partite – You do not mind me, though 11. A un Giro Sol de' Begl' Occhi – At one glance of good eyes 12. Ohime se Tanto Amate – Alas! If you like it too much 13. Io Mi Son Giovinetta – I’m a young girl, laughing and singing 14. Quel Augellin Che Canta – That little bird that sings 15. Non Più Guerra Pietate – No more fighting, pray, my beautiful eyes 16. Si Ch'io Vorrei Morire – How I want to die 17. Anima Dolorosa – Suffering soul that lives so much pain and torment 18. Anima Del Cor Mio – My soul’s heart 19. Longe da Te Cor Mio – Stay away from me 20. Piagne e Sospira – He drinks and sighs Parts are supplied to suit flexible brass or wind (or both) quintets as follows:Flexible quintet parts are supplied as follows:Part 1 in Bb,Part 2 in Bb, Part 3 in Bb/Eb/F, Part 4 in Bb/Eb/C(Bass clef) and Part 5 in Bb/Eb/C(Bass clef)
$125.00 ≈
£98.50
Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
Monteverdi - The Sixth Book of Madrigals - Lamento d'Arianna
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767283 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 80 pages. Lyons Music Services #3218731. Published by Lyons Music Services (A0.767283). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first song is Lasciatemi morire - Let me die. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$13.00 ≈
£10.24
Monteverdi - The Sixth Book of Madrigals - 07. A Dio Florida bella
Monteverdi - The Sixth Book of Madrigals - 07. A Dio Florida bella
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767276 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218691. Published by Lyons Music Services (A0.767276). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This song immediately precedes Sestina and is another wooing song to a girl named Florida. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99 ≈
£4.72
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
Monteverdi - The Sixth Book of Madrigals - 05. Zefiro torna e bel tempo rimena
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767274 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 37 pages. Lyons Music Services #3218685. Published by Lyons Music Services (A0.767274). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Song number 5 sits between Lamento della Ninfa and Sestina as a stand-alone song. Zephyrs turn and bring good weather A zephyr is a kind of fickle wind that can bring clouds or sunshine. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99 ≈
£4.72
Monteverdi - The Sixth Book of Madrigals - 01. Lasciatemi morire
Monteverdi - The Sixth Book of Madrigals - 01. Lasciatemi morire
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767270 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 13 pages. Lyons Music Services #3218673. Published by Lyons Music Services (A0.767270). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The first of these is Lasciatemi morire which translates as Let me die or, perhaps, Leave me to die. There is almost a conversation between two groups of voices, with the tenor leading one group and the Cantus leading the other. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99 ≈
£4.72
Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
Monteverdi - The Sixth Book of Madrigals - 04. Ahi ch' ei non pur risponde
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767273 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 16 pages. Lyons Music Services #3218683. Published by Lyons Music Services (A0.767273). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. The final song from Lamento d'Arianna tanslates as Ah! Who does not even answer! Ah! Who is deaf to my laments (pleas) Another song of a young man being turned down by his lover. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99 ≈
£4.72
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
Monteverdi - The Sixth Book of Madrigals - 06. Una donna fra I' altre
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767275 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 17 pages. Lyons Music Services #3218689. Published by Lyons Music Services (A0.767275). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. Here, the song is describing One woman amongst the others, honest and beautiful. Now, there's flattery for you! There is a subtitle to this song Concertato nel clavicembalo - Conducted from the harpsichord. Obviously, this is not possible in this transcription. The continuo part has been incorporated into the rests of all of the parts, without swamping the leading voices. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99 ≈
£4.72
Monteverdi - The Sixth Book of Madrigals - 12. Batto qui pianse
Monteverdi - The Sixth Book of Madrigals - 12. Batto qui pianse
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767280 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767280 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 40 pages. Lyons Music Services #3218709. Published by Lyons Music Services (A0.767280). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna and there is a second named group Sestina. This song, No 12, translates as Betty, who cried, was imprisoned by Chloris the shepherd while he hunted a deer. Needless to say, it was for romantic reasons! As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99 ≈
£4.72
Monteverdi - The Sixth Book of Madrigals - 03. Dove, dove è la fede
Monteverdi - The Sixth Book of Madrigals - 03. Dove, dove è la fede
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Ensemble de cuivres
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INTERMÉDIAIRE
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Lyons Music Services
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #321868...
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Brass Ensemble - Level 3 - SKU: A0.767272 Arranged by Lyons Music Services. Baroque,Renaissance. Score and parts. 15 pages. Lyons Music Services #3218681. Published by Lyons Music Services (A0.767272). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. This third song of Arianna's Lament is about a loss of belief or trust in one's lover. (TBH, I wouldn't trust him either!) As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$5.99 ≈
£4.72
Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
Monteverdi - The Sixth Book of Madrigals - 02. O Teseo, Teseo mio
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767271 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 27 pages. Lyons Music Services #3218677. Published by Lyons Music Services (A0.767271). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. The second of these is O Teseo, Teseo mio which translates as O Theseus, my Theseus. The young man is pleading with his lover to tell him that she wants him and he is referred to as Theseus in order to fit in with the common mythology of the time. Just as the women have Arianna, Daphne and Clorinda, so the men have Theseus, Clovis and various other mythological fantasies. As with all things madrigalian, the lyrics are rife with double entendres.
$5.99 ≈
£4.72
Monteverdi - The Sixth Book of Madrigals (Complete)
Monteverdi - The Sixth Book of Madrigals (Complete)
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons...
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Brass Ensemble - Level 3 - SKU: A0.767268 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 324 pages. Lyons Music Services #3218659. Published by Lyons Music Services (A0.767268). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory 'scena', which Monteverdi calls Lamento d'Arianna. A little later, there is a set of 6 songs which he grouped together under the title Sestina. A Sestina is a complex poem made up of 6 stanzas each of 6 verses with rules regarding hoe the last line of the first verse is repeated. Obviously, we are not using the lyrics, but we need to be aware of the structure so that when the music reappears we can treat it appropriately. As with all things madrigalian, the lyrics are rife with double entendres, despite the fact that all of the lyrics deal with loss of one kind or another. Monteverdi uses some very close dissonances to describe death and release. Often with wrenching results for the harmony.Please note, there are two extra parts for No.13, which is for 7 voices. Part 6 is an Alto voice (Horn/Alto Sax/Clarinet) and part 7 is a tenor voice (Trombone/Baritone/Tenor Sax/Euphonium).
$115.00 ≈
£90.62
Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
Monteverdi - The Sixth Book of Madrigals - 11. Misero Alceo
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Ensemble de cuivres
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Mike Lyons
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Monteverdi - The Sixth Book of
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons ...
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Brass Ensemble - Level 3 - SKU: A0.767281 Composed by Claudio Monteverdi. Arranged by Mike Lyons. Baroque,Renaissance. Score and parts. 19 pages. Lyons Music Services #3218703. Published by Lyons Music Services (A0.767281). As part of my continuing project to transcribe Monteverdi's madrigals onto winds, here is the 6th book. In this book we see a much greater development towards dramatic representation. In a way, this book is divisible into two Scenes with a number of single items in between. The vocal lines are all much more complex and we can also see the beginnings of monodic writing appear in the semi-recit sections of some of the songs. Also clearly developing are delineations of the voices into soloists and chorus. Several songs in this book are almost akin to arias, with clear soloistic writing for the higher voices (Cantus/Tenor). The first four songs form a kind of introductory scena, which Monteverdi calls Lamento d'Arianna. There is another set of 6 forming a substantial scena which Monteverdi labelled Sestina. No 11 is a stand-alone song describing a young man, Alceo, unwilling to leave his lover (Lydia) to go on a long journey. This is much more in the character of a solo song for the tenor, with interjections from the 'chorus'. As with all things madrigalian, the lyrics are rife with double entendres. Monteverdi uses some very close dissonances to describe death and release.
$4.99 ≈
£3.93
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Four Renaissance Madrigals
