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For Lack Of A Better Title
Partitions à imprimer
13 partitions trouvées
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1
For Lack Of A Better Title
For Lack Of A Better Title
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Chorale TTBB
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INTERMÉDIAIRE/AVANCÉ
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Tate Russell
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For Lack Of A Better Title
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Tate Russell
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - SKU: A0.1032131 Composed by Tate Russell. Broadway,Contemporary,Jazz,Musical/Show,Pop. Octavo. 6 pages. Tate Russell #44...
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Choral Choir (TTBB) - Level 4 - SKU: A0.1032131 Composed by Tate Russell. Broadway,Contemporary,Jazz,Musical/Show,Pop. Octavo. 6 pages. Tate Russell #4405952. Published by Tate Russell (A0.1032131). Fun and upbeat music theatre piece about falling in love with your best friend... (With a twist)Each part must be solid for tight harmonies, and dynamics are key. Runs about 2:30.Contact me at trussting7@gmail.com with any questions, and enjoy! I'd love to do some commissions if you like my work, too!
$3.99 ≈
3.67€
The Water is Wide for Viola & Piano
The Water is Wide for Viola & Piano
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Alto, Piano
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FACILE
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Contemporain
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Traditional Scottish
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James M
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The Water is Wide for Viola &
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jmsgu3
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SheetMusicPlus
Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pag...
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Composed by Traditional Scottish. Arranged by James M. Guthrie. Christian, Repertoire, Technique Training, Easter, Lent. Score, Set of Parts. 17 pages. Published by jmsgu3
The Water Is Wide (O Waly Waly)
Duration: 5:24
Score: 10 pg. 121 ms., MM quarter = 94, final verse MM quarter = 80, common time
Solo part: 3 pg.
Piano part: 4 pg.
A thought-provoking arrangement of a Traditional Scottish Folksong. Probably most widely known as "The Water Is Wide,"
it is also well known by it's more ancient title: "O Waly Waly." The tune is also known as " When I Survey the Wondrous Cross," and "The Gift of Love."
This is an original arrangement from the ground up.
Programming:
If you are looking for something with new contrapuntal and harmonic adventures for a Lenten prelude or a meditation during Holy Week, this will fit the bill.
It could also work well in a recital setting because it fits well on the instrument, and provides a chance to show off long, sensitive musical phrases.
Some of the figures in the descant verse are a wee-bit more advanced so, this is for intermediate players rather than beginners.
Keep in mind these performance ideas:
1. It's a simple tune that needs to unfold in the due course of time, so don't rush it. A slight ritardando at the end of each verse may help if you want to further delineate the verses.
2. There is a lot of interesting counterpoint here, so be prepared to give-and-take on the dynamics more than what I have indicated.
3. The final verse is much slower and more mysterious, and the dynamics are crucial - the quieter the better. Piano - the last chord: take your time on the roll, make it nice and slow.
Synopsis of the arrangement:
verse 1: Simple quiet duet with the melody in the solo instrument.
verse 2: Melody in the solo instrument accompanied by a 2-part canon in the piano.
verse 3: Melody in the piano in 4-part harmony.
verse 4: 3-part canon on the melody (with a free accompaniment voice).
verse 5: 2-part canon with a free accompaniment in the solo part
verse 6: Melody in octaves with free bass in octaves; descant in the solo part - loudest verse.
verse 7: Very quiet ending verse - Modulates down a fourth, melody in the solo part accompanied by simple quartal/quintal
piano clusters over bass chords that suggest submerged church bells.
For better insight into the performance of this music: express the emotion indicated by the lyrics:
The Water Is Wide:
The water is wide, I cannot get over
Neither have I wings to fly
Give me a boat that can carry two
And both shall row, my love and I
A ship there is and she sails the sea
She's loaded deep as deep can be
But not so deep as the love I'm in
I know not if I sink or swim
I leaned my back against an oak
Thinking it was a trusty tree
But first it bent and then it broke
So did my love prove false to me
I reached my finger into some soft bush
Thinking the fairest flower to find
I pricked my finger to the bone
And left the fairest flower behind
Oh love be handsome and love be kind
Gay as a jewel when first it is new
But love grows old and waxes cold
And fades away like the morning dew
Must I go bound while you go free
Must I love a man who doesn't love me
Must I be born with so little art
As to love a man who'll break my heart
When cockle shells turn silver bells
Then will my love come back to me
When roses bloom in winter's gloom
Then will my love return to me
The lyrics for "Waly, Waly, Gin Love Be Bonny" from Ramsay's Tea Table Miscellany (1724).
O Waly, waly (a lament ? "woe is me") up the bank,
And waly, waly doun the brae (hill),
And waly, waly, yon burn-side (riverside),
Where I and my love wont to gae.
I lean'd my back into an aik (oak),
I thocht it was a trusty tree;
But first it bow'd, and syne (soon) it brak (broke),
Sae my true love did lightly me.
O waly, waly, but love be bonnie (beautiful),
A little time while it is new,
But when 'tis auld (old), it waxeth cauld (cold),
And fades away like the morning dew.
O wherefore should I busk my heid (adorn my head)?
Or wherefore should I kame (comb) my hair?
For my true love has me forsook,
And says he'll never love me mair (more).
Now Arthur Seat shall be my bed,
The sheets shall ne'er be fyl'd by me,
Saint Anton's well shall be my drink,
Since my true love has forsaken me.
Martinmas wind, when wilt thou blaw (blow),
And shake the green leaves off the tree?
O gentle death, when wilt thou come?
For of my life I am weary.
'Tis not the frost, that freezes fell,
Nor blawing snaws (snow) inclemency,
'Tis not sic cauld (such cold) that makes me cry,
But my love's heart grown cauld to me.
When we cam in by Glasgow town,
We were a comely sight to see;
My love was clad in the black velvet,
And I my sell in cramasie (crimson).
But had I wist (known), before I kiss'd,
That love had been sae ill to win,
I'd lock my heart in a case of gold,
And pin'd it with a silver pin.
Oh, oh! if my young babe were born,
And set upon the nurse's knee,
And I my sell were dead and gane,
For a maid again I'll never be.[4]
(Lyrics courtesy of Wikipedia)
For more information, please feel free to contact me at: jmsgu3 "at" gmail.com
James M. Guthrie, ASCAP
jmsgu3 publications
$32.95 ≈
30.33€
AT LAST FOR STRING QUARTET
AT LAST FOR STRING QUARTET
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Etta James
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Helen Marple-Horvat
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AT LAST FOR STRING QUARTET
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Helen Marple- Horvat
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SheetMusicPlus
String Quartet - Advanced - By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 18 pages. Published by Helen Marple- Horvat...
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String Quartet - Advanced - By Etta James. Arranged by Helen Marple-Horvat. Score, Set of Parts. 18 pages. Published by Helen Marple- Horvat
https://www.youtube.com/watch?v=fA0-Tg4tul8andfeature=youtu.be
?At Last? was composed by Mack Gordon and Harry Warren for the musical ?Sun Valley Serenade? in 1941. It was recorded by Glenn Miller and his orchestra, becoming a chart hit in 1942, and in 1960 by Etta James, who was subsequently inducted into the Grammy Hall of Fame. The song is a frequent wedding favourite for quartets.
If you would like to watch a video of a professional quartet playing my arrangement on Youtube, look up my channel by typing Skinny Black Dogs-Capriccio Quartet-At Last.
This version of the song is for a professional/advanced quartet, as the opening is tricky for the first violin. However, most of the double stopping includes open strings for at least one of the notes. I have spread the melody across each member of the quartet so that everyone has their place in the sun! As a cellist myself, I know that my part can sometimes be a bit dull, so the cellist gets a lot of the tune! In the solos I have sometimes tried to approximate the feel of jazz by precisely notating the rhythms, but realistically I think it is better for each player to listen to different versions of the song and to play it,to some extent, by ear in order to feel the syncopation. It needs to have a ?rubato? melody, but with the accompaniment as a rock solid 12/8 beat, albeit with an emphasis on the ?off beat? which I have notated with an accent. I also recommend grace notes and glissandi to enhance the bluesy mood.I think Capriccio Quartet does this beautifully!
As well as this version for Quartet, I also have another arrangement of the song in the same key for String Quartet and Female Singer. You can find it uploaded to Sheet Music Press, and is recorded by Capriccio Quartet with my daughter singing.The accompanying parts are almost identical, but each player has more double stopping in the Quartet version. It is in the same key. Have fun and post me any recordings. I can be found on Facebook very easily.
$20.00 ≈
18.41€
Notturno in Gb Major of Ottorino Respighi
Notturno in Gb Major of Ottorino Respighi
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Respighi, O
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Michael Bomier
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Notturno in Gb Major of Ottori
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Michael Butkus-Bomier
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SheetMusicPlus
Composed by Respighi, O. Arranged by Michael Bomier. Concert, Romantic Period, Standards. Score. 9 pages. Michael Butkus-Bomier #3622741. Published by Mich...
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Composed by Respighi, O. Arranged by Michael Bomier. Concert, Romantic Period, Standards. Score. 9 pages. Michael Butkus-Bomier #3622741. Published by Michael Butkus-Bomier
Notturno is simply "nocturne" with an Italian aroma. Bella Vita, eh!
Many concert works in the standard repertoire are placed in keys with five flats of sharps or more, as this piece illustrates. The reason for this is not mere "virtuosity" or even intellectual hubris. The black-keys afford an access to many kinds of gestures that alternate between the black and white keys, for two hands, in a way that placement in C, F or G simply do not provide. Having the hands in and up over the black keys affords, as in this case, an easy alternation between an upper and lower hand gesture, without having to be in the same keyplane.
Why are the black keys easier for this, you might ask, since they are ALSO in a uniform plane? The white keys have no diatonic gaps, but the black keys, forming a pentatonic scale with two gaps, does indeed afford just such a place to place these sorts of piano-drumming gestures. The main distinguishing feature of our setting here is the elimination of this top melody tone, which dies so fast,and yet in standard editions gets smeared across the top of many lines like excess frosting that has already been eaten.
Our edition shows when each gesture begins, and does NOT emphasize how long these drawn-out single tones last, over the accompaniment. Spellings are better, and pedaling is included throughout, rather than left to laissez-faire. 10ths are often used here, and are shown are arpeggiandi throughout.
The MIDI file playback here does not really convey how much rubato can be applied to this piece, in a most musical and entertaining way, as the composer intended. MBB.
$4.25 ≈
3.91€
Diamonds Are Forever (from "Diamonds Are Forever")
Diamonds Are Forever (from "Diamonds Are Forever")
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Guitare notes et tablatures
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Pop musique
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John Barry
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Diamonds Are Forever
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Guitar TAB - SKU: AX.00-PS-0013915 Composed by John Barry. Pop. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0013915. Published by Alfred Music - ...
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Guitar TAB - SKU: AX.00-PS-0013915 Composed by John Barry. Pop. 3 pages. Alfred Music - Digital Sheet Music #00-PS-0013915. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013915). ISBN 9780739094563. UPC: 038081455587. Don Black.In 1962, the staccato attack of Vic Flick's guitar shot out from the film Dr. No as if from the barrel of Bond's own Walther PPK, and it's been the signature sound of Bond ever since. This book features 12 classic James Bond themes in easy-to-play melody and guitar arrangements. The included DVD-ROM contains sound-alike and play-along MP3s with full orchestration, and our exclusive TNT 2 Custom Mix software, which allows you to alter the instrument mixes, loop sections, and change tempos and keys. Titles: Diamonds Are Forever * For Your Eyes Only * From Russia with Love * Goldfinger * James Bond Theme * Live and Let Die * Nobody Does It Better * On Her Majesty's Secret Service * Thunderball * Tomorrow Never Dies * A View to a Kill * You Only Live Twice.
$2.99 ≈
2.75€
Descriptive Song. The Black Sheep Loves You Best of All, or, Better Than the Rest. Song & Chorus
Descriptive Song. The Black Sheep Loves You Best of All, or, Better Than the Rest. Song & Chorus
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Piano, Voix
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William F
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Descriptive Song. The Black Sh
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.5180 Composed by William F. Gould. Portraits, Fathers & children, Aged persons, Wealth, Anger, Deception, Poor persons, Ethics...
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Piano and voice - SKU: LV.5180 Composed by William F. Gould. Portraits, Fathers & children, Aged persons, Wealth, Anger, Deception, Poor persons, Ethics, Homecomings, Inheritances. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5180). Descriptive Song. The Black Sheep Loves You Best of All, or, Better Than the Rest. Song & Chorus. Words and Music by Wm. F. Gould. Published 1898 by Howley, Haviland & Co., 1260-1266 Broadway in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Fathers & children, Aged persons, Wealth, Anger, Deception, Poor persons, Ethics, Homecomings, Inheritances. First line reads In a quiet village, not so very far away.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.51€
Spirituals: Guitar Solos and Songbook
Spirituals: Guitar Solos and Songbook
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Guitare
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FACILE
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Gospel Spirituel
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Fingerstyle/Fingerpicking
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David Marshall
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Spirituals: Guitar Solos and S
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By David Marshall. For Guitar (Fingerpicking). Gospel-Black. 142 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By David Marshall. For Guitar (Fingerpicking). Gospel-Black. 142 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781610657631. The Spirituals Their Story, Their Song Guitar Solos and Songbook is both a collection of guitar solos and a songbook devoted to African-American spirituals. The music is placed in historical context to help the reader better appreciate and interpret this amazing musical legacy. The book provides solo guitar arrangements in standard notation and tablature plus a vocal stave with complete lyrics and chord diagrams for 60 songs of faith, freedom, hope and the human spirit. A companion online audio includes the author's rendition of all of the guitar solos in the book. The book provides an in-depth analysis of the various meanings and messages of the spirituals, and traces the musical forms that grew out of them, namely blues, jazz, gospel, country, calypso, rhythm and blues, soul, and rock. This book is for all who play the guitar including: students, music teachers, parents, performing guitarists, vocalists and anyone with an interest in folk, gospel and sacred music. Includes access to online audio.
$22.99 ≈
21.16€
Neshamah
Neshamah
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Guitare
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Fingerstyle/Fingerpicking
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Tim Sparks
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Neshamah
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Tim Sparks. For Guitar (Fingerpicking). Jewish. 160 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Tim Sparks. For Guitar (Fingerpicking). Jewish. 160 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781609740993. Transcriptions from Neshamah, Tim Sparks's ground-breaking recording for Tzadik Records of traditional Jewish melodies arranged for solo guitar. Neshamah is a Hebrew word meaning "soul," and in these soulful pieces, Sparks explores the music of the Jewish Diaspora, from the Caucasus to the Carpathians, from the Black Sea to Bosnia, from Jerusalem, Istanbul, Sarajevo, to New York's Lower East Side. Using a unique blend of bluesy string bends, jazz harmony and middle-eastern scales, he sheds new light on these tunes through the prism of fingerstyle guitar. Neshamah received wide critical acclaim in many publications around the world, including Fingerstyle Guitar, Acoustic Guitar, Guitar Player, Akustik Gitarre, Acoustic Guitar Japan, Dirty Linen, The Wall Street Journal, CDNOW, All Music Guide and the Amazon.com Editor's Top 100 CDs of 1999. The entire recording has been transcribed here, including an appendix with the complete solos. Several of the arrangements are accessible to intermediate level players while some are better suited to the advanced player. Some of these transcriptions are slightly different than the CD recorded versions and reflect how the composition is currently played by Tim and are notated as such in the Performance Notes.
$24.99 ≈
23.00€
Beginning Rock/Pop Guitar Etudes
Beginning Rock/Pop Guitar Etudes
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Guitare
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FACILE
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Methodes Etudes
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Adam Douglass
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Beginning Rock/Pop Guitar Etud
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar (rock & blues) - Beginning-Intermediate - Composed by Adam Douglass. Rock. E-book and online video. 32 pages. Mel Bay Publications - Digi...
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Guitar (rock & blues) - Beginning-Intermediate - Composed by Adam Douglass. Rock. E-book and online video. 32 pages. Mel Bay Publications - Digital Sheet Music #30648MEB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619117679.
Is the beginning stage of learning the guitar proving to be a frustrating experience? Do you lack songs which you can play from start to finish? Do the ones that you can play all the way through not sound much like their original versions? I have been teaching these pieces to my beginner students for quite some time now, and the success rate has been remarkable. Most methods start by having the student slowly move back and forth between basic chords using only down strokes, playing chords one note at a time to make sure all the notes ring clear. This book offers something much differentaplaying music! The pieces are designed to target trouble areas often experienced by beginners of the instrument: arching the fingers enough in order to let all the notes of a chord ring clearly. Rather than just droning on through a series of chords, musical patterns are created so that as you learn proper technique youare also playing something musical. The results have been better than expected. Focusing on figures that demand proper technique and some of the most common strumming patterns found in popular music, many of my students are able to execute beginner and intermediate level songs within a few weeks of picking up the instrument rather than a few months. Additionally, the dreaded F chord, or root 6 major barre chord, often rings clearly with all 6 notes being heard upon the first attempt. This book will help you achieve your guitar related goals quickly, more efficiently, and most importantly, more enjoyably. Includes access to online video.
$12.99 ≈
11.96€
Clarinet Quarter-Tone & Altissimo Fingering Chart
Clarinet Quarter-Tone & Altissimo Fingering Chart
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Clarinette
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Jason Alder
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Clarinet Quarter-Tone & Al
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AMA Editions
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SheetMusicPlus
A Clarinet Solo,B-Flat Clarinet Solo - SKU: A0.1309185 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA ...
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A Clarinet Solo,B-Flat Clarinet Solo - SKU: A0.1309185 Composed by Jason Alder. 20th Century,21st Century,Instructional. Individual part. 18 pages. AMA Editions #898359. Published by AMA Editions (A0.1309185). This is the newly updated 3rd Edition of the most comprehensive fingering chart for clarinet. The 2nd Edition became widely popular and used by clarinetists around the world, and this new 3rd Edition adds 127 fingerings for a total offering of over 300 fingerings through four and a half octaves in quarter-tones for clarinet, from written E3 to A7.Author's Notes:Ten years have passed since releasing the 2nd Edition of my Bass Clarinet Quarter-Tone Fingering Charts, which coincided with the first release of a chart for soprano clarinet. I’m now already on the 3rd Edition of both the clarinet and bass clarinet charts, which are being released simultaneously, following the recent release of a compilation of three separate charts for Leblanc, Selmer, and Eppelsheim contrabass clarinets.The first obvious change in the 3rd Edition is to the title. I have added Altissimo to better reflect that these charts are not only useful for their quarter-tones, but also for their stratospheric range. The charts have also had a formatting revision and are now being published through AMA Editions, available in print as well as digital forms.The next big change is the addition of 127 quarter-tone and altissimo fingerings, and some corrections and revisions to the existing ones. With these revisions come some new notations of the diagrams. One of these is the use of grey-colored keys, first used in the contrabass clarinet charts, to indicate keys which may be added to help tuning, response, and/or resonance. Rather than creating a new diagram for every possible combination, I thought it would be more effective to show the fundamental fingering in black, with the grey keys as possible additions dependent on what works best for a player and their instrument.
$9.00 ≈
8.28€
Origins
Origins
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Sy Brandon
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Origins
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Sy Brandon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755154 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 174 pages. Sy Brandon #3408009. Published ...
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Full Orchestra - Level 4 - SKU: A0.755154 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 174 pages. Sy Brandon #3408009. Published by Sy Brandon (A0.755154). Origins musically represents three important recent scientific explorations of space and matter that are designed to give humans a better understanding of the origins of the universe and the origins of life. The first movement, Black Holes and Cyclotrons, represents the quest to understand and reproduce the relationship between gravitation and energy that scientists believe caused the big bang and our ever-expanding universe. The music of this movement represents the danger inherent in these explorations into the unknown. There are sections of the movement that are lighter in nature that depict subatomic particles dancing around in a particle accelerator. The end of the movement increases in tempo reflecting the ever-increasing speeds of particle accelerators and the gravitational pull of black holes. The Surface of Mars is the title of the second movement that depicts NASA’s Mars Exploration Rover Mission. The rovers Spirit and Opportunity have explored the surface of Mars and have revealed the surface as being mostly a barren landscape void of life. The outer sections of this movement reflect this discovery. The middle section of the movement represents the excitement of one of the rovers finding indications of water having existed on Mars and therefore the possibility that life may have also existed. The third movement, Window Into Deep Space, is a tribute to the Hubble Space Telescope. This movement has many uplifting sections as the Hubble Space Telescope has provided views of the universe never before seen from Earth. It also has sections of anxiety as this mission was wrought with several failures that nearly derailed it. The promise of increased understanding of our universe is reflected in the ending of this composition. The score prints on legal size paper and the parts on letter.
$39.95 ≈
36.77€
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