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For Crying Out Loud
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Vous avez sélectionné:
For Crying Out Loud
Partitions à imprimer
10 partitions trouvées
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1
You Took The Words Right Out Of My Mouth
You Took The Words Right Out Of My Mouth
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Chorale SSAA
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INTERMÉDIAIRE/AVANCÉ
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Meat Loaf
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Michael Thomas Coull
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You Took The Words Right Out O
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MTC Publishing
#
SheetMusicPlus
Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Ro...
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Choral Choir,Choral (SSAA) - Level 4 - SKU: A0.1267123 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859757. Published by MTC Publishing (A0.1267123). You Took The Words Right Out Of My Mouth - Choral Arrangement for SSAA and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together. The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen. Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.  Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for SSAA women's choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SATB.
$3.99 ≈
¥28.87
You Took The Words Right Out Of My Mouth
You Took The Words Right Out Of My Mouth
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Meat Loaf
#
Michael Thomas Coull
#
You Took The Words Right Out O
#
MTC Publishing
#
SheetMusicPlus
Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1267125 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Ro...
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Choral Choir,Choral (SATB) - Level 4 - SKU: A0.1267125 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859760. Published by MTC Publishing (A0.1267125). You Took The Words Right Out Of My Mouth - Choral Arrangement for SATB and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together.  The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen.  Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.   Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for full SATB choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SSAA.
$3.99 ≈
¥28.87
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
¥28.87
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
La ciudad sumergida (The Submerged City) for SSAA treble voices and nature soundtrack
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Chorale SSAA
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INTERMÉDIAIRE
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Adrienne Inglis
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La ciudad sumergida
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Adrienne Inglis
#
SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #640560...
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Choral Choir (SSAA) - Level 3 - SKU: A0.953625 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin. Octavo. 5 pages. Adrienne Inglis (ASCAP) #6405603. Published by Adrienne Inglis (ASCAP) (A0.953625). La ciudad sumergida (The Submerged City) for four-part treble chorus and nature soundtrack by Adrienne Inglis (ASCAP) Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale A setting of an excerpt of RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) by Alfonsina Storni (1938) Copyright © 2020 Adrienne Inglis Founder, composer, and singer with Inversion Ensemble of Austin, Texas, Adrienne Inglis also serves as principal flute with the Central Texas Philharmonic, flute instructor at Southwestern University, and flutist with flute/harp duo Chaski. She has music degrees from Lewis and Clark College and the University of Texas at Austin. An avid birder and environmentalist, she lives in the rural hill country of Central Texas. Poet Alfonsina Storni began writing during a tumultuous childhood fraught with economic hardships, many disruptive moves, and an alcoholic father. She danced with a theatrical troupe and then became a teacher and journalist. She bore a child out of wedlock and found herself working as a single mother during socially oppressive times. In Buenos Aires she joined the emerging world of women’s rights, becoming an important literary voice in the movement. When her breast cancer returned, her lifelong passion for the sea culminated in her suicide off of the coast of Argentina. RÃo de La Plata en lluvia from Mascarilla y Trébol (1938) lines 1-4 by Alfonsina Storni in the public domain Ya casi el cielo te apretaba, ciego, y sumergida una ciudad tenÃas en tu cuerpo de grises heliotropos neblivelado en su copón de llanto. [The sky was about to embrace you, blind, and you had in your body of gray heliotropes a submerged city, with the misty sky like a chalice about to overflow with tears.] Program note: Commissioned for Dr. Ramona M. Wis and the North Central College Women’s Chorale of Naperville, Illinois, La ciudad sumergida (The Submerged City) by Adrienne Inglis for four-part treble chorus with nature soundtrack captures the mood of a river, a city, the cloudy sky, and the poet’s own profound melancholy. The sound of rain creates both the ambiance of a misty day on the river and the sensation of cathartic crying from great sadness and pain. The city’s reflection on the river’s surface gives the illusion that the city is submerged in the water. The reflection of the clouds hovering low over RÃo de La Plata looks like gray heliotrope flowers. The apocalyptic images of a submerged city and of tears overflowing from the chalice-sky eerily foreshadow rising sea levels due to anthropogenic global warming. The nature soundtrack of rain was recorded by the composer in the hill country of central Texas, July 2020. Performance note: This aleatoric, asynchronous composition is suitable for remote singing along with the video score and nature soundtrack. Observe the order of entrances, but know that it’s not meant to line up exactly. Finish a phrase even if another phrase has started. Diphthongs move immediately to the second vowel sound. Ya begins with the [dÊ’] sound and llanto begins with the [Ê’] sound, both typical of the Buenos Aires accent. Sing quite expressively except for the neblivelado section which is misty and veiled. The director may wish to indicate the rehearsals numbers or the singers may follow the time on the video-or both. Duration: 3:08 Link to video with soundtrack is available from the composer (http://adrienneinglis.com). Acknowledgements: The composer warmly thanks Pablo and Diana Donatti, Ãngeles RodrÃguez Cadena, and Emilio Torres for their contributions to this project and to Dr. Ramona M. Wis and the North Central College Women’s Chorale for the generous commission. Copyright © 2020 Adrienne Inglis | http://adrienneinglis.com
$3.99 ≈
¥28.87
For Crying Out Loud
For Crying Out Loud
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Piano, Voix et Guitare
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Rock
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Meat Loaf
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For Crying Out Loud
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Hal Leonard - Digital
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SheetMusicPlus
By Meat Loaf. This edition: scorch. Pop, Rock. Score. 9 pages. Hal Leonard - Digital #253930. Published by Hal Leonard - Digital ...
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By Meat Loaf. This edition: scorch. Pop, Rock. Score. 9 pages. Hal Leonard - Digital #253930. Published by Hal Leonard - Digital
$4.99 ≈
¥36.11
The Prisoners Shall Surely Go Free - an original hymn for SATB voices
The Prisoners Shall Surely Go Free - an original hymn for SATB voices
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Voix seule
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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The Prisoners Shall Surely Go
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Kevin G. Pace
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SheetMusicPlus
Vocal Solo,Voice - Level 4 - SKU: A0.701678 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #...
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Vocal Solo,Voice - Level 4 - SKU: A0.701678 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. 2 pages. Kevin G. Pace #3245553. Published by Kevin G. Pace (A0.701678). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/xRnYpEOK4w4Let all ye mountains and valleys cry aloud And all ye seas and dry land shout it out. Let all the dead speak forth anthems of praise For the Lord in His glory shall open the graves. Then shall the righteous remember and see; For the prisoners shall surely go free. Sun, moon, and stars sing together to our Lord. All sons of God shout for joy at His Word. Let all creation remember His name, Since the day that He made them, He still is the same; Purging our stains when from darkness we flee, For the prisoners shall surely go free. What do we hear in the gospel we receive? Voices of truth to the souls who believe, Angels of God crying truth is restored, Ancient words rising from the dust as the prophets implored, Line upon line heard in grand harmony For the prisoners shall surely go free.
$1.99 ≈
¥14.40
The Prisoners Shall Surely Go Free, sacred music for SATB choir
The Prisoners Shall Surely Go Free, sacred music for SATB choir
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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The Prisoners Shall Surely Go
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1188980 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spi...
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Choral Choir (SATB) - Level 4 - SKU: A0.1188980 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. Octavo. 8 pages. Kevin G. Pace #788589. Published by Kevin G. Pace (A0.1188980). A dramatic, choral arrangement for SATB choir. Â Music by Kevin G. Pace. Â Text by Mark R. Fotheringham.Text:Let all ye mountains and valleys cry aloud And all ye seas and dry land shout it out. Let all the dead speak forth anthems of praise For the Lord in His glory shall open the graves. Then shall the righteous remember and see; For the prisoners shall surely go free.Sun, moon, and stars sing together to our Lord All sons of God shout for joy at His Word. Let all creation remember His name, Since the day that He made them, He still is the same; Purging our stains when from darkness we flee, For the prisoners shall surely go free.What do we hear in the gospel we receive? Voices of truth to the souls who believe, Angels of God crying truth is restored, Ancient words rising from the dust as the prophets implored, Line upon line heard in grand harmony For the prisoners shall surely go free.
$1.99 ≈
¥14.40
Meat Loaf: For Crying Out Loud - voice, piano or guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Rock
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Meat Loaf
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Virtualsheetmusic
Instantly printable sheet music by Meat Loaf for voice, piano or guitar of MEDIUM skill level. / pop,rock
Instantly printable sheet music by Meat Loaf for voice, piano or guitar of MEDIUM skill level. / pop,rock
$7.97 ≈
¥57.67
Smile - an original hymn for SATB voices
Smile - an original hymn for SATB voices
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Smile - an original hymn for S
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.701689 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevi...
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Choral Choir (SATB) - Level 4 - SKU: A0.701689 Composed by Kevin G. Pace, Mark R. Fotheringham. Christian,Praise & Worship,Sacred. Octavo. 2 pages. Kevin G. Pace #3246053. Published by Kevin G. Pace (A0.701689). An original hymn with text by Mark Fotheringham below.YouTube video: https://youtu.be/6AXDSre-o2QDoes it pay to be downcast or gloomy? Does it help to complain or be sad? Will the world open wide if you're cloudy inside, Or will sunshine align with the glad? CHORUS You can smile every day you are living, For each day you can choose how you feel. Win control of your heart each morning When you first take the time to kneel. Should your life go awry in the morning, Should your day take a turn for the worse, If you only see doom through the fog and the gloom, All your blessings you now should rehearse. CHORUS There are days when you just feel like crying. There are days when the tears tend to flow. When the grief in your heart only sadness imparts, Seek the Lord for His comfort to know. CHORUS Should your anger build up near to boiling, Should it seem you are soon to explode, In the gospel of peace, let your mind rest at ease, For all vengeance is Mine, said the Lord. CHORUS Let the goodness of God be your comfort. Let the blessings of God be your stay. May His glory and light shine within you so bright, Any darkness will soon turn to day. CHORUS
$1.99 ≈
¥14.40
Il teatro
Il teatro
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Monica Bergo
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more lives
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Il teatro
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Monica Bergo
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.97687...
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Piano Solo - Level 3 - SKU: A0.976874 Composed by Monica Bergo. Contemporary. Score. 5 pages. Monica Bergo #3244129. Published by Monica Bergo (A0.976874). 2017 Holiday Contest EntryTHEATER If you want to transform your reality If you want another life The theater is here Choose the character What will you interpret Follow your script and you will not be wrong A blue curtain The lights are down And music begins An ox eye That will turn on The scene lights up Offstage, me Look out for my turn my legs tremble Increase the beat People in the audience Silent is And thet expects to live The story you will tell theyr And everything is possible I grab the moment I commit myself to the utmost There is rhythm, there is energy There is grief, there is joy Here everything is fake but there is truth And fate here, nothing can Because history already has its plot and its ending We will incarnate here Vices and virtues In the comedy you will lose You will breathe with us The magic that's here tonight Live in this atmosphere Trash and a bit surreal It will involve you With its cardboard trees, canvas palaces Paper skies, foam lakes Tears drawn on blood red cheeks Imperfect moons and sunshine that does not shine It's all a theater this my life I play more roles In prose or poetry We are all actors In this reality Browse your script It will surprise you Finished the show I bow for you Applause and music A moment and I already find my self The usual Monica I feel a bit Pierrot Between joy and tears But it went well and then tomorrow replies Live more lives for never die Sweet illusion that will cull me And it will accompany me Even out of this scene If I recite good ,you will know Unsuspecting sides of me I'll be nice O arrogant and bad A witch or a diva Heroes of a time gone Who will I ever be? and how Pirandello wrote I’m none and one hundred thousand I interpret myself And it's never good the first I'm not convincing in my dirty clothes And I change the script bugs Of my days a little shaken Absurd Theater It turns into a silent film And crying out loud In this desolate stage If you are looking for an identity An interruption of reality Write your script or improver Get on that stage and you'll be what you want .... Monica Bergo
$3.99 ≈
¥28.87
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For Crying Out Loud
