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Vous avez sélectionné:
Finding the Star
Partitions à imprimer
125 partitions trouvées
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101
Beyond The Sea
Beyond The Sea
#
Chorale SATB
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #89803...
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Choral Choir,Choral (SATB divisi) - Level 4 - SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$10.00 ≈
8.93€
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Beyond The Sea *INSTRUMENTAL PACK ONLY*
#
Ensemble Jazz
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Charles Tenet
#
Tobi Crawford
#
Beyond The Sea *INSTRUMENTAL P
#
Tobi Crawford
#
SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawfor...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
$30.00 ≈
26.80€
Beyond The Sea
Beyond The Sea
#
Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Bobby Darin
#
Tobi A Crawford
#
Beyond The Sea
#
Tobi Crawford
#
SheetMusicPlus
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Sc...
(+)
Piano - Level 4 - SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea†over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,†and the song ends with: “and never again I’ll go sailing.†It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables†and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
$25.00 ≈
22.33€
Finding the Star
Finding the Star
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Contemporain
#
Abigail Gilson
#
Finding the Star
#
Abigail Gilson
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1024939 Composed by Abigail Gilson. Contemporary. Score and parts. 6 pages. Abigail Gilson #3631511. P...
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String Quartet String Quartet - Level 3 - SKU: A0.1024939 Composed by Abigail Gilson. Contemporary. Score and parts. 6 pages. Abigail Gilson #3631511. Published by Abigail Gilson (A0.1024939). Finding the Star is a slow-moving piece that draws out the idea of time being slowed down when one is lost. The theme of this piece is the idea of being lost at sea. The slow ground bass starts, the churning of the dark waves against the side of the ship. The sky and sea are the same type of dark, not a star or light can be seen anywhere above or below. On deck the crew wait for an order, though they are scared, there’s nothing they can do. They cannot make the star appear, and they cannot give direction without certainty that they’re going in the right direction. The waves turn and grow and often push the ship around, making everyone nervous, if they completely get turned they could get lost. The voices of the instruments trade places and come in and out of each other. Dancing around each other making a beautiful eerie melody. At the very end of the piece, the star is found. The clouds move and the moons bright light shines down on the weary travelers and they find hope again.
$4.99 ≈
4.46€
Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
Pocket Piano Proficiency: the quickest way to understand and learn the skills you need
#
Piano seul
#
Folklorique/Traditionel
#
Dr
#
Pocket Piano Proficiency: the
#
Deborah Rambo Sinn at The Underground Conservatory
#
SheetMusicPlus
Piano Solo - SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underground Conservato...
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Piano Solo - SKU: A0.1296630 Composed by Dr. Deborah Rambo Sinn, Author. Traditional. Score. 276 pages. Deborah Rambo Sinn at The Underground Conservatory #886807. Published by Deborah Rambo Sinn at The Underground Conservatory (A0.1296630). Finally, a piano skills book that you don't have to lug around! This 260+ page book fits on your phone or tablet and can be opened in any PDF reader, like Adobe Acrobat or forScore. Pocket Piano Proficiency: a revolutionary way to learn the skills you need offers basic piano skills in a new way. Author and veteran piano instructor Deborah Rambo Sinn wanted to find a solution for getting students to learn these solidly and efficiently–along with finding a way to combine this with developing excellent aural skills. Ultimately, she sought a way to quickly make these skills relevant to understanding larger concepts of music theory. Traditionally, it takes a long time of learning individual skills before a student can grasp how they all work together. Pocket Piano Proficiency flips this model, introducing tasks in chunks of like material. The circle of fifths appears from the first pages, demonstrating connections between keys from the start. The book’s pedagogical organization moves students from the easiest to more complex skills, allowing them to scaffold successfully from one chapter to the next. The eBook format allows for a new way of learning these skills that a black and white printed book does not afford. Each page contains several layers of helpful material that can be accessed by zooming in and out. Because only one level of information can be accessed at a time, students need to assimilate information from around the page to successfully complete each task (see video.) Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts. Additionally, the use of color cues for tasks further organizes each chapter. As an example, red is used for the simplest keys or most common concepts.
$21.99 ≈
19.64€
Finding Jesus, a sacred Christmas hymn
Finding Jesus, a sacred Christmas hymn
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Kevin G
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Finding Jesus, a sacred Christ
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Kevin G. Pace
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1143151 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,...
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Choral Choir (SATB) - Level 4 - SKU: A0.1143151 Composed by Kevin G. Pace (ASCAP), Mary Ann W. Snowball. Christian,Christmas,Praise & Worship,Religious,Sacred. Octavo. 3 pages. Kevin G. Pace #743512. Published by Kevin G. Pace (A0.1143151). A sacred Christmas hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball. Text: Like lone shepherds in the hills on a starlit night, We may search for Jesus, hoping for his light. If we were near Bethlehem, we might carry staffs. Now as we seek Jesus, He will lead our path. Though the star on Christmas night guided shepherds there, As we now seek Jesus, He’ll give constant care. We may not hear angel choirs trumpeting His Name; But as we seek Jesus, our path is the same. As we seek and search and find, kneeling as we pray, We can witness Jesus, like stars on our way. As we listen carefully angel voices breathe. Now as we find Jesus, He knows we believe. Finding Jesus gives us sight like the stars above; Finding Jesus lights our way with His endless love.
$1.99 ≈
1.78€
They Saw a Star Christmas Cantata for SATB optional instruments and piano
They Saw a Star Christmas Cantata for SATB optional instruments and piano
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Noël
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Connie Boss
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Connie Boss
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They Saw a Star Christmas Cant
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Connie Boss
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SheetMusicPlus
Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1318802 Composed by Connie Boss. Arranged by Connie...
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Alto Voice,Bass Voice,Cello,Piano Accompaniment,Soprano voice,Tenor Voice,Violin - Level 3 - SKU: A0.1318802 Composed by Connie Boss. Arranged by Connie Boss. Christmas,Holiday. 122 pages. Connie Boss #907356. Published by Connie Boss (A0.1318802). Everyone knows how special the star was for the birth of Jesus. The star guided many along the way to find the manger that Mary, Joseph and the newborn baby, Jesus were at. This cantata reflects the importance of the star during that time. Most of the songs have lyrics about the star.  The cantata starts off with Mary finding out from the angel that God chose her to bear his son - Ave Maria was redone for this advent moment. It keeps to the melody and Ave Maria words are still part of the lyrics. Some of the lyrics have the English translation in the song, while other lyrics are new for this Christmas song. The next song O Little Town of Bethlehem is where Mary and Joseph have to travel to pay their taxes and where   Jesus is born. This is where the star shines down for all to see.  This is the traditional song, but I have added extra lyrics at the end of each original verse. Next, the shepherds seeing the star decide to travel to Bethlehem. Pachelbel Canon is so iconic, but I have added lyrics from While Shepherds watched their flocks by night, Away in a Manger, What Child is This and The First Noel. The choir parts bring rich harmonies to the piece. The Angels said leave your sheep and leave your lambs. Rise up Shepherd and Follow. Now we are at the manger. I composed the song - A Little Baby. He was born to save us all. . Still, Still, Still “Tis the Night of Our Savior’s Birth has added lyrics to each verse that ties in with the original lyrics. The title of this cantata is They Saw A Star - this is from the song I composed with the same title. It not only brings in the shepherds, but also the Three Wisemen. To close out this cantata, I have used the lyrics from We Three Kings and the melody of Scarborough Fair. This arrangement has an ST duet with SATB choir parts with ahhs that sound very mysterious. It also does include parts for strings if you are lucky enough to have violins and a cello. The strings parts are the same as the choir parts, so it is perfectly fine to do this with just a choir.  I hope you enjoy singing and listening to this cantata—Connie Boss.
$10.00 ≈
8.93€
Finding Your Way 1
Finding Your Way 1
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Piano Facile
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DÉBUTANT
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Darrell Richings
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Finding Your Way 1
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Animatedpiano
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1108141 Composed by Darrell Richings. Children,Classical,Contemporary,Instructional. Score. 22 pages. Animatedpiano #7107...
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Easy Piano - Level 1 - SKU: A0.1108141 Composed by Darrell Richings. Children,Classical,Contemporary,Instructional. Score. 22 pages. Animatedpiano #710764. Published by Animatedpiano (A0.1108141). Adventures with notes, rhythm and technique using only 3 notes in each hand, for piano explorers who are just getting started. Video coming soon! Introduction for teachers: Finding Your Way is an educational piano series which aims to build confidence in note-reading and encourage the development of good technique and musicianship. The overall concept is that each piece of music is like a journey, and learning music itself is a great adventure. New ideas are introduced very gradually, taking a ‘one step at a time’ approach. All the material is original, so the series can be used alongside other piano methods if desired. Finding Your Way 1 is suitable for a wide range of ages. It is accompanied by a YouTube video series, Piano Notation Basics, and a video with a free PDF, Getting Started On The Piano. Finding Your Way 1 concentrates exclusively on just 5 notes around Middle C (A B C D E). The idea is to get to know these notes thoroughly, and use them as a solid base for further exploration. There is also the advantage of focusing on the stronger fingers initially. Dynamic markings are not used at this stage (they will come in part 2), but staccato and two-note slurs are introduced. Hands-together playing is brought in very cautiously. Some note-naming challenges are included, but they are all worked into playable pieces. Note values are very simple, with nothing shorter than crotchets (quarter notes).
$5.00 ≈
4.47€
Finding My Voice
Finding My Voice
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Piano seul
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INTERMÉDIAIRE
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Bradley R Meholick
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Finding My Voice
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Bradley R Meholick
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.991824 Composed by Bradley R Meholick. Concert,Instructional,Standards. Score. 4 pages. Bradley R Meholick #3472999. Publ...
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Piano Solo - Level 3 - SKU: A0.991824 Composed by Bradley R Meholick. Concert,Instructional,Standards. Score. 4 pages. Bradley R Meholick #3472999. Published by Bradley R Meholick (A0.991824). FINDING MY VOICE is a short intermediate piano work that is simple and symbolic. Inspired by my 4 year old daughter Gracie, the piece represents the music we all have inside us and that we try to connect with early in life. 2 years prior to the start of the piece, I laughed in amusement as my daughter screamed at the top of her enthusiastic lungs to the music of Disney's The Little Mermaid. On the day I began this piece, she sang along to yet another Disney work, Coco, only now with her eyes closed and doing her best at her young age to match pitch and timbre. Of course all of this unaware to her, yet through each phase she enjoys the music and somehow understands and has the will to discover a way to match the art she loves so much. FINDING MY VOICE is simple and symbolic in two special ways. First, the entire song is built with a C, representing that center that we all are trying to find and match in our own way. But for 1/8th of a measure, there is continuously a C sounded throughout the piece. Secondly, the heard melody starts with experimentation, grows, developers, and then reoccurs with strength and confidence.
$1.99 ≈
1.78€
The Star-Spangled Banner
The Star-Spangled Banner
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Chorale SATB
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INTERMÉDIAIRE
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utilizing this tune to the mov
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John Stafford Smith
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Thomas Coker
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The Star-Spangled Banner
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Thomas Rembert Coker Jr
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.933611 Composed by John Stafford Smith. Arranged by Thomas Coker. Folk,Patriotic. Octavo. 4 pages. Thomas Rember...
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Choral Choir (SATB) - Level 3 - SKU: A0.933611 Composed by John Stafford Smith. Arranged by Thomas Coker. Folk,Patriotic. Octavo. 4 pages. Thomas Rembert Coker Jr #3503513. Published by Thomas Rembert Coker Jr (A0.933611). In 2009 when Sanctuary Choir of South Main Baptist Church in Houston where I served as Music Minister was scheduled to sing the National Anthem for the Houston Astros baseball game, I carefully examined the several arrangements in our library and other resources. Finding nothing which met the simple, straight-forward criteria I was searching for, we created this simple arrangement. Since its addition to the music library it has proven very useful on numerous occasions for a variety of groups. About the National Anthem:The lyrics for The Star-Spangled Banner were written on September 14, 1814 from a British ship in the Baltimore Harbor where attorney Francis Scott Key had waited anxiously through the night as the twenty-five hour bombing of Ft. McHenry progressed. He had been sent to negotiate the release of an American civilian and then was held on board the ship. At the dawn’s early light when the flag could still be seen indicating the British had not taken the fort, he jotted down this poem which on March 3, 1931 finally became the National Anthem of the United States. Interestingly, it was Robert Ripley who in November of 1929 drew a panel in his syndicated cartoon, Ripley’s Believe It or Not stating Believe It or Not, America has no national anthem. With the encouragement of John Philip Sousa, President Herbert Hoover signed into law the adoption of The Star-Spangled Banner to rectify this situation. According to the Smithsonian, the melody, written by John Stafford Smith, was originally titled Anacreon in Heaven. Anacreon was an ancient Greek poet known for his love of wine and love. The song had become the constitutional song of a London gentlemen’s club called the Anacreontic Society. Could this explain the wide range of the melody? By utilizing this tune to the moving text, this once merry drinking song took on a bold new and powerful meaning. Thomas Coker, August 27, 2015
$1.99 ≈
1.78€
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
48.24€
WISHING ON A STAR Piano/Vocal
WISHING ON A STAR Piano/Vocal
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Piano, Voix
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INTERMÉDIAIRE
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ROBERT VAN HORNE
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WISHING ON A STAR Piano/Vocal
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White Piano International Publishing
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.914971 Composed by ROBERT VAN HORNE. Children,Film/TV,Jazz,Pop,Singer/Songwriter. Score. 9 pages. White Piano Inte...
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Piano,Vocal,Voice - Level 3 - SKU: A0.914971 Composed by ROBERT VAN HORNE. Children,Film/TV,Jazz,Pop,Singer/Songwriter. Score. 9 pages. White Piano International Publishing #6425253. Published by White Piano International Publishing (A0.914971). WISHING ON A STARA POPULAR SONGby ROBERT VAN HORNE9 Pages Have you ever looked up into the night sky where there were millions of tiny twinkling stars? This is what inspired me to begin writing this song during Christmas 2017. It's about looking for a star up in the sky and then making a wish...a wish of finding someone special to be with forevermore. The melody is catchy with a rhythmic swing. The lilting tempo gives the listener a delightful sense of wanting to dance. This is a popular song for singers who would like to add a new and original piece to their repertoire. The song would also make a nice background theme for TV or movies.A YouTube video of the song is available at: https://www.youtube.com/embed/JKdMXsEqvZ0Website: www.robertvanhorne.comEmail: rvh@robertvanhorne.comRobert is a long time member of ASCAP.
$4.99 ≈
4.46€
Pitch Only - Bass Clef (Sight Reading Exercise Book)
Pitch Only - Bass Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Bass Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Pian...
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Large Ensemble Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Double Bass,Euphonium,Handbell,Harpsichord,Horn,Marimba,Orff Instrument,Organ,Piano,Timpani,Trombone,Tuba,Voice - Level 2 - SKU: A0.931838 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313621. Published by Dots and Beams (A0.931838). This book provides its user with a series of notes on a bass staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above and below the staff extend to the space just beyond the fourth ledger line. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls.As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years and still find a valuable way to use them.
$10.00 ≈
8.93€
Pitch Only - Treble Clef (Sight Reading Exercise Book)
Pitch Only - Treble Clef (Sight Reading Exercise Book)
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Methodes
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Nathan Petitpas - Dots and Bea
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Pitch Only - Treble Clef
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Dots and Beams
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,O...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Saxophone,Cello,Clarinet,English Horn,Euphonium,Flute,Guitar,Handbell,Harmonica,Harpsichord,Marimba,Oboe,Orff Instrument,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 3 - SKU: A0.931837 Composed by Nathan Petitpas - Dots and Beams. Instructional. Score and parts. 129 pages. Dots and Beams #5313613. Published by Dots and Beams (A0.931837). This book provides its user with a series of notes on a treble staff with no rhythm values and no meter. Chapters are organized by the placement of the notes relative to the staff; on the staff, above the staff, below the staff, on and above the staff, and on and below the staff. For each pitch range there is one chapter with no accidentals and one chapter with accidentals. All exercises have a space at the beginning of each staff to write in a key signature, allowing each exercise to be read in all keys and used in many ways. The aim with this book is to allow the user to focus specifically on exercises centred around pitch without the distraction of rhythmic values or time signatures. This can begin with the practice of sight-reading but can expand to include many other learning goals. The diatonic sets contain notes with no accidentals or key signature. These collections can be read as written, using only natural notes, or in any of the 15 key signatures from 7 flats to 7 sharps. Chromatic collections include sharp and flat notes as well as natural ones. The later exercises in these chapters increase the difficulty by including B#, Cb, E#, and Fb. Ledger line chapters start with the first ledger line and gradually expand away from the staff. Exercises above the staff reach up to the space above the fifth ledger line while exercises below reach down to the space below the third. The random nature of the notes in these exercises is intentional; it forces the user to pay attention to each note and makes the exercises very difficult to memorize, ensuring that they will still present a challenge even after multiple readings. It’s important when sight-reading to cycle through the exercises quickly rather than dwelling on a single exercise for a long time. This will ensure that you’re strengthening your ability to read the notes rather than just memorizing the exercises. Some suggestions for how to use this book include: Gain comfort reading the notes and finding them on your instrument in no particular rhythm or tempo. A greater challenge can be achieved by playing them at a steady tempo or by playing them in a simple rhythmic pattern. Beginner students can begin by writing in the note names. Play each exercise in all 15 key signatures. Advanced theory students and improvising musicians can also use these exercises to practice identifying scale degrees in various keys or playing chords built on every scale degree in the chosen key. Develop comfort with chords by playing a chord built on each note in the exercise. For example: for each note in the exercise, play the major chord with that root. Increase the difficulty with different chord qualities or different chord tones, for example: for every note, play the minor 7th chord in which the given note is the 3rd. Practice transposing into different keys. This is an especially useful challenge for people who play transposing instruments such as brass and woodwind instruments. Chapters with wide ranges can present a great exercise for musicians who play instruments where large leaps are a challenge. People who play strings, mallet percussion, piano, woodwinds, and brass would be among those who would benefit from practising these awkward leaps and falls. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I highly encourage anybody using this book to find as many uses for it as possible. My hope is that as you grow as a musician you will find ever more creative and challenging ways to use these materials so that you can return to these books for years.
$10.00 ≈
8.93€
He Stumbled Across a House in the Forest
He Stumbled Across a House in the Forest
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Piano seul
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INTERMÉDIAIRE
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Damien Gauci
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He Stumbled Across a House in
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Damien Gauci
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1495482 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071999. Published by Dam...
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Piano Solo - Level 3 - SKU: A0.1495482 By Damien Gauci. By Damien Gauci. Classical,Contemporary. Score. 4 pages. Damien Gauci #1071999. Published by Damien Gauci (A0.1495482). Now Whiskers has come across this mysterious house in the forest, he approaches it with curiosity and cautiousness. This is reflected in the start of the piece where the chords are slow and cautious but they eventually turn into quaver broken chords as Whiskers begins to have a look around the house, taking care in every step he takes. As Whiskers explores the outside of the house, he finds smashed windows, broken doors, rotting wood, and a once loved and alive home, abandoned and forgotten, left to rot and fall apart.He comes back around to the front of the house now that he has had a good look around it and has a decision to make. Does his curious nature take him inside to explore the unknown, with a possibility of finding food or a safe place to live or does he go back and find his way back home? Of course, Whiskers can’t help himself and he decides to venture into the house to find out what lies inside.
$6.00 ≈
5.36€
Breathe Low
Breathe Low
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Cody Weinmann
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Breathe Low
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Cody Weinmann
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SheetMusicPlus
Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Publishe...
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Choral Choir (Mixed) - Level 4 - SKU: A0.835039 Composed by Cody Weinmann. Contemporary,Instructional. Octavo. 8 pages. Cody Weinmann #2005165. Published by Cody Weinmann (A0.835039). An epic piece for SATB choir and optional solo soprano part on the last page of the piece. This piece represents close and even clustered harmony, almost like a beautiful orchestra, but with voices. The piano player is more of a piano reduction of the choral parts. This is the perfect score for harmony practice within the choir, especially with ensembles that have trouble finding pitch in closer quarters. The text of Breathe Low is a meditation for those who are in tough times. The original text speaks peace and restoration. Breathe Low and Speak soft refer to a calming effect that will sooth audiences. There is also what I call the Football Section where a fugue like subject, Let us find peace, tosses itself between all voices starting in the bass section, moving to tenor, alto and soprano. Sometimes this section shares harmony (SA and TB together). It does have multiple meters from 4/4 to 2/4 time and back again. This peace encompasses a wide use of dynamics from piano to double forte. Print this piece on 8.5 x 11 in. paper. It is around 4 1/2 minutes and is 8 pages long in print.
$4.50 ≈
4.02€
Finding The Path
Finding The Path
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Contemporain
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Lewis Lazarus
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Finding The Path
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Credible Music
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SheetMusicPlus
String Ensemble,String Quintet - Level 4 - SKU: A0.1024050 Composed by Lewis Lazarus. 20th Century,Contemporary. Score and parts. 18 pages. Credible Mus...
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String Ensemble,String Quintet - Level 4 - SKU: A0.1024050 Composed by Lewis Lazarus. 20th Century,Contemporary. Score and parts. 18 pages. Credible Music #35435. Published by Credible Music (A0.1024050). This short piece for string quintet starts quietly but builds and becomes more agitated as it progresses towards a final resolution. The piece incorporates both melodic and minimalist elements.
$3.99 ≈
3.56€
Finding Hope
Finding Hope
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Piano seul
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Musique Sacrée
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Faith Angelina
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Finding Hope
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Faith Angelina Music
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SheetMusicPlus
Piano Solo - SKU: A0.1003947 Composed by Faith Angelina. Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Faith Angelina Music #3141419. ...
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Piano Solo - SKU: A0.1003947 Composed by Faith Angelina. Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Faith Angelina Music #3141419. Published by Faith Angelina Music (A0.1003947). From twelve year old composer Faith Angelina off her debut album Reaching 12 (available at FaithAngelina.com). This song was a turning point for me as I looked for help from my destructive feelings and found the love and support that was always within my reach. - Faith Angelina It was August 8th, 2016, when Faith’s mother found the suicide note left on her minivan. It was a heart stopping moment. The type that slows down time and changes all priorities and perspectives. On the front side of the paper it said, PLEASE READ in big letters. On the back was the following… Dear Mom, I am writing this to inform you about something I didn’t have the strength to tell you in person. I have depression. I know you think that we all go through a stage where we are sad it’s true, but this is not the case. I thought that I just had a sad time too until I realized I had been thinking about killing myself many times. I know that this is hard to hear but I felt it was important to tell you something I had been holding back for 5 years. I hope you can think of me the same after this note, and know that me thinking about killing myself is NOT your fault. Love, Faith After an immediate trip to the doctor, it was discovered that Faith didn’t have clinical depression but that she suffered from a hormonal imbalance in her body. She had been waking up in the middle of the night over half of her young life and wandering around while the rest of the family slept. With a small prescription, and lots of love, Faith headed off to start middle school and a magical year that would follow. Shortly after this experience, Faith composed a new song called Finding Hope and finished up on three others she had been working on.
$3.50 ≈
3.13€
Start Wearing Purple
Start Wearing Purple
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Ensemble de cuivres
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FACILE
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Contemporain
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Eliot Ferguson, Eugene Hutz, O
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Andrea La Rose
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Start Wearing Purple
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Andrea La Rose
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SheetMusicPlus
Brass Ensemble - Level 2 - SKU: A0.510142 Composed by Eliot Ferguson, Eugene Hutz, Oren Kaplan, Sergey Ryabstev, and Uri Lemeshev. Arranged by Andrea La...
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Brass Ensemble - Level 2 - SKU: A0.510142 Composed by Eliot Ferguson, Eugene Hutz, Oren Kaplan, Sergey Ryabstev, and Uri Lemeshev. Arranged by Andrea La Rose. Contemporary. Score and parts. 44 pages. Andrea La Rose #6411627. Published by Andrea La Rose (A0.510142). • Melody and harmony parts for all standard band and orchestral instruments, plus drums.• Chords included in every part, to encourage use of song as a vehicle for improvisation.• In original key, so you can play along with the recording. As a young musician, I often had a hard time finding music for me and my friends to play together. Small wonder, when I was a flutist and my closest friends in band played trumpet, baritone sax, and clarinet. Who writes for that combination? Later, as a music teacher, I would either be approached by students in the same kind of situation or I would have an after-school ensemble consisting of something like 3 flutes, 2 alto saxes, 4 pianists, 5 drummers, a guitar, a viola, and an accordion. Now, really. Who writes for THAT combination?! Since I am also a composer (who often finds herself writing for similarly odd instrumentation), I would simply arrange music for that combination. But not every teacher or student is comfortable with doing that or has the time to. Finally, I am sharing with you all the fruits of my labor. Let friends play with friends! Let people pick parts that they are comfortable with! Let’s play some music we love!
$29.99 ≈
26.79€
Rewrite The Stars
Rewrite The Stars
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Piano Facile
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FACILE
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Zac Efron & Zendaya
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Matt Arnett
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Rewrite The Stars
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Matt Arnett Music
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1366999 By Zac Efron & Zendaya. By Benj Pasek and Justin Paul. Arranged by Matt Arnett. Broadway,Film/TV,Musical/Show. Sc...
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Easy Piano - Level 2 - SKU: A0.1366999 By Zac Efron & Zendaya. By Benj Pasek and Justin Paul. Arranged by Matt Arnett. Broadway,Film/TV,Musical/Show. Score. 5 pages. Matt Arnett Music #951340. Published by Matt Arnett Music (A0.1366999). This song is part of my Easy Piano series. Arrangements in this series only use one note at a time in each hand, making it highly accessible for beginners. If you are serious about learning piano, consider finding a piano teacher to help you develop good technique and music reading ability. If you liked this arrangement, check out my YouTube channel EPICpianomatt for more songs.
$4.99 ≈
4.46€
Don't Start Now - Pop String Quartet with Rhythm Section parts
Don't Start Now - Pop String Quartet with Rhythm Section parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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Rock
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Dua Lipa, Dallas String Quar
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Kyle Pudenz
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Don't Start Now - Pop String Q
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ViolinVagabond Music
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SheetMusicPlus
String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 page...
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String Quartet, Drum Set, Guitar, Bass Guitar - Advanced - By Dua Lipa, Dallas String Quartet. Arranged by Kyle Pudenz. Score, Set of Parts. 63 pages. Published by ViolinVagabond Music
This unique version of Dua Lipa's "Don't Start Now" was performed by Dallas String Quartet in their latest music video, and is now available to your ensemble as well!
"If you don't wanna see me dancing with..." some random person's iPod speaker instead of listening to your amazing string quartet, then Don't Start buying shoddy arrangements from free-gig-whatevers dot com. Instead, make the right choice for your ensemble and invest in high quality charts from real, professional arrangers. What you're getting here is not a 72% accurate transcription of someone's Dua Lipa YouTube piano cover that has been laid out "legibly enough" on 4 staves. This is a tasteful setting of one of the sexiest disco grooves to hit radio since the Beegee's untimely decline, and it highlights all those hip string parts from Dua's original track while adding some original figures to really make this tune pop as an instrumental version.
Within the pages of this fantastically funky fresh score, you'll find some simple (but effective) chopping, slapping & extended string techniques to help your ensemble get their groove on, an extendable outro solo where players can stretch their creative legs on a dull gig, and enough sneaky reharminizations to earn an oh-so-satisfying nod of approval from that one guy in the back of the audience who used to be in a jazz band.
This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. While this arrangement is more than capable of moving, grooving and soothing with just the string parts, there are a variety of scenarios in which you may find adding some of those "loud" instruments may benefit your ensemble, such as:
- Cool collaborations with non-classical musicians.
- Making peace and finally finding common ground with those heathens who use frets to play in tune.
- Performing at outdoor events... or anywhere where alcohol is served. Small talk doesn't stand a chance against drums!
- You just got the stage plot for the gig and are concerned people won't take you seriously if you have less than 7 inputs on your rider.
- You carpooled to the wedding with the band, and figured you guys might as well play something together during the reception rather than spend all night starting at the appetizers that you aren't allowed to eat.
... and the list goes on.
Help take your ensemble to a new level when expanding your gig repertoire this year. This chart will keep your musicians inspired and your audience's insatiable need to consume brand new music in alternative instrumentations satisfied. To be clear, some practice and/or rehearsal will likely be required, so sight reading is not recommended, but with just a little bit of effort this arrangement will be FUN for your group to play!
Performance time - approximately 3:00, longer if you want to vamp the outro
Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$24.99 ≈
22.32€
Finding Peace in the Land That We Love - Three Patriotic Piano Solos in Peaceful Settings
Finding Peace in the Land That We Love - Three Patriotic Piano Solos in Peaceful Settings
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Americana
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Patriotique
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Various
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K
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Finding Peace in the Land That
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K L Phillips
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Digital Download Composed by Various. Arranged by K.L. Phillips. Fourth of July, Patriotic. Solo Part. 20 pages. Publ...
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Piano Solo - Advanced Intermediate - Digital Download Composed by Various. Arranged by K.L. Phillips. Fourth of July, Patriotic. Solo Part. 20 pages. Published by K L Phillips
This compilation includes "My Country, 'Tis of Thee", "The Star Spangled Banner", and "America the Beautiful" arranged for solo piano. These pieces have all been arranged in peaceful, rich settings and would be fitting for Memorial Day services.
Composers: "My Country, 'Tis of Thee" - By Samuel Francis Smith (text)Set to the tune "God Save the Queen";"The Star Spangled Banner" - By Francis Scott Key (text) andJohn Stafford Smith (music);"America the Beautiful" - By Katharine Lee Bates (text) and Samuel A. Ward (music)
$5.99 ≈
5.35€
"A Lucky Star" A 1920s Musical, Individual Parts (String Parts)
"A Lucky Star" A 1920s Musical, Individual Parts (String Parts)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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James Nathaniel Holland
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"A Lucky Star" A 192
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James Nathaniel Holland
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.730516 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 156 pages. Jame...
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Full Orchestra - Level 4 - SKU: A0.730516 Composed by James Nathaniel Holland. 20th Century,Broadway,Jazz,Musical/Show. Score and parts. 156 pages. James Nathaniel Holland #6057915. Published by James Nathaniel Holland (A0.730516). INSTRUMENT PARTS (Strings) (Part 2 of 2). Full score, (Woodwinds, Brass, Percussion and Piano) Instrument Part 1, piano vocal parts sold separately. A Lucky Star is a new musical with music in the style of the 1920s by American composer James Nathaniel Holland. Fun and inspirational about accepting where you're from and finding your dreams. Perfect for high school, university, community theater groups. Combine selected instruments with the piano vocal score if desired. Full instrumentation is: picc, fl12, ob12, cl12, bsn, hrn12, tpt, trom, pno, timp, drum set, strings.
$25.95 ≈
23.18€
All The Things You Are
All The Things You Are
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Piano seul
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AVANCÉ
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Jazz
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Jack Leonard with Tommy Dorsey
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Timothy Stapay
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All The Things You Are
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Timothy Stapay
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Br...
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Piano Solo - Level 5 - SKU: A0.1237260 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Timothy Stapay. Broadway,Film/TV,Jazz,Musical/Show,Singer/Songwriter,Standards. Score. 8 pages. Timothy Stapay #832776. Published by Timothy Stapay (A0.1237260). This arrangement of All The Things You Are is written as performed by piano artist, Liberace. It has an extended introduction based up the theme from Rachmaninoff's 2nd Piano Concerto.All the Things You Are is a song composed by Jerome Kern with lyrics written by Oscar Hammerstein II.The song was written for the musical Very Warm for May (1939)and was introduced by Hiram Sherman, Frances Mercer, Hollace Shaw, and Ralph Stuart. It appeared in the film Broadway Rhythm (1944) when it was sung by Ginny Simms, and again in the Kern biopic Till the Clouds Roll By (1946), sung by Tony Martin.Popular recordings of the song in 1939 were by Tommy Dorsey and His Orchestra (vocal by Jack Leonard), Artie Shaw and His Orchestra (vocal by Helen Forrest) and Frankie Masters and His Orchestra (vocal by Harlan Rogers). The song has been recorded by a plethora of artists. It is considered a jazz standard.Lyrics:Time and again I've longed for adventure Something to make my heart beat the faster What did I long for? I never really knew Finding your love I've found my adventure  Touching your hand, my heart beats the faster  All that I want in all of this world is you  [Chorus:]  You are the promised kiss of springtime  That makes the lonely winter seem long  You are the breathless hush of evening  That trembles on the brink of a lovely song You are the angel glow that lights a star The dearest things I know are what you are  Some day my happy arms will hold you  And some day I'll know that moment divine When all the things you are, are mineWładziu Valentino Liberace(May 16, 1919 – February 4, 1987) was an American pianist, singer, and actor. A child prodigy born in Wisconsin to parents of Italian and Polish origin, he enjoyed a career spanning four decades of concerts, recordings, television, motion pictures, and endorsements. At the height of his fame from the 1950s to 1970s, he was the highest-paid entertainer in the world!
$8.99 ≈
8.03€
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Finding the Star
