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Vous avez sélectionné:
Fibonacci Music
Partitions à imprimer
16 partitions trouvées
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1
Fibonacci
Fibonacci
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Piano seul
#
FACILE
#
Contemporain
#
Keir C
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Fibonacci
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Keir C Crawley
#
SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.972022 Composed by Keir C. Crawley. Contemporary. Score. 3 pages. Keir C Crawley #3125511. Published by Keir C Crawley (A...
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Piano Solo - Level 2 - SKU: A0.972022 Composed by Keir C. Crawley. Contemporary. Score. 3 pages. Keir C Crawley #3125511. Published by Keir C Crawley (A0.972022). Fibonacci was composed for my friend and colleague Huw Evans to celebrate his leaving Preston Manor School after 22 years. As the mathematicians and scientists will know the Fibonacci sequence is a series of numbers in which every number after the first two is the sum of the two preceding ones. The phrase structure of the piece is loosely based on the first eight numbers in the sequence. So why maths for a musician? Well, in its own way it’s stylish, elegant and there's certainly a plan there!
$5.00 ≈
4.65€
Fibonacci Sequence
Fibonacci Sequence
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Piano seul
#
INTERMÉDIAIRE/AVANCÉ
#
Julie Hanney
#
Fibonacci Sequence
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Julie Hanney
#
SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1263066 Composed by Julie Hanney. 21st Century,Classical,New Age,Romantic Period,Traditional. Score. 3 pages. Julie Hanne...
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Piano Solo - Level 4 - SKU: A0.1263066 Composed by Julie Hanney. 21st Century,Classical,New Age,Romantic Period,Traditional. Score. 3 pages. Julie Hanney #855362. Published by Julie Hanney (A0.1263066). I was inspired by the Fibonacci Sequence to write a piece of music that embodies some of its mathematical principles as well as the deep feeling of the heart. â¤ï¸ We see the Fibonacci Sequence every single day... it’s found all over nature. If you aren’t familiar with it, the Fibonacci Sequence is a series of numbers in which each number is the sum of the two that preceded it. So: 0, 1, 2, 3, 5, 8, 13, 21, 34 and so on. In nature, the Fibonacci Sequence ratio is seen in flower petals, seed heads, pinecones, pineapples, cauliflower, tree branches, shells, spiral galaxies and more. It is closely related to the Golden Ration of 1.618, another magical number that is visible around creation and has guided artists, composers, architects, etc.Using the time signature of 3/4, a chord progression of 8 chords, moving down by 5ths, etc. the mathematical elements and form of this beautiful sequence is embedded in the music. I hope that you sense that Love is embedded in this song, as well. I hope you enjoy playing this piece! Play it with expression and grace. ðŸ™ðŸ»ðŸ˜Šâ¤ï¸.
$4.99 ≈
4.64€
Jerusalema
Jerusalema
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Chorale 3 parties
#
FACILE
#
Master Kg
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Jerusalema
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Fibonacci Music & Multimedia
#
SheetMusicPlus
Choral 3-Part Mixed Chorus,Choir,Choral - Level 2 - SKU: A0.1455977 By Master Kg. By Damini Ogulu, Moagi Khaogelo, and Nomcebo Zikode. Arranged by Lars ...
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Choral 3-Part Mixed Chorus,Choir,Choral - Level 2 - SKU: A0.1455977 By Master Kg. By Damini Ogulu, Moagi Khaogelo, and Nomcebo Zikode. Arranged by Lars Deaken - Fibonacci Music & Multimedia. 21st Century,Contemporary,Multicultural,Pop,Praise & Worship,World. 6 pages. Fibonacci Music & Multimedia #1035133. Published by Fibonacci Music & Multimedia (A0.1455977). We are excited to announce the release of the SATB (Soprano, Alto, Tenor, Bass) sheet music for the global sensation Jerusalema by South African artist Master KG. Now, choirs everywhere can experience the joy and energy of this infectious hit with a specially arranged version that captures the song's vibrant spirit.This arrangement stays true to the original feel of Jerusalem. Arranged to highlight the abilities of standard SAB / SAT / SATB pop choirs and school choirs, your choir will shine with this uplifting and energetic piece.Suitable for choirs of various skill levels, this arrangement ensures that everyone can enjoy performing this captivating song.Full SATB Score: Complete sheet music for each vocal part, ensuring a harmonious and balanced performance.Jerusalema has brought joy to millions around the world, and now your choir can be part of this global musical phenomenon. Perfect for concerts, events, or just as a fun addition to your repertoire, this SATB arrangement will be a hit with both singers and audiences alike.
$1.99 ≈
1.85€
Duet "Au fond du temple saint" from Georges Bizet's opera "Les Pêcheurs de Perles"
Duet "Au fond du temple saint" from Georges Bizet's opera "Les Pêcheurs de Perles"
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2 Trompettes (duo)
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INTERMÉDIAIRE/AVANCÉ
#
Georges Bizet
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Alexander Geluk
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Duet "Au fond du temple s
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Fibonacci Music & Multimedia
#
SheetMusicPlus
Trumpet Duet Trumpet - Level 4 - SKU: A0.1456029 Composed by Georges Bizet. Arranged by Alexander Geluk. 19th Century,Classical,Opera,Wedding. Score. 6 ...
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Trumpet Duet Trumpet - Level 4 - SKU: A0.1456029 Composed by Georges Bizet. Arranged by Alexander Geluk. 19th Century,Classical,Opera,Wedding. Score. 6 pages. Fibonacci Music & Multimedia #1035188. Published by Fibonacci Music & Multimedia (A0.1456029). The duet Au fond du temple saint The duet Au fond du temple saint from Georges Bizet's operaLes Pêcheurs de Perles has now been beautifully arranged fortwo trumpets. This arrangement is perfect for trumpeters whoare looking to explore and perform classical opera duets, offeringthem an opportunity to experience the richness and depth ofBizet's music.After a self-imposed absence, Nadir returns to Ceylon, wherehis friend Zurga has recently been elected Fisher King by thelocal pearl fishermen. The two friends had previously fallen inlove with the same woman, but they promised each other torenounce their love for her and stay loyal to their friendship.Upon reuniting, they sing a duet, reminiscing about how theyfirst became infatuated with a veiled priestess of Brahma theyhad seen passing through an adoring crowd.Points to consider The parts are arranged for Bb instruments. They will play in Fmajor, sounding in Ebmajor (concert pitch) The measure numbering starts from the “Duo” in Bizet’s originalorchestral score. These parts are used in real live performances with symphonyorchestra's.
$7.90 ≈
7.35€
Pavane
Pavane
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Chorale 2 parties
#
INTERMÉDIAIRE
#
Classique
#
Alexander Geluk
#
Alexander Geluk
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Pavane
#
Fibonacci Music & Multimedia
#
SheetMusicPlus
Choral Choir (SA) - Level 3 - SKU: A0.1099114 By Alexander Geluk. By Gabriel Faure. Arranged by Alexander Geluk. 19th Century,Children,Classical,Romanti...
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Choral Choir (SA) - Level 3 - SKU: A0.1099114 By Alexander Geluk. By Gabriel Faure. Arranged by Alexander Geluk. 19th Century,Children,Classical,Romantic Period. Octavo. 10 pages. Fibonacci Music & Multimedia #702984. Published by Fibonacci Music & Multimedia (A0.1099114). Faure's four-part Pavane has been made suitable for a two-voice boys' or women's choir, with the entire piano part being revised and completely adapted to the orchestral score. This makes the work extremely suitable for small ensembles playing on a reduction of the original score and for performances with a symphony orchestra.
$2.45 ≈
2.28€
Intermezzo Sinfonico - Cavalleria Rusticana
Intermezzo Sinfonico - Cavalleria Rusticana
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Orchestre
#
INTERMÉDIAIRE
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Pietro Mascagni
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Alexander Geluk
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Intermezzo Sinfonico - Cavalle
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Fibonacci Music & Multimedia
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1355058 Composed by Pietro Mascagni. Arranged by Alexander Geluk. 19th Century,Classical,Easter,Opera,Romantic Period...
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Full Orchestra - Level 3 - SKU: A0.1355058 Composed by Pietro Mascagni. Arranged by Alexander Geluk. 19th Century,Classical,Easter,Opera,Romantic Period. 9 pages. Fibonacci Music & Multimedia #939773. Published by Fibonacci Music & Multimedia (A0.1355058). Normally, an organ must be present for the performance of Mascagni's Intermezzo Sinfonico. The organ must support the unison passages with the harmonies. An organ on stage for - often just - this piece is not something orchestras are happy with. These parts provide an excellent alternative. 2 clarinets and 2 bassoons provide an ideal sound where the conductor can still choose to play the parts like a static organ, with no dynamic differences, or that the wind section moves along with the dynamic line of the strings. The dynamics of the strings are reflected in the wind parts, making it an easy choice for the performers. Be aware that this product only contains woodwind 'organ' parts for: 2x clarinets in A/Bb and 2x bassoons.Â
$19.50 ≈
18.14€
Panis Angelicus
Panis Angelicus
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Orchestre à Cordes
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INTERMÉDIAIRE
#
Alexander Geluk
#
Alexander Geluk
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Panis Angelicus
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Fibonacci Music & Multimedia
#
SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1101845 By Alexander Geluk. By Cesar Auguste Franck. Arranged by Alexander Geluk. Christmas,Hanukkah,Religious,Roma...
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String Orchestra - Level 3 - SKU: A0.1101845 By Alexander Geluk. By Cesar Auguste Franck. Arranged by Alexander Geluk. Christmas,Hanukkah,Religious,Romantic Period,Sacred. Score and Parts. 15 pages. Fibonacci Music & Multimedia #705234. Published by Fibonacci Music & Multimedia (A0.1101845). An orchestration (full score and set of parts) based on the scoring of Faure's Requiem with low strings & harp. Minimal instr.: vocal solo-(harp)-2va-3vc-1cb or vocal solo-(harp)-3va-2vc-1cb Split parts for viola and violoncello. Vc solo can be played by viola solo (inc. in parts). The vocal solo can be sung by S or T, but also by Ms / Br - range: A --> F# Fits well with Dubois' Messe in Eá, in the same low string setting of Faure's Requiem, soon also available from this supplier.
$40.00 ≈
37.21€
Ode an die Freude
Ode an die Freude
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Ludwig van Beethoven
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Lars Deaken
#
Ode an die Freude
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Fibonacci Music & Multimedia
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1250830 Composed by Ludwig van Beethoven. Arranged by Lars Deaken. 19th Century,Classical,Romantic Period. Score and ...
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Full Orchestra - Level 4 - SKU: A0.1250830 Composed by Ludwig van Beethoven. Arranged by Lars Deaken. 19th Century,Classical,Romantic Period. Score and Parts. 81 pages. Fibonacci Music & Multimedia #845098. Published by Fibonacci Music & Multimedia (A0.1250830). Ode an die Freude An 8 minutes version of the famous hymn for orchestra and/or choir with an recognizable introduction. You will need this arrangement if you want the Ode an die Freude to begin with a worthy introductionGreatly reduced version of the 3rd and 4th movements of the 9th symphony. The hymn Ode an die Freude can also be performed as a single movement. Heavy brass has been added as an ad libitum instrumentation, to allow the hymn to be performed with full orchestra on occasion.The 4-part chorus can be sung even by a non-professional choir, and even by the audience, because of a convenient tessitura in A major in the hymn. The reduction of elements used from the 3rd movement leads - as an introduction - to the first passage of the hymn, and with material from the 4th movement it leads to the closing hymn. The hymn shows the lyrics for 3 verses.It has been orchestrated and arranged with full respect for Beethoven's intentions, but with an open mind to the needs of contemporary events and the needs of concert organizations and audiences. For the convenience of these events, heavy brass has been included for modern orchestras - even tuba which essentially doubles the original contrafagotto.This arrangement can be performed with, or without, a choir. For 2nd violins and violas of community orchestras is a notoriously difficult passage, with the length of a few bars, rewritten as ossia bars, where professional orchestras and community orchestras of advanced level can play the original passage.It is possible to set other starting points in the score (rehearsal mark C, F or H)) . It is also possible to end the Hymn in the original D major (bar mark G as a 'fine')Full package contains an orchestral score, and parts for these instruments and voices:InstrumentationPiccolo (ad libitum)Flute 1Flute 2 Oboe 1Oboe 2Clarinet in Bb 1Clarinet in Bb 2Bassoon 1Bassoon 2Contra bassoon (ad libitum)Horn 1 in FHorn 2 in FHorn 3 in FHorn 4 in F  (ad libitum) Trumpet 1Trumpet 2Trombone 1 (ad libitum) Trombone 2 (ad libitum) Trombone 3 (ad libitum) Tuba (ad libitum) Timpani  (ad libitum) Choir SATB (ad libitum)Violin 1 Violin 2 (with easy ossia for a difficult passage)Viola (with easy ossia for a difficult passage)CelloBass
$119.00 ≈
110.71€
Piano Piece Based on Fibonacci Sequence by Peter Bence - Piano Solo
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Piano seul
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Peter Bence
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Piano Piece Based on Fibonacci
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Musicnotes
Performed by: Peter Bence: Piano Piece Based on Fibonacci Sequence Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable dig...
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Performed by: Peter Bence: Piano Piece Based on Fibonacci Sequence Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo, instruments: Piano; 8 pages --
$9.99 ≈
9.29€
Four Forces (First movement) I. Strong Forces
Four Forces (First movement) I. Strong Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962406 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 173 pages. Salvador Rojo-Gamon #5801913. Published by Salvador Rojo-Gamon (A0.962406). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$300.00 ≈
279.10€
Four Forces (Second movement) II. Weak Forces
Four Forces (Second movement) II. Weak Forces
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Ensemble de Percussions
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AVANCÉ
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Salvador Rojo Gamón
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Four Forces
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Salvador Rojo-Gamon
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SheetMusicPlus
Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pa...
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Percussion Ensemble - Level 5 - SKU: A0.962405 Composed by Salvador Rojo Gamón. Concert,Contemporary,Instructional,Standards. Score and parts. 255 pages. Salvador Rojo-Gamon #5801921. Published by Salvador Rojo-Gamon (A0.962405). Four ForcesReviewsScherzohttps://scherzo.es/badajoz-vanguardias-lugarenas/Periodico Extremadurahttps://www.elperiodicoextremadura.com/noticias/badajoz/fuerzas_1214372.html NotesThis work was commissioned by Extremadura Orchestra for Percussion and Chamber orchestra.It has two movements. The first one has been done for mallets and the second one was built on a base of a drums work (GEA).The duration of those movements is 26 minutes, being around 11 minutes the first and 15 minutes the second one.The chamber music is formed by:Woodwind quintet (Flute, Oboe, Clarinet, Horn & Bassoon)Brasswind quintet (Trumpet 1, Trumpet 2, Horn, Trombone & Tuba)Strings orchestraThree firsts violinsThree seconds violinsThree violasTwo cellosFor the second movement is high recommendable to enlarge the strings, a good number of musician could be doubling.I. Strong ForcesThe work is inspired by the four fundamental forces of nature. These forces explain any phenomena which can be produced in the universe.Throughout all composition, it is latent the mathematic construction based in the series Fibonacci. In the first of the movements, Fibonacci's series is present in the notes' sequence that forms the series of 16 sounds and it is going to be present throughout the whole work. This series is taking form along the movement and it is getting melody and harmony.Although it is far away from the sonata form, as we know it in its period of highest glory, it takes elements of it and updates to our days. In this movement, we can find sonata form elements as the exposition, development, transitions or coda.The central part of the first movement becomes in the slow movement, being more intimate and lyrical, free of the serials ties although it uses resources before cited -now called common practice-.The movement finish with a short re-exposition that concludes with the virtuosic of the soloist doubling the series and adding more tension until conforming the series in its full whole.II. Weak ForcesIt is the most tribal of both movements. Its structure is more complex and in it, we also can find clear reminiscences to the sonata form.We can divide the movement into two big blocks. The first one is formed for the introduction and sections one and two.IntroducciónIt is based in one ostinato of three notes where the accent is changing provoking unsymmetric, this ostinato represents the nucleus of our existence. The piccolo and the trombone introduce us to the human element representing the two elements that form the development of the whole movement.The two elements of thematics are taken from the series, the first one is easily recognizable because it appears in his primary form.First section & cadenzaIn this movement, the rhythm, the melody, and the harmony are based on the sequence of Fibonacci. As the theme ostinato of the soloist as the melody is formed under the rhythm of 1, 2, 3 and 5. This section leads us to the second section with a clear mode of cadence. In the cadenza, the elements of the rhythm are varied freely with an accompaniment of the Spring Drum.DevelopmentIt is formed by two Rondo sub-sections in which the solo part has been created through the mirror technique.Both sections have the next form:Intro-A-B-A-B-(B(minor)+A)Intro-A-B-A-B-(B(major)+A)First section & CodaThe movement ends with the repetition of the first section and the final code.
$150.00 ≈
139.55€
Brass Quartet - Titans
Brass Quartet - Titans
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Ensemble de cuivres
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AVANCÉ
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Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00 ≈
18.61€
Retracements for percussion quartet
Retracements for percussion quartet
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Ensemble de Percussions
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mark Zanter
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Retracements for percussion qu
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MJIC Music Publishing
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SheetMusicPlus
Percussion Ensemble - Level 4 - SKU: A0.934216 Composed by Mark Zanter. Contemporary. Score and parts. 22 pages. MJIC Music Publishing (ASCAP) #6735411....
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Percussion Ensemble - Level 4 - SKU: A0.934216 Composed by Mark Zanter. Contemporary. Score and parts. 22 pages. MJIC Music Publishing (ASCAP) #6735411. Published by MJIC Music Publishing (ASCAP) (A0.934216). Retracements (2021)This performance proposal features a performance of Retracements (2021) for percussion quartet commissioned by Kevin von Kampen, at the University of South Florida (USF) percussion ensemble. Retracements uses Fibonacci numbers and Phi proportions that mirror percentages used by stock market traders to predict corrections of trends in the market. Fib. numbers used in Retracements dictate the length of short sections in the work, while larger sections emerge organically and less predictably with regard to Phi (GS). In short, the work unfolds structurally through the impetus of determinate decisions combined with intuitive and indeterminate factors. In this light, the work is a musical realization of the retracement principle. I am indebted to Kevin von Kampen, assistant professor of Music at the University of South Florida, and members of the Percussion Ensemble at USF: Katie McCarty, Jacob Barber, David Grullon, and Wyatt Hatch for their careful preparation of the work (performance materials available from the publisher-MJICMusicPublishing@gmail.com).
$12.00 ≈
11.16€
By This River
By This River
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Chorale SATB
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INTERMÉDIAIRE
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Brian Eno
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Scott S
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By This River
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1108173 By Brian Eno. By Brian Eno, Dieter Moebius, and Hans Joachim Roedelius. Arranged by Scott ...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1108173 By Brian Eno. By Brian Eno, Dieter Moebius, and Hans Joachim Roedelius. Arranged by Scott S. Stewart. 20th Century,Contemporary,New Age,Singer/Songwriter. 18 pages. Scott S. Stewart #710799. Published by Scott S. Stewart (A0.1108173). “By This Riverâ€, composed by self-described ‘non-musician’ Brian Eno, and Dieter Moebius and Hans-Joachim Roedelius , first appeared on the album ‘Before and After Science’ (1977). Since then it has been embraced (read: sampled, covered) by Hip-Hop, Rap, R&B, Rock, and Pop artists, as-well-as performed by classical musicians like the piano Trio Fibonacci, and Norwegian violinist Mari Silje Samuelsen. Its appeal is universal. It is lyric, meditative and atmospheric. This arrangement transposes the keyboard roles to the Secondo 5-part SATBar&B choral ensemble to provide the ‘accompaniment’. The Primo 4-part SATB ensemble carries the melody and counterpoint. Thus, the voicing is 2 ensembles or SSAATTBarBB, nine voices total. It is to be performed a cappella. Performance time: 3:00+-.
$2.99 ≈
2.78€
By This River
By This River
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Chorale SATB
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INTERMÉDIAIRE
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Brian Eno
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Scott S
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By This River
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1108180 By Brian Eno. By Brian Eno, Dieter Moebius, and Hans Joachim Roedelius. Arranged by Scott S. Stew...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1108180 By Brian Eno. By Brian Eno, Dieter Moebius, and Hans Joachim Roedelius. Arranged by Scott S. Stewart. 20th Century,Contemporary,New Age,Singer/Songwriter. 9 pages. Scott S. Stewart #710806. Published by Scott S. Stewart (A0.1108180). “By This Riverâ€, composed by self-described ‘non-musician’ Brian Eno, and Dieter Moebius and Hans-Joachim Roedelius , first appeared on the album ‘Before and After Science’ (1977). Since then it has been embraced (read: sampled, covered) by Hip-Hop, Rap, R&B, Rock, and Pop artists, as-well-as performed by classical musicians like the piano Trio Fibonacci, and Norwegian violinist Mari Silje Samuelsen. Its appeal is universal. It is lyric, meditative and atmospheric. This arrangement is scored for 4-part SATB ensemble with piano accompaniment. Performance time: 3:00+-.
$2.99 ≈
2.78€
Kaleidoscope (2007) for alto saxophone and piano
Kaleidoscope (2007) for alto saxophone and piano
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Saxophone Alto et Piano
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Contemporain
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Mark Zanter
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Kaleidoscope
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MJIC Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - SKU: A0.934203 Composed by Mark Zanter. Contemporary. Score and part. 32 pages. MJIC Music Publishing (ASCAP) #3130847. Published...
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Alto Saxophone,Piano - SKU: A0.934203 Composed by Mark Zanter. Contemporary. Score and part. 32 pages. MJIC Music Publishing (ASCAP) #3130847. Published by MJIC Music Publishing (ASCAP) (A0.934203). Kaleidoscope (2007) commissioned by David Wright, was written while my wife and I were in residence at the David and Julia White Artists Colony, Costa Rica. The tropical location was stunning but , other than permitting luxurious amounts of time to work things out. it was not a direct source of inspiration for the work. Kaleidoscope employs the Fibonacci sequence (1+1+2+3+5+8…) to control surface rhythm and large sectional proportions. Though I am often explicitly concerned with proportion and its integration at various levels of most pieces I compose; I had never used Fib. because it seemed too easy, and I typically do not like to use processes that are external to a piece. None-the-less I really enjoyed working with the sequence and was pleasantly surprised when the last pitch in the saxophone, with a duration of 89 sixteenth notes, sounded just right.The work is suitable for advanced performers and is 13:00 minutes in duration. Performance materials available for purchase from the publisher: mjicmusicpublishing@gmail.com
$10.00 ≈
9.30€
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Fibonacci Music 
