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Festive Hymn Introductions for Organ
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Vous avez sélectionné:
Festive Hymn Introductions for Organ
Partitions à imprimer
58 partitions trouvées
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Festive Hymn Introductions for Organ
Festive Hymn Introductions for Organ
#
Orgue
#
INTERMÉDIAIRE
#
Dale Wood
#
Festive Hymn Introductions for
#
Sacred Music Press
#
SheetMusicPlus
Organ: 3-staff - Intermediate SKU: LO.70-1140S 37 Settings For Organ. Composed by Dale Wood. Sacred, General, Hymn-Based Collection. Sacred Music ...
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Organ: 3-staff - Intermediate SKU: LO.70-1140S 37 Settings For Organ. Composed by Dale Wood. Sacred, General, Hymn-Based Collection. Sacred Music Press #70/1140S. Published by Sacred Music Press (LO.70-1140S). UPC: 000308034240.Well-known hymns can be made to sparkle when introduced with fresh, creative organ intonations. The hymn introductions in this versatile collection are filled with colorful harmonies and vitality. The tunes are always prominent, and the introductions generate enthusiastic attention from the singers as they prepare to unite in song. Many of the settings can be used as free harmonizations for congregation singing; shorter introductions can also be used as interludes between stanzas.
Song List
: Diademata Duke Street Easter Hymn Foundation Holy Manna Hyfrydol In dulci jubilo Italian Hymn Laudes Domini Laast Uns Erfreuen Lobe Den Herren McKee Nicaea Nun danket alle Gott Royal Oak Old Hundredth Slane St Denio St Anne Ash Grove The In Babilone Mit Freuden Zart Nettleton St Christopher St Columba Terra Patris Maryton Bradbury Bereden vag for herran Sacred Song Marion Brother James Air Aurelia Darwalls 148th Bunessan Coronation Cwm Rhondda
$28.00 ≈
$38.53
Festive Hymn Introductions for Organ
Festive Hymn Introductions for Organ
#
Orgue
#
Musique Sacrée
#
Dale Wood
#
Festive Hymn Introductions for
#
Sacred Music Press
#
SheetMusicPlus
37 Settings For Organ. Arranged by Dale Wood. Sacred, General, Hymn-Based Collection. 32 pages. Sacred Music Press #70/1140S. Published by Sacred Music...
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37 Settings For Organ. Arranged by Dale Wood. Sacred, General, Hymn-Based Collection. 32 pages. Sacred Music Press #70/1140S. Published by Sacred Music Press (LX.70-1140S). - - Sacred, General, Hymn-Based Collection - Sacred Music Press
$24.00 ≈
$33.02
Hymn Fanfares, Volume II
Hymn Fanfares, Volume II
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Mark Shepperd
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Hymn Fanfares, Volume II
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Fred Bock Music Company
#
SheetMusicPlus
Brass, Organ, Timpani SKU: HL.237009 Hymn Flourishes for Organ, Brass and Percussion. Arranged by Mark Shepperd. Organ and Brass. Fred Bock Public...
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Brass, Organ, Timpani SKU: HL.237009 Hymn Flourishes for Organ, Brass and Percussion. Arranged by Mark Shepperd. Organ and Brass. Fred Bock Publications. Hymns, Sacred. Softcover with CD. 34 pages. Fred Bock Music Company #BGK1061. Published by Fred Bock Music Company (HL.237009). UPC: 888680696696. 9.25x12 inches.This second volume of Hymn Fanfares for brass, organ and percussion continues the festive mood presented in the first volume. In keeping with other collections in the Fanfares series, each piece in it can stand alone in concert or in a service, or serve as the introduction to the congregational hymn. This collection includes: Fanfare on Azmon • Fanfare on Ein Feste Burg • Fanfare on Lyons • Fanfare on Madrid • Fanfare on Melita. Brass instrumentation is for two trumpets and two trombones (opt. fr. horn subs for trombone 1). The book includes a CD with instrumental parts so organists can practice or perform on their own.
$39.99 ≈
$55.03
Advent Prelude for Organ
Advent Prelude for Organ
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Orgue
#
INTERMÉDIAIRE
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Gordon Thornett
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Advent Prelude for Organ
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Gordon John Thornett
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SheetMusicPlus
Organ - Level 3 - SKU: A0.821203 Composed by Gordon Thornett. Christian,Christmas,Concert,Sacred. Score. 7 pages. Gordon John Thornett #3864417. Publish...
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Organ - Level 3 - SKU: A0.821203 Composed by Gordon Thornett. Christian,Christmas,Concert,Sacred. Score. 7 pages. Gordon John Thornett #3864417. Published by Gordon John Thornett (A0.821203). This short prelude was written as a processional to precede a festive arrangement of the ancient cherubic hymn, Let all mortal flesh keep silence, which received its first performance at Berlin Cathedral on November 29th 2017. This was commissioned to mark the 25th anniversary of John F Kennedy School’s annual Advent services, in collaboration with the American Church in Berlin.The prelude incorporates themes from various Advent hymns, as well as elements of the fanfare theme from the main choral piece. As well as providing an introduction to a performance of the Cherubic Hymn setting (which can be ordered separately), the prelude may also be performed as a stand-alone piece.As in the first performance, I have left the registrations to be added by the organist.
$4.95 ≈
$6.81
"Winchester New" Fanfare/Hymn Intro (On Jordan's Bank), organ work by Phil Lehenbauer
"Winchester New" Fanfare/Hymn Intro (On Jordan's Bank), organ work by Phil Lehenbauer
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Orgue
#
INTERMÉDIAIRE
#
Phil Lehenbauer
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Phil Lehenbauer
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"Winchester New" Fan
#
Phil Lehenbauer
#
SheetMusicPlus
Organ - Level 3 - SKU: A0.1329777 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Advent,Christmas,Easter,Lent,Sacred. Score. 5 pages. Phil Le...
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Organ - Level 3 - SKU: A0.1329777 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Advent,Christmas,Easter,Lent,Sacred. Score. 5 pages. Phil Lehenbauer #917766. Published by Phil Lehenbauer (A0.1329777). The hymn tune Winchester New is popular in both Advent and Holy Week. In Advent it is usually known by the text On Jordan's Bank the Baptist's Cry, and during Holy Week it is known by Ride On! Ride On in Majesty!. This festive announcement will work in either season, and could serve as a fanfare/prelude or as a regal hymn introduction. One ending is a final ending for a prelude, while a second ending will lead you into the normal key of the hymn. I hope it adds a joyous atmosphere to your services!
$3.50 ≈
$4.82
Hymn Fanfares
Hymn Fanfares
#
Mark Shepperd
#
Organ
#
Hymn Fanfares
#
Fred Bock Music Company
#
SheetMusicPlus
Organ/Brass/Timpani Brass; Organ; Timpani (Brass & Timpani) SKU: HL.151192 For Organ, Brass and Timpani. Arranged by Mark Shepperd. Organ and Bras...
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Organ/Brass/Timpani Brass; Organ; Timpani (Brass & Timpani) SKU: HL.151192 For Organ, Brass and Timpani. Arranged by Mark Shepperd. Organ and Brass. Fred Bock Publications. General Worship, Hymns, Sacred. 32 pages. Fred Bock Music Company #BGK1060. Published by Fred Bock Music Company (HL.151192). UPC: 888680085834. 9.0x12.0x0.133 inches.Mark Shepperd has done it again. The brass writing and organ arrangements for Hymn Fanfares are festive and brilliant. In keeping with other collections in the Fanfares series, each piece in it can stand alone in concert or in a service, or serve as the introduction to the congregational hymn. This collection includes: All Creatures of Our God and King • All Hail the Power of Jesus Name • For the Beauty of the Earth • Holy, Holy, Holy • and Praise to the Lord the Almighty. Brass instrumentation is for two trumpets and two trombones (opt. Fr. horn subs for trombone 1).
$39.99 ≈
$55.03
Festive Praise
Festive Praise
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William Croft
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William Croft
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D
#
Festive Praise
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Hope Publishing - Digital
#
SheetMusicPlus
(Brass, Handbells, Keyboard) - Level 2 - SKU: H1.2238DP Composed by William Croft. Arranged by D. Linda McKechnie. Hymntune, General Worship. Director/O...
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(Brass, Handbells, Keyboard) - Level 2 - SKU: H1.2238DP Composed by William Croft. Arranged by D. Linda McKechnie. Hymntune, General Worship. Director/Organ/Trumpet Score. 11 pages. Hope Publishing - Digital #2238DP. Published by Hope Publishing - Digital (H1.2238DP). By William Croft.St. Anne melody by William Croft Set in a grand processional style, Festive Praise is a simple, yet exciting introduction and accompaniment to the St. Anne melody using 3-5 octave handbells with organ. Commonly associated with the text O God Our Help In Ages Past, this arrangement provides variety through new harmonizations along with a change of meter for the third verse. The optional addition of trumpet makes this ideal for any festive occasion. For 3-5 oct. handbells & organ w/opt. Trumpet OR 3-5 oct. handbells & brass quintet. The quintet parts include a brass conductor's score and parts for Trumpet 1 & 2, French Horn, Trombone & Tuba.
$14.95 ≈
$20.57
Festive Praise
Festive Praise
#
Cloches
#
FACILE
#
William Croft
#
William Croft
#
D
#
Festive Praise
#
Hope Publishing - Digital
#
SheetMusicPlus
Handbells handbell choir (3-5 octaves) - Level 2 - SKU: H1.2237DP Composed by William Croft. Arranged by D. Linda McKechnie. Hymntune, General Worship. ...
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Handbells handbell choir (3-5 octaves) - Level 2 - SKU: H1.2237DP Composed by William Croft. Arranged by D. Linda McKechnie. Hymntune, General Worship. Handbell score. 6 pages. Hope Publishing - Digital #2237DP. Published by Hope Publishing - Digital (H1.2237DP). By William Croft.St. Anne melody by William Croft Set in a grand processional style, Festive Praise is a simple, yet exciting introduction and accompaniment to the St. Anne melody using 3-5 octave handbells with organ. Commonly associated with the text O God Our Help In Ages Past, this arrangement provides variety through new harmonizations along with a change of meter for the third verse. The optional addition of trumpet makes this ideal for any festive occasion. For 3-5 oct. handbells & organ w/opt. Trumpet OR 3-5 oct. handbells & brass quintet. The quintet parts include a brass conductor's score and parts for Trumpet 1 & 2, French Horn, Trombone & Tuba.
$5.75 ≈
$7.91
Festive Praise
Festive Praise
#
William Croft
#
William Croft
#
D
#
Festive Praise
#
Hope Publishing - Digital
#
SheetMusicPlus
(Brass, Handbells, Keyboard) - Level 2 - SKU: H1.2239DP Composed by William Croft. Arranged by D. Linda McKechnie. Hymntune, General Worship. Brass quin...
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(Brass, Handbells, Keyboard) - Level 2 - SKU: H1.2239DP Composed by William Croft. Arranged by D. Linda McKechnie. Hymntune, General Worship. Brass quintet parts & conductor's score. 15 pages. Hope Publishing - Digital #2239DP. Published by Hope Publishing - Digital (H1.2239DP). By William Croft.St. Anne melody by William Croft Set in a grand processional style, Festive Praise is a simple, yet exciting introduction and accompaniment to the St. Anne melody using 3-5 octave handbells with organ. Commonly associated with the text O God Our Help In Ages Past, this arrangement provides variety through new harmonizations along with a change of meter for the third verse. The optional addition of trumpet makes this ideal for any festive occasion. For 3-5 oct. handbells & organ w/opt. Trumpet OR 3-5 oct. handbells & brass quintet. The quintet parts include a brass conductor's score and parts for Trumpet 1 & 2, French Horn, Trombone & Tuba.
$34.95 ≈
$48.09
Holy, Holy, Holy. Trumpet Duet and Organ
Holy, Holy, Holy. Trumpet Duet and Organ
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2 Trompettes (duo)
#
INTERMÉDIAIRE
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J
#
Nigel Williams
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Holy, Holy, Holy. Trumpet Duet
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Nigel Williams
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SheetMusicPlus
Trumpet Duet Trumpet - Level 3 - SKU: A0.763727 Composed by J. B. Dykes. Arranged by Nigel Williams. Multicultural,Sacred,Standards,World. Score. 10 pag...
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Trumpet Duet Trumpet - Level 3 - SKU: A0.763727 Composed by J. B. Dykes. Arranged by Nigel Williams. Multicultural,Sacred,Standards,World. Score. 10 pages. Nigel Williams #6357825. Published by Nigel Williams (A0.763727). The tune Nicaea is associated with the hymn text Holy, Holy, Holy! and is appropriate at any time during the year and especially on Trinity Sunday. In this arrangement the opening eight measure introduction allows the trumpets to embellish the sustained organ chords. At the ninth measure the organ states the hymn tune in long notes allowing the two trumpets to accompany with florid freely-composed parts. The organ part is written on two staves with an independent Pedal line, and is early intermediate in difficulty level. This makes it ideal as a postlude in any festive service of worship where this hymn is admired. It is also great duet repertoire for more advanced high school and college trumpet players. The full score downloads with two B flat parts attached. Enjoy browsing my many trumpet duet and organ arrangements available on SMP.
$8.99 ≈
$12.37
Christmas Fanfares
Christmas Fanfares
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Noël
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Mark Shepperd
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Organ
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Christmas Fanfares
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Fred Bock Music Company
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SheetMusicPlus
Organ/Brass/Timpani Brass; Organ; Timpani (Brass & Timpani) SKU: HL.148455 Hymn Flourishes for Organ, Brass and Timpani. Arranged by Mark Shepperd...
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Organ/Brass/Timpani Brass; Organ; Timpani (Brass & Timpani) SKU: HL.148455 Hymn Flourishes for Organ, Brass and Timpani. Arranged by Mark Shepperd. Organ and Brass. Fred Bock Publications. Christmas, General Worship, Sacred. 36 pages. Fred Bock Music Company #BGK1058. Published by Fred Bock Music Company (HL.148455). UPC: 888680077969. 9.25x12.0 inches.Mark Shepperd's “Fanfares†will elevate any service. The brass writing and organ arrangement are festive and brilliant. Each piece in the collection can stand alone in concert or in a service, or serve as the introduction to the congreational carol. This collection includes: Hark! The Herald Angels Sing; O Come, All Ye Faithful; Joy to the World; Angels from the Realms of Glory; Peace, Peace with Silent Night. Brass instrumentation is for two trumpets and two trombones (opt. Fr. horn subs for trombone 1).
$39.99 ≈
$55.03
Thy Strong Word (Choral Score)
Thy Strong Word (Choral Score)
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Chorale 3 parties
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INTERMÉDIAIRE
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Donald Busarow
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Thy Strong Word
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SAB choir, congregation, organ, 2 trumpets - Medium - SKU: MQ.60-9000-E Composed by Donald Busarow. Reformation. 10 pages. MorningStar Music Publishers ...
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SAB choir, congregation, organ, 2 trumpets - Medium - SKU: MQ.60-9000-E Composed by Donald Busarow. Reformation. 10 pages. MorningStar Music Publishers - Digital Sheet Music #60-9000-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-9000-E). Martin Franzmann text to tune EBENEZER. 6-stanza hymn (including doxological stanza) offers opportunity for variety of musical treatments. Includes festive prelude/introduction for two trumpets and organ that lends itself to antiphonal possibilities.
$2.65 ≈
$3.65
Praise, My Soul, the King of Heaven (Downloadable Choral Score)
Praise, My Soul, the King of Heaven (Downloadable Choral Score)
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Chorale SATB
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FACILE
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Donald Busarow
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Praise, My Soul, the King of H
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, optional congregation, organ, brass quartet - Moderately Easy - SKU: MQ.60-7023-E Composed by Donald Busarow. Christ the King. Instrument pa...
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SATB choir, optional congregation, organ, brass quartet - Moderately Easy - SKU: MQ.60-7023-E Composed by Donald Busarow. Christ the King. Instrument part. 10 pages. MorningStar Music Publishers - Digital Sheet Music #60-7023-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-7023-E). A festive hymn setting of the tune Lauda anima suitable for celebratory occasions. A brief introduction for brass and organ leads into stanza 1 for unison voices. Stanza 2 begins with unison women, then unison men, and finally all voices in unison. Stanza 3 is a four-part choir setting, and stanza 4 concludes with a soprano/tenor descant over unison voices singing the melody. Congregation sings from hymnal. Director may adjust text as necessary.
$2.65 ≈
$3.65
Now the Green Blade Rises (Downloadable Choral Score)
Now the Green Blade Rises (Downloadable Choral Score)
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Chorale SATB
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FACILE
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Michael Burkhardt
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Now the Green Blade Rises
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
SATB choir, optional congregation, organ, brass quartet or brass quintet, timpani, handbells - Moderately Easy - SKU: MQ.60-4010-E Composed by Michael B...
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SATB choir, optional congregation, organ, brass quartet or brass quintet, timpani, handbells - Moderately Easy - SKU: MQ.60-4010-E Composed by Michael Burkhardt. Easter. 12 pages. MorningStar Music Publishers - Digital Sheet Music #60-4010-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-4010-E). The tune NOËL NOUVELET, all dressed up in its Easter garb, is presented here as a festive hymn setting. An attention-getting introduction for organ is followed by four verses in varied settings, ending triumphantly with the text Love is come again, like wheat arising green. Fresh, yet familiar to your choir and congregation.Organist may play from either Full Score or Choir Score.Instrumental Parts include:Trumpets I and II in B-flat and CTrombones I and IIHorn in F (sub for Trombone I)TubaTimpaniHandbells (3 octaves - 8 bells).
$1.85 ≈
$2.55
Festival Anthem
Festival Anthem
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Benjamin Ayotte
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Festival Anthem
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Ayotte Custom Musical Engravings
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.732933 Composed by Benjamin Ayotte. Christian,Easter,Sacred. Octavo. 59 pages. Ayotte Custom Musical Engravings ...
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Choral Choir (SATB) - Level 4 - SKU: A0.732933 Composed by Benjamin Ayotte. Christian,Easter,Sacred. Octavo. 59 pages. Ayotte Custom Musical Engravings #1911397. Published by Ayotte Custom Musical Engravings (A0.732933). Based on the Easter hymn tune Worgan, This bright and festive setting for Organ, Brass, Bells, Timpani, and Choir features an extended introduction that references Handel's famous Hallelujah chorus from Messiah. Except for the middle section, the melody is unchanged, so it is suitable for congregational singing as an introit.
$45.00 ≈
$61.92
Easter Fanfares
Easter Fanfares
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Mark Shepperd
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Easter Fanfares
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Fred Bock Music Company
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SheetMusicPlus
Brass, Organ (brass & timpani) SKU: HL.154229 For Organ, Brass and Timpani. Arranged by Mark Shepperd. Organ and Brass. Fred Bock Publications. Ea...
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Brass, Organ (brass & timpani) SKU: HL.154229 For Organ, Brass and Timpani. Arranged by Mark Shepperd. Organ and Brass. Fred Bock Publications. Easter. 36 pages. Fred Bock Music Company #BGK1059. Published by Fred Bock Music Company (HL.154229). UPC: 888680099152. 9x12 inches.Mark Shepperd has done it again. The brass writing and organ arrangement for Easter Fanfares are festive and brilliant. In keeping with other collections in the Fanfares series, each piece serves as the introduction to the congregational hymn. This collection includes: Hosanna • Loud Hosanna (Ellacombe) • All Glory, Laud and Honor (St. Theodolf) • Christ the Lord Is Risen Today (Llanfair and Easter Hymn) • and Crown Him with Many Crowns (Diademata). The instrumentation is written for 2 trumpets, 2 trombones (or opt. french horn substituted for Trombone 1), organ and timpani.
$39.99 ≈
$55.03
Come, You Faithful, Raise the Strain (Downloadable)
Come, You Faithful, Raise the Strain (Downloadable)
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Andrew Peters
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Come, You Faithful, Raise the
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation and/or choir, brass quartet, and organ, with optional timpani - Medium - SKU: MQ.20-453-E Composed by Andrew Peters. Brass Festive Hymn Set...
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Congregation and/or choir, brass quartet, and organ, with optional timpani - Medium - SKU: MQ.20-453-E Composed by Andrew Peters. Brass Festive Hymn Setting, Congregational Hymn Settings. Easter. Instrument part. 25 pages. MorningStar Music Publishers - Digital Sheet Music #20-453-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.20-453-E). A setting of GAUDEAMUS PARITER (AVE VIRGO VIRGINUM) written to enhance the congregation's singing of this tune. A lively introduction is followed by four verse settings. Solid brass writing and a fun, florid organ part. Reproducible Instrumental Parts (Two Trumpets in Bb or C, Two Trombones, and Horn in F [substitute for Trombone I]) are included.
$30.00 ≈
$41.28
Christ Jesus Lay in Death's Strong Bands (Downloadable Choral Score)
Christ Jesus Lay in Death's Strong Bands (Downloadable Choral Score)
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David M
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Christ Jesus Lay in Death's St
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
Congregation, SATB (with soprano descant), and organ, with optional brass quintet and timpani - Medium - SKU: MQ.60-4018-E Composed by David M. Cherwien...
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Congregation, SATB (with soprano descant), and organ, with optional brass quintet and timpani - Medium - SKU: MQ.60-4018-E Composed by David M. Cherwien. Easter, 21st Century. Downloadable choral score. 15 pages. MorningStar Music Publishers - Digital Sheet Music #60-4018-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-4018-E). UPC: 688670640186. English.This solid and stately setting has instructions for tracking through both the LSB (7 verses) and ELW (5 verses) version of this hymn, but is useful for any congregation wanting a festive Easter setting for congregation, SATB (with soprano descant), organ, and optional brass quintet and timpani. An extended organ/brass introduction version based on Bach's setting of Christ Lag in Todesbaden from the Orgelbuchlein is also available.Instrumental Parts include Two Trumpets in C or B-flat, Horn in F, Two Trombones [Trombone 2 with F attachement or Bass Trombone], and Timpani.
$2.85 ≈
$3.92
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Chorale SATB
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
$121.07
Missa Solemnis, op. 27 (parts)
Missa Solemnis, op. 27 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #8...
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Full Orchestra - Level 5 - SKU: A0.1277141 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Score and Parts. 282 pages. Adrian Gagiu #868829. Published by Adrian Gagiu (A0.1277141). Missa Solemnis in B major, op. 27 (orchestral parts). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$160.00 ≈
$220.16
Missa Solemnis, op. 27 - Score Only
Missa Solemnis, op. 27 - Score Only
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Missa Solemnis, op. 27 - Score
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published ...
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Full Orchestra - Level 5 - SKU: A0.1277133 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. 128 pages. Adrian Gagiu #868819. Published by Adrian Gagiu (A0.1277133). Missa Solemnis in B major, op. 27 (conductor's score). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque†(which would still fit the rhythm of the repeated „qui ex Patreâ€, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nationsâ€, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the  King of Kings), „rex caelestis†and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis†gesture at „Gloria in excelsis Deoâ€, „et ascendit in caelisâ€, „in remissionem peccatorum†and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus estâ€, a cross-shaped texture at „crucifixusâ€, and some word-painting (hushed sonorities at „et invisibiliumâ€, anticipations between orchestra and chorus at „et exspecto†etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie†is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria†begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo†has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange linguaâ€, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria†and „Credo†end with extended, powerful and elaborate fugues („in gloria Dei Patris†and „et vitam venturi saeculiâ€, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei†end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctusâ€). „Judicare†quotes the beginning of the well-known „Dies irae†plainchant tune, and the Consecration between the „Sanctus†and „Benedictus†sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Deiâ€, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi†and „dona nobis pacemâ€). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison†theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$85.99 ≈
$118.32
The Church's One Foundation
The Church's One Foundation
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The Church's One Foundation
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Hope Publishing - Digital
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SheetMusicPlus
PDF Director/Organ Score - Level 2 - SKU: H1.2365DDP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Director/Organ Score. 16 pag...
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PDF Director/Organ Score - Level 2 - SKU: H1.2365DDP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Director/Organ Score. 16 pages. Hope Publishing - Digital #2365DDP. Published by Hope Publishing - Digital (H1.2365DDP). 1 Corinthians 12:12 - 1 Corinthians 12:13 - Acts 20:28 - Galatians 2:20 - Galatians 4:4 - Galatians 4:5 - Galatians 5:25 - Galatians 5:26 - Hebrews 9:28 - Matthew 16:18 - Matthew 5:1 - Matthew 5:2 - Matthew 5:3 - Matthew 5:4 - Matthe.Popular Hymn tune This new setting for handbells, organ, optional handchimes plus optional trumpet and timpani, begins with a rousing fanfare introduction, followed by two festive verses of the revered hymn. A meditative interlude on Old Hundredth provides a lovely, quiet contrast before returning to a final statement of the tune, Aurelia, with an exciting reprise of the fanfare for a stunning conclusion. Brass parts are also available for use in lieu of the organ.
$14.95 ≈
$20.57
The Church's One Foundation
The Church's One Foundation
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The Church's One Foundation
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Hope Publishing - Digital
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SheetMusicPlus
Trumpet and Timpani Parts - Level 2 - SKU: H1.2365TDP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Trumpet & Timpani Parts. 6 ...
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Trumpet and Timpani Parts - Level 2 - SKU: H1.2365TDP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Trumpet & Timpani Parts. 6 pages. Hope Publishing - Digital #2365TDP. Published by Hope Publishing - Digital (H1.2365TDP). 1 Corinthians 12:12 - 1 Corinthians 12:13 - Acts 20:28 - Galatians 2:20 - Galatians 4:4 - Galatians 4:5 - Galatians 5:25 - Galatians 5:26 - Hebrews 9:28 - Matthew 16:18 - Matthew 5:1 - Matthew 5:2 - Matthew 5:3 - Matthew 5:4 - Matthe.Popular Hymn tune This new setting for handbells, organ, optional handchimes plus optional trumpet and timpani, begins with a rousing fanfare introduction, followed by two festive verses of the revered hymn. A meditative interlude on Old Hundredth provides a lovely, quiet contrast before returning to a final statement of the tune, Aurelia, with an exciting reprise of the fanfare for a stunning conclusion. Brass parts are also available for use in lieu of the organ.
$12.95 ≈
$17.82
The Church's One Foundation
The Church's One Foundation
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The Church's One Foundation
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Hope Publishing - Digital
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SheetMusicPlus
Brass and Timpani Parts - Level 2 - SKU: H1.2365BDP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Brass & timpani parts. 22 pag...
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Brass and Timpani Parts - Level 2 - SKU: H1.2365BDP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Brass & timpani parts. 22 pages. Hope Publishing - Digital #2365BDP. Published by Hope Publishing - Digital (H1.2365BDP). 1 Corinthians 12:12 - 1 Corinthians 12:13 - Acts 20:28 - Galatians 2:20 - Galatians 4:4 - Galatians 4:5 - Galatians 5:25 - Galatians 5:26 - Hebrews 9:28 - Matthew 16:18 - Matthew 5:1 - Matthew 5:2 - Matthew 5:3 - Matthew 5:4 - Matthe.Popular Hymn tune This new setting for handbells, organ, optional handchimes plus optional trumpet and timpani, begins with a rousing fanfare introduction, followed by two festive verses of the revered hymn. A meditative interlude on Old Hundredth provides a lovely, quiet contrast before returning to a final statement of the tune, Aurelia, with an exciting reprise of the fanfare for a stunning conclusion. Brass parts are also available for use in lieu of the organ.
$34.95 ≈
$48.09
The Church's One Foundation
The Church's One Foundation
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Cloches
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FACILE
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The Church's One Foundation
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Hope Publishing - Digital
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SheetMusicPlus
Handbells 3-5 Octave Handbells - Level 2 - SKU: H1.2365DP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Score. 8 pages. Hope Pu...
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Handbells 3-5 Octave Handbells - Level 2 - SKU: H1.2365DP Arranged by Jane McFadden and Janet Linker. Hymntune, General Worship. Score. 8 pages. Hope Publishing - Digital #2365DP. Published by Hope Publishing - Digital (H1.2365DP). Popular Hymn tune This new setting for handbells, organ, optional handchimes plus optional trumpet and timpani, begins with a rousing fanfare introduction, followed by two festive verses of the revered hymn. A meditative interlude on Old Hundredth provides a lovely, quiet contrast before returning to a final statement of the tune, Aurelia, with an exciting reprise of the fanfare for a stunning conclusion. Brass parts are also available for use in lieu of the organ.
$6.25 ≈
$8.60
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Festive Hymn Introductions for Organ
