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Far, Far From Home Flute part
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Vous avez sélectionné:
Far, Far From Home Flute part
Partitions à imprimer
22 partitions trouvées
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1
Far, Far From Home - Flute part
Far, Far From Home - Flute part
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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George Edwin Smith
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Far, Far From Home - Flute par
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GloriaDeoMusic
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SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.902015 Composed by George Edwin Smith. 20th Century,Concert,Contemporary. Score and part. 2 pages. GloriaDeoMusic #52147...
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Flute,Piano - Level 4 - SKU: A0.902015 Composed by George Edwin Smith. 20th Century,Concert,Contemporary. Score and part. 2 pages. GloriaDeoMusic #5214775. Published by GloriaDeoMusic (A0.902015). Contemplative, wistful, perhaps lonely, wishful for another place, another path to travel, maybe to a remote retreat. This gentle, pensive, almost melancholic duet for Flute and Piano is a must for anyone’s repertoire. 2:46 minutes Full title: Far, Far From Home - Wanderings for Flute and Piano #3Flute part.
$2.00 ≈
1.80€
Far, Far From Home
Far, Far From Home
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Flûte traversière et Piano
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George Edwin Smith
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Far, Far From Home
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GloriaDeoMusic
#
SheetMusicPlus
Flute,Piano - SKU: A0.902016 Composed by George Edwin Smith. 20th Century,Concert,Contemporary. Score and part. 8 pages. GloriaDeoMusic #5214771. Publis...
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Flute,Piano - SKU: A0.902016 Composed by George Edwin Smith. 20th Century,Concert,Contemporary. Score and part. 8 pages. GloriaDeoMusic #5214771. Published by GloriaDeoMusic (A0.902016). Contemplative, wistful, perhaps lonely, wishful for another place, another path to travel, maybe to a remote retreat. This gentle, pensive, almost melancholic duet for Flute and Piano is a must for anyone’s repertoire. 2:46 minutes Full title: Far, Far From Home - Wanderings for Flute and Piano #3
$4.50 ≈
4.05€
Goin' Home - From the New World Op. 95
Goin' Home - From the New World Op. 95
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Harpe, Flûte (duo)
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Goin' Home - From the New Worl
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HarpSong, Jennifer Grady and Karen Almquist
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by ...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.502638 Composed by Antonin Dvorak. Arranged by Arranged by Karen Almquist, Edited by Jennifer Grady. Classical,Romantic Period. Score and parts. 4 pages. HarpSong, Jennifer Grady and Karen Almquist #114989. Published by HarpSong, Jennifer Grady and Karen Almquist (A0.502638). “Goin Home†is a peaceful and moving flute and harp arrangement of Antonin Dvorak’s magnificent Symphony No. 9 “From the New World†2nd Movement. The arrangement in Eb begins and ends quietly in the lower register of the instruments. The flute introduces the melody over quiet eighth note arpeggios on the harp. The harp plays the melody in the second verse. “Goin Home†builds to a glorious ending with an uplifting harp glissando, full rolled chords and flute soaring in its high register. The music is full of emotion and hope. William Arms Fisher a student of Dvorak penned the moving lyrics “Goin Home†to the music. Goin' home. Goin' home. I'm a-goin' home. Quiet-like some still day, I'm just goin' home. It's not far, just close by, through an open door. Work all done, cares laid by, goin' to roam no more; Mother's there 'xpecting me, father's waiting, too, Lots of folks gathered there, all the friends I knew. Morning star lights the way, restless dream all done. Shadows gone, break of day, real life just begun. There's no break, there's no end, just a-living on; Wide awake, with a smile, going on and on. Going home. Going home, I'm just going home. It's not far, just close by, through an open door.
$4.99 ≈
4.49€
Fifteen Flute Folk Song Duets
Fifteen Flute Folk Song Duets
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Flûte traversière
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DÉBUTANT
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Folklorique/Traditionel
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Chris Cooke
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Fifteen Flute Folk Song Duets
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Chris Cooke
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SheetMusicPlus
Flute Solo - Level 1 - SKU: A0.865259 Arranged by Chris Cooke. Folk. Individual part. 21 pages. Chris Cooke #4362587. Published by Chris Cooke (A0.86525...
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Flute Solo - Level 1 - SKU: A0.865259 Arranged by Chris Cooke. Folk. Individual part. 21 pages. Chris Cooke #4362587. Published by Chris Cooke (A0.865259). This is my second collection of folk songs for flute. These are slightly more difficult than the first set and are suitable for second year students. The range is from F above middle C to the high F above the staff. Simple and complex meters are represented and note values include sixteenths. Students will have fun mimicking the train whistle in two of the songs and the second player will keep Grandfather’s Clock ticking until the last note. The songs with their keys are: The Ants Go Marching, G minor The Bear Went Over the Mountain, F Do Your Ears Hang Low?, F The Farmer in the DellE-flat Goober Peas, B-flat Home on the Range, F I’ve Been Workin’ on the Railroad, F Kookaburra, E-flat Michael Finnegan, F My Grandfather’s Clock, G Old Susanna, E-flat Polly Wolly Doodle, E-flat Red River Valley, G She’ll be Comin’ ‘Round the Mountain, F Skip to my Lou, E-flat
$6.95 ≈
6.25€
Cinderella's Stepsisters - Flute & Piano
Cinderella's Stepsisters - Flute & Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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Arthur Breur
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Cinderella's Stepsisters - Flu
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Floating Home Music
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.913976 Composed by Arthur Breur. 20th Century,Children,Contemporary. Score and part. 5 pages. Floating Home Music #47588...
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Flute,Piano - Level 3 - SKU: A0.913976 Composed by Arthur Breur. 20th Century,Children,Contemporary. Score and part. 5 pages. Floating Home Music #4758839. Published by Floating Home Music (A0.913976). A bold but ugly fanfare in the piano starts this musical picture of Cinderella's two sisters, who prance and pose as if they are the most delightful and deserving maidens in the land, but who are spiteful and nasty from the inside out.DURATION: 3m15sy19m09d13 revision: flutter tongue added to final ascending scale.
$7.00 ≈
6.30€
Mysterious Moment for alto flute and string trio
Mysterious Moment for alto flute and string trio
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Trio à Cordes: violon, alto, violoncelle
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INTERMÉDIAIRE
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Contemporain
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David Warin Solomons
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Mysterious Moment for alto flu
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David Warin Solomons
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SheetMusicPlus
String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Wari...
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String Ensemble,String Trio - Level 3 - SKU: A0.576736 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #119391. Published by David Warin Solomons (A0.576736). Mysterious piece in octatonic mode, originally written for the short story The Door The pdf file contains score and parts. The sound sample is an electronic preview. High up on the grassy hill behind the town there is a door. It stands there in its frame with nothing before or behind it. It is locked shut. There is no key. We climb the hill each day. We play each side of the door, games of hide and seek. But we cannot go through the door. Each day we go there during this long sultry summer holiday. We are fascinated by the structure. Why would anyone put a door up there, in its frame, eternally locked, with nothing before or behind it? Maybe it is all that remains of an ancient house? We play, we wonder, we laugh and play, and we return regularly to our homes in time for tea. Then, one day, as we climb the hill for the umpteenth time, a lady dressed in white arrives before us. We watch her take the key out of her bag and insert it in the lock. We are too far downhill to catch up before she closes the door behind her. As we arrive, puffing and panting, Steve knocks on the door. No answer. Dave knocks on the door more forcefully. We hear a distant swish of robes. Gloria knocks, perhaps a little more timidly as the swishing sound approaches. Estelle begins to knock in her turn and the door suddenly opens wide. We all gasp as we see the lady standing there in glistening robes. Her face is hidden from view by a white shawl, but her piercing eyes still show. Children, she says, welcome all. Do come in, please, the kettle is on. You are just in time for tea. We hesitate, as well we might. How can we come in when there is nothing before or behind the door? But Estelle puts one foot inside and looks back at us with a curious expression of serenity on her face. We follow her. We look around at the new space beyond the door and at the parquet floor beneath our dew-soaked feet. As our eyes become accustomed to the brightness of the interior we catch sight of many signs of the world we have entered, but only fleetingly. They pass before our eyes in an instant and then flee beyond the range of sight. There is a staircase, a hat stand, a distant gleam of an ancient cooker, a faint whiff of scones and boiling jam. As we walk inside, our senses are overwhelmed with the new reality, we are rooted to the spot. Do please sit down, says the lady with a slight catch in her throat. We are seated on wooden chairs along one side of an oak table, although we cannot recall how we got there, some slip of the memory perhaps. We have no sense of foreboding, Estelle's serenity has passed to all of us. We can stay here eating scones and jam until the end of time. The lady removes her shawl and reveals a face as beautiful as anyone's mother's. Her deep black eyes glisten like obsidian. She beams a smile of welcome and pours the tea. I'm glad you have come. I've been expecting you, she begins. You must have a thousand questions, so do please ask away. Well, says Steve, what is this door that we passed through? Is this another world? There is no other world, the lady replies, this is the only one. But there is! There is! starts Dave excitedly, Look!. He gets up quickly from the chair, knocking it over in his haste and rushes to the door to open it. He pulls at it with all his force and reveals a black nothingness behind it. We were on the hill, where's it gone? he shouts, what have you done to it? There is no hill. But you climbed the hill in front of us says Gloria. There is no hill. Even Estelle of the serene demeanour is beginning to look worried. How did we get here then, how did you get here, she asks the lady nervously. We have all been here since the beginning of time, the catch in the lady's throat is becoming more evident. No, we have our families down there in the town cries Estelle You have no families,.
$8.00 ≈
7.19€
Fastnet Rock
Fastnet Rock
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Jamie Farrow
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Fastnet Rock
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Jamie Farrow
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by J...
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Flute,Piano - Level 5 - SKU: A0.1042377 Composed by Jamie Farrow. Classical,Contemporary. Score and part. 12 pages. Jamie Farrow #647168. Published by Jamie Farrow (A0.1042377). This is a piece for flute and piano duo. Fastnet Rock, home to the Fastnet Lighthouse, is Ireland’s most southerly point situated in the Atlantic Ocean, famous for massive waves that engulf the island during storms. Three photographs (see below) and the lighthouse’s history were my inspiration for this duet, with the different images and ideas that they created, influencing my composition’s structure, themes and ideas at play. The piece starts at sunset and finishes at sunrise, with four sections each representing a different moment that follow a gradually developing structure through the first three sections before a gentle reprise of the ideas from Section 1 (S1) in Section 4 (S4). This gives a cyclicity to the piece, furthered by the tonal regions explored in each of the sections; Ebmaj to Amin to Bmin to Amin to Ebmaj. S1 invokes thoughts of the colours of sunset It is divided into four sub-sections, characterised by either solo flute or flute with piano, with each section exploring a different range of colours generated by their keys. Throughout, accidentals provide additional colour reminiscent of light diffracted during a sunset with the piano in the duo section voiced low in its range adding warmth explored through pivot chords. The flute plays in a very free recitative style, allowing the flautist individual expression emphasising the organicity of sunset as each performer will express this section differently. Section 2 (S2) and Section 3 (S3) are closely related, focusing on night-time through to sunrise in S4, with S2 providing the build up to the events of S3. In S2 the piano plays at the extremes of its range with widely spaced chords and no sense of beat, creating stillness and a sense of uneasiness through the constantly and irregularly beating A. The flute represents the rising storm and wind playing an organically-evolving motif beginning low in range, before gradually adding more notes and slowly rising, eventually reaching a dramatic climax which explores the extremities of its range whilst accelerating into S3. The drama and large gestures of S3 represent an Atlantic storm, a wall of oscillating sound through repeated piano ostinatos and constant use of the sustain pedal. Coupled with the frequently changing time-signature creating a sense of wild waves rolling in the ocean, the chordal bars percussively suggesting waves hitting the island. The flute captures the drama and emotion of the storm and the whistling wind, with long rising and falling gestures exploring the instrument’s very extremities. S4 brings the morning after the storm. We hear the same flute idea as in S1, this time played in the sadder Amin, communicating a sense of loss and despair following the storm. The piano emulates the now gently lapping waves against the rocks of Fastnet with the triplet motif in the bass. The right-hand of the piano plays a chordal accompaniment as in S1 but much slower, representing the slowly emerging colours of a sunrise which become richer and richer like the chords before the sunrise in the final few bars with a move into Ebmaj.
$2.99 ≈
2.69€
Far From the Home I Love - Flute by Jerry Bock - for Flute
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Flute (partie séparée)
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Comédie Musicale
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Jerry Bock
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Far From the Home I Love - Flu
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Musicnotes
Far From the Home I Love - Flute Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: In...
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Far From the Home I Love - Flute Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Instrumental Solo;Instrumental Part, instruments: Flute; 1 pages -- Show/Broadway
$2.99 ≈
2.69€
Far From the Home I Love - Piano Accompaniment from Fiddler on the Roof - Flute, Oboe, Recorder or Violin Part and Piano Accompaniment
Solo & Accompaniment~~Instrumental Part
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Far From the Home I Love - Pia
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Musicnotes
Far From the Home I Love - Piano Accompaniment Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music fil...
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Far From the Home I Love - Piano Accompaniment Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Solo & Accompaniment;Instrumental Part, instruments: Piano Accompaniment;C Instrument;Violin;Oboe;Flute;Recorder; 3 pages -- Movie/TV~~Show/Broadway
$5.25 ≈
4.72€
COMPLETE MUSICAL SCORE 'Alice in Wonderland' for Show Bands
COMPLETE MUSICAL SCORE 'Alice in Wonderland' for Show Bands
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Orchestre d'harmonie
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FACILE
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Lee Holt
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Lee Holt
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COMPLETE MUSICAL SCORE 'Alice
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Lee Holt
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.975951 Composed by Lee Holt. Arranged by Lee Holt. Broadway,Children,Musical/Show. Score and parts. 211 pages. Lee Holt...
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Concert Band - Level 2 - SKU: A0.975951 Composed by Lee Holt. Arranged by Lee Holt. Broadway,Children,Musical/Show. Score and parts. 211 pages. Lee Holt #2965155. Published by Lee Holt (A0.975951). Perfect for your Senior School Production; includes NOT TOO FAR FROM HOME, COOL CAT, YOU'RE JUST BUBBLES, KITCHEN CLATTER, SPEAK ROUGHLY, WILL YOU WON'T YOU and TEA FOR YOU. Seven songs perfect for your next school production! All are original arrangements consisting of chromatic scales and diatonic harmonies, this song is filled with fun, energy and joyful lyrics that are sure to get your audience really warmed up with a laugh a minute. Set for a 14-piece Show band, complete with Conductor's score and instruments that include: flute, alto saxophone, tenor saxophone, violin, cello,trombone,lead guitar, rhythm guitar, bass, piano and drum set, auxiliary percussion consisting of: suspended cymbal and glockenspiel. This music is guaranteed to set the scene to your 'Alice In Wonderland' production. Ideal for lower intermediate level Primary or Secondary school bands.
$49.99 ≈
44.96€
Rest A While Longer
Rest A While Longer
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Chorale SSAA
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INTERMÉDIAIRE
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Celtique/Irlandais
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Folklorique/Traditionel
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Alan Wagstaff
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Alan Wagstaff
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Rest A While Longer
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Alan Wagstaff
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SheetMusicPlus
Choral Choir (SSAA) - Level 3 - SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36...
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Choral Choir (SSAA) - Level 3 - SKU: A0.1040537 By Alan Wagstaff. By Alan Wagstaff. Arranged by Alan Wagstaff. Celtic,Folk,Irish,Traditional. Octavo. 36 pages. Alan Wagstaff #645329. Published by Alan Wagstaff (A0.1040537). This haunting, new song, in the mixolydian mode (Bb), is in the Irish tradition. It is written for a female choir (SSAA) with an additional solo part; the accompaniment is for harp, accordion, flute, fiddle, and bass. This song was inspired by J.M. Synge's 1904 play 'Riders of the Storm' and quotes a line from it. The chorus quotes from the Irish version of 'Fhir a Bhartain' a song written in the late 19th century by Sìne NicFhionnlaigh of Tong, Lewis, Scotland. Fear A Bháta The Boatman A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. A fhir a bháta is na horó eile Man of the boat and no one else. Mo shoraid slán leat gach áit a dtéid thú. My safe blessing with you everywhere you go. Lyrics O, Bryan McCauley the boats are still moored. and down in Kilronan only ghosts are aboard. The calico is furled and the tide is still low, so rest a while longer, till the time comes to go. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The herring are sleeping and safe from the net. So rest my fisher lad - do not rise yet. The hillcrests of Galway are scarce tinged with red. O, sleep a while longer and keep to your bed. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu. The cold-hearted Ocean knows nothing of men; it takes them or leaves them, with no heed where or when. The candles are out in the homes round the Bay, so stay in my arms, love, till the first light of day. It’s the life of a young man to be fishing far from shore. For there’s scant other work on the wild Inishmore. Fhir a bharta na horo – fhir a bharta is-na eile. Mo shor slan leat gach ait a dteid thu.
$50.00 ≈
44.97€
The Swallows for cello and piano
The Swallows for cello and piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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David Warin Solomons
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The Swallows for cello and pia
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David Warin Solomons
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.576585 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and part. 11 pages. David Warin Solomons...
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Cello,Piano - Level 3 - SKU: A0.576585 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and part. 11 pages. David Warin Solomons #38161. Published by David Warin Solomons (A0.576585). The Swallows is based on the poem by Gourgen Mahari, as translated from the Armenian by James Russell. The Armenian poet Gourgen Mahari, who died in the USSR in 1969 is lamenting his many compatriots who were exiled, dispossessed and killed during the 20th century (poem shown below) Versions are available on this site for: voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and guitar and for voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and piano The sound sample is an electronic preview. The pdf file contain score and parts. The original song can be heard on youtube at: https://www.youtube.com/watch?v=vucw5zpeGzQ  == The Swallows == Far in the distant Nile Valley down nameless highways unknown, where the Dead Sea`s gloomy ripples break, straining on their way unfinished home, with a song in their hearts, the swallows died, unable to return. Far in the distant Nile Valley down down nameless highways unknown. They never came back to adorn the Spring with heady song, to chant with the winds the green meadow, rebuild abandoned nests. They died on distant mountains, plains afar, unable to return. Far away. Can they subsist with the love of our hearts or our gardens` blossoms gay or our joyous vernal rains? They who died on the way unfinished home. Far in the distant Nile Valley. Unable to return.
$9.00 ≈
8.09€
The Swallows for cello and guitar
The Swallows for cello and guitar
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Violoncelle , Guitare (duo)
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INTERMÉDIAIRE
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David Warin Solomons
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The Swallows for cello and gui
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David Warin Solomons
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SheetMusicPlus
Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - SKU: A0.576586 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and...
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Instrumental Duet Cello,Guitar,Instrumental Duet - Level 3 - SKU: A0.576586 Composed by David Warin Solomons. 20th Century,Contemporary,World. Score and parts. 11 pages. David Warin Solomons #38163. Published by David Warin Solomons (A0.576586). The Swallows is based on the poem by Gourgen Mahari, as translated from the Armenian by James Russell. The Armenian poet Gourgen Mahari, who died in the USSR in 1969 is lamenting his many compatriots who were exiled, dispossessed and killed during the 20th century (poem shown below) Versions are available on this site for: voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and guitar and for voice, clarinet, flute, violin, alto saxophone, cello or cor anglais and piano The sound sample is an electronic preview. The pdf file contain score and parts. The original song can be heard on youtube at: https://www.youtube.com/watch?v=vucw5zpeGzQ  == The Swallows == Far in the distant Nile Valley down nameless highways unknown, where the Dead Sea`s gloomy ripples break, straining on their way unfinished home, with a song in their hearts, the swallows died, unable to return. Far in the distant Nile Valley down down nameless highways unknown. They never came back to adorn the Spring with heady song, to chant with the winds the green meadow, rebuild abandoned nests. They died on distant mountains, plains afar, unable to return. Far away. Can they subsist with the love of our hearts or our gardens` blossoms gay or our joyous vernal rains? They who died on the way unfinished home. Far in the distant Nile Valley. Unable to return.
$9.00 ≈
8.09€
50 Traditional - collection for solo Soprano Recorder
50 Traditional - collection for solo Soprano Recorder
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Flûte à bec Soprano
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DÉBUTANT
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Folklorique/Traditionel
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Christmas Traditional
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Glissato Music Publishing
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50 Traditional - collection fo
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SheetMusicPlus
Composed by Christmas Traditional. Arranged by Glissato Music Publishing. Classical,Multicultural,Spirit ual,World. Individual part. 52 pages. Glissato...
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Composed by Christmas Traditional. Arranged by Glissato Music Publishing. Classical,Multicultural,Spirit ual,World. Individual part. 52 pages. Glissato Edizioni Musicali #6539929. Published by Glissato Edizioni Musicali
Collection of 50 traditional melodies for solo Soprano Recorder, comfortable range and key, easy for beginners.
Contents: Amazing Grace - Arirang - Bamboo Flute, the - Banks of the Don, the - Bella Ciao - Big Rock Candy Mountain - Cockles and Mussels - Day-O - Down By The Sally Gardens- Drink to Me Only with Thine Eyes - El Cndor Pasa - El Noi de la Mare - El Testament d'Amlia - El vito - Foggy Dew - Frre Jacques - Furusato - Galway Piper, the - Happy Birthday! - Home on the range - Homeward from the Mountains - House of rising sun,The - I?se the B?y That Builds the Boat - Indiana - Kalinka - Londonderry Air -Manang Biday - Mary Don't You Weep - Mexican Hat Dance - Oh! Susanna - Old MacDonald - Raggle Taggle Gypsy,the - Rising of the Moon,the - Sakura Sakura - Santa Lucia - Scarborough Fair - Simple Gifts - Siil a Rn - Skye Boat Song,the - Spanish Romance - Star of the County Down - Suo Gn - The Oak and the Ash -Turkey in the Straw - Waltzing Matilda -Water is wide,the - Wayfaring Stranger,the - When Johnny Comes Marching Home -Yankee Doodle - Yellow Rose of Texas,the.
$12.99 ≈
11.68€
The Sense of a Place Will Remain
The Sense of a Place Will Remain
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Chorale SATB
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Contemporain
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Paul Burnell
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The Sense of a Place Will Rema
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Paul Burnell
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835...
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Choral Choir (SATB) - SKU: A0.835786 Composed by Paul Burnell. Contemporary. Octavo. 124 pages. Paul Burnell #3405305. Published by Paul Burnell (A0.835786). Composed 2007, duration 8:30 approx. The music and text of ‘The Sense of a Place Will Remain’ was inspired by pictures of an early carved stone cross and a tenth-century Viking burial stone on the island of Inchcolm in Scotland. First performed by Inchcolm New Music Ensemble 29 June 2007, conductor Steve King. Instrumentation is flexible; the following is a guide: Part 1 - Violin 1, flute 1 (doubling piccolo if possible) oboe 1, Part 2 - Violin 2, flute 2, oboe 2 (doubling tenor recorder if possible), clarinet 1, trumpet Part 3 - Viola, clarinet 2, horn in F, Eb horn (2 players doubling harmonicas in C) Part 4 - Cello, bassoon Part 5 - Double bass, bass guitar (or Cello 2 - playing as if usual bass clef, but an octave lower where possible) SATB voices (doubling metal spoons and pitch pipes) Optional:Percussion (one player) - claves, glockenspiel (could be a child’s toy instrument such as an ‘Angel’ glockenspiel), mark tree, spring drum (thunder shaker), frame drum, musical jewelry box (or similar clockwork device).Should a glockenspiel not be available, a special part has been created which arranges the glockenspiel for two flutes, together with the other percussion music. This special part is not visible in the score. Keyboard instrument with sustaining capability - piano sound Instructions: Wind players can breathe ad lib. during any very long notes. From letter D onwards non-wind players who are not soloists blow across the top of small bottles. The pitches produced are not specified, but they should not be shrill. A soft breathy tone is preferred. About half of the voices play pairs of metal spoons (share printed part between two singers and anyone not holding the music holds metal spoons). Hold the spoons one in each hand, and strike the larger ends together. Spoons are struck together where shown with a large patterned note head. Strike rapidly where a tremolo sign is given. Four singers play pitch tuning pipes: 1 Soprano and 1 Alto play viola/cello pitch tuning pipes, 1 Tenor and 1 Bass play violin pitch tuning pipes Pitch pipe playing is indicated with square note heads - player should breathe ad lib. during very long notes. Where there are very long sung notes, the singers may stagger breathing ad lib. Spoken sounds are indicated with x note heads and with the text in italics. There are many pauses. These can be of varying duration, but on the whole they should not hold up the momentum of the piece, but be of sufficient duration to establish the solo and pitch pipe notes. Text: Carve stone Strike out Stay at home Or go far alone. Blocks of stone are laid Emblazoned with the signs of great deeds That signify our memory, Mem’ries of who we are. Careful carvings erode through time, Chiseled grooves smooth away. Families, they scatter and fade As generations age Descendants pass on memory time. Sense of our allegiance shifts when major faults are found, Feelings of belonging fall on shaky ground, But the sense of a place will remain.
$7.95 ≈
7.15€
Star Trek - Voyager(R)
Star Trek - Voyager(R)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Jerry Goldsmith
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Lorenzo Bocci
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Star Trek - Voyager(R)
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1475619 Composed by Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. 58 pages. Lorenzo Bocci #1053176. Published by...
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Concert Band - Level 3 - SKU: A0.1475619 Composed by Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. 58 pages. Lorenzo Bocci #1053176. Published by Lorenzo Bocci (A0.1475619). STAR TREK®: Voyager - Theme From The Paramount Television Series Star Trek: Voyagerfor Concert Band - Grade 3 - - More Star Trek MusicComposed by Jerry Goldsmith. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 3'02''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Star Trek: Voyager is an American science fiction television series created by Rick Berman, Michael Piller and Jeri Taylor. It aired from January 16, 1995, to May 23, 2001, on UPN, with 172 episodes over seven seasons. Set in the 24th century, when Earth is part of a United Federation of Planets, it follows the adventures of the Starfleet vessel USS Voyager as it attempts to return home to the Alpha Quadrant after being stranded in the Delta Quadrant on the far side of the galaxy. Unlike The Next Generation, where composer Jerry Goldsmith's theme from Star Trek: The Motion Picture was reused, Goldsmith composed and conducted an entirely new main theme for Voyager. Subscribe to my YouTube Channel to stay updated on new releases.
$94.00 ≈
84.54€
Ciocârlia (Ševa) - for string quintet
Ciocârlia (Ševa) - for string quintet
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Traditional
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Zoran Radanovic
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Ciocârlia
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Zoran Radanovic
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 5 - SKU: A0.1486478 Composed by Traditional. Arranged by Zoran Radanovic. Folk,Multicultural,Standards,Traditi...
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String Quintet Cello,Viola,Violin - Level 5 - SKU: A0.1486478 Composed by Traditional. Arranged by Zoran Radanovic. Folk,Multicultural,Standards,Traditional,Wedding,World. 74 pages. Zoran Radanovic #1063541. Published by Zoran Radanovic (A0.1486478). This arrangement is famous romanian song for professional string quintet with set of parts.Ovaj aranžman je poznata rumunska pesma za profesionalni gudački kvintet sa partiturama. Ciocârlia (meaning the skylark) is a Romanian tune, allegedly composed by the Romani-Romanian pan flute player Angheluş Dinicu[1][2] in the virtuosic style of the urban lăutarească music from late 19th century. Angheluş Dinicu first presented the tune in 1889 at the inauguration of the Eiffel Tower. However, the most famous version would become that of his grandson Grigoraș Dinicu, that adapted the tune for violin. George Enescu also was inspired by Ciocârlia for his composition the Romanian Rhapsody No. 1 for orchestra. Ciocârlia has been covered numerous times, but because it is a piece of lăutărească music and not a piece of Romanian peasant music it cannot be considered representative for the Romanian peasant spirit.[3] In the case of the Ciocârlia, like with other famous tunes of lăutărească music, there were attempts to hide the name of the composer in order to make it seem anonymous/traditional.[4] It is known as Ševa (Шева) and čučuliga (Чучулига) in Serbian, Bulgarian and Macedonian. It has also become highly popular in the Jewish Klezmer repertoire.[5] In Georgia, the tune became widely adopted into traditional folk music repertoire and is known as Torola (ტოროლა, the lark)[6] During the communist-era, the Romanian intelligence service operated a numbers station believed to be used by spies in foreign countries. The station known as V01 became well known for its use of Ciocârlia as its opening interval, which would be followed by a series of number-coded messages in Romanian and concluded with the words Terminat. The station fell off the air soon after the 1989 coup and overthrow of Ceausescu.[7] The song was featured as part of the soundtrack for the 2009 Ubisoft game Rabbids Go Home, performed by Moldovan gypsy brass band Fanfare Vagabontu.
$17.49 ≈
15.73€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750706 Composed by Silvano A. Pagliuca-Mena. Jazz. Score and Parts. 46 pages. Soundnotation #4251133750706. Published by Soundnotation (2S.4251133750706). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.55€
Ciocârlia - Ševa - for band
Ciocârlia - Ševa - for band
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Traditional
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Zoran Radanovic
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Ciocârlia - Ševa
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Zoran Radanovic
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SheetMusicPlus
Strings Acoustic Guitar,Bass Guitar,Drum Set,Electric Guitar,Violin - Level 5 - SKU: A0.1486130 Composed by Traditional. Arranged by Zoran Radanovic. Fo...
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Strings Acoustic Guitar,Bass Guitar,Drum Set,Electric Guitar,Violin - Level 5 - SKU: A0.1486130 Composed by Traditional. Arranged by Zoran Radanovic. Folk,Multicultural,Standards,Traditional,Wedding,World. 79 pages. Zoran Radanovic #1063186. Published by Zoran Radanovic (A0.1486130). This arrangement is for professional band with set of parts.Ciocârlia (meaning the skylark) is a Romanian tune, allegedly composed by the Romani-Romanian pan flute player Angheluş Dinicu[1][2] in the virtuosic style of the urban lăutarească music from late 19th century. Angheluş Dinicu first presented the tune in 1889 at the inauguration of the Eiffel Tower. However, the most famous version would become that of his grandson Grigoraș Dinicu, that adapted the tune for violin. George Enescu also was inspired by Ciocârlia for his composition the Romanian Rhapsody No. 1 for orchestra. Ciocârlia has been covered numerous times, but because it is a piece of lăutărească music and not a piece of Romanian peasant music it cannot be considered representative for the Romanian peasant spirit.[3] In the case of the Ciocârlia, like with other famous tunes of lăutărească music, there were attempts to hide the name of the composer in order to make it seem anonymous/traditional.[4] It is known as Ševa (Шева) and čučuliga (Чучулига) in Serbian, Bulgarian and Macedonian. It has also become highly popular in the Jewish Klezmer repertoire.[5] In Georgia, the tune became widely adopted into traditional folk music repertoire and is known as Torola (ტოროლა, the lark)[6] During the communist-era, the Romanian intelligence service operated a numbers station believed to be used by spies in foreign countries. The station known as V01 became well known for its use of Ciocârlia as its opening interval, which would be followed by a series of number-coded messages in Romanian and concluded with the words Terminat. The station fell off the air soon after the 1989 coup and overthrow of Ceausescu.[7] The song was featured as part of the soundtrack for the 2009 Ubisoft game Rabbids Go Home, performed by Moldovan gypsy brass band Fanfare Vagabontu.
$17.49 ≈
15.73€
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
Introduction, Theme and Variations on "La Cabra Mocha" for Youth Orchestra
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Jazz
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Silvano A
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Introduction, Theme and Variat
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Soundnotation
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SheetMusicPlus
Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin ...
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Full Orchestra Flute, Oboe, Clarinet in Bb, Bassoon, French Horns in F I and II, Trumpet in Bb, Trombone, Percussion, (Timpani, Glockenspiel), Violin I, Violin II, Viola, Violoncello, Double bass - Advanced - SKU: 2S.4251133750690 Composed by Silvano A. Pagliuca-Mena. Jazz. Score. 29 pages. Soundnotation #4251133750690. Published by Soundnotation (2S.4251133750690). La Cabra Mocha (Full Score) is a Gaita de Furro. Because it belongs to the folklore of Zulia, its origin remains unclear and a dispute over the authorship of the composition currently revolves around Pradelio Hernandez and Jesus Lozano. Although its date of origin is considered equally indefinable for the same reason, its official appearance can be narrowed down to the middle of the 20th century. Probably it's much older, but due to the technological improvements of music recording, the piece became popular only later. La Cabra Mocha is a musical jewel that tells the story of a nation who has a wisdom and finds in music the way to express itself. The history of its transculturation is remarkable, although it also carries contradictions, depending on the way of representing. Sometimes its imposed stereotypes are accepted by society due to a lack of self-knowledge, which ultimately leads to a change of identity, where some elements are transfigured and others are replaced. Arranging a Gaita de Furro for youth orchestra makes sense for the following reasons: First and foremost, the self-knowledge of a society should start from the childhood and should be cultivated and carried on from generation to generation, thereby conserved. Moreover, a lack of a pedagogical act, thus a pedagogical repertoire, is one of the main causes for the ignorance of Venezuelan music. Another important aspect is the transformation or adaptation as a process of maintaining Venezuelan musical culture. Many children already present the intention of the composition by drawing their attention to the formation of the orchestra, which represents a globally unified language as a network of distribution and which is locally independent. Wherever the composition is played - each orchestra will be able to maintain the quality and expressiveness of the piece without hiding its identity. The piece opens with a fanfare introduction of the Cabra Mocha, followed by a drum roll, which reminds of the drummer's traditional reputation and introduces the theme whose chorus is represented by the tutti and its verses by the soli. The first variation consists of a two-bar rhythm and major tonality, full of wit and cunning. The following variation is an Adagio with a three-part rhythm in minor. Then the timpani return to initiate the theme, this time shortened by its Reprise, which finally leads to a polyphonic Codetta. On an interpretative level, the return of variation can be compared with the return of education and thus, to a certain extent, improvisation. This is a very striking factor of traditional music, which is represented as a fitting metaphor in the form of harmonic and rhythmic reference within the composition. Introduccion, Tema y Variaciones sobre la Cabra Mocha was composed in the last weeks of 2012 and won the first prize in the composition competition for the Youth Orchestra of Zulia, which was awarded by the Venezuelan Orchestra in its first edition in 2013. At the beginning of 2014 Silvano Pagliuca-Mena made a small revision of the piece. Silvano Antonio Pagliuca Mena was born on 10 May 1991 in Maracaibo, Venezuela. Despite his Italian and Spanish roots, he has always remained true to his love for the music of his homeland, which is why his compositions always carry Venezuelan impressions, but also influences like academic western music, jazz and popular music.
$13.95 ≈
12.55€
Franklin 200
Franklin 200
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Orchestre d'harmonie
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AVANCÉ
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Phil Beaman
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Piccolo
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Franklin 200
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Phil Beaman
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1298694 Composed by Phil Beaman. Contest,Festival,March,Multicultural,Patriotic,World. Score and Parts. 61 pages. Phil ...
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Concert Band - Level 5 - SKU: A0.1298694 Composed by Phil Beaman. Contest,Festival,March,Multicultural,Patriotic,World. Score and Parts. 61 pages. Phil Beaman #888572. Published by Phil Beaman (A0.1298694). CompositionThis piece was commissioned to celebrate the 200th Anniversary (Bicentennial) of the founding of the city of Franklin, Indiana. Â This piece opens with a bold brass fanfare introduction, then it has a 16 bar excerpt from a famous Fred Jewell march. Â Franklin has a long history of community bands and a Jewell march would have been a characteristic sound over the past 100 years. Â And furthermore there is a direct link to this town since in 1927 Fred Jewell was appointed Director of the Masonic Home Band in Franklin, (and Jewell also happens to be a cousin of this composer!) Â The middle Chorale section of this composition has woven in 11 very short quotes from known songs that will remind listeners of Franklin institutions or values and virtues that helped build the town. Â The final section is pure celebration in the form of a Caribbean calypso. Â InstrumentationFlute; Piccolo; Clarinet; Alto Saxophone 1,2; Tenor Saxophone; Baritone Saxophone; Trumpet 1,2,3; French Horn; Euphonium/Baritone Horn 1,2; Trombone, 1,2; Tuba; Percussion (suspended cymbal, snare drum, bass drum, floor tom, cowbell, woodblock)19 page score, 42 pages of parts2:35 minutestemporary upload of a mediocre MIDI recording
$44.00 ≈
39.57€
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Far, Far From Home Flute part
