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Vous avez sélectionné:
Etudes for the Developing Trombone Player
Partitions à imprimer
8 partitions trouvées
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Etudes for the Developing Trombone Player
Etudes for the Developing Trombone Player
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Trombone
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INTERMÉDIAIRE
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Michael D
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Etudes for the Developing Trom
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Michael D. Blostein
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.921087 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300203. Publis...
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Trombone Solo - Level 3 - SKU: A0.921087 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300203. Published by Michael D. Blostein (A0.921087). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
$10.00 ≈
9.21€
Etudes for the Developing Horn Player
Etudes for the Developing Horn Player
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Cor
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INTERMÉDIAIRE
#
Michael D
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Etudes for the Developing Horn
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Michael D. Blostein
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.921088 Composed by Michael D. Blostein. Instructional. Individual part. 45 pages. Michael D. Blostein #5300205. Pub...
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French Horn Solo - Level 3 - SKU: A0.921088 Composed by Michael D. Blostein. Instructional. Individual part. 45 pages. Michael D. Blostein #5300205. Published by Michael D. Blostein (A0.921088). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
$10.00 ≈
9.21€
Etudes for the Developing Tuba Player
Etudes for the Developing Tuba Player
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Tuba
#
INTERMÉDIAIRE
#
Michael D
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Etudes for the Developing Tuba
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Michael D. Blostein
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SheetMusicPlus
Tuba Solo - Level 3 - SKU: A0.921084 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300199. Published ...
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Tuba Solo - Level 3 - SKU: A0.921084 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300199. Published by Michael D. Blostein (A0.921084). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
$10.00 ≈
9.21€
Etudes for the Developing Trumpet Player
Etudes for the Developing Trumpet Player
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Trompette
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INTERMÉDIAIRE
#
Michael D
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Etudes for the Developing Trum
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Michael D. Blostein
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.921089 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300207. Publish...
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Trumpet Solo - Level 3 - SKU: A0.921089 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300207. Published by Michael D. Blostein (A0.921089). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
$10.00 ≈
9.21€
Etudes for the Developing Euphonium Player
Etudes for the Developing Euphonium Player
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Euphonium
#
INTERMÉDIAIRE
#
Methodes
#
Michael D
#
Etudes for the Developing Euph
#
Michael D. Blostein
#
SheetMusicPlus
Euphonium Solo - Level 3 - SKU: A0.921086 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300201. Publi...
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Euphonium Solo - Level 3 - SKU: A0.921086 Composed by Michael D. Blostein. Instructional. Individual part. 43 pages. Michael D. Blostein #5300201. Published by Michael D. Blostein (A0.921086). These etudes are designed to assist the progressing brass player in the major areas of performance, which traditionally cause issues. Careful attention has been paid to endurance, range, and modern performance requirements. As such, these etudes can be used as a primary teaching source, or as supplemental material. Depending on the intended use of these etudes, they may be learned and performed in chronological order, or in a different order as suggested by a private instructor. Additionally, these etudes are also offered in identical versions for small group instruction purposes, transposed and minimally adjusted as necessary, for tuba, euphonium, trombone, horn and trumpet. Etudes appear in the same order, with the same markings, in each book. Bass trombonists are recommended to use the trombone book for slide technique, and the tuba book for trigger technique.
$10.00 ≈
9.21€
25 Jazz Etudes for Instruments in C, B-flat, E-flat and Bass Clef
25 Jazz Etudes for Instruments in C, B-flat, E-flat and Bass Clef
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Joe Colombo
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25 Jazz Etudes for Instruments
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Joe Colombo
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SheetMusicPlus
Acoustic Guitar,B-Flat instrument,Bass Clef Instrument,C Instrument,C Trumpet,Instrumental Solo,Saxophone,Tenor Trombone - Level 4 - SKU: A0.1142072 By ...
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Acoustic Guitar,B-Flat instrument,Bass Clef Instrument,C Instrument,C Trumpet,Instrumental Solo,Saxophone,Tenor Trombone - Level 4 - SKU: A0.1142072 By Joe Colombo. By Joe Colombo. Blues,Contemporary,Instructional,Jazz,Standards. Individual part. 104 pages. Joe Colombo #742445. Published by Joe Colombo (A0.1142072). This collection of jazz contrafact provides the aspiring jazz musician with interesting rhythmic, harmonic, and melodic etudes. The book contains 25 unique jazz etudes written for the intermediate to advanced player with parts in C, B-flat, E-flat, and Bass Clef. Once you feel comfortable playing an etude in your key, play it in the other two keys to further develop your skills. The etudes are based on chord changes of standard tunes that can be performed with a jazz combo.
$14.95 ≈
13.78€
Flex on the Move-Tuba Edition
Flex on the Move-Tuba Edition
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Tuba
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INTERMÉDIAIRE/AVANCÉ
#
Methodes
#
Eric Bolvin
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Flex on the Move-Tuba Edition
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Faded Duck Music
#
SheetMusicPlus
Tuba - Advanced Intermediate - Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music...
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Tuba - Advanced Intermediate - Composed by Eric Bolvin. Method, Etudes and Exercises, Technique Training. 42 pages. Published by Faded Duck Music
Flex on the Move is a fun and creative approach to developing flexibility on all brass instruments. Available for trumpet, trombone and tuba. 42 pages and a lifetime of material!
Flex on the Move
There are many great books on flexibility (or ?lip flexibility? as it is commonly called) available to today?s brass players. The commonly used books include Irons 27 Groups, Smith Lip Flexibilities and Colin Advanced Lip Flexibilities. Flexibility studies do go all the way back to Arban and St, Jacome, but became a staple of brass pedagogy in the early 20th Century through teachers and authors like Del Staigers, Herbert L. Clarke, Earl D. Irons and Walter M. Smith.
There are different categories of flexibility exercises. There is ?Long Flexibility? like those found in Colin?s Vol. I of Advanced Lip Flexibilities. With Long Flexibility you stay on one fingering and play a long line that takes you through a large range. Then, there is ?Short Flexibility? similar to what is found in Irons and Smith where you play a repeated pattern on one fingering. Most flexibility falls into the Short Flexibility category. With this book, I would like to add ?Moving Flexibility? to the list. With Moving Flexibility you play a short pattern that takes you up and down through all the fingerings, covering a large range on your instrument. The idea of Moving Flexibility was first introduced in Arban p. 45 #16 and later in Charles Colin, 100 Original Warm-Ups.
Why Practice Flexibility?
Chances are, you?re not going to stand in front of an audience and perform flexibility studies. Flexibility studies are a means to an end, not the end. Most trumpet players practice some form of flexibility every day as it improves overall technique and gets you ready to play music. In our lessons, Claude Gordon would tell me how a particular exercise or routine he was writing would ?get me feelin? good.? So, that is my goal with these studies, to get you ?feelin? good?.
Technique
There are many beliefs among players as to what makes a brass instrument ?work?. Some believe it?s the lip, some believe it?s the tongue, some believe it?s the air, or some (like me) believe it?s a balance or coordination of all three. I don?t think that your chosen methodology will matter when practicing these exercises. If you practice them religiously and correctly, you?re playing will certainly improve.
$16.95 ≈
15.62€
Lesson Plan & Manuscript Book
Lesson Plan & Manuscript Book
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Eric Bolvin
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Lesson Plan & Manuscript B
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ERIC V BOLVIN
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,English Horn,Euphoni...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Baritone Recorder,Baritone Saxophone,Bass Guitar,Bassoon,Cello,Clarinet,Double Bass,Drums,English Horn,Euphonium,Flute,Harmonica,Harp,Marimba,Oboe,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Timpani,Trombone,Trumpet,Tuba,Ukulele,Vibraphone,Viola,Violin,Voice,Xylophone - Level 1 - SKU: A0.829070 Composed by Eric Bolvin. Instructional,Standards. Score and parts. 78 pages. ERIC V BOLVIN #3579873. Published by ERIC V BOLVIN (A0.829070). All teachers and students can use this book. It is simply an outline for developing a consistent practice routine. Sections A and B should consist of exercises that are for the instrument. For trumpet this may include flexibility, long tones, scales, arpeggios, buzzing, pedal tones or any other technical exercise. Sections C, D and E should be used for assignments concerning music. These could include etudes, jazz transcriptions, orchestral excerpts, concertos, ensemble parts or any other musical application. The indications for REST are very important for all brass players. You must always rest as much as you play during the A and B sections of the lesson.This is the warm-up section of your routine and you will feel better if you take your time during these first and most important steps. If you become fatigued during parts A or B, you are not resting enough and shouldstart fresh the next day, all the while considering the fact that you have not rested properly.The opposing manuscript page is for writing scales, exercises, tunes, licks, notes, or whatever you wish to write there.The book also has a space at the bottom for students to write down how much time they practice each day.
$13.95 ≈
12.85€
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