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Escape attempt
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Vous avez sélectionné:
Escape attempt
Partitions à imprimer
23 partitions trouvées
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1
Escape attempt
Escape attempt
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Violon et Piano
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Classique
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David Blackwell and Kathy Bl
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Escape attempt
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Oxford University Press Digital
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SheetMusicPlus
Composed by David Blackwell and Kathy Blackwell. Score and individual part. 4 pages. Oxford University Press Digital #9780193547964. Published by Oxfo...
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Composed by David Blackwell and Kathy Blackwell. Score and individual part. 4 pages. Oxford University Press Digital #9780193547964. Published by Oxford University Press Digital
$4.99 ≈
4.61€
20,000
20,000
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Saxophone Alto
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AVANCÉ
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Contemporain
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Sy Brandon
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20,000
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Sy Brandon
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SheetMusicPlus
Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815...
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Alto Saxophone Solo - Level 5 - SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
$4.99 ≈
4.61€
Maelstrom for Solo Clarinet
Maelstrom for Solo Clarinet
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Clarinette
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AVANCÉ
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Sy Brandon
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Maelstrom for Solo Clarinet
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Sy Brandon
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SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.755346 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 2 pages. Sy Brandon #6708881. Publi...
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Clarinet Solo - Level 5 - SKU: A0.755346 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 2 pages. Sy Brandon #6708881. Published by Sy Brandon (A0.755346). Maestrom is based on a scene from Jules Verne’s 20,000 Leagues Under the Sea. As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped.
$4.99 ≈
4.61€
The Daedalus and Icarus Journey
The Daedalus and Icarus Journey
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Apostolos Paraskevas
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The Daedalus and Icarus Journe
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Sco...
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Instrumental Duet Guitar,Instrumental Duet,Voice - SKU: A0.942097 Composed by Apostolos Paraskevas. 20th Century,Contemporary,Romantic Period,World. Score and parts. 11 pages. Silver Sickle Publications #6104711. Published by Silver Sickle Publications (A0.942097). This guitar and vocal work were originally set on the Robert Frost poem ‘Stopping by Woods on a Snowy Evening’, and was written for a lecture series at Boston University given by Lukas Foss entitled ‘Words on Music. Some years later I set out to publish the work and found that the estate of the late R. Frost frowned upon this particular practice and after a second failed attempt to get permission to publish the work, I decided to write my own verse for this composition (my first actually) and use a subject familiar to me, the story of Daedalus and Icarus Journey to freedom.After his arrival in Crete, Daedalus found that Minos would not let him leave. He subsequently obtained wax and feathers and fashioned wings for himself and his son Icarus. With these they succeeded in flying away, but Icarus, flying too near to the sun, melted his wings, fell into the sea near Crete, and drowned; Daedalus escaped to Italy only to fall into the hands of the local King Kokalos who drowned him in hot water. The Daedalus and Icarus JourneyEscape from here is what I’ll doI have a plan I thought it throughThe waves beneath us deadly wildI’ll fly up high, it’s just the sky That was a dreadful thing to sayTo fly so high, you can’t survive.Your wings, your soul and frozen smile,The sun will burn and you will die. The Death you seek I am sure you’ll get,He’s there for you he won’t forget.He will be fast and kind with you,If He survived why not you too? It’s time to go the sky gets blueMy mind will be so close to youYou cannot scare me I have to try,The time is right, let’s say goodbye. Text by Apostolos Paraskevas
$8.99 ≈
8.31€
The Ballad Of Gilligan's Isle
The Ballad Of Gilligan's Isle
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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George Wyle, Sherwood Schwartz
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Warren J
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The Ballad Of Gilligan's Isle
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Warren J Wernick
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.948758 Composed by George Wyle, Sherwood Schwartz, and Sherwood Schwartzf. Arranged by Warren J. Wernick. Contemporar...
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Brass Ensemble - Level 4 - SKU: A0.948758 Composed by George Wyle, Sherwood Schwartz, and Sherwood Schwartzf. Arranged by Warren J. Wernick. Contemporary. Score and parts. 10 pages. Warren J Wernick #5709951. Published by Warren J Wernick (A0.948758). Gilligan's Island is an American sitcom created and produced by Sherwood Schwartz.The series followed the comic adventures of seven castaways as they attempted to survive on an island on which they had been shipwrecked. Most episodes revolve around the dissimilar castaways' conflicts and their unsuccessful attempts, for whose failure Gilligan was frequently responsible, to escape their plight. Sherwood Schwartz not only created and produced Gilligan’s Island but he wrote the famous ear-worm theme song as well. One can argue that the demonstrative and jaunty theme song now precedes the show itself in terms of popularity. It is the theme song that lays out the premise of the show perfectly: Five passengers set sail from Hawaii aboard the S.S. Minnow, crewed by the quick-tempered Skipper Jonas Grumby and enthusiastic screw-up Gilligan. When a storm shipwrecks them on a deserted island, what was supposed to be a three-hour tour turns into a three-year limbo, the passengers forever on the verge of escape but never quite succeeding. For those who remember, this little novelty cannot fail to please performers and audiences alike.
$14.99 ≈
13.86€
Unchained Melody
Unchained Melody
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Quatuor de Saxophones: 4 saxophones
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FACILE
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Comédie Musicale
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The Righteous Brothers
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Catherine Quinlan
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Unchained Melody
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Catherine Quinlan
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1414409 By The Righteous Brothers. By Alex North and Hy Zaret. Ar...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1414409 By The Righteous Brothers. By Alex North and Hy Zaret. Arranged by Catherine Quinlan. Broadway,Film/TV,Musical/Show,Pop,Wedding. 9 pages. Catherine Quinlan #996184. Published by Catherine Quinlan (A0.1414409). Written in 1955, Unchained Melody is reputedly the world's most recorded song. It was originally written for a prison film called Unchained. The song was sung by a prisoner trying to decide whether to attempt escape and live life on the run or to complete his sentence and return to his wife. Today it is most commonly associated with the romantic 'pottery' scene in the film Ghost. Here it is arranged for saxophone quartet (3 altos and 1 tenor) in a simple, but effective way.
$12.99 ≈
12.01€
Unchained Melody
Unchained Melody
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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The Righteous Brothers
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Catherine Quinlan
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Unchained Melody
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Catherine Quinlan
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 2 - SKU: A0.1414398 By The Righteous Brothers. By Alex North and Hy Zaret. Arranged by Catherine Qui...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 2 - SKU: A0.1414398 By The Righteous Brothers. By Alex North and Hy Zaret. Arranged by Catherine Quinlan. Broadway,Film/TV,Musical/Show,Pop,Wedding. 10 pages. Catherine Quinlan #996167. Published by Catherine Quinlan (A0.1414398). Written in 1955, Unchained Melody is reputedly the world's most recorded song. It was originally written for a prison film called Unchained. The song was sung by a prisoner trying to decide whether to attempt escape and live life on the run or to complete his sentence and return to his wife. Today it is most commonly associated with the romantic 'pottery' scene in the film Ghost. Here it is arranged for 4 clarinets in a simple, but effective way.
$12.99 ≈
12.01€
Tron Theme
Tron Theme
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Wendy Carlos
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John Ivor Holland
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Tron Theme
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1405999 Composed by Wendy Carlos. Arranged by John Ivor Holland. 20th Century,Film/TV. 43 pages. John Ivor Holland #989...
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Concert Band - Level 3 - SKU: A0.1405999 Composed by Wendy Carlos. Arranged by John Ivor Holland. 20th Century,Film/TV. 43 pages. John Ivor Holland #989049. Published by John Ivor Holland (A0.1405999). 'TRON' is a 1982 American science fiction action adventure film starring Jeff Bridges as a computer programmer and video game developer who is transported inside the software world of a mainframe computer where he interacts with programs in his attempt to escape. The soundtrack album was composed by Wendy Carlos with two additional tracks performed by the band Journey. Carlos came to prominence with 'Switched-On Bach' (1968), an album of music by Johann Sebastian Bach performed on a Moog synthesizer, which helped popularize its use in the 1970s and won her three Grammy Awards; the combination of synthesiser and live musicians (provided by the London Philharmonic Orchestra) for TRON can be seen as a benchmark for later scores using this innovative approach, although Carlos was initially not happy with the result after the film was released. This lovely theme is heard throughout the film and has been arranged for concert band (with additional part for Cor Anglais, where available) to expand the worldwide repertoire of music by women composers as part of an ongoing project. #ArrangeMeGoals2023.
$49.99 ≈
46.22€
Gian Paolo Chiti: Icarus for harpsichord
Gian Paolo Chiti: Icarus for harpsichord
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Clavecin
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AVANCÉ
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Gian Paolo Chiti
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Gian Paolo Chiti: Icarus for h
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Musik Fabrik Music Publishing
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SheetMusicPlus
Harpsichord - Level 5 - SKU: A0.533818 Composed by Gian Paolo Chiti. 20th Century,Concert,Contemporary,Standards. Score. 12 pages. Musik Fabrik Music Pu...
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Harpsichord - Level 5 - SKU: A0.533818 Composed by Gian Paolo Chiti. 20th Century,Concert,Contemporary,Standards. Score. 12 pages. Musik Fabrik Music Publishing #3049275. Published by Musik Fabrik Music Publishing (A0.533818). A work for solo harpsichord by the Italian Composer, based on the Greek myth of Icarus. Icarus is the son of the master craftsman Daedalus, the creator of the Labyrinth. Often depicted in art, Icarus and his father attempt to escape from Crete by means of wings that his father constructed from feathers and wax. Icarus' father warns him first of complacency and then of hubris, asking that he fly neither too low nor too high, so the sea's dampness would not clog his wings or the sun's heat melt them. Icarus ignored his father's instructions not to fly too close to the sun, when the wax in his wings melted and he fell into the sea.
$15.95 ≈
14.75€
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de
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Orgue
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AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Robert Orledge: A Night in the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...
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Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishing #5739561. Published by Musik Fabrik Music Publishing (A0.534661). Over the years 1908–16, Debussy had produced a viable scenario for Usher on his third attempt. But when he came to making a complete draft of the music, he seems to have lost interest during Roderick Usher’s long monologue, even though he was setting his own text. As in No-ja-li he jumped to the next passage that interested him, in this case the exciting final melodrama and the collapse of the Usher house itself.In the process of completing the missing half of the score, I discovered that by reusing Debussy’s material for similar psychological situations across the opera, and by metamorphosing existing ideas (as Debussy does with Mélisande’s theme in his opera Pelléas et Mélisande), the only things I really needed to add were linking material and any passages where fast music was required. So the ‘nightmare scherzo’, and Lady Madeline’s escape from her coffin and her final bloody revenge on her brother are all mine, but most of the rest is existing Debussy in changing contexts (in which the Russian technique of ‘changing backgrounds’, both harmonic and textural, proved extremely useful, as it did to Debussy in his Prélude à l’après-midi d’un faune). Eventually, both my completed ballet No-ja-li and the House of Usher were successfully premiered in 2006 and the latter soon began to find its way into the established repertoire in Europe and the US. To further support this, I transcribed some of the highlights of Debussy’s score as A Night in the House of Usher for organ, and subsequently piano—with a focus on Scene 2 and the final, horrific and maca-bre melodrama. This climaxes in the double deaths of Roderick Usher and his Sister Madeline, together with the disintegration of the ill-fated House of Usher into the stagnant lake-all beneath a blood-red moon.In this form it was first performed by Ian Buckle in the Howard Assembly Rooms, Leeds in 2010.
$12.95 ≈
11.97€
Sonatina No. 1 in C major, Op. 5 "Il tempo"
Sonatina No. 1 in C major, Op. 5 "Il tempo"
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Piano seul
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INTERMÉDIAIRE
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Contemporain
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Jae Young Ahn-Benton
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Sonatina No. 1 in C major, Op.
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Jae Young Ahn-Benton
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.484838 Composed by Jae Young Ahn-Benton. Classical,Contemporary. Score. 14 pages. Jae Young Ahn-Benton #104046. Published...
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Piano Solo - Level 3 - SKU: A0.484838 Composed by Jae Young Ahn-Benton. Classical,Contemporary. Score. 14 pages. Jae Young Ahn-Benton #104046. Published by Jae Young Ahn-Benton (A0.484838). This is the composer's first attempt at a multi-movement work as well as an escape from traditional harmony as understood by a 10-year-old. Each movement depicts different types of weather: movement 1 Fantasia - fog/mist, movement 2 Toccata - rain/thunder/lightning, movement 3 Intermezzo - clear day with intermittent raindrops, and movement 4 Finale - hurricane.
$14.99 ≈
13.86€
Wild Horses
Wild Horses
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Liliane Secco
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Wild Horses
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Liliane Secco
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.540241 By Liliane Secco. By Liliane Secco. 20th Century,Classical,Contemporary,Cont...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.540241 By Liliane Secco. By Liliane Secco. 20th Century,Classical,Contemporary,Contest,Festival,Multicultural,World. Score and parts. 85 pages. Liliane Secco #150381. Published by Liliane Secco (A0.540241). This is a piece written in 3 movements for string quartet. Challenging work that includes a variety of techniques, meter changes, dynamics from pp to ff and requires a lot of precision. Written by a Brazilian female composer. 1st movement - Dawn Colours 2nd movement - The Scape 3rd movement - Freedom This work was inspired by the story of four wild horses trapped in some sort of stable. The first movement represents the dawn and all its colors formed by the first sun rays meeting small raindrops. The second movement is about the horse’s fury and their exhausting attempt to break through barriers and escape imprisonment. The third movement is the sound of freedom, when they run wild, free and aimlessly.
$19.99 ≈
18.48€
Geometria
Geometria
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Kent Piper
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a mirror image in sound
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Geometria
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RKPiper
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPi...
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Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.1024240 Composed by Kent Piper. Contemporary,World. 14 pages. RKPiper #4582335. Published by RKPiper (A0.1024240). Geometria is a serial composition*.Geometria, Latin for geometry, is an arrangement of sound shapes. Beginning with a parallelogram it moves to a square and then to a triangle. At the apex of the triangle the piece retrogrades back through the previous shapes; a mirror image in sound. The parallelogram is achieved by use of canon, the square by homophony and the triangle by staggered entrances. There are 5 instruments and 5 notes; F, F#, A,C# and Bb. F#,Bb,C# form a major triad, F#,A,C# form a minor triad, A,Bb,C# form trichord 3-3, Bb,C#,F form trichord 3-11 and A,C#,F form trichord 3-12. Therefore, 5 geometric shapes, 5 instruments, 5 notes, 5 plus harmonic possibilities and 5 players. *Serial Music - the use of a sequence of notes in a definite order as a thematic basis for a composition and a source from which the musical material is derived. Serialism was an attempt to escape tonal-centered compositions prior to the twentieth century. It began with Arnold Schoenberg's twelve tone-technique in the early 1900's, though some of his contemporaries such as Anton Webern, Alban Berg, Karlheinz Stockhausen, Pierre Boulez, Luigi Nono and Milton Babbit were also working to establish serialism as a form of post-tonal thinking. Other composers such as Bela Bartok, Luciano Berio, Benjamin Britten, John Cage, Aaron Copland, Olivier Messiean, Arvo Part, Dmitri Shostakovich and Igor Stravinsky used serialism only for some of their compositions.
$5.99 ≈
5.54€
The Chase by Neil Awasthi
The Chase by Neil Awasthi
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Neil Awasthi
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The Chase by Neil Awasthi
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Neil Awasthi
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1033340 Composed by Neil Awasthi. Contemporary. Score. 6 pages. Neil Awasthi #6352703. Published by Neil Awasthi (A0.1033...
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Piano Solo - Level 4 - SKU: A0.1033340 Composed by Neil Awasthi. Contemporary. Score. 6 pages. Neil Awasthi #6352703. Published by Neil Awasthi (A0.1033340). The chase is afoot! A rather large cat attempts to hunt a wily mouse. The mouse tries to escape the cat’s clutches. Who succeeds?This piece’s ternary form follows the chase between a cat and mouse. Section A is lively and fast-paced because the cat is on the hunt for the mouse. Since this piece is written from the mouse’s perspective, C-sharp minor conveys the mouse’s fright and fear. The time signature is 4/4 to allow for 16th notes, which denote running steps. The theme in m.19 repeats several times throughout Section A to signify the large cat’s ominous stalking. Tenutos and staccatos punctuate the cat’s heavy steps. In m.14-15, the chromatic scale represents the cat’s momentum. The constantly changing dynamics showcase the various movements and emotions in a chase. Specifically, in m.28-31, the dynamic changes to piano and pedal is employed to signify the mouse’s despair. Section B stands alone, representing the mouse’s successful escape from the cat. The section’s key signature D-flat major is light and happy. A time signature of 6/8 swings, furthering the carefree mood of the mouse. The beginning of Section B repeats to emphasize the mouse’s joyous escape. However, at the end of the section, the cat returns. In m.61-68, varying speeds and descriptors contrast the movements of the cat and mouse. In m.68, the cat’s theme is an octave lower to draw attention to the cat’s threatening, heavy steps. In m.70-71, the notes accelerate to show that the mouse begins to run again. Section A’s refrain recaps the cat chasing the mouse. In m.89-100, the end, tells the mouse’s fate. The climatic ending is highlighted by the speeding tempo. The treble-clef notes are an octave higher to build excitement. In m.95-96, notes descend 4 octaves to indicate the mouse’s ultimate demise. The piece ends with grand chords to mark the mouse’s death.
$2.99 ≈
2.76€
Colditz March
Colditz March
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert Farnon & His Orchestra
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Kevin Riley
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Colditz March
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Kevin Riley
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1177491 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Kevin Riley. 20th Century,Film/TV. Score and ...
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Full Orchestra - Level 4 - SKU: A0.1177491 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Kevin Riley. 20th Century,Film/TV. Score and parts. 41 pages. Kevin Riley #777502. Published by Kevin Riley (A0.1177491). Colditz is a British television drama series co-produced by the BBC and Universal Studios and screened between 1972 and 1974.The series deals with Allied prisoners of war imprisoned at the supposedly escape-proof Colditz Castle when designated Oflag IV-C during World War II, and their many attempts to escape captivity, as well as the relationships formed between the various nationalities and their German captors.Colditz was created by Brian Degas working with the producer Gerard Glaister, who went on to devise another successful BBC series dealing with the Second World War, Secret Army. Technical consultant for the series was Major Pat Reid, the real British Escape Officer at Colditz. One of the locations used in filming was Stirling Castle.Farnon is probably best known for two famous pieces of light music, Jumping Bean and Portrait of a Flirt, which were originally released in 1955 as the A and B sides on the same , and for Westminster Waltz, and A Star is Born.Farnon also wrote the music for more than forty motion pictures, including Captain Horatio Hornblower R.N.(1951), Gentlemen Marry Brunettes (1955), The Road to Hong Kong (1962), Shalako (1968) and Bear Island (1979). He wrote the theme tune and other music for many, mostly British, television series including Colditz (1972–74), Secret Army (1977–79), and A Man Called Intrepid (1979).
$60.00 ≈
55.48€
Colditz March
Colditz March
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Robert Farnon & His Orchestra
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Lawrence Killian
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Colditz March
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Lawrence Killian
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1314135 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Lawrence Killian. 20th Century,Film/TV,Historic...
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Concert Band - Level 3 - SKU: A0.1314135 By Robert Farnon & His Orchestra. By Robert Farnon. Arranged by Lawrence Killian. 20th Century,Film/TV,Historic,Patriotic. 38 pages. Lawrence Killian #902869. Published by Lawrence Killian (A0.1314135). A concert band version of the 1970s BBC TV Series Colditz. The series deals with Allied prisoners of war imprisoned at the supposedly escape-proof Colditz Castle when designated Oflag IV-C during World War II, and their many attempts to escape captivity, as well as the relationships formed between the various nationalities and their German captors.
$49.99 ≈
46.22€
Daedalus
Daedalus
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Piano seul
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INTERMÉDIAIRE
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Bradley Sowash
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Daedalus
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Bradley Sowash
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1233245 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Full Performance. Duration 256. Bradley Sowash #82886...
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Piano - Level 3 - SKU: A0.1233245 By Bradley Sowash. By Bradley Sowash. Contemporary,Jazz,New Age. Full Performance. Duration 256. Bradley Sowash #828863. Published by Bradley Sowash (A0.1233245). From Bradley Sowash’s “Bittersweet†solo piano recorded album and associated sheet music (also available here).Perpetual MotionIn Greek Mythology, Daedalus escaped the Labyrinth by constructing wings of wax and feathers for himself and his son, Icarus. Who has not dreamed of flying on their own power? This is my attempt to capture how it might feel.Learn more about this artist at https://bradleysowash.com/.
$1.99 ≈
1.84€
Symphony No. 3 in A minor, op. 17 (parts)
Symphony No. 3 in A minor, op. 17 (parts)
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Orchestre
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AVANCÉ
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1357497 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 291 pages. Adrian Gagiu #942043. Published by Adrian Gagiu (A0.1357497). The orchestral parts of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale.The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's.The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material.The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins.Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
194.17€
Floating, Falling, Flying (parts for other instrumental combinations)
Floating, Falling, Flying (parts for other instrumental combinations)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Tradit...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 4 - SKU: A0.1188952 Composed by Brian Chung. Contemporary,Film/TV,Thriller,Traditional. 9 pages. Brian Chung Music #788560. Published by Brian Chung Music (A0.1188952). Floating, Falling, Flying was originally written as trio for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus). For those who have already purchased that original score, these supplemental parts will make possible the following instrumental combinations:Clarinet (for Oboe) creates a Clarinet/Violin/Piano trio.Clarinet (for Violin) creates an Oboe/Clarinet/Piano trio (heard on sample audio file).Flute (for Violin) creates an Oboe/Flute/Piano trio.The Piano part in the original score is unchanged for all combinations. For Flute/Clarinet/Piano, please purchase the separate version optimized for that instrumentation (#1288002 on Sheet Music Direct, #A0.1192373 on Sheet Music Plus). Composer's Commentary on YouTube:  https://youtu.be/7Isy0t6VzasSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece for student concerts, recitals and Solo and Ensemble festivals.Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$6.00 ≈
5.55€
Floating, Falling, Flying (for Flute, Clarinet and Piano)
Floating, Falling, Flying (for Flute, Clarinet and Piano)
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Flûte, Clarinette, Piano (trio)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - SKU: A0.1192373 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Traditio...
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Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - SKU: A0.1192373 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Traditional. Score and parts. 17 pages. Brian Chung Music #791812. Published by Brian Chung Music (A0.1192373). This version of Floating, Falling, Flying is optimized for Flute, Clarinet and Piano. The original trio written for Oboe, Violin and Piano (#1284568 on Sheet Music Direct, #A0.1188926 on Sheet Music Plus) is now available for several instrumental combinations.YouTube Composer's Commentary:  https://youtu.be/AGq1Y14PHIUSUMMARYHave you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying†depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano).  In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece appropriate for school concerts, recitals and Solo and Ensemble festivals.  Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$18.00 ≈
16.64€
Floating, Falling, Flying (original version for Oboe, Violin and Piano)
Floating, Falling, Flying (original version for Oboe, Violin and Piano)
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Brian Chung
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Floating, Falling, Flying
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Brian Chung Music
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - SKU: A0.1188926 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,T...
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Instrumental Duet,Piano Instrumental Duet,Oboe,Piano,Violin - Level 4 - SKU: A0.1188926 Composed by Brian Chung. Contemporary,Contest,Festival,Film/TV,Thriller,Traditional. 18 pages. Brian Chung Music #788535. Published by Brian Chung Music (A0.1188926). Have you ever wondered what happens to balloons when they fly away? Floating, Falling, Flying depicts the odyssey of two balloons who find themselves suddenly and blissfully untethered.  It presents a musical narrative of their unpredictable journey through the skies, back to earth, and, eventually, into the stratosphere. The piece was commissioned by Music Teachers National Association for the 2022 National Conference.  It is a trio for oboe, violin and piano written for students at the intermediate to advanced-intermediate level.  Composed in three contiguous movements, it involves three characters – the balloons (portrayed by the oboe and violin) and the wind (represented by the piano). Composer's Commentary on YouTube: https://youtu.be/AGq1Y14PHIU In the opening movement (Floating), the balloons escape their moorings and ascend into free space, floating playfully among the clouds with the help of a gentle wind. But, as in life, journeys are not always peaceful.  The second movement (Falling) opens with a hint that something is not quite right.  Undaunted, the balloons continue their carefree ascent amid the ominous signs of an approaching storm.  The wind ultimately asserts its authority, pummeling the balloons back to earth.  As they lie helplessly on the ground, they assess each other’s condition and make feeble attempts to relaunch.  But, without wind, their situation seems hopeless.  In the final movement (Flying), hope is restored as a quiet breeze lifts the intrepid pair back into the air.  They resume their skyward adventure with renewed vigor and joy – dancing through the clouds and, ultimately, out of sight.Floating, Falling, Flying is an exciting and challenging piece appropriate for school concerts, recitals and Solo and Ensemble festivals.  Brian Chung is a pianist, arranger, composer, conference speaker, former Senior Vice Present of Kawai America Corporation, and author or co-author of four books published by Alfred Music.  He was honored to participate in MTNA’s Collaborative Music Commissioning Project with this composition.
$18.00 ≈
16.64€
Con El Viento (Pancho Villa)
Con El Viento (Pancho Villa)
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Orchestre à Cordes
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INTERMÉDIAIRE
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Contemporain
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Juan C
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Con El Viento
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Juan C. Davila
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.890944 Composed by Juan C. Davila. Contemporary. Score and parts. 39 pages. Juan C. Davila #3047915. Published by J...
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String Orchestra - Level 3 - SKU: A0.890944 Composed by Juan C. Davila. Contemporary. Score and parts. 39 pages. Juan C. Davila #3047915. Published by Juan C. Davila (A0.890944). This composition was written for a community college film that was never made. I wrote it for string orchestra, Horn in F, Trumpet in Bb, and Classical Guitar. The idea is the Mexican legend Pancho Villa and how he was able to escape arrest and assassination attempts for many years.
$4.99 ≈
4.61€
Symphony No. 3 in A minor, op. 17
Symphony No. 3 in A minor, op. 17
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Orchestre
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AVANCÉ
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Contemporain
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Adrian Gagiu
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Symphony No. 3 in A minor, op.
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Adrian Gagiu
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by ...
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Full Orchestra - Level 5 - SKU: A0.1356636 Composed by Adrian Gagiu. 20th Century,Classical,Contemporary. 215 pages. Adrian Gagiu #941262. Published by Adrian Gagiu (A0.1356636). The score, parts and vocal score of the Third Symphony (2000, revised 2023), an ambitious, modernist/neoclassical composition for orchestra and chorus with four vocal soloists. It may represent a search for harmony within and/or without and is a huge, subtle variations form on a theme that appears clearly and in full only in the Finale. The chromatic, first movement (Andante maestoso) begins mysteriously with A's in the unaccompanied violins, like a tuning or a seed of what is to come. These A's are adorned with oscillations which gradually become wider leaps until they reach the fifth (as in the beginning of the future full theme), and the other instruments join gradually. The mood is dark, tragic, pensive, and somehow abstract, as the music wanders in an almost improvisatory manner through chromatic modes and goes crescendo-decrescendo back again to the bare, cryptic A's. The energetic second movement (Allegro) is an enormous scherzo toying with the second melodic cell of the full theme, a descending tetrachord. This vital, Dionysian frenzy (in strong contrast to the Apollonian, severe contemplation in the first movement) leads only to its exhaustion and to the disorientated, slow Trio: first, an almost atonal tenor monologue accompanied by harp (on verses from Dante's Purgatory), then a quotation from Beethoven's sketches for a planned overture on the B-A-C-H motif, followed by a fugal section on the same archetypal motif and again a tenor monologue (on verses from Eminescu's Satire No. 4), this time with organ accompaniment and more and more tortured until the choral exclamations and the final cymbal clash. The search seemed in vain, so the rhythmic fury of the scherzo returns, but in mirror, as minor modes replaced the major ones on the same material. The Finale (Larghetto-Allegro-Larghetto) was inspired by the last scene in Goethe's Faust, part 2. After a cryptic variation for choir a cappella, the full theme appears at last in the orchestra, setting a lyric, appeased mood and more diatonic harmonies, while it reconciles the introspection of the first movement and the emotional and vital aspects of the second, although occasional attempts are made to escape, striving more and more towards the ending (with four vocal soloists and chorus). The parenthetic structure of the finale is a holographic reflection of the general form of the whole symphony, alternating gentle, contemplative episodes with exuberant or majestic fugatos. Towards the ending, ecstatic, big, complex quartal chords suggest the limits of perception and language (on the final stanzas from Dante's Paradise), until the sonority becomes again more and more rarefied and the journey returns to its starting point from the first movement: the 'tuning' A's in the violins. Total duration: 54 min. Performing Rights Organization: SOCAN. The mp3 audio clip is the second movement.
$210.00 ≈
194.17€
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Escape attempt
