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Vous avez sélectionné:
En Rêve for Percussion Ensemble
Partitions à imprimer
6 partitions trouvées
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1
En Rêve for Percussion Ensemble
En Rêve for Percussion Ensemble
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Ensemble de Percussions
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FACILE
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Contemporain
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Anders Wall
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I felt like I was in France
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En Rêve for Percussion En
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WallofSound
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SheetMusicPlus
Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Pub...
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Percussion Ensemble - Level 2 - SKU: A0.1028124 Composed by Anders Wall. 20th Century,Contemporary. Score and parts. 23 pages. WallofSound #3374791. Published by WallofSound (A0.1028124). En Rêve, In Dream, was conceived when I studied composition for Tobias Broström. Every day I was commuting from Skurup to Båstad and every day I was struck by Båstads almost continental beauty; I felt like I was in France. Cobble stone roads, houses with towers and that mountain ridge close to the ocean...One day on the train, I ran into three French girls on holiday.Patiently they listened to my ideas and kindly helped me translate the tempo markings to French. The piece begins with us falling to sleep. The marimbas rocks us slowly In Dream.After sudden movements in the vibraphone we are happily strolling on the cobble stones, sun shining and children riding their bikes across the streets not noticing the rocky ride.Bells chime in the distance and the world – or the dream – vanish. As sudden as it started it is gone.The dissonance of the beginning is now gone and our sleep is peaceful and calm - or is it..? Originally a solo piece for Marimba dedicated to Kasper Grøn.Thanks to Camille, Carole, Raphaëlle for the help with the French.
$10.00 ≈
9.20€
If You're Over Me
If You're Over Me
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Years & Years
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Shelley Gray
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shelleygray40@gmail.com.
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If You're Over Me
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Shelley Gray
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SheetMusicPlus
Small Ensemble - SKU: A0.828178 By Years & Years. By Mark Ralph, Oliver Thornton, Steve Mac, and Years & Years. Arranged by Shelley Gray. A Cappella. Sc...
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Small Ensemble - SKU: A0.828178 By Years & Years. By Mark Ralph, Oliver Thornton, Steve Mac, and Years & Years. Arranged by Shelley Gray. A Cappella. Score and parts. 11 pages. Shelley Gray #5375783. Published by Shelley Gray (A0.828178). For female a cappella ensemble. To capture the 'full force' of the song I've doubled the lead, tenor parts. There's also a body percussion part. For 'bespoke alterations' or info on part dominant tracks, please contact me; shelleygray40@gmail.com.
$2.99 ≈
2.75€
Fading Away
Fading Away
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Drew Morris
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Fading Away
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Yellow Envelope Publications
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SheetMusicPlus
Percussion Ensemble Bells,Cowbell,Cymbals,Drum Set,Marimba,Snare Drum,Tam Tam,Tambourine,Tom Tom,Triangle,Vibraphone,Wind Chimes,Woodblock,Xylophone - Level 4 -...
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Percussion Ensemble Bells,Cowbell,Cymbals,Drum Set,Marimba,Snare Drum,Tam Tam,Tambourine,Tom Tom,Triangle,Vibraphone,Wind Chimes,Woodblock,Xylophone - Level 4 - SKU: A0.1272845 Composed by Drew Morris. 21st Century,Chamber,Contemporary,Contest,Festival. 61 pages. Yellow Envelope Publications #865042. Published by Yellow Envelope Publications (A0.1272845). Fading Away was originally composed for an Indoor Concert Percussion ensemble for use in WGI competitions. It was also later re-arranged into a marching show called “Red Shadowâ€.This piece goes through a few different sections to provide a few different opportunities to learn different musical styles. From bombastic, aggressive, and driving, to melancholy and ballad-like. There is even an opportunity to feature a drum set soloist near the end if you wish, though I’ve also written a soli to be played by the many players in that section if you prefer. Instrumentation14 Players - Glockenspiel, Xylophone(*2), Vibraphone, Marimba (2 players), Chimes, Synthesizer, Sample Trigger Device, Drum Set, Snare Drum, Concert Toms (4), Drum set or Marching Bass Drum (Horizontal), Suspended Cymbal, Ride Cymbal, Splash Cymbal, China Cymbal, Hi-hat, Tambourine, Wood Blocks (4), Cow Bell, Triangle, Wind Chimes, Tam-tam*The Marimba 3 part was originally played on a 2nd Xylophone, but if you have a 2nd marimba available, I would highly encourage you to use that!
$45.00 ≈
41.42€
Sunday Bloody Sunday
Sunday Bloody Sunday
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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U2
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Kyle Pudenz
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Sunday Bloody Sunday
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99 ≈
18.40€
Un, Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella)
Un, Flambeau, Jeanette Isabella (Bring a Torch, Jeanette Isabella)
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Chorale 3 parties
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INTERMÉDIAIRE
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Traditional
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Michelle Willis
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Un, Flambeau, Jeanette Isabell
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Teton Music
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SheetMusicPlus
Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4...
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Choral Choir (SSA) - Level 3 - SKU: A0.887268 Composed by Traditional. Arranged by Michelle Willis. Christmas,Contemporary,Renaissance,Sacred. Octavo. 4 pages. Teton Music #3138323. Published by Teton Music (A0.887268). Lucious harmonies make this familiar, 15th century Christmas carol fresh again. The piece begins with percussive 'dings' and 'dongs' as they mimic the ringing of church bells. The remainder of the piece splits into four part women's harmony with flowing, moving lines in each vocal part. Excellent selection for church, school or professional ensembles. May be sung in English or French.Duration: 2 minutes, 45 secondsEnglish LyricsBring a torch, Jeanette, Isabella!Bring a torch, to Bethlehem come!Christ is born. Tell the folk of the villageMary has laid him in a manger.Ah! Ah! beautiful is the Mother!Ah! Ah! beautiful is her child!Who is that, knocking on the door?Who is it, knocking like that?Open up, we've arranged on a platterLovely cakes that we have brought hereKnock! Knock! Knock! Open the door for us!Knock! Knock! Knock! Let's celebrate!It is wrong when the Baby is sleeping,It is wrong to speak so loud.Silence, now as you gather around,Lest your noise should waken Jesus.Hush! Hush! see how the Baby slumbers;Hush! Hush! see how the Baby sleeps!Softly now unto the stable,Softly for a moment come!Look and see how charming is Jesus,Look at him there, His cheeks are rosy!Hush! Hush! see how the Child is sleeping;Hush! Hush! see how he smiles in dreams!French LyricsUn flambeau, Jeannette, IsabelleUn flambeau, courons au berceau.C’est Jésus, bonnes gens du hameau,Le Christ est né, Marie appelleAh! Ah! Que la mère est belleAh! Ah! Que l’Enfant est beau.Qui vient là frappant de la sorteQui vient là frappant comme ça.Ouvrez donc j’ai posé sur un platDe bons gâteaux qu’ici j’apporte.Toc! Toc! Ouvrez-nous la porteToc! Toc! Faisons grand gala.C’est un tort quand l’Enfant sommeilleC’est un tort de crier si fort.Taisez-vous l’un et l’autre d’abord,Au moindre bruit Jésus s’éveilleChut! Chut! Il dort à merveilleChut! Chut! Voyez comme Il dort.Doucement dans l’étable closeDoucement venez un momentApprochez! Que Jésus est charmant,Comme Il est blanc, comme Il est roseDo! Do! Que l’Enfant reposeDo! Do! Qu’Il rie en dormant.
$2.49 ≈
2.29€
alt.Callahans Reel
alt.Callahans Reel
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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Tim Fatchen
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alt.Callahans Reel
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Flying Tadpole Productions
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published...
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Piano Solo - Level 4 - SKU: A0.992361 Composed by Tim Fatchen. Celtic,Contemporary,Folk. Score. 15 pages. Flying Tadpole Productions #6210807. Published by Flying Tadpole Productions (A0.992361). ALT.CALLAHANS REEL(which is actually a Slide, with a Reel interlude!) Fast and lively foot-tapping neo-Celtic, at its best on electronic keyboard but also a fun piano solo. (Duration 8+ minutes) Reel Jiggery-pokery The song started as a jig but drank too much and reeled into 12/8 time. Properly speaking, despite its strong 4-beat pulse, it's a Slide. Or perhaps a Double Jig. Except for the mid-section, which is really a Reel! Needless to say, this is not for the purists...but it's huge fun for the rest of us! Playing and Performing We've marked it Advanced Intermediate. It's the indicated speed which makes demands! But you can play it slower and enjoy! On electronic or MIDI keyboard, use a percussive/plucked foundation (e.g. piano, harp, faux guitar) with a sustained string patch (string ensemble, synth strings, viola works well, fiddle works well, most violin patches are terrible!). For piano, you'll have to use more of the sustain pedal but not too much or it'll go all muddy on you, just like a mis-step in an Irish bog! (Original live and YouTube performances were on a Medeli MC 710, from 2005. This keyboard allowed splitting and dual voices. Piano was used as foundation both above and below the split point. A loud viola patch was used as the second voice on the upper part of the keyboard, as the dominant fiddle sound carrying the melody. A synth string patch was used as second voice on the lower half, giving the drones.) Add Your Own Salt and Pepper to the Score! The song is scored for clarity, not as a detailed demand for every possible nuance. It's fast, so although simple to look at when not playing, you'll need to be reading the music at speed. Unless, of course, you're blessed with a brilliant memory! So the score isn't cluttered with ornaments and fiddly bits, or lots of expression marks. Especially, it's not cluttered by a lot of suspended notes. BUT...you will need to suspend a lot of notes as you play. Think drones running all over the place and use your keyboard sustaining string patches to bring those drones out! Listen to the live recordings, they'll help. You, as player, have lots of freedom! It's up to you how many additional frills, or emphasis, or drone suspensions you throw in. Why alt.callahans?In the far distant past of 2005, there was an Internet newsgroup of that name, in honor and emulation of Callahan's Crosstime Saloon, a fictional bar with strongly community-minded and empathic clientele, part of the fictional universe of American writer Spider Robinson. [Wikipedia] A place for tall tales and true, comradeship, puns both good and bad. We had fun there, and this song came out of it. The Internet world, sadly, has changed since.
$7.50 ≈
6.90€
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En Rêve for Percussion Ensemble
