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Vous avez sélectionné:
Eddie Kelly's
Partitions à imprimer
4 partitions trouvées
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1
Eddie Kelly's
Eddie Kelly's
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Traditional Fiddle Tunes
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Heather M Music
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Eddie Kelly's
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Heather Mueller Music
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SheetMusicPlus
Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397075 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M M...
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Bass Guitar,Instrumental Solo,Piano,Violin - Level 1 - Interactive Download SKU: A0.1397075 By Traditional Fiddle Tunes. By Trad. Arranged by Heather M Music. This edition: Interactive Download. Folk,World. Individual part. 5 pages. Duration 48. Heather Mueller Music #3sioMp0zFshsq3c9UQSJXa. Published by Heather Mueller Music (A0.1397075). Key: G major.Embark on a spirited journey into the heart of Irish music with our interactive sheet music for Eddie Kelly's jig. This lively tune invites you to immerse yourself in the infectious rhythms and joyful melodies of traditional Irish music while honing your fiddling skills and embracing the soulful spirit of the Emerald Isle. Timeless Tradition: Experience the rich tradition of Irish music with Eddie Kelly's jig, cherished for its lively tempo and spirited energy, capturing the essence of Irish musical heritage and captivating audiences worldwide. Customizable Learning Experience: Elevate your musical journey with interactive features that allow for tempo and key adjustments, catering to fiddlers of all levels. Whether you're a novice seeking guidance or a seasoned player eager for new challenges, this sheet music provides a personalized learning experience tailored to your needs. Versatile Repertoire: Expand your musical repertoire with Eddie Kelly's jig, a beloved addition to any collection of Celtic fiddle tunes, Irish jig anthologies, or folk melody compilations, offering endless opportunities for creative exploration and artistic expression. Skill Enhancement: Refine your bowing technique, finger agility, and musical expression through engaging exercises designed to improve sight-reading, rhythm, and ear training. Dive into scale practice routines, bowing drills, and performance preparation sessions to unlock your full potential as a fiddler and master the art of Irish music. Join the Tradition: Begin your Irish fiddling adventure today with Eddie Kelly's jig. Get your interactive sheet music now and experience the timeless beauty and joy of traditional Irish music!
$2.99 ≈
2.76€
Grace Kelly
Grace Kelly
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Chorale SATB
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Pop musique
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Mika
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Sandra Milliken
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Grace Kelly
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Sandra Milliken
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SheetMusicPlus
By Mika. Arranged by Sandra Milliken. Score. 16 pages. Published by Sandra Milliken ...
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By Mika. Arranged by Sandra Milliken. Score. 16 pages. Published by Sandra Milliken
Grace Kelly is a song by the British pop singer Mika, released in 2007. It also appeared at the same time on his album Life in Cartoon Motion. The song entered the UK Singles Chart at No. 3 and one week later it jumped to No. 1, where it remained for five weeks. It ended 2007 as the year's third biggest-selling single in the UK.It also went to #1 on the Czech Republic, Ireland, Italy, Norway and Turkey singles charts.
The song is titled after the Academy Award winning film and stage actress Grace Kelly who went on to become Princes Grace of Monaco. The lyric "So I tried a little Freddie" is a reference to Queen'sFreddie Mercury, to whose singing voice Mika's has been compared.
The song was designed to be a mocking satire of musicians who try to reinvent themselves to be popular. Mika wrote the song after feeling frustrated with record company executives who wanted him to change his sound to fit the common pop mould - to be "more like Craig David". After one such interview, Mika wrote the song saying "I can be any colour you want, what the hell do you want me to be, should I look older, should I bend over just to be put on your shelf. What is it that you want? You don't know what you want so I can be every color of the rainbow.' And at the end I was like, 'all you think about is money, so "kerching"! - take that.' And that was the song."
A fun piece for audience and singers alike, with some vocal and rhythmic challenges, as well as occasional divisi parts, thrown in for good measure.
$2.40 ≈
2.21€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. ...
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Small Ensemble - Level 4 - SKU: A0.869266 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266). Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.21€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Oboe Lee
#
Focus on Grace ... A concerto
#
Thomas Oboe Lee
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
(+)
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.21€
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