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Easy Does It Blues
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Vous avez sélectionné:
Easy Does It Blues
Partitions à imprimer
12 partitions trouvées
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1
Easy Does It Blues
Easy Does It Blues
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Chorale TTBB
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FACILE
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Blues
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James Shubert
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Easy Does It Blues
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James W. Shubert
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.971399 Composed by James Shubert. Blues. Octavo. 3 pages. James W. Shubert #6575411. Published by James W. Shube...
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Choral Choir (TTBB) - Level 2 - SKU: A0.971399 Composed by James Shubert. Blues. Octavo. 3 pages. James W. Shubert #6575411. Published by James W. Shubert (A0.971399). 4 part Male Barbershop Arrangement (TTBB) Early Intermediate Level. The Blues are an underserved style of music in the barbershop lexicon. Perhaps the chords are considered a bit to 'modern' for purist tastes, and the chord structures tend to a more simplistic style. However, there is no question about the energy, vitality and enthusiasm that they generate from both the singers as well as the audience. Try this piece out as see what I mean. .
$1.99
Easy Does It
Easy Does It
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Ensemble Jazz
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DÉBUTANT
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Brad Esbensen
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Brad Esbensen
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Easy Does It
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Brad Esbensen Music Services
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.774327 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 70 pages. Brad...
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Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.774327 Composed by Brad Esbensen. Arranged by Brad Esbensen. Blues,Jazz. Score and Parts. 70 pages. Brad Esbensen Music Services #3361895. Published by Brad Esbensen Music Services (A0.774327). EASY DOES IT is an original composition for big band and featured as a set piece for the 2001 Australian Academy Festival of Music B Grade Jazz Ensemble division. This arrangement will work equally with a reduced ensemble, as indicated on title page of the score. The arrangement begins with a short intro from the rhythm section followed by a unison statement of the head from the sax section with the brass section taking it up later in the arrangement. This gives the players a chance to become familiar with the tune and provides an opportunity to work on intonation and to tighten up phrasing and articulation. Rhythm section parts are fully notated to assist younger players. An open solo section, with changes marked on every part, is included. Use this space to feature soloists in the group and encourage all to try their hand at improvising. Encourage students to listen to the great jazz players to help them learn the language of jazz and develop their own ideas. Solo sheets containing written solos along with a guitar chord shapes chart are also included. www.bemus.com
$60.00
Easy Does It - Jazz Duet for Trumpet and Tenor Saxophone
Easy Does It - Jazz Duet for Trumpet and Tenor Saxophone
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Trompette, Saxophone (duo)
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FACILE
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Jazz
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Kate Agioritis
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Kate Agioritis
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Easy Does It - Jazz Duet for T
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Musika Publishing Australia
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SheetMusicPlus
B-Flat Trumpet,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.1408538 Composed by Kate Agioritis. Arranged by Kate Agioritis. Blues,Jazz. 7 pages...
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B-Flat Trumpet,Instrumental Duet,Tenor Saxophone - Level 2 - SKU: A0.1408538 Composed by Kate Agioritis. Arranged by Kate Agioritis. Blues,Jazz. 7 pages. Musika Publishing Australia #991132. Published by Musika Publishing Australia (A0.1408538). An original duet in a jazz swing style, for Trumpet and Tenor Saxophone duet by Kate Agioritis. Perfect for intermediate players.Visit our website: www.musikapublishing.com.
$5.99
Easy Does It - Jazz Duet for Alto and Tenor Saxophones
Easy Does It - Jazz Duet for Alto and Tenor Saxophones
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2 Saxophones (duo)
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INTERMÉDIAIRE
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Kate Agioritis
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Easy Does It - Jazz Duet for A
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Musika Publishing Australia
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SheetMusicPlus
Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1212343 Composed by Kate Agioritis. Blues,Jazz. Saxophone Duet. 13 pages. Musika Publishing Australia...
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Alto Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1212343 Composed by Kate Agioritis. Blues,Jazz. Saxophone Duet. 13 pages. Musika Publishing Australia #809846. Published by Musika Publishing Australia (A0.1212343). An intermediate duet in a jazz swing style, for alto and tenor saxophones. Visit our website: www.musikapublishing.com.
$5.99
All Blues
All Blues
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Chorale 3 parties
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FACILE
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Contemporain
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Miles Davis
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Mike Dana
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All Blues
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Mike Dana Music
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SheetMusicPlus
Choral Choir (SSA) - Level 2 - SKU: A0.977864 By Miles Davis. By Conti Bilong, Kimberly Ann Nazarian, Miles Davis, and Peter Eldridge. Arranged by Mike ...
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Choral Choir (SSA) - Level 2 - SKU: A0.977864 By Miles Davis. By Conti Bilong, Kimberly Ann Nazarian, Miles Davis, and Peter Eldridge. Arranged by Mike Dana. Contemporary. Octavo. 7 pages. Mike Dana Music #5733219. Published by Mike Dana Music (A0.977864). This is an easy (yet still very cool!) arrangements of the great Miles tune from Kind Of Blue, for SSAA jazz singers and rhythm section. The first verse features the melody, sung by a soloist, with the 2 part accompaniment fans of the album will recognize. The second verse expands the arrangement a bit, then leads into the solo section (for any soloist, vocal or instrumental, with vocal backgrounds.) A vocalese shout chorus follows, and the chart ends much as the original does. A master rhythm part is included. Students and audiences alike will really enjoy this chart, and it comes together quickly in rehearsal.
$50.00
Easy Does It
Easy Does It
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Piano Facile
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FACILE
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Contemporain
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Susan Alcon
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Easy Does It
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Susan Alcon
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SheetMusicPlus
By Susan Alcon. For Piano. Blues, Instructional, Jazz, Pop, 21st Century. Early Intermediate. Sheet Music Single. Published by Susan Alcon ...
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By Susan Alcon. For Piano. Blues, Instructional, Jazz, Pop, 21st Century. Early Intermediate. Sheet Music Single. Published by Susan Alcon
$2.99
Songs for an Open Mic
Songs for an Open Mic
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Guitare notes et tablatures
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Chris Dudley
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Songs for an Open Mic
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Chris Dudley
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SheetMusicPlus
Voice, Guitar, Guitar Tab - Intermediate - Digital Download Composed by Chris Dudley. Blues, Rock, Country, Birthday, Folk. 25 pages. Published by Chris Du...
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Voice, Guitar, Guitar Tab - Intermediate - Digital Download Composed by Chris Dudley. Blues, Rock, Country, Birthday, Folk. 25 pages. Published by Chris Dudley
The songs in this collection are intended to be musically engaging, many with a fresh sound, but easy enough to play that the singer can focus on vocalization and connecting with the audience. If the music goes up the guitar neck, it mostly does it at the dots on the fretboard. It does not go past the twelfth fret so that even a nylon string guitar can be used. If there is individual fingering instead of chords, the music can be played more slowly. In places where a finger picking pattern is indicated, strumming may often be substituted. The tuning is standard to avoid the distraction of retuning in a short set. But these are mostly not three chord songs. The pseudo key change in 'Dreamsieve' the second E minor chord in 'Washed Away,' or the open strings in 'Gold Star Eyes,' may allow the performer a chance to engage the audience through musical novelty. The songs are also meant to be short enough that the audience may want more rather than feel worn. 'Washed Away' and 'Unspoken' may be the most involved but both have choruses that can be used for a sing along to bring the audience further in. The songs also have a range of moods and subjects to be useful in balancing an open mic short set.
$15.56
Classics meet Jazz
Classics meet Jazz
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Piano Facile
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FACILE
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Jazz
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Uwe Korn
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Uwe Korn
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Classics meet Jazz
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Schott Music - Digital
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SheetMusicPlus
Piano - easy to intermediate - 20 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This ed...
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Piano - easy to intermediate - 20 famous classical pieces, original version + jazzy arrangement. Composed by Uwe Korn. Arranged by Uwe Korn. This edition: Sheet music. Jazzrock, Klassik, Musikgeschichte. Downloadable. Op. Vol. 1. Schott Music - Digital #Q52329. Published by Schott Music - Digital
This volume contains a wide selection of famous musical themes from Bach to Carl Orff. Some of them were originally written for the piano. most have had their scores carefully arranged to make them easy to play on the piano. Each piece is followed with a jazz interpretation, which can either be played alone or alongside the 'original' version. Perhaps this will show that the 'classics' are not all that far removed from jazz, and that music of earlier periods contains many of the essential characteristics of jazz. Doesn't Lully's 'Gavotte', for instance, contain one of the most famous jazz themes ever? The 'Blue Gavotte' may make this clearer. The theme from Mozart's Sonata in A major (K 331) doesn't require many rhythmic changes to give it a blues flavour ('Mozart Goes Blues'). The driving rhythm of the ostinato bass in Carl Orff's 'O Fortuna' would suit modern jazz-rock performers well, with a few small changes ('A Fortune for a Tune'). What do Bizet's 'Habanera', Brahms' 'Hungarian Dance No. 5' and Paganini's 'Caprice No. 24' have in common? Why have they been turned into salsa music ('Habanera con Cigarro', 'Hungarian Salsa No. 5', 'Capriccio Latino')? Much of this is up to the individual: if you want to discover similarities, they are easy to find.
$19.99
Oogie Boogie's Song
Oogie Boogie's Song
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Piano Facile
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FACILE
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Film/TV
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Danny Elfman
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Christina Vera [Corda Music]
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Oogie Boogie's Song
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Christina Fordham Vera
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1199951 Composed by Danny Elfman. Arranged by Christina Vera [Corda Music]. Blues,Broadway,Film/TV,Holiday,Jazz,Musical/S...
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Easy Piano - Level 2 - SKU: A0.1199951 Composed by Danny Elfman. Arranged by Christina Vera [Corda Music]. Blues,Broadway,Film/TV,Holiday,Jazz,Musical/Show. Score. 3 pages. Christina Fordham Vera #798812. Published by Christina Fordham Vera (A0.1199951). Enjoy this easy piano arrangement of Oogie Boogie's Song from Tim Burton's The Nightmare Before Christmas. This is a late elementary/early intermediate abridged version of the song. Lyrics are included (but it does not include the entire song).Lots of finger number suggestions and a simplified left hand part make this bluesy classic Halloween song more manageable for elementary to intermediate players.Key Signature: D Minor* (1 black key in the key signature - Bb)Length: 3 Pages*This arrangement does modulate to G minor, but instead of a key change mid-song, I've chosen to keep it in D minor and add accidentals where needed.
$4.99
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99
Let's Twist Again
Let's Twist Again
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Chubby Checker
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Lionel Horncastle
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Let's Twist Again
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fleXmusic for school
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SheetMusicPlus
Level 1 - SKU: A0.1304960 By Chubby Checker. By Dave Appell and Kal Mann. Arranged by Lionel Horncastle. 20th Century,Blues,Rock. 51 pages. FleXmusic fo...
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Level 1 - SKU: A0.1304960 By Chubby Checker. By Dave Appell and Kal Mann. Arranged by Lionel Horncastle. 20th Century,Blues,Rock. 51 pages. FleXmusic for school #894385. Published by fleXmusic for school (A0.1304960). This historical song by singer Chubby Cheker is presented in format FLEX 1 + 3, in which there is a main line with the theme (instrument 1) and 3 accompaniment lines (3 backgroud line : first, tenor, bass).The Booklet presents the detached parts for each type of instrument. In this way it will be possibile to play it with any School Orchestra or School Ensemble (from duo to quartet). The piece is very easy to perform ad the difficulty of the parts does not exceed level 1 difficulty (for beginner).
$40.00
The CelloWay 1
The CelloWay 1
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Violoncelle (partie séparée)
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DÉBUTANT
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Julie Munkholm Bruun
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The CelloWay 1
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Julie Munkholm Bruun
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SheetMusicPlus
Cello Solo - Level 1 - SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. ...
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Cello Solo - Level 1 - SKU: A0.1095693 Composed by Julie Munkholm Bruun. Blues,Classical,Rock. Individual part. 41 pages. Julie Munkholm Bruun #699675. Published by Julie Munkholm Bruun (A0.1095693). There's a new cello lesson book on the market! In this book I've turned the normal way of learning to play the cello upside down. With a little bit of creativity, and a lot of knowledge and understanding about how the instrument works - and how students learn - I have created this book. I hope you will love it just as much as I do, and that it will help you build a good foundation for your cello playing. FROM THE INTRODUCTION: This lesson book was created with a new perspective in mind. My hope is, that this way of learning, will make it easier to learn to play the cello. I have chosen to include a few chapters in the beginning of the book, where you will play on open strings. That will help you establish a good, basic understanding for how the cello should sound. It will also give you the opportunity to build up strength in the left hand slowly – and concentrate on getting a good, basic bowing technique. I have included small chapters with music theory, that I find important in order to understand how the instrument works. The cello doesn't have any keys or frets to help you play in tune, so knowing a few tips and tricks will help you tremendously. As opposed to most cello lesson books, the first finger you will learn to use here is the 4th finger. The 4th finger is your little finger and usually the least strong finger of them all. Starting with 4th finger has 2 very important advantages: • When you use the 4th finger – especially in the beginning – you will use the other 3 fingers to help push the string down into the fingerboard. That will help you establish a good, healthy hand position for the left hand. And when you start with 4th finger, using the other 3 fingers will feel so easy! • 4th finger in the first position is the same note (an octave higher) as the open string below. It gives you the opportunity to use the open string to know if you play in tune. Once you have gone through this book you should be able to play with the bow, by plucking the strings (pizzicato) and use 1st, 3rd and 4th finger on the left hand. That means that you should be able to play songs in G Major and D Major in one octave. The last few chapters include duets for two cellos. I have chosen to include the duets to make it more fun to play and to start developing the students ability play chamber music. It is wonderful to be able to play an instrument, and playing with other people adds an extra dimension to that. Love, live, play! Julie.
$12.00
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Easy Does It Blues
