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Do You Hear What I Hear String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
15
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Vous avez sélectionné:
Do You Hear What I Hear String Quartet
Partitions à imprimer
21 partitions trouvées
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1
Do You Hear What I Hear - String Quartet
Do You Hear What I Hear - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Noël
#
John van Gulik
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John van Gulik
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Do You Hear What I Hear - Stri
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John van Gulik
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1123682 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1123682 By John van Gulik. By John van Gulik. Arranged by John van Gulik. Christmas. Score and parts. 8 pages. John van Gulik #724457. Published by John van Gulik (A0.1123682). A Christmas classic, Do You Hear What I Hear is arranged here for string quartet in a unique 4 part setting. Arranged for 2 Violins, Viola, and Cello. For alternate keys, accompaniment tracks, or other string quartets, visit my website at https://jvgmusiconline.com.
$10.00 ≈
8.93€
Do You Hear What I Hear
Do You Hear What I Hear
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Carole King
#
Michael Todd Kovell
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Do You Hear What I Hear
#
Phinney Music
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1273060 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Michael Todd ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1273060 By Carole King. By Gloria Shayne and Noel Regney. Arranged by Michael Todd Kovell. 20th Century,Chamber,Christmas,Classical,Holiday. 13 pages. Phinney Music #865249. Published by Phinney Music (A0.1273060). Introducing our captivating and enchanting string quartet sheet music arrangement of the timeless Christmas classic, Do You Hear What I Hear, composed by Noel Regney. This beautiful arrangement is meticulously crafted to breathe new life into the iconic melody, making it a perfect addition to any string quartet's repertoire.Key Features:Elevated Musical Expression: Our arrangement stays true to the original composition's emotive depth while adding nuanced dynamics and expressive markings, empowering your string quartet to deliver a heartfelt performance that resonates with audiences.Artful Harmonies: The arrangement includes rich harmonies and counterpoint that accentuate the magical essence of the song, offering each instrument within the quartet a chance to shine and contribute to the overall enchanting ambiance.Professional Notation: With precise and meticulously notated music sheets, you'll find clear and accurate representations of each part, simplifying rehearsals and ensuring a seamless performance.Embracing Tradition and Innovation: While honoring the traditional charm of the original piece, our arrangement introduces subtle modern elements that captivate contemporary audiences, making it ideal for various performance settings.Benefits:Delight Your Audience: Share the holiday spirit and captivate your audience with this well-loved Christmas melody, reimagined for string quartets. The familiar tune, combined with skillful playing, is sure to touch the hearts of listeners.Perfect for Celebratory Events: Whether it's a festive concert, private gathering, or Christmas celebration, the arrangement adds a touch of elegance and cheer to any occasion, making it a standout performance in your repertoire.Target Audience:Our Do You Hear What I Hear string quartet sheet music arrangement caters to a broad audience:Professional String Quartets seeking fresh, high-quality repertoire for their performances.Amateur and Intermediate String Quartets looking to expand their holiday-themed repertoire and challenge their skills.Music Educators searching for engaging pieces to teach their students about harmony, dynamics, and expression.Music Enthusiasts eager to explore and experience the beauty of Do You Hear What I Hear through the exquisite sounds of a string quartet.Add a touch of timeless elegance and holiday magic to your string quartet's performances with our exceptional arrangement of Do You Hear What I Hear. Embrace the spirit of the season and create cherished memories with this enchanting and expressive piece.
$12.99 ≈
11.60€
Do You Hear What I Hear
Do You Hear What I Hear
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Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Rock
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Carrie Underwood
#
Sherry Lewis
#
Do You Hear What I Hear
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.521206 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Le...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.521206 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewis. Rock. 15 pages. Sherry Lewis Publishing #3926927. Published by Sherry Lewis Publishing (A0.521206). DO YOU HEAR WHAT I HEARString Quartet, Intermediate Level for 2 violins, viola and celloScore: YesParts: 8 pagesTime: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
11.60€
Do You Hear What I Hear
Do You Hear What I Hear
#
Trio à Cordes: violon, alto, violoncelle
#
FACILE
#
Rock
#
Carrie Underwood
#
Sherry Lewis Publishing
#
https://www
#
Do You Hear What I Hear
#
Sherry Lewis Publishing
#
SheetMusicPlus
String Trio Cello,Viola,Violin - Level 2 - SKU: A0.521207 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewis Publishing. Ro...
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String Trio Cello,Viola,Violin - Level 2 - SKU: A0.521207 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewis Publishing. Rock. 16 pages. Sherry Lewis Publishing #3926939. Published by Sherry Lewis Publishing (A0.521207). DO YOU HEAR WHAT I HEARString Trio, Intermediate Level for 2 violins and cello or violin, viola and celloScore: YesParts: 8 pagesTime: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
11.60€
Do You Hear What I Hear
Do You Hear What I Hear
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Christian contemporain
#
Country
#
Carrie Underwood
#
Caroline McCaskey
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Do You Hear What I Hear
#
AltStrings
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.852255 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Caroline McCaskey. Christian...
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String Quartet String Quartet - Level 3 - SKU: A0.852255 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Caroline McCaskey. Christian,Gospel,Rock. Score and parts. 15 pages. AltStrings #3256767. Published by AltStrings (A0.852255). This arrangement of Do You Hear What I Hear? is for intermediate string quartet.
$12.99 ≈
11.60€
Do You Hear What I Hear
Do You Hear What I Hear
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Carole King
#
John Groves
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Do You Hear What I Hear
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John Groves
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.783816 By Carole King. By Gloria Shayne and Noel Regney. Arranged by John Groves. C...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.783816 By Carole King. By Gloria Shayne and Noel Regney. Arranged by John Groves. Christmas,Contemporary,Holiday. Score and parts. 8 pages. John Groves #6598493. Published by John Groves (A0.783816). Do You Hear What I Hear - arranged for String QuartetScore and Parts Included:Violin 1Violin 2ViolaCello
$14.99 ≈
13.39€
Do You Hear What I Hear
Do You Hear What I Hear
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
FACILE
#
Carrie Underwood
#
Stephen DeCesare
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Do You Hear What I Hear
#
Exultet Music
#
SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.621045 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Stephen DeCesare. Christmas,...
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String Quartet String Quartet - Level 2 - SKU: A0.621045 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Stephen DeCesare. Christmas,Rock,Sacred. Score and parts. 24 pages. Exultet Music #3509921. Published by Exultet Music (A0.621045). The Christmas song that was made popular by recording artist Bing Crosby has now been freshly arranged for a String Quartet (Violin (2), Viola, Cello) with additional instrumentation of a Flute and Tubular Bells with Piano. Accessible and appropriate to be sung and played in any church or concert setting.
$12.99 ≈
11.60€
Do You Hear What I Hear
Do You Hear What I Hear
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Carole King
#
John W
#
Do You Hear What I Hear
#
John W. Daniel
#
SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1118127 By Carole King. By Gloria Shayne and Noel Regney. Arranged by John W. Danie...
(+)
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1118127 By Carole King. By Gloria Shayne and Noel Regney. Arranged by John W. Daniel. Chamber,Christmas,Religious,Sacred. 8 pages. John W. Daniel #719646. Published by John W. Daniel (A0.1118127). Great intermediate string quartet arrangement of this Christmas favorite!
$14.99 ≈
13.39€
Do You Hear What I Hear
Do You Hear What I Hear
#
Quatuor à cordes: 2 violons, alto, violoncelle
#
INTERMÉDIAIRE
#
Rock
#
Carrie Underwood
#
Cindy Blevins
#
Do You Hear What I Hear
#
Cindy Blevins
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SheetMusicPlus
String Quartet String Quartet,Violin - Level 3 - SKU: A0.544455 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Cindy Blevins. Rock. ...
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String Quartet String Quartet,Violin - Level 3 - SKU: A0.544455 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Cindy Blevins. Rock. 12 pages. Cindy Blevins #3604675. Published by Cindy Blevins (A0.544455). This is a beautiful, playable arrangement for four violins. You receive the score, the Violin 1, Violin 2, Violin 3 and Violin 4 parts. My website: https://www.blevinsmusic.com.
$12.99 ≈
11.60€
Do You Hear What I Hear
Do You Hear What I Hear
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Violon, Violoncelle (duo)
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FACILE
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Rock
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Carrie Underwood
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Sherry Lewis
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Do You Hear What I Hear
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Sherry Lewis Publishing
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SheetMusicPlus
Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.521208 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewis. Rock. 10 page...
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Cello,Instrumental Duet,Violin - Level 2 - SKU: A0.521208 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Sherry Lewis. Rock. 10 pages. Sherry Lewis Publishing #3926967. Published by Sherry Lewis Publishing (A0.521208). DO YOU HEAR WHAT I HEARString Duo, Intermediate Level for violin and celloScore: YesParts: 4 pagesTime: 2'00MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles.Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer.If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing.VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument.PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music.LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work.EXCELLENT for corporate events, weddings, social gatherings and recitals.APPROPRIATE for students and schools.CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$4.99 ≈
4.46€
Do You Hear What I Hear for Mixed-Level String Quartet
Do You Hear What I Hear for Mixed-Level String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Third Day
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Steven Kruse
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Do You Hear What I Hear for Mi
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String Play for All
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SheetMusicPlus
By Third Day. Arranged by Steven Kruse. Score, Set of Parts. 12 pages. Published by String Play for All (H0.176063-198537). - Score,Set of Parts - - String Pla...
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By Third Day. Arranged by Steven Kruse. Score, Set of Parts. 12 pages. Published by String Play for All (H0.176063-198537). - Score,Set of Parts - - String Play for All
$12.99 ≈
11.60€
Do You Hear What I Hear
Do You Hear What I Hear
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4 Violoncelles
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INTERMÉDIAIRE
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Rock
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Carrie Underwood
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Cindy Blevins
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Do You Hear What I Hear
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Cindy Blevins
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SheetMusicPlus
String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.544462 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Cindy Blevins. ...
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String Quartet Cello,String Quartet,Violin - Level 3 - SKU: A0.544462 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Cindy Blevins. Rock. 13 pages. Cindy Blevins #3604717. Published by Cindy Blevins (A0.544462). This is a beautiful, playable arrangement for three violins and one cello. You receive the score, the Violin 1, Violin 2, Violin 3 and Cello parts. My website: https://www.blevinsmusic.com.
$12.99 ≈
11.60€
Do You Hear What I Hear - String Quartet
Do You Hear What I Hear - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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Third Day
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Peter Martin
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Do You Hear What I Hear - Stri
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Mainstream Music
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SheetMusicPlus
By Third Day. Arranged by Peter Martin. Score, Set of Parts. 9 pages. Published by Mainstream Music (H0.265771-198537). - Score,Set of Parts - - Mainstream Mus...
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By Third Day. Arranged by Peter Martin. Score, Set of Parts. 9 pages. Published by Mainstream Music (H0.265771-198537). - Score,Set of Parts - - Mainstream Music
$12.99 ≈
11.60€
America's Favorite Hymns arranged for Strings
America's Favorite Hymns - Strings
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Musique Sacrée
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Various
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America's Favorite Hymns - Str
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Colin Kirkpatrick Publications
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SheetMusicPlus
String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship,...
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String Quartet, String Orchestra - Early Intermediate - Digital Download Composed by Various. Arranged by Colin Kirkpatrick. Christian, Praise and Worship, General Worship. Score, Set of Parts. 127 pages. Published by Colin Kirkpatrick Publications
This is an essential item for any string ensemble, whether string quartet or string orchestra. The publication consists of full scores for each hymn plus separate instrumental parts and an optional simplified keyboard part. The parts include 1st violin, 2nd violin, viola, cello and bass. You can brighten the tone quality by getting the more advanced violin players play an octave higher than the written part. (You can hear this effect in the audio demos.) The cello and bass parts appear on a single staff but there?s also a melody part provided in the bass clef should you require a cello or double bass solo. Of course, you can use any number of instruments to a particular part. Using the keyboard part, you can use the arrangements as solos, duets or trios. Because the music has been set in string-friendly keys, the arrangements are not usually compatible with the brass and wind collections of the same title.
The collection includes the following titles: A Mighty Fortress Is Our God (Ein? Feste Burg); All Creatures Of our God and King (Lasst uns Erfreuen); All People that on Earth do Dwell (Old Hundredth); Abide with Me (Eventide); All Hail the Power of Jesus? Name (Coronation); Amazing Grace (Trad); At the Cross (Alas and Did My Savior Bleed) (Hudson); Be Thou My Vision (Slane); Blessed Assurance (Assurance); Blest Be the Tie That Binds (Dennis - Ngeli); Come Thou Fount of Every Blessing (Nettleton); Come We That Love the Lord (St. Thomas); Crown Him with Many Crowns (Diademata); Guide Me O Thou Great Jehovah (Cwm Rhondda); Holy, Holy, Holy (Nicea); How Firm a Foundation (Foundation); It is Well with my Soul (Ville du Havre); Jesus Christ is Risen Today (Easter Hymn); Jesus, Lover of My Soul (Hollingside); Jesus Paid it All (All to Christ); Joy to the World (Antioch); Just as I Am, Without one Plea (Woodworth); Love Divine, All Loves Excelling (Hyfrydol); Nearer my God to Thee (Bethany); Praise To the Lord, The Almighty (Lob den Herren); Rock of Ages (Toplady); Shall we gather at the River? (Hanson Place); The Day thou Gave us, Lord is Ended (St. Clement); To God Be the Glory (To God be the Glory); There is a Fountain (Cleansing Fountain); What a Friend We Have in Jesus (Converse) and When I Survey the Wondrous Cross (Hamburg).
The audio demo contains the following titles (1) Abide with Me; (2) Nearer my God to Thee; (3) Be Thou my Vision and (4) What a Friend we have in Jesus.
$15.99 ≈
14.28€
All I Want For Christmas Is You
All I Want For Christmas Is You
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Lady Antebellum
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HELEN MARPLE-HORVAT
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All I Want For Christmas Is Yo
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Helen Marple-Horvat
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Con...
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String Quartet String Quartet - Level 4 - SKU: A0.749201 By Lady Antebellum. By Mariah Carey and Walter Afanasieff. Arranged by HELEN MARPLE-HORVAT. Contemporary,Pop. Score and parts. 25 pages. Helen Marple-Horvat #3397107. Published by Helen Marple-Horvat (A0.749201). https://www.youtube.com/watch?v=sNrfHQ6LSGYMariah Carey released this critically acclaimed song in 1994 and it has remained a popular Christmas standard ever since. I arranged this for the quartet’s ‘snowy season’ of events, and for my daughter who sings. You can hear our recording of the whole song on my channel if you type in Skinny Black Dogs, Capriccio Quartet, ‘All I want for Christmas’ into Youtube. I would say that the syncopation probably calls for advanced string players as it is vital to keep the timing steady if the singer is to survive such a big sing with so few opportunities to breathe! However, there must be many vocalists who would love to try this as a party piece for a christmas concert. I am thinking of sixth formers or performing arts college students, or professional players for christmas event and weddings. If you have a good local singer, it could work with a string orchestra too. The triplets need to be very light and passed effortlessly between the players so that the texture is thin but rhythmically vibrant. Cellists can simplify bar 74 by playing just the notes on each beat as crotchets. The opening will need a lot of rehearsal as the quartet /orchestra need to know what the singer will do. I have put some of the lyrics into the score to help with this. I hope you enjoy performing this as much as we did! I am transcribing it for quartet without a vocalist too which could easily then be tackled by string players of Grade 5 ABRSM. Watch this space!
$20.00 ≈
17.87€
What do they matter? (for medium-high voice and harp)
What do they matter? (for medium-high voice and harp)
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Contemporain
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Nicole Elyse DiPaolo
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What do they matter?
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Nicole Elyse DiPaolo
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SheetMusicPlus
Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse...
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Small Ensemble Harp,Voice - Level 5 - SKU: A0.799604 Composed by Nicole Elyse DiPaolo. 20th Century,Contemporary. Score and parts. 4 pages. Nicole Elyse DiPaolo #3417119. Published by Nicole Elyse DiPaolo (A0.799604). This short song was composed in 2012 during my doctoral coursework at Indiana University's Jacobs School of Music. It was written for tenor, but given its accessible range (Db4 to G5 in the original key), it would work well for lighter voices in many fachs, including light lyric sopranos, baritones, and mezzos. The text, translated from a poem by Takuboku Ishikawa (1886-1912), is gender-neutral. This would be a great introduction to new music for an undergraduate singer with strong aural skills and a still-light voice (since young dramatics might overpower the harp).If you'd like to talk about commissioning a transposed score, please get in touch! Transposition options will be a bit more limited with the harp than with the piano, but I'm sure we could make something work.Poem text (in English translation, as it appears in the score)Setting sun, Drifting clouds, New moon, Evening twilight, What do they matter to me?Composer biography:Nicole Elyse DiPaolo is a versatile composer, teacher, collaborative pianist, and music theorist currently based in Bloomington, Indiana. Currently a PhD candidate in music theory at Indiana University, she recently completed a doctoral minor in composition, having studied with Claude Baker, Don Freund, P. Q. Phan, and David Schneider. She also holds a B.Mus. from the University of Michigan, where she studied composition with Bright Sheng and piano with Louis Nagel. Nicole's music has been heard across the world: along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed at Shorter College (GA) and Lincoln University (PA), and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Additionally, Nicole's viola duo Three Episodes was featured at Ball State University's 40th Annual New Music Festival in February 2010. Her early compositions have been garnering interest as well: music students in Kenya performed several of Nicole's such pieces in May 2013 through a pedagogical project spearheaded by IU faculty member Kimberly Carballo. Nicole's music also received its Mexican premiere in October 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014, Nicole published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, available on SheetMusicPlus. Also a sought-after teacher and adjudicator, Nicole frequently judges regional and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists, and she also served as the composition department chair at Blue Lake Fine Arts Camp in 2014. For more on Nicole DiPaolo and her varied musical pursuits, visit her website at http://ndipaolo.musicaneo.com !
$5.99 ≈
5.35€
December 1963 (oh, What A Night)
December 1963 (oh, What A Night)
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Rock
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The Four Seasons
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Charles Gunsaullus
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December 1963
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SheetMusicPlus
By The Four Seasons. By Judy Parker and Bob Gaudio. Arranged by Charles Gunsaullus. Pop, Rock. Score and parts. 16 pages. Charles Gunsaullus #6590539....
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By The Four Seasons. By Judy Parker and Bob Gaudio. Arranged by Charles Gunsaullus. Pop, Rock. Score and parts. 16 pages. Charles Gunsaullus #6590539. Published by Charles Gunsaullus
December 1963, or Oh What a Night is a fun mega-hit by Frankie Valli and the Four Seasons. It is upbeat and fun to play, and works great for any occasion. I heard it at a wedding recently and said to my wedding quartet, "We don't have this one do we?" Well, we do now and so do you! Because of the funky rhythm and complex cello part, this should be played by an advanced intermediate or better group.
$12.99 ≈
11.60€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.02€
Sunday Bloody Sunday
Sunday Bloody Sunday
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Celtique/Irlandais
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U2
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Kyle Pudenz
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Sunday Bloody Sunday
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ViolinVagabond Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 4 - SKU: A0.1153128 By U2. By U2. Arranged by Kyle Pudenz. Celtic,Contemporary,Irish,Pop,Rock. Score and parts. 30 pages. ViolinVagabond Music #753361. Published by ViolinVagabond Music (A0.1153128). One does not simply walk into their local music store to find a string arrangement like this one... Unlike much of what you'll find out in the world of cheap gig music, this was in fact written BY a string player who has played in symphony orchestras, rock bands, and everything in between; who knows what gigging as a quartet looks like, but also what will wow your audiences without requiring weeks of rehearsal to prepare. So leave your days of sight-reading through piano scores behind and give your quartet some firepower with this hard hitting chart, that will surely enable your ensemble to do at least a little justice to this legendarily emotional banger from Ireland's finest! Bono's soaring vocal melodies on this tune offer more than enough material on their own to tug at an audience's heartstrings, but in this chart you'll also find faithful adaptations of the iconic guitar & bass parts (performed by cello & viola) that truly make this song one of a kind. Using extended string techniques like chopping & strum bowing, you'll feel as if you're rocking out with the band... with no need to hire those annoying extra musicians. But as we all know, strings have much more to offer dynamically than simply plodding along mimicking a rock band, so I've taken several select moments in this chart to break away briefly from those driving grooves into more open, contemplative textures, truly allowing this instrumentation to shine in its own unique way. All of that said, maybe rhythmic string playing isn't your thing and you just need a chart that classical string players can read through on a cocktail gig where the buyer clearly doesn't pay attention to the lyrical content of their song requests. If that's the case, I've provided a couple alternate figures at the back of the book that can be used to replace the percussive stuff in the viola part, making it much simpler without sacrificing too much of the energy. OR if you want to go even further, maybe you DO want to hire that band after all so you can just relax and play some melody lines. Lucky for you I have included a rhythm section lead sheet as part of the music packet, so that any auxiliary musicians you want to add in will be able to follow along with ease. If you have absolutely no idea what chopping and strum bowing are, and you'd like to expand your horizons and learn a bit more, I highly recommend this resource: https://strum-bowing-groove-academy.teachable.com?coupon_code=KYLE20&affcode=459429_z8y3atf As mentioned before though, these techniques are not 100% necessary to handle this arrangement, so feel free to experiment on your own and add them in as you feel comfortable. Enjoy this chart, and don't be afraid to do a little head-banging once that groove really locks in! Performance time - approximately 4:05-4:20 depending on how hard you want to push the tempo Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$19.99 ≈
17.86€
Better Days
Better Days
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OneRepublic
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Kyle Pudenz
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Better Days
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ViolinVagabond Music
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SheetMusicPlus
Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedd...
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Small Ensemble,Strings Bass Guitar,Cello,Drum Set,Viola,Violin - Level 5 - SKU: A0.845978 By OneRepublic. By Brent Kutzle, John Nathaniel, and Ryan Tedder. Arranged by Kyle Pudenz. Contemporary,Pop,Rock. Score and parts. 56 pages. ViolinVagabond Music #5739325. Published by ViolinVagabond Music (A0.845978). Whether you are a tried and true OneRepublic fan looking to add to your ensemble's catalog, a struggling musician hoping for Better Days, or simply want to create a little social media buzz by playing that song that you saw in a commercial about a Jeep, or ESPN, or NBC... THIS is the chart you are looking for!Check out Dallas String Quartet performing this arrangement in their latest music video: https://youtu.be/BBEdsXRELywWhat you have here, ladies & gentlemen, is no half-baked attempt at a transcription that you might find illegally floating around the internet for a few bucks. This meticulously-arranged instrumental reimagining of OneRepublic's new smash is much, MUCH more. Your journey through the pop-string realm starts out with a silky, cinematic intro that will filter out the commotion of your futile existence, opening the curtains to reveal a plane of pure musical ecstasy. When the groove finally drops, and OH, does it DROP... you will not be able to stop yourself from foot-tapping, head-banging, or otherwise moving one or more body parts in a definitively rhythmic fashion. Hip rhythmic chopping grooves, fingerboard slaps, and a healthy dose of syncopation will take this sick beat to another level! And if that isn't enough to pique your interest, be on the lookout for some sexy reharminizations throughout the tune that will make you honestly wonder why those chords weren't in the song to begin with...Just when you thought this couldn't get any better: THERE IS A SOLO SECTION!! I've included some written solos, but if you prefer to improvise your own, that is allowed and encouraged. You can also vamp it if you need to kill a little time, or just want to show off for a few more bars.This version of the score includes optional RHYTHM SECTION PARTS for guitar, bass, & drum set in addition to the standard string quartet. To be clear, you do not have to perform this chart with bass and drums. I have gone to great pains to ensure that, with proper preparation, a string quartet performance will sound every bit as groovy as a full 7-piece band. So if you try to play this without a drummer and it doesn't go well, I don't want to hear about it. Go practice.Having a great ensemble may be the first step to successfully landing the big gigs, but having repertoire that gives your musicians the chance to shine will make you stand out from the rest. So don't settle for reading off of a piano score or hacking through questionably-obtained transcriptions when you can have the real deal. Fresh tunes, arranged by a real string player who has been in your shoes and knows how to wow the crowd!Thanks for visiting, and I hope this chart brings us all to some Better DaysPerformance time - 4:00 as written, longer if you vamp the solo, shorter if you cut the intro. Because I get it; we all need flexibility when wedding parties and/or emcee's are involved.Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond
$24.99 ≈
22.32€
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