Partitions Numériques de Dmitri Shostakovich pour Basson

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Dmitri Shostakovich
Non classifié 18

Piano & claviers
Piano seul 33
Piano (partie séparée) 1

Guitares
Guitare notes et tablatures 1
Partitions De Groupes 1

Voix

Vents
Clarinette (partie séparée) 18
Saxophone (partie séparée) 13
Hautbois (partie séparée) 5
Flute (partie séparée) 4
Clarinette 4

Flûte traversière 3
3 Clarinettes (trio) 3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor 3
Flûte, Hautbois, Clarinette (trio) 2
Flûte, Hautbois, Clarinette, Basson 2
Quatuor de Clarinettes: 4 clarinettes 2
Hautbois 2
Clarinette et Piano 2
Quintette de Saxophone: 5 saxophones 2
Quatuor de Saxophones: 4 saxophones 2
Cor Anglais 1
Saxophone Soprano et Piano 1
Flûte, Clarinette et Basson 1
Saxophone Alto et Piano 1
Flûte traversière et Piano 1
Cor anglais, Piano 1
Saxophone Alto 1
Saxophone Soprano 1
2 Flûtes traversières (duo) 1
Saxophone Tenor 1
Saxophone Tenor et Piano 1
Hautbois, Piano (duo) 1
Piccolo 1

+ 23 instrumentations

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Cuivres
Trombone (partie séparée) 23
Cor (partie séparée) 18
Trompette (partie séparée) 16
Tuba (partie séparée) 6
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba 4

Trompette 3
Quatuor de Cuivres : 2 trompettes, trombone, tuba 2
Cor Anglais 1
Trompette, Piano 1
3 Trombones (trio) 1
Tuba ou Euphonium ou Saxhorn 1
Trombone 1
Cor anglais, Piano 1
Trio de Cuivres 1
Trombone et Piano 1
Cor 1

+ 11 instrumentations

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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle 5
Violon (partie séparée) 4
Violon 3
Alto seul 3
Trio à Cordes: violon, alto, violoncelle 2

Contre Basse 2
Violon et Piano 2
Contrebasse (partie séparée) 2
Violoncelle (partie séparée) 2
Quintette à cordes: 2 violons, alto, violoncelle, basse 2
Trio à Cordes: 2 violons, violoncelle 1
Alto, Violoncelle (duo) 1
Quatuor à cordes : 4 altos 1
Violoncelle 1
Violoncelle, Piano 1
Alto, Piano 1
2 Violoncelles (duo) 1

+ 12 instrumentations

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Percussions & orchestre
Orchestre d'harmonie 140
Percussion (partie séparée) 20
Orchestre 13
Timbales (partie séparée) 3
Orchestre à Cordes 2

Timbales 1

+ 1 instrumentations

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Artistes :
• Shostakovich, Dmitri
• Kabalevsky, Dmitri

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Dmitri Shostakovich

Basson

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2 partitions trouvées

Dmitri Shostakovich - Second Waltz - Bassoon solo

Dmitri Shostakovich - Second Waltz - Bassoon solo #Basson #INTERMÉDIAIRE #Dmitri Shostakovich #Ygor Nunes #Dmitri Shostakovich - Second W #Ygor Nunes #SheetMusicPlus

Bassoon Solo - Level 3 - SKU: A0.1399567 By Dmitri Shostakovich. By Dmitri Shostakovich. Arranged by Ygor Nunes. 20th Century,Classical,Contemporary,Fil...(+)

Bassoon Solo - Level 3 - SKU: A0.1399567 By Dmitri Shostakovich. By Dmitri Shostakovich. Arranged by Ygor Nunes. 20th Century,Classical,Contemporary,Film/TV. Individual part. 5 pages. Ygor Nunes #982860. Published by Ygor Nunes (A0.1399567). Here is an easy and beautiful arrangemente for a bassoon solo.

$5.99 ≈ 5.59€

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1

Fugue: "Wear Pearls and Smile" (A Pairing with Beethoven's Symphony #2) - Bassoon 1 #Basson #AVANCÉ #Benjamin Harry Sajo #Fugue: "Wear Pearls and S #Benjamin Sajo #SheetMusicPlus

Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. P...(+)

Bassoon Solo - Level 5 - SKU: A0.1018928 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 5 pages. Benjamin Sajo #6072961. Published by Benjamin Sajo (A0.1018928). Fugue: Wear Pearls and Smile is, on the outset, a fast, rambunctious adventure for many voices playing at the same time. It was conceived as a pairing for the equally vivacious second symphony of Ludwig van Beethoven–his 250th birthday is this year–but can stand on its own as one of my hardest, most challenging works to cook up.This piece is dedicated to those forced to appear positive when internally they’re falling apart. The title is inspired by a quote that’s been with me for a while, Why is it that men can be bastards and women must wear pearls and smile? by Lynn Hecht Schafren, the celebrated American jurist famous for campaigning for gender equity in courts. I’m taking the quote out of its initial context, but the power of that quote, for me, exemplifies how hard it is to maintain a sense of emotional decorum and dignity when you’re authentically a hot mess. And what’s more of a musical hot mess than a fugue?There are two realities to this piece. I’ll quote Dmitri Shostakovich, from his autobiography: The rejoicing is forced, created under threat, […] It’s as if someone were beating you with a stick and saying, ‘Your business is rejoicing, your business is rejoicing,’ and you rise, shaky, and go marching off, muttering ‘Our business is rejoicing, our business is rejoicing.’ On the one hand, it is insincere happiness, cloying perhaps. But the other truth, I’ll quote Oscar Hammerstein II, from The King and I: While shivering in my shoes / I strike a careless pose / And whistle a happy tune / And no one ever knows, / I'm afraid. I forced myself, against all impulses of my current being, to forge happiness. This piece, with its origin being a mental puzzle (fugues are puzzles), it became a construct where I could lift myself up and regain a sense of purpose. Therefore, it is invented–out of a literal need to survive–pure, genuine happiness.Future Performances: If you are interested in performing this work, please e-mail me.ABOUT THE COMPOSER: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings , with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.

$3.50 ≈ 3.26€

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