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Vous avez sélectionné:
Contrabass Concerto
Partitions à imprimer
93 partitions trouvées
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26
51
76
Contrabass Concerto (Latin Style)
Contrabass Concerto (Latin Style)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Arthur Barbosa
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Contrabass Concerto
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ARTHUR BARBOSA NETO
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.988297 Composed by Arthur Barbosa. Contemporary,World. Score and parts. 138 pages. ARTHUR BARBOSA NETO #6059241. P...
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Chamber Orchestra - Level 4 - SKU: A0.988297 Composed by Arthur Barbosa. Contemporary,World. Score and parts. 138 pages. ARTHUR BARBOSA NETO #6059241. Published by ARTHUR BARBOSA NETO (A0.988297). A contrabass concerto in Latin American style with string orchestra and percussion . Vibrant and challenger for the soloist.
$50.00 ≈
46.66€
Thierry Pélicant: Concerto for contrabass and orchestra, score only
Thierry Pélicant: Concerto for contrabass and orchestra, score only
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Orchestre
#
AVANCÉ
#
Thierry Pélicant
#
Thierry Pélicant: Conce
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik...
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Full Orchestra - Level 5 - SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$38.95 ≈
36.35€
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for contrabass and orchestra, piano reduction and solo part
#
Orchestre
#
AVANCÉ
#
Thierry Pélicant
#
Thierry Pélicant: Conce
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik ...
(+)
Full Orchestra - Level 5 - SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher. The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$29.95 ≈
27.95€
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
Haydn: Concerto No. 2 in G major (Classical Wind Ensemble)
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Classique
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Franz Joseph Haydn
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Roar Kvam
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Haydn: Concerto No. 2 in G maj
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KVAMusic Edition
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454...
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Woodwind Ensemble - Level 4 - SKU: A0.768500 Composed by Franz Joseph Haydn. Arranged by Roar Kvam. Classical,Concert. 114 pages. KVAMusic Edition #3454071. Published by KVAMusic Edition (A0.768500). About 1785, Haydn received a commission to write a series of concertos for Ferdinand IV, King of Naples and the Twin Sicilies. It was a very curious commission; for these concertos were to be written for a pair of strange instruments, the so-called Lira organizzata. The lira was a favourite instrument of the lazzaroni, the common people of Neaples: the Bourbon King, though often a rough and uncouth monarch, had a deep affection for his people. and for all their peculiar customs, and it is characteristic that his favourite musical instrument should have been that so beloved by his people. In a letter from the King of Neaples there are two points which explain much of the peculiar character of Haydn’s concertos for the King: the first is the restricted tonal range of all the works, C, F and G major are the only principal keys allowed. The second is the range of the lira itself which is about that of an oboe. Bearing these limitations in mind, Haydn did not attempt to write complicated double concertos, but rather ensemble music for two lire, two violins, two violas, cello and two horns, in other words, 9 solo instruments. (This edition: Flute, oboe, two clarinets, two basset horns, bassoon, contrabass and two horns). Moreover, he neatly combined the concerto form with that of the divertimento: there is often no strict division into solo and tutti, but constant intermingling of both. Wonderful music by Haydn, originally written for a mixed ensemble of 2 liras, 2 Horns and strings, but this is a transcription for a classical wind ensemble, a great companion for a concert together with i.e. Mozart’s Gran Partita, since it has almost the same instrumentation.
$33.00 ≈
30.80€
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
Thierry Pélicant: Concerto for Bassoon and Orchestra, piano reduction and solo part
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Basson, Piano (duo)
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AVANCÉ
#
Contemporain
#
Thierry Pélicant
#
Thierry Pélicant: Conce
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Bassoon,Piano - Level 5 - SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Musi...
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Bassoon,Piano - Level 5 - SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...
$19.95 ≈
18.62€
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95 ≈
27.95€
Mozart Clarinet Concerto in A major, K.622, 2. Andante for Clarinet Choir
Mozart Clarinet Concerto in A major, K.622, 2. Andante for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE
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Classique
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Craig Slegel
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Craig Slegel
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Mozart Clarinet Concerto in A
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405118 By Craig Slegel. By Wolfgang Amadeus Mozart. Arranged by Crai...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1405118 By Craig Slegel. By Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 23 pages. Craig Slegel #988158. Published by Craig Slegel (A0.1405118). A clarinet classic, Mozart's Clarinet Concerto in A Major, K.622 is one of the most well known pieces to any musician. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat.Included here is Mvt. 2, Andante from the concerto. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 4 part, and the B-flat Contrabass Clarinet part is similar to the B-flat Bass Clarinet part. Therefore, the E-flat Alto Clarinet and B-flat Contrabass Clarinet parts are optional.
$16.99 ≈
15.86€
Mozart Clarinet Concerto in A major, K.622, 1. Allegro for Clarinet Choir
Mozart Clarinet Concerto in A major, K.622, 1. Allegro for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Craig Slegel
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Mozart Clarinet Concerto in A
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405110 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405110 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 94 pages. Craig Slegel #988149. Published by Craig Slegel (A0.1405110). A clarinet classic, Mozart's Clarinet Concerto in A Major, K.622 is one of the most well known pieces to any musician.  This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat.  Included here is Mvt. 1, Allegro from the concerto.  It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 4 part, and the B-flat Contrabass Clarinet part is similar to the B-flat Bass Clarinet part. Therefore, the E-flat Alto Clarinet and B-flat Contrabass Clarinet parts are optional.
$18.99 ≈
17.72€
Mozart Clarinet Concerto in A major, K.622, 3. Rondo for Clarinet Choir
Mozart Clarinet Concerto in A major, K.622, 3. Rondo for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Craig Slegel
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Mozart Clarinet Concerto in A
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405119 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405119 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 73 pages. Craig Slegel #988159. Published by Craig Slegel (A0.1405119). A clarinet classic, Mozart's Clarinet Concerto in A Major, K.622 is one of the most well known pieces to any musician. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat.Included here is Mvt. 3, Rondo from the concerto. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 4 part, and the B-flat Contrabass Clarinet part is similar to the B-flat Bass Clarinet part. Therefore, the E-flat Alto Clarinet and B-flat Contrabass Clarinet parts are optional.
$18.99 ≈
17.72€
Mozart Clarinet Concerto in A major, K.622, Complete for Clarinet Choir
Mozart Clarinet Concerto in A major, K.622, Complete for Clarinet Choir
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Ensemble de Clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Craig Slegel
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Mozart Clarinet Concerto in A
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Craig Slegel
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405120 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - SKU: A0.1405120 Composed by Wolfgang Amadeus Mozart. Arranged by Craig Slegel. Chamber,Classical. 186 pages. Craig Slegel #988160. Published by Craig Slegel (A0.1405120). A clarinet classic, Mozart's Clarinet Concerto in A Major, K.622 is one of the most well known pieces to any musician. Â This arrangement of the work for Clarinet Choir is designed to be as close of a transcription to the orchestral version as possible. Â No cuts or abbreviations have been made, but for the convenience of the player, the piece has been transposed into concert B-flat.Included here are all 3 movements, Mvt. 1, Allegro, Mvt. 2, Andante, and Mvt. 3, Rondo from the concerto. Â It's scored for Solo Clarinet with Clarinet Choir accompainment, with parts including: Solo Clarinet in Bb Clarinet in Eb (Optional, but recommended) Clarinet in Bb 1 Clarinet in Bb 2 Clarinet in Bb 3 Clarinet in Bb 4 Alto Clarinet (Optional) Bass Clarinet Contrabass Clarinet (Optional) The Solo B-flat Clarinet part is designed to be fully compatible with the soloists preferred edition of the concerto. Articulation used is fully open to the interpretation of the soloist. The provided solo part is meant as a guide.The E-flat Soprano Clarinet part is not required, but highly recommended. In general, the E-flat Alto Clarinet part is similar to the B-flat Clarinet 4 part, and the B-flat Contrabass Clarinet part is similar to the B-flat Bass Clarinet part. Â Therefore, the E-flat Alto Clarinet and B-flat Contrabass Clarinet parts are optional.
$49.99 ≈
46.65€
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
24.22€
Little Concerto for Alto Clarinet and Clarinet Choir (Contrabass Clarinet Part)
Little Concerto for Alto Clarinet and Clarinet Choir (Contrabass Clarinet Part)
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Contemporain
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Emily Gray
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Little Concerto for Alto Clari
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Emily Gray
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 4 - SKU: A0.727758 Composed by Emily Gray. Contemporary. 7 pages. Emily Gray #481225. Published by Emily Gray (A...
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Woodwind Ensemble Bass Clarinet - Level 4 - SKU: A0.727758 Composed by Emily Gray. Contemporary. 7 pages. Emily Gray #481225. Published by Emily Gray (A0.727758). This is the B-flat contrabass clarinet part for Emily Gray's Little Concerto for Alto Clarinet and Clarinet Choir. It is sold separately because it is an optional part, written later, upon request.
$1.99 ≈
1.86€
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score and parts
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Carson Cooman
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,S...
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Large Ensemble Cello,Double Bass,Flute,Multi-Percussion,Oboe,Trombone,Viola - Level 5 - SKU: A0.533689 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and parts. 64 pages. Musik Fabrik Music Publishing #3038607. Published by Musik Fabrik Music Publishing (A0.533689). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score and parts. The score is also available for sale as a seperate item.
$32.95 ≈
30.75€
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
Carson Cooman: Concerto for Bass Trombone and Six Players (2006), score only
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Musik Fabrik Music Publishing
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Carson Cooman: Concerto for Ba
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Co...
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Large Ensemble Cello,Clarinet,Double Bass,Flute,Multi-Percussion,Trombone,Viola - Level 5 - SKU: A0.533688 Composed by Musik Fabrik Music Publishing. Concert,Contemporary,Standards. Score and parts. 26 pages. Musik Fabrik Music Publishing #3038603. Published by Musik Fabrik Music Publishing (A0.533688). Concerto for Bass Trombone and Six Players (2006) was commissioned by the CarnegieMellon School of Music for the Carnegie Mellon Contemporary Ensemble, Walter Morales,director. The work is dedicated to trombonist Jim Siders, for whom the solo part was written.The work is scored for solo bass trombone with an ensemble of primarily “dark†instruments– alto flute, clarinet, viola, cello, contrabass, and percussion. The solo bass trombone is thefocal point of the musical discourse, acting throughout largely as a protagonist – with muchmaterial best described as bitterly lyrical. The work maintains a generally dark, obsessive,and bitter tone throughout.Unlike some concerti, however, the work is not about an aggression between soloist and therest of the ensemble. Rather the bass trombone is “first†among a collection of like mindedindividuals – all expressing the same sentiments and aggressions.The opening section is marked “spasmodic.†Quiet nervous twitches serve as a backdrop to amelodic unfolding of the basic material and interval content. The end of this part “breaksapart†to reveal a section marked “slow, otherworldly.†The harmonic material starts modal,open, and “distant†in feeling (perhaps a recollection of a distant past) before becominggradually gnarled again.The trombone leads towards the next section: an ever-building athletic “moto perpetuo.†Thisreaches its peak in an aggressive and horribly angry climax – with a wide-ranging trombonepart marked “wildly raving; insane, uglyâ€, obliterated by bass drum hits and shriekinghammer blows from the other instruments.A nervous and timid interlude returns to the nervous twitching of the opening – thougheverything is slightly slower and more hushed than before, finally breaking off into anenigmatic coda.Alto FluteClarinet in BbPercussion (1 player):bass drum, marimba, crotales(Percussionist needs one rosined bow for crotales.)ViolaCelloContrabassThis is the score only. The score and parts are sold as another item
$19.95 ≈
18.62€
Themes from Piano Concerto No. 2: (wp) B-flat Contrabass Clarinet
Themes from Piano Concerto No. 2: (wp) B-flat Contrabass Clarinet
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Orchestre d'harmonie
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Methodes
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Mark Williams
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Themes from Piano Concerto No.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001406_WPBCBC (wp) B-flat Contrabass Clarinet. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfre...
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Concert Band - SKU: AX.00-PC-0001406_WPBCBC (wp) B-flat Contrabass Clarinet. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001406_wpBCBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001406_WPBCBC). UPC: 038081324623.The music of Sergei Rachmaninoff contains some of the world's most memorable melodies. It has served as the basis of at least two popular songs and a musical, and has also been included in at least 12 movie soundtracks! This arrangement takes some of the most popular of those melodies and makes them available to young bands. Enjoy the exotic sounds of this all-time classic! (2:40)Concert/Contest.
$3.00 ≈
2.80€
Themes from Piano Concerto No. 2: (wp) E-flat Contrabass Clarinet
Themes from Piano Concerto No. 2: (wp) E-flat Contrabass Clarinet
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Orchestre d'harmonie
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Methodes
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Mark Williams
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Themes from Piano Concerto No.
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0001406_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfre...
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Concert Band - SKU: AX.00-PC-0001406_WPECBC (wp) E-flat Contrabass Clarinet. Composed by Mark Williams. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0001406_wpECBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001406_WPECBC). UPC: 038081324623.The music of Sergei Rachmaninoff contains some of the world's most memorable melodies. It has served as the basis of at least two popular songs and a musical, and has also been included in at least 12 movie soundtracks! This arrangement takes some of the most popular of those melodies and makes them available to young bands. Enjoy the exotic sounds of this all-time classic! (2:40)Concert/Contest.
$3.00 ≈
2.80€
1. Concerto in D
1. Concerto in D
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Mario Castelnuovo-Tedesco
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1. Concerto in D
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Schott Music - Digital
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SheetMusicPlus
1 Flauto, 1 Oboe, 2 Clarinetti in La, 1 Fagotto, 1 Corno in Fa, Timpani, 2 Violini I, 2 Violini II, 2 Viole, 2 Violoncelli, 1 Contrabasso guitar and orchestra -...
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1 Flauto, 1 Oboe, 2 Clarinetti in La, 1 Fagotto, 1 Corno in Fa, Timpani, 2 Violini I, 2 Violini II, 2 Viole, 2 Violoncelli, 1 Contrabasso guitar and orchestra - difficult - SKU: S9.Q1316 Composed by Mario Castelnuovo-Tedesco. This edition: score. Downloadable, Score. Op. 99. Duration 15 minutes. Schott Music - Digital #Q1316. Published by Schott Music - Digital (S9.Q1316). Key: D major.
$40.99 ≈
38.25€
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, Contrabass part
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, Contrabass part
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Contre Basse
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart, Marie
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Wolfgang Amadeus Mozart: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Double Bass,String Bass Solo - Level 5 - SKU: A0.534119 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Individual part. 9...
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Double Bass,String Bass Solo - Level 5 - SKU: A0.534119 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Individual part. 9 pages. Musik Fabrik Music Publishing #3120997. Published by Musik Fabrik Music Publishing (A0.534119). This is the double bass part for the MC Jamet/C Lardé edition of the Mozart flute and harp concerto. 
$5.95 ≈
5.55€
Concerto Lirico
Concerto Lirico
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Contrebasse, Piano (duo)
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John G
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Concerto Lirico
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Editions Marc Reift - Digital
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SheetMusicPlus
Contrabass & Piano - Grade 6 - SKU: R0.44217 Orchestral Tuning. Composed by John G. Mortimer. Contrabass & Piano. Score and parts. 28 pages. Dura...
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Contrabass & Piano - Grade 6 - SKU: R0.44217 Orchestral Tuning. Composed by John G. Mortimer. Contrabass & Piano. Score and parts. 28 pages. Duration 14'40. Editions Marc Reift - Digital #44217. Published by Editions Marc Reift - Digital (R0.44217).
$20.95 ≈
19.55€
Concerto Lirico
Concerto Lirico
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Contrebasse, Piano (duo)
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John G
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Concerto Lirico
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Editions Marc Reift - Digital
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SheetMusicPlus
Contrabass & Piano - Grade 6 - SKU: R0.44216 Solo tuning: F#-B-E-A. Composed by John G. Mortimer. Contrabass & Piano. Score and parts. 29 pages. ...
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Contrabass & Piano - Grade 6 - SKU: R0.44216 Solo tuning: F#-B-E-A. Composed by John G. Mortimer. Contrabass & Piano. Score and parts. 29 pages. Duration 14'40. Editions Marc Reift - Digital #44216. Published by Editions Marc Reift - Digital (R0.44216).
$20.95 ≈
19.55€
Cello Concerto in Maqam Hijaz D "Andalusia"
Cello Concerto in Maqam Hijaz D "Andalusia"
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Orchestre
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AVANCÉ
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Contemporain
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Seifeddin Abdoun
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Cello Concerto in Maqam Hijaz
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Seifeddin Abdoun
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.930565 Composed by Seifeddin Abdoun. 20th Century,Contemporary. Score and parts. 291 pages. Seifeddin Abdoun #4276967...
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Full Orchestra - Level 5 - SKU: A0.930565 Composed by Seifeddin Abdoun. 20th Century,Contemporary. Score and parts. 291 pages. Seifeddin Abdoun #4276967. Published by Seifeddin Abdoun (A0.930565). Cello Concerto Andalusia in Maqam Hijaz D with three movements. amazing tune and very powerful melody. The Concerto represents the co-existence of faith and culture among Muslim, Christians, and Jewish in Andalusia-Spain. The full score and all the parts are included in this file. The instruments are:Flute, Oboe, B Flat Clarinet, Bassoon, Horn in F, B flat Trumpet, Trombone, Glockenspiel, Timpani, Triangle, Castanets, Violin (I & II), Viola, Violoncello, Contrabass, & Solo Cello
$39.00 ≈
36.40€
Jour de Pan (for bass flute and strings) - contrabass part
Jour de Pan (for bass flute and strings) - contrabass part
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Orchestre à Cordes
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Pat Holmberg
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Jour de Pan
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Patricia Tanttila Holmberg
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SheetMusicPlus
String Orchestra - SKU: A0.852582 Composed by Pat Holmberg. Concert,Contemporary. Score and parts. 9 pages. Patricia Tanttila Holmberg #570151. Publishe...
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String Orchestra - SKU: A0.852582 Composed by Pat Holmberg. Concert,Contemporary. Score and parts. 9 pages. Patricia Tanttila Holmberg #570151. Published by Patricia Tanttila Holmberg (A0.852582). This is the contrabass part for all four movements of Jour de Pan, a concerto for bass flute and strings which was first performed in October of 2015 in Boulder CO with flutist Chris Potter doing the solo flute part. The four movements are: 1)Awakening, 2) In the Glen, 3) Afternoon with the Satyrs, and 4) Twilight of the Muses. These four movements total approximately 14 minutes of playing time. BMI www.patholmberg.com.
$6.99 ≈
6.52€
Minuet Op.11 No.5 - Contrabass and Piano (Full Score and Parts)
Minuet Op.11 No.5 - Contrabass and Piano (Full Score and Parts)
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Contrebasse, Piano (duo)
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INTERMÉDIAIRE
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Luigi Boccherini
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César Madeira
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Minuet Op.11 No.5 - Contrabass
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Sheet Music To Play Editions
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 3 - SKU: A0.1349030 Composed by Luigi Boccherini. Arranged by César Madeira. Children,Classical,Early Music,Fil...
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Double Bass,Piano,String Bass - Level 3 - SKU: A0.1349030 Composed by Luigi Boccherini. Arranged by César Madeira. Children,Classical,Early Music,Film/TV,Multicultural,World. Score and part. 10 pages. Sheet Music To Play Editions #933767. Published by Sheet Music To Play Editions (A0.1349030). Minuet Op.11 No.5 - G.275 by Boccherini. Arrangement for Contrabass and Piano. With Full Score and Individual Parts. Enjoy it!Ridolfo Luigi Boccherini (1743 – 1805) was an Italian composer and cellist of the Classical era whose music retained a courtly and galante style even while he matured somewhat apart from the major European musical centers. He is best known for a minuet from his String Quintet in E, Op. 11, No. 5 (G 275), and the Cello Concerto in B flat major (G 482).For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
$8.99 ≈
8.39€
Concerto for E flat Clarinet, After Recorder Concerto in C, RV443
Concerto for E flat Clarinet, After Recorder Concerto in C, RV443
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Antonio Vivaldi
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Tony BC Huang
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Concerto for E flat Clarinet,
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Tony BC Huang
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SheetMusicPlus
Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 5 - SKU: A0.1264351 Composed by Antonio Vivaldi. Arranged by Tony B...
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Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,Bassethorn,E-Flat Clarinet - Level 5 - SKU: A0.1264351 Composed by Antonio Vivaldi. Arranged by Tony BC Huang. Baroque,Chamber. 44 pages. Tony BC Huang #857203. Published by Tony BC Huang (A0.1264351). The masterpiece for Recorder (or Flute) by Antonio Vivaldi is arranged for Solo E-Flat Clarinet and Clarinet Ensemble ( Quintet). The key is also transposed from C to E-Flat major. The instrumentation is: E-Flat Cl.(Solo), B-Flat Cl.1,2, Basset Hn.(or Alto Cl.), Bass Cl., and Contrabass Cl.(or Contra-Alto Cl.)It is a very challenging for E-Flat clarinet and enjoy it.
$15.00 ≈
14.00€
Mozart Andante from Piano Concerto No 21 for Clarinet Choir
Mozart Andante from Piano Concerto No 21 for Clarinet Choir
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Ensemble de Clarinettes
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephanie Daige
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Mozart Andante from Piano Conc
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble Clarinet - Level 5 - SKU: A0.796852 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 53 pa...
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Woodwind Ensemble Clarinet - Level 5 - SKU: A0.796852 Composed by Wolfgang Amadeus Mozart. Arranged by Stephanie Daige. Classical,Concert,Wedding. 53 pages. Stephanie Daige #3218753. Published by Stephanie Daige (A0.796852). One of Mozart’s most beautiful melodies, the second movement of his iconic Piano Concerto No. 21, K.467, re-imagined for clarinet choir. The melody moves around between the different clarinets as if they are having a conversation. The instrumentation is flexible, with the foundation parts written for 3 Bb clarinets, alto clarinet,and bass clarinet. The alto clarinet is doubled in the optional 4th clarinet part in case you do not have an alto clarinet available. There are optional contra-alto and contrabass clarinet parts to add depth, but the ensemble works fine without them. This is a challenging and enjoyable arrangement,suitable for advanced students or professionals. The beauty and romance of this piece would make it great as wedding music. It would also be suitable fora chamber music concert, or in a school or church. I hope you will enjoy playing this piece as much as I have enjoyed arranging it!
$14.99 ≈
13.99€
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Contrabass Concerto
