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Concerto for Tuba and Orchestra
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Vous avez sélectionné:
Concerto for Tuba and Orchestra
Partitions à imprimer
77 partitions trouvées
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AMADEUS suite - 3. Romanza K. 466 from PIANO CONCERTO in D minor
AMADEUS suite - 3. Romanza K. 466 from PIANO CONCERTO in D minor
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Wolfgang Amadeus Mozart
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Alessandro Macrì
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AMADEUS suite - 3. Romanza K.
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Music Macri Editions
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931210 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Con...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.931210 Composed by Wolfgang Amadeus Mozart. Arranged by Alessandro Macrì. Classical,Concert,Graduation. Score and parts. 20 pages. Music Macri Editions #3640387. Published by Music Macri Editions (A0.931210). Il concerto per pianoforte e orchestra n. 20, KV 466, è una composizione di Wolfgang Amadeus Mozart, completata il 10 febbraio1785 a Vienna.Wolfgang Amadeus Mozart finì di comporre il Concerto per pianoforte e orchestra n. 20 in re minore K 466 il 10 febbraio 1785. Il giorno successivo lo eseguì come solista a Vienna in uno dei suoi concerti per abbonamento che, a quel tempo, avevano molto richiamo. Narra la leggenda che Mozart distribuì agli orchestrali le copie appena trascritte dell'ultimo movimento, al momento stesso di andare in scena. Il concerto si svolse nella sala Mehlgrube e vi parteciparono anche il padre Leopold, appositamente venuto da Salisburgo.L'Andante del secondo tempo è una romanza in 2/2 in forma ABACA. Come fa spesso, qui Mozart gioca di contrasti, espliciti e mascherati. Il primo contrasto è con il carattere del movimento che lo ha preceduto. Nell'inizio del secondo movimento il tema è sereno, apparentemente idilliaco e la tonalità solare (Si bemolle maggiore) lo conferma. È il tempo scelto (2/2) che ci fornisce il primo indizio sulle intenzioni dell'autore. A differenza di altri pezzi di grande lirismo il tempo non è un morbido ternario (3/4, 6/8), né un 4/4 con il suo respiro ampio ed il suo alternarsi di battere forti e smussati, ma un marziale 2/2. Il tema principale viene esposto dal solista, ripreso poco dopo dall'orchestra, passa dall'una all'altro con la solita maestria orchestrale mozartiana. Il secondo tema si presenta immediatamente con un salto di ottava ed intervalli ampi si ritrovano in tutto il suo svolgimento. È questo espediente più volte iterato che Mozart usa per costruire tensioni armoniche in crescendo che portano al minore e ad atmosfere già distanti dal primo tema. Con grazia sorprendente Mozart torna quindi sul primo tema per la seconda sezione. La terza sezione tematica precipita in minore, e questa volta con una serie di scale forsennate che richiamano alcuni passaggi dello sviluppo del primo movimento. Gli accordi verticali in forte (bisognerà aspettare Beethoven per i primi fortissimo) marcano di brusche fermate e riprese il rincorrersi delle scale. Un arpeggio rallentato e un arabesco riportano al tema principale che chiude questa pagina in un finto clima di riconciliazione, aprendo al frenetico finale.
$9.00 ≈
8.40€
Valor (for Brass Quintet & Percussion)
Valor (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Dr
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Valor
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https://gildedmusicpress.com/
#
SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gi...
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Horn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
$19.95 ≈
18.62€
Allegro (from "Concerto for Four Claviers") (A min) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Allegro (from "Concerto for Four Claviers") (A min) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
#
Classique
#
Johann Sebastian Bach
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Regis Bookshar
#
Allegro
#
Regis Bookshar
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.813367 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.813367 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 41 pages. Regis Bookshar #6209729. Published by Regis Bookshar (A0.813367). Brass Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players and may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for a Brass Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00 ≈
32.67€
Allegro (from "Concerto for Four Claviers") (G min) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
Allegro (from "Concerto for Four Claviers") (G min) (Brass Quintet - 2 Trp, 1 Hrn, 1 Trb, 1 Tuba)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Regis Bookshar
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Allegro
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Regis Bookshar
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.813393 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructiona...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.813393 Composed by Johann Sebastian Bach. Arranged by Regis Bookshar. Baroque,Instructional,Multicultural,Standards,World. Score and parts. 41 pages. Regis Bookshar #6209793. Published by Regis Bookshar (A0.813393). Brass Quintet - Advanced - . This must-have arrangement would be a fabulous addition to any music library and could be performed for concerts and recitals and could also be performed for church services. This brilliant work by Johann Sebastian Bach is an adaptation of Antonio Vivaldi's Concerto for Four Violins and String Orchestra in B minor. Bach had gotten to know Vivaldi's concertos while he was an organist at Weimar, where he transcribed ten of them for solo harpsichord and six of them for organ. Originally written in B minor, Bach transposed it to A minor and, while preserving the melodic outline as conceived by Vivaldi for four violins, this later adaptation, from around 1730, for four harpsichords and string orchestra, is far more ambitious. In it, Bach has both tightened and expanded Vivaldi's counterpoint, enriched it with lusher harmonies and expanded the solo parts with greater complexity and greater clarity. The result is a composition that actually improves on the original work. Written in the standard three-movement concerto form of the Baroque period, Bach's Concerto for Four Claviers in A minor is a virtuoso piece for the soloists. Regis Bookshar has now rearranged the first movement of this concerto, marked Allegro, for a Brass Quintet, consisting of 2 Trumpets, 1 French Horn, 1 Trombone and 1 Tuba, while maintaining the energy and virtuosity of Bach's original work. This arrangement is intended to be performed by accomplished players. It may prove to be a huge challenge for many players, but, I think, it will be worth the effort. Included are a score and a complete set of parts (41 pages). In addition to this version for a Brass Quintet, other arrangements of this selection are also available for a variety of Instrumental Quintets, some of which are in the original key of Concert A minor and some have been transposed to Concert G minor, making it a little easier for some performers, as well as numerous other arrangements in a wide variety of styles. I would encourage you to search for other arrangements by Regis Bookshar. You may find something else which might interest you as well. I'm certain that this exciting arrangement will be a challenge to many performers but will continue to entertain both performers and audiences alike for years to come. I hope you will enjoy it as much as I have enjoyed working on it.
$35.00 ≈
32.67€
Concerto for Tuba and Orchestra (study score)
Concerto for Tuba and Orchestra (study score)
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Tuba
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Kenneth Amis
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Concerto for Tuba and Orchestr
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Amis Musical Circle
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SheetMusicPlus
By Kenneth Amis. Orchestra. For solo tuba, orchestra. Study score. Duration 30 minutes. Published by Amis Musical Circle ...
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By Kenneth Amis. Orchestra. For solo tuba, orchestra. Study score. Duration 30 minutes. Published by Amis Musical Circle
$10.00 ≈
9.34€
Concerto for Tuba and Chamber Orchestra
Concerto for Tuba and Chamber Orchestra
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Tuba et Piano
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Jan Bach
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Concerto for Tuba and Chamber
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba solo with piano - SKU: CX.TEP10019 Composed by Jan Bach. Score. 60 pages. Published by Tuba-Euphonium Press (CX.TEP10019). Reduction/Comm...
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Tuba solo with piano - SKU: CX.TEP10019 Composed by Jan Bach. Score. 60 pages. Published by Tuba-Euphonium Press (CX.TEP10019). Reduction/Commissioned by and respectfully dedicated to His Lowness Jay Hunsberger.
$30.00 ≈
28.01€
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
Beethoven: Sonata Op. 49 No. 2 for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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James M
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Beethoven: Sonata Op. 49 No. 2
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jmsgu3
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,St...
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Brass Ensemble Horn,Trombone,Tuba - Level 3 - SKU: A0.549869 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. Score and parts. 57 pages. Jmsgu3 #3559131. Published by jmsgu3 (A0.549869). Beethoven Sonata Op. 49 No. 2 arranged for brass quintet. Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate the many subtle nuances of the brass quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano. www.jamesguthrie.com.
$49.95 ≈
46.63€
Lembranças do Brasil (for Brass Quintet)
Lembranças do Brasil (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Dr
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Lembranças do Brasil
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https://gildedmusicpress.com/
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SheetMusicPlus
Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158292 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Jazz,Multicultural,World. 30 pages....
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Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1158292 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Jazz,Multicultural,World. 30 pages. Https://gildedmusicpress.com/ #758480. Published by https://gildedmusicpress.com/ (A0.1158292). Commentary written by the composer, Dr. Daniel N. Thrower: In July 2018 I spent nine days in Barra Mansa, Brazil, which lies a couple hours west of Rio de Janeiro. The occasion of my visit was the second annual International Music Festival. The festival coordinator, Vantoil de Sousa, Jr. brought me there to be the resident trumpet professor for the week, and to premiere my three-movement Concerto for Trumpet and Orchestra at the Closing Concert. As I speak Portuguese somewhat fluently, many of the 20 trumpet students of all levels became great friends. Throughout the week I kept mentioning that my next composition was going to be “Lembranças do Brasil†as yet another musical journal entry in my life’s soundtrack. Truly, I had a lifetime of extraordinary experiences in Brazil during that week, from the outstanding food to my humorous self-introduction to capivaras! Overall, that week was supremely memorable and definitely a highlight of my life. One morning in early November 2018, a 'feel-good' cool melody woke me up and wouldn’t leave. It developed in my mind and I was in a spectacular mood all day long. It felt like Bobby McFarrin’s 'Don’t Worry, Be Happy' or Pharrell Williams’ 'Happy,' though in a vastly different style from either. This was my happy song. Long hours flowed quickly through the next few days as I worked out the form and details of the music, which screamed for the promised title 'Lembranças do Brasil'! Happy memories of my beautiful week in Brazil, some of which are captured on the front cover collage, now have the perfect soundtrack in my musical journal. This version was tweaked from the original five flugelhorns, and lends itself very well (perhaps even better) in the brass quintet setting.
$24.95 ≈
23.29€
A Child’s Garden of Jazz for Brass Quintet
A Child’s Garden of Jazz for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Wolking, Henryenry
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A Child’s Garden of Jazz
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cher...
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Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50 ≈
25.67€
Concertino for Tuba (piano reduction)
Concertino for Tuba (piano reduction)
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Tuba et Piano
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Concertino for Tuba
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Publishe...
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Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Published by Musica Nova USA
Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band ?Pershing?s Own? in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition ? Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Rene Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composicin de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.67€
Concerto in D Major for Tuba and Orchestra
Concerto in D Major for Tuba and Orchestra
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Orchestre
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Dorm 40 Music
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Concerto in D Major for Tuba a
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dorm40music.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.785321 Composed by Peter Ilyich Tchaikovsky. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 442 pages. ...
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Full Orchestra - Level 5 - SKU: A0.785321 Composed by Peter Ilyich Tchaikovsky. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 442 pages. Dorm40music.com #3559531. Published by dorm40music.com (A0.785321). The complete, unabridged Tchaikovsky Violin Concerto in D Major arranged for Tuba. This work is EXTREMELY DIFFICULT for the tuba soloist but certainly not impossible. The proof of this fact is the extraordinary recording of this work by trumpet virtuoso Malcolm McNab.
$90.00 ≈
84.02€
Concerto in D Major for Tuba and Orchestra – 2nd Movement
Concerto in D Major for Tuba and Orchestra – 2nd Movement
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Orchestre
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Dorm 40 Music
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Concerto in D Major for Tuba a
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dorm40music.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.785322 Composed by Peter Ilyich Tchaikovsky. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 36 pages. D...
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Full Orchestra - Level 5 - SKU: A0.785322 Composed by Peter Ilyich Tchaikovsky. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 36 pages. Dorm40music.com #3559539. Published by dorm40music.com (A0.785322). The second movement of the unabridged Tchaikovsky Violin Concerto in D Major arranged for Tuba. This work is EXTREMELY DIFFICULT for the tuba soloist but certainly not impossible. The proof of this fact is the extraordinary recording of this work by trumpet virtuoso Malcolm McNab.
$45.00 ≈
42.01€
Concerto in D Major for Tuba and Orchestra – 3rd Movement
Concerto in D Major for Tuba and Orchestra – 3rd Movement
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Orchestre
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Classique
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Peter Ilyich Tchaikovsky
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Dorm 40 Music
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Concerto in D Major for Tuba a
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dorm40music.com
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SheetMusicPlus
Full Orchestra - SKU: A0.785324 Composed by Peter Ilyich Tchaikovsky. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 258 pages. Dorm40musi...
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Full Orchestra - SKU: A0.785324 Composed by Peter Ilyich Tchaikovsky. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 258 pages. Dorm40music.com #3559541. Published by dorm40music.com (A0.785324). The third movement of the unabridged Tchaikovsky Violin Concerto in D Major arranged for Tuba. This work is EXTREMELY DIFFICULT for the tuba soloist but certainly not impossible. The proof of this fact is the extraordinary recording of this work by trumpet virtuoso Malcolm McNab.
$45.00 ≈
42.01€
Concerto in D Major for Tuba and Orchestra – 1st Movement
Concerto in D Major for Tuba and Orchestra – 1st Movement
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Orchestre
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AVANCÉ
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Classique
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Peter Ilyich Tchaikovsky
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Dorm 40 Music
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Concerto in D Major for Tuba a
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dorm40music.com
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.785323 Composed by Peter Ilyich Tchaikovsky. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 242 pages. ...
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Full Orchestra - Level 5 - SKU: A0.785323 Composed by Peter Ilyich Tchaikovsky. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 242 pages. Dorm40music.com #3559537. Published by dorm40music.com (A0.785323). The first movement of the unabridged Tchaikovsky Violin Concerto in D Major arranged for Tuba. This work is EXTREMELY DIFFICULT for the tuba soloist but certainly not impossible. The proof of this fact is the extraordinary recording of this work by trumpet virtuoso Malcolm McNab.
$45.00 ≈
42.01€
Concerto for Tuba and Chamber Orchestra
Concerto for Tuba and Chamber Orchestra
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Jan Bach
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Concerto for Tuba and Chamber
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba solo with Chamber orchestra SKU: TE.TEP10020 Composed by Jan Bach. Score. Published by Tuba-Euphonium Press (TE.TEP10020). Commissioned by...
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Tuba solo with Chamber orchestra SKU: TE.TEP10020 Composed by Jan Bach. Score. Published by Tuba-Euphonium Press (TE.TEP10020). Commissioned by and respectfully dedicated to His Lowness Jay Hunsberger.
$180.00 ≈
168.04€
Concerto for Viola and orchestra
Concerto for Viola and orchestra
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Orchestre
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INTERMÉDIAIRE
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Gabriel Yudenich
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Concerto for Viola and orchest
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Gabriel Yudenich
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1175939 Composed by Gabriel Yudenich. 20th Century,Contemporary,Multicultural,World. Score and parts. 115 pages. Gabr...
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Full Orchestra - Level 3 - SKU: A0.1175939 Composed by Gabriel Yudenich. 20th Century,Contemporary,Multicultural,World. Score and parts. 115 pages. Gabriel Yudenich #776065. Published by Gabriel Yudenich (A0.1175939). Concerto for Viola and orchestraComposition of Gabriel YudenichOrquestration:- Piccolo (1)- Flute (2)- Oboe (1)- Clarinet Bb (2)- Basson (2)- Horn F (4)- Trombone (1)- Tuba (1)- Percussion: Timpani, Snare Drum, Bass Drum, Cymbal and Tam-Tam- Harp (optional)- Viola (solist)Strings: - Violin I (min. 3)- Violin II (min. 3)- Viola (min. 2)- Cello (min. 2)- Bass (min. 2)Version revised in 2023 by the composer
$50.00 ≈
46.68€
Concerto for Tuba and Chamber Orchestra
Concerto for Tuba and Chamber Orchestra
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Jan Bach
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Concerto for Tuba and Chamber
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba solo with wind ensemble SKU: TE.TEP10021 Composed by Jan Bach. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10021). Commissio...
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Tuba solo with wind ensemble SKU: TE.TEP10021 Composed by Jan Bach. Score and parts. Published by Tuba-Euphonium Press (TE.TEP10021). Commissioned by and respectfully dedicated to His Lowness Jay Hunsberger.
$200.00 ≈
186.71€
Concerto for Tuba and Chamber Orchestra
Concerto for Tuba and Chamber Orchestra
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Jan Bach
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Concerto for Tuba and Chamber
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Tuba-Euphonium Press
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SheetMusicPlus
Tuba solo with piano SKU: TE.TEP10019 Composed by Jan Bach. Score. Published by Tuba-Euphonium Press (TE.TEP10019). Reduction/Commissioned by a...
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Tuba solo with piano SKU: TE.TEP10019 Composed by Jan Bach. Score. Published by Tuba-Euphonium Press (TE.TEP10019). Reduction/Commissioned by and respectfully dedicated to His Lowness Jay Hunsberger.
$30.00 ≈
28.01€
Piano Concerto No. 2
Piano Concerto No. 2
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Orchestre
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AVANCÉ
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Contemporain
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Alan Beggerow
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Piano Concerto No. 2
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Alan Beggerow
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.985829 Composed by Alan Beggerow. 20th Century. Score and parts. 279 pages. Alan Beggerow #4631405. Published by Alan...
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Full Orchestra - Level 5 - SKU: A0.985829 Composed by Alan Beggerow. 20th Century. Score and parts. 279 pages. Alan Beggerow #4631405. Published by Alan Beggerow (A0.985829). Concerto for piano and orchestra:3 flutes, 3 oboes, 3 clarinets B-flat, 3 bassoons, 8 horns, 3 trumpets, 3 trombones, tuba, timpani, solo piano, strings.
$29.99 ≈
28.00€
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Focus on Grace ... A concerto
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pag...
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Full Orchestra - Level 4 - SKU: A0.869355 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355). Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!
$9.99 ≈
9.33€
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
24.23€
Ballade for Piano and Orchestra No.1
Ballade for Piano and Orchestra No.1
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Piano et Orchestre
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Contemporain
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Joseph Hull
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Ballade for Piano and Orchestr
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Genesis
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - SKU: A0.1069109 Composed by Joseph Hull. C...
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Bassoon,Cello,Clarinet,Double Bass,English Horn,Flute,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - SKU: A0.1069109 Composed by Joseph Hull. Contemporary. Full Performance. Duration 47. Genesis #3014325. Published by Genesis (A0.1069109). This work was begun in 2003. Since that time it has undergone a number of revisions, culminating in its final form in 2016. It has three movements labeled: 1. Andante con moto 2. Allegro 3. Un poco allegretto. I do not think of this as a concerto but a freely expressed piece tied to no particular form. The piano is dominant throughout providing ample opportunity for virtuosity. A full orchestra is employed .
$3.99 ≈
3.72€
Concierto in A Major for Tuba and String Orchestra
Concierto in A Major for Tuba and String Orchestra
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carulli, Ferdinando
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Dorm 40 Music
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Concierto in A Major for Tuba
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dorm40music.com
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.785331 Composed by Carulli, Ferdinando. Arranged by Dorm 40 Music. Baroque,Classical. Score and parts. 74 pages. Do...
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String Orchestra - Level 4 - SKU: A0.785331 Composed by Carulli, Ferdinando. Arranged by Dorm 40 Music. Baroque,Classical. Score and parts. 74 pages. Dorm40music.com #3560653. Published by dorm40music.com (A0.785331). Smaller than a standard concerto but bigger than a breadbox is the Concierto in A Major by Ferdinando Carulli. This work is arranged for tuba soloist and string orchestra and was stolen from the guitar concerto. Typical of pieces of this time period was the extended introduction allowing the soloist to consume a few beverages before his or her entrance.
$28.00 ≈
26.14€
Air on the G String by Bach for Tuba Trio
Air on the G String by Bach for Tuba Trio
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3 Tubas (trio)
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FACILE
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Classique
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Johann Sebastian Bach
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Ander
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Air on the G String by Bach fo
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Woods Only, Arrangements
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SheetMusicPlus
Tuba - Level 2 - SKU: A0.1124726 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arr...
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Tuba - Level 2 - SKU: A0.1124726 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #725484. Published by Woods Only, Arrangements (A0.1124726). This easy arrangement for tuba trio was written to be uncomplicated to perform and understand the structure of the piece. It can be freely played by beginning students, because of the ease imposed on the piece; however, this does not prevent it from being played by professionals and music teachers. It is also ideal for academic recitals, student method and ceremonies that are arranged in the same way as the piece contains. The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument.
$5.99 ≈
5.59€
Concerto for Concert Band (2011) full score
Concerto for Concert Band (2011) full score
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Concert Band
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Thomas Oboe Lee
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pa...
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Concert Band - Level 4 - SKU: A0.869220 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 74 pages. Thomas Oboe Lee #1934325. Published by Thomas Oboe Lee (A0.869220). Program note. Concerto for Concert Band is in four movements, played without pause. The first movement begins with a percussion fanfare that leads into woodwind melodies coupled with the euphonium. Then the percussion takes over again, with a timpani solo feature. The second movement is a dialogue between the clarinet and brass choirs. As the choir masses become more dense, a plaintive solo oboe emerges from the din … molto cantabile!!! The third movement is a scherzo featuring the trumpets and the woodwinds. The percussion section joins in with outbursts and commentaries … The brass choir returns in the last movement with more melodies emanating from the woodwinds. The work ends in quiet tranquility … molto cantabile again!!! The work is dedicated to the effervescent Bill Drury who conducts the wind ensembles at the New England Conservatory of Music. I was very grateful to Bill when he asked me to write something for him and the Jordan Winds at NEC. It is a huge challenge to compose music for large wind groups. I find most concert band pieces too thick and mucky in texture. The trick is to create concert band music that is light and transparent; to orchestrate in such a way that you can see/hear light seeping through. I hope I was able to do that. Enjoy!! Instrumentation: 3 Flutes (Fl. 3 also doubles on piccolo) 2 Oboes 2 Bassoons Clarinet in Eb 3 Clarinets in Bb 2 Bass Clarinets in Bb 4 French Horns 3 Trumpets in Bb (also doubling on Flugelhorns in Bb) 3 Trombones Euphonium Tuba Timpani Marimba Percussion 1: snare drum, 3 tom-toms Percussion 2: triangle, 2 bass drums This is a transposed score.
$9.99 ≈
9.33€
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Concerto for Tuba and Orchestra
