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Vous avez sélectionné:
Concerto contrebasson
Partitions à imprimer
23 partitions trouvées
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1
Concerto contrebasson
Concerto contrebasson
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Xavier ARDOUREL
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Concerto contrebasson
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Xavier ARDOUREL
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1352434 Composed by Xavier ARDOUREL. 21st Century,Contemporary. 126 pages. Xavier ARDOUREL #937267. Published by Xavier...
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Concert Band - Level 4 - SKU: A0.1352434 Composed by Xavier ARDOUREL. 21st Century,Contemporary. 126 pages. Xavier ARDOUREL #937267. Published by Xavier ARDOUREL (A0.1352434). Concerto pour contrebasson A porta gayola (2022)9'10Xavier ArdourelPour orchestre d'harmonie et soliste, en trois mouvements I. Tercio de varasII. Tercio de banderillasIII. Tercio de la muerte.
$49.90 ≈
46.57€
Sammartini: Sonata Op. 1 No. 2 for Contrabassoon Duo
Sammartini: Sonata Op. 1 No. 2 for Contrabassoon Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 2
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 3 - SKU: A0.1082305 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie....
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 3 - SKU: A0.1082305 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 12 pages. Jmsgu3 #686455. Published by jmsgu3 (A0.1082305). Sammartini Op. 1 No. 2 Sonata. Score: 6 pages. Duration: 8:13 I. Andante II. Allegro III. Minuet/GraziosoGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95 ≈
26.08€
Sammartini: Sonata Op. 1 No. 1 for Contrabassoon Duo
Sammartini: Sonata Op. 1 No. 1 for Contrabassoon Duo
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Giuseppe Sammartini
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James M
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Sammartini: Sonata Op. 1 No. 1
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jmsgu3
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SheetMusicPlus
Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1083439 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie....
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Instrumental Duet Contrabassoon,Instrumental Duet - Level 2 - SKU: A0.1083439 Composed by Giuseppe Sammartini (1695-1750). Arranged by James M. Guthrie. Baroque,Classical,Contest,Festival,Standards,Wedding. Score and parts. 18 pages. Jmsgu3 #687634. Published by jmsgu3 (A0.1083439). Sammartini Op. 1 No. 1 Sonata. Score: 10 pages. Duration: 8:43 I. Andante II. Allegro III. AllegroGiuseppe Sammartini was an Italian composer, oboist, and organist who lived during the Baroque era. He is credited with helping to establish the form of the modern concerto grosso, which would become an important part of the development of classical chamber music. Sammartini wrote many solo and chamber pieces, including sonatas, trios, and concertos. His style is considered to be very graceful and expressive, and his works often contain virtuosic passages.Sammartini's influence on the history of classical chamber music is significant. His compositions demonstrate the shift from the Baroque to the Classical style, and his works served as a bridge between the two periods. His chamber music was often praised by his contemporaries, and he was one of the first composers to use a modern concerto grosso form. Sammartini's influence is also evident in the works of later composers such as Mozart, Haydn, and Beethoven. His legacy can be seen in the music of many contemporary classical chamber music ensembles.
$27.95 ≈
26.08€
Bach: Largo from Concerto BWV 1056 for Contrabassoon & Piano
Bach: Largo from Concerto BWV 1056 for Contrabassoon & Piano
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Classique
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Johann Sebastian Bach
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James M
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Valentine's Day.
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Bach: Largo from Concerto BWV
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 3 - SKU: A0.550214 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standa...
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Contrabassoon,Instrumental Solo,Piano - Level 3 - SKU: A0.550214 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and individual part. 13 pages. Jmsgu3 #4600717. Published by jmsgu3 (A0.550214). The very popular Largo from Concerto in G Minor BWV 1056. Duration: ca. 3:24. Ideal for meditation, weddings, recital encores, & Valentine's Day.
$28.95 ≈
27.02€
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, com
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533711 Composed by Carson Cooman. Contemporary. Score and parts. 76 pages. Musik Fabrik Music Publishing #3041107. Published by Musik Fabrik Music Publishing (A0.533711). Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble wascommissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble,Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor,conductor. These three marvelous piano soloists served as the inspiration for the work. Theconcerto bears the dedication “for Walter Simmons, a hero for the cause of American music.â€Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeservedattention.The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, andas a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonalconstructs that are a preoccupation of my music. The concerto’s title provided the poetic ideabehind the musical development. Though more or less equal with the ensemble in the firstmovement, the piano clearly takes over as leader in the second and third movements as the goaldirectedformal narrative of the movements becomes more obvious.The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†themusical potential of the basic material. A number of melodic ideas emerge—some lyrical and somedisjunct. A brief coda prepares for the next movement.The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass.The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spikymelodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should thework be performed with any substitutions, doublings, or increase of players on individual parts.)This item contains the complete wind ensemble parts. The score plus solo part are for sale as another item. Individual parts are also for sale.
$77.95 ≈
72.75€
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
Carson Cooman: Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble, sc
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Contemporain
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Carson Cooman
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Carson Cooman: Enchanted Traci
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Cars...
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Large Ensemble Bassoon,Clarinet,English Horn,Flute,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.533710 Composed by Carson Cooman. Contemporary. Score and parts. 83 pages. Musik Fabrik Music Publishing #3041105. Published by Musik Fabrik Music Publishing (A0.533710). I. Murky WatersII. The ForgottenIII. Casting InfinityEnchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble was commissioned for a consortium of Donna Amato, piano, the Carnegie Mellon Wind Ensemble, Denis Colwell, conductor; Keith Kirchoff, piano, the Harvard Wind Ensemble, Thomas G. Everett,Mark Olson, conductors; and Nora Skuta, piano, the Slovak Radio Symphony Winds, Kirk Trevor, conductor. These three marvelous piano soloists served as the inspiration for the work. The concerto bears the dedication “for Walter Simmons, a hero for the cause of American music.†Musicologist Walter Simmons has been an inspirational and passionate advocate for seriousAmerican concert music for nearly his entire life. Through his tireless efforts as author, critic, recordand concert producer, and lecturer, Walter has brought myriad composers and works to muchdeserved attention. The basic musical material for the entire work is presented near the outset, the pitches Eb – D – G –Ab – E. This cell is used throughout the rest of the concerto both motivically, in transformation, and as a harmonic structural device. Its harmonic identity creates the mix of tonal/modal and atonal constructs that are a preoccupation of my music. The concerto’s title provided the poetic idea behind the musical development. Though more or less equal with the ensemble in the first movement, the piano clearly takes over as leader in the second and third movements as the goaldirected formal narrative of the movements becomes more obvious. The first movement, Murky Waters, is a free fantasy in which the piano and ensemble “unpack†the musical potential of the basic material. A number of melodic ideas emerge—some lyrical and some disjunct. A brief coda prepares for the next movement. The second movement, The Forgotten, is a lament led by the piano. The harmonic colors of thepiano’s sustaining sounds interact with the more linear textures of the winds and brass. The third movement, Casting Infinity, is purposeful and structured as a march with trio. The spiky melodic material is treated in a variety of manners (including very tonally within the trio) before areturn of material from the first movement pushes the concerto towards its conclusion.InstrumentationPiccolo2 Flutes2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F3 Trumpets in C2 TrombonesTubaTimpaniPercussion (2 players)I: crotales, bass drum, tenor drumII: vibraphone (motor off), suspended cymbal(Percussion II needs one rosined bow.)Solo Piano(The above scoring is exact—with a single player on each part. Under no circumstances, should the work be performed with any substitutions, doublings, or increase of players on individual parts.)This is the full score and the solo part. The complete parts and seperate parts are available for sale on this site.
$29.95 ≈
27.95€
Piano Concerto Nº 1 Op. 24 - Score Only
Piano Concerto Nº 1 Op. 24 - Score Only
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Orchestre
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AVANCÉ
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Classique
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Fabio Henrique Teles Martins
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Fabio Henrique Teles Martins
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Piano Concerto Nº 1 Op. 2
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Fabio Dentello
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1194366 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 1...
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Full Orchestra - Level 5 - SKU: A0.1194366 By Fabio Henrique Teles Martins. By Fabio Henrique Teles Martins. Arranged by Fabio Henrique Teles Martins. 19th Century,Classical,Romantic Period. 176 pages. Fabio Dentello #793738. Published by Fabio Dentello (A0.1194366). This piano concerto is one of the most important pieces that I will be published in 2023. It has an atypical instrumentation for an early romantic piano concerto, including three trombones (alto, tenor, and basso) and a contrabassoon. Structurally, it is divided into three movements typical of a classical-romantic concerto, with the first in sonata form, the second in a ternary form that I have developed since my first symphony, and a Rondo as the final movement.
$150.00 ≈
139.99€
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
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Orchestre
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AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Pittsburgh Conc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Pu...
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Full Orchestra - Level 5 - SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only. The parts are available on rental from the publisher
$25.95 ≈
24.22€
All Star Concerto for Double Reed Ensemble
All Star Concerto for Double Reed Ensemble
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Sy Brandon
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All Star Concerto for Double R
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Sy Brandon
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SheetMusicPlus
Woodwind Ensemble Double Reed Ensemble - Level 5 - SKU: A0.1295741 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contest,Festival. 124 pages...
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Woodwind Ensemble Double Reed Ensemble - Level 5 - SKU: A0.1295741 Composed by Sy Brandon. 20th Century,21st Century,Chamber,Contest,Festival. 124 pages. Sy Brandon #886041. Published by Sy Brandon (A0.1295741). The All Star Concerto for double reed ensemble features a different instrument or instruments in each movement. The title of each movement comes from baseball but they are more descriptive of musical concepts than of baseball analogies. The movements are I. Triple Play (featuring bassoons) II. Perfect Game (featuring English Horn) III. MVP (featuring contrabassoon) IV. Grand Slam  Finale (featuring oboes).
$15.00 ≈
14.00€
Piano Concerto No. 4
Piano Concerto No. 4
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alan Beggerow
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Piano Concerto No. 4
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Alan Beggerow
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.985833 Composed by Alan Beggerow. 20th Century. Score and parts. 224 pages. Alan Beggerow #4632467. Published by Alan...
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Full Orchestra - Level 4 - SKU: A0.985833 Composed by Alan Beggerow. 20th Century. Score and parts. 224 pages. Alan Beggerow #4632467. Published by Alan Beggerow (A0.985833). Concerto for piano aand full orchestra:3 flutes, 3 oboes, 3 clarinets (3rd doubling on Bass clarinet) 3 bassoons (3rd doubling on Contrabassoon), 4 horns, 3 trumpeets, 3 trombones, 1 tuba, timpani, piano, and strings.
$25.99 ≈
24.26€
Piano Concerto No. 13 (score only)
Piano Concerto No. 13 (score only)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Beggerow
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Piano Concerto No. 13
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Alan Beggerow
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.985869 Composed by Alan Beggerow. 20th Century,Romantic Period. Score and parts. 84 pages. Alan Beggerow #6873865. Pu...
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Full Orchestra - Level 4 - SKU: A0.985869 Composed by Alan Beggerow. 20th Century,Romantic Period. Score and parts. 84 pages. Alan Beggerow #6873865. Published by Alan Beggerow (A0.985869). Piano Concerto in 3 parts played without break. Performance duration ca. 30 minutes.Instrumentation:2 flutes, 2 oboes, 2 clarinets in B-flat, 2 bassoons, 1 contrabassoon, 4 horns in F, 2 trumpets in B-flat, 2 trombones, 1 bass trombone, 1 contra tuba, timpani, bass drum, strings, solo piano
$11.95 ≈
11.15€
Concerto for Pianoforte and Orchestra no. 4 ''Afrika'' in G minor, op. 25 - III. Allegretto Moderato
Concerto for Pianoforte and Orchestra no. 4 ''Afrika'' in G minor, op. 25 - III. Allegretto Moderato
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Abbe van Lingen
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Concerto for Pianoforte and Or
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Saskia Verwers
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SheetMusicPlus
Cello,Clarinet,Contrabassoon,Double Bass,Fiddle,Flute,Horn,Kettledrum,Oboe d'Amore,Piano,Trumpet,Viola - Level 3 - SKU: A0.1359771 Composed by Abbe van ...
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Cello,Clarinet,Contrabassoon,Double Bass,Fiddle,Flute,Horn,Kettledrum,Oboe d'Amore,Piano,Trumpet,Viola - Level 3 - SKU: A0.1359771 Composed by Abbe van Lingen. 19th Century. 20 pages. Saskia Verwers #944249. Published by Saskia Verwers (A0.1359771). Â
$2.00 ≈
1.87€
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble,cont
Carson Cooman Enchanted Tracings (Piano Concerto No. 2) (2008) for solo piano and wind ensemble,cont
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Contemporain
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Carson Cooman
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Carson Cooman Enchanted Tracin
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Bassoon - Level 5 - SKU: A0.533715 Composed by Carson Cooman. Contemporary. Score and parts. 3 pages. Musik Fabrik Music Publishing #3041...
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Small Ensemble Bassoon - Level 5 - SKU: A0.533715 Composed by Carson Cooman. Contemporary. Score and parts. 3 pages. Musik Fabrik Music Publishing #3041117. Published by Musik Fabrik Music Publishing (A0.533715). This is the contrabassoon part for this work by Carson Cooman
$3.99 ≈
3.72€
Piano Concerto No. 11 - 'The Raven' (score only)
Piano Concerto No. 11 - 'The Raven' (score only)
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Orchestre
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AVANCÉ
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Alan Beggerow
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Piano Concerto No. 11 - 'The R
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Alan Beggerow
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.985862 Composed by Alan Beggerow. 20th Century,Contemporary,Romantic Period. Score and parts. 31 pages. Alan Beggerow...
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Full Orchestra - Level 5 - SKU: A0.985862 Composed by Alan Beggerow. 20th Century,Contemporary,Romantic Period. Score and parts. 31 pages. Alan Beggerow #6443421. Published by Alan Beggerow (A0.985862). Performance time ca. 19 minutes. Instrumentation:3 flutes3 oboes, third doubling cor anglaise3 clarinets, 3rd doubling E-flat and bass clarinet3 bassoons, 3rd doubling contrabassoon4 horns in FTimpaniSnare drum, triangle, crash cymbals, tam-tam, bass drumHarpPiano1st Violins2nd ViolinsViolasCellosDouble bass
$9.95 ≈
9.29€
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
Bach: Bist du bei mir BWV 508 for Contrabassoon & Piano
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,...
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Contrabassoon,Instrumental Solo,Piano - Level 2 - SKU: A0.549233 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Easter,Standards,Wedding. Score and individual part. 9 pages. Jmsgu3 #3468784. Published by jmsgu3 (A0.549233). J. S. Bach BWV 508. This arrangement features a specially revised custom accompaniment part that avoids unwanted collisions with the contrabassoon and revoices chords to avoid awkward doublings and other voice-leading problems. It accentuates the solo part very nicely. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
30.75€
Concerto for Contrabassoon and Strings
Concerto for Contrabassoon and Strings
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Orchestre à Cordes
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Daniel Baldwin
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Concerto for Contrabassoon and
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Imagine Music - Digital
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SheetMusicPlus
String Orchestra - SKU: IZ.CMW232 Composed by Daniel Baldwin. Score and Parts. 125 pages. Imagine Music - Digital #CMW232. Published by Imagine Music - ...
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String Orchestra - SKU: IZ.CMW232 Composed by Daniel Baldwin. Score and Parts. 125 pages. Imagine Music - Digital #CMW232. Published by Imagine Music - Digital (IZ.CMW232). 9 x 12 inches.
$100.00 ≈
93.33€
Concerto for Contrabassoon and Strings
Concerto for Contrabassoon and Strings
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Orchestre à Cordes
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Daniel Baldwin
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Concerto for Contrabassoon and
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Imagine Music - Digital
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SheetMusicPlus
String Orchestra - SKU: IZ.CMW232-S Composed by Daniel Baldwin. Score. 7 pages. Imagine Music - Digital #CMW232-S. Published by Imagine Music - Digital ...
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String Orchestra - SKU: IZ.CMW232-S Composed by Daniel Baldwin. Score. 7 pages. Imagine Music - Digital #CMW232-S. Published by Imagine Music - Digital (IZ.CMW232-S). 9 x 12 inches.
$15.00 ≈
14.00€
A Himalaya Concerto for Clarinet in A, Cimbalom and Orchestra
A Himalaya Concerto for Clarinet in A, Cimbalom and Orchestra
Flute,Oboe,Clarinet,English Horn,Bassoon,Trumpet,Trombone,Tuba,Horn in F,Violin,Viola,Cello,Double Bass,Timpani,Full Orchestra,Contrabassoon; Bass trombone; Tubular bells; Cimbalom
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Stuart Brown
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A Himalaya Concerto for Clarin
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SB VisionMusic
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SheetMusicPlus
Composed by Stuart Brown. 21st Century, Contemporary Classical, Movies. Score. 133 pages. Published by SB VisionMusic (S0.116757). - Score - 21st Century,Contem...
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Composed by Stuart Brown. 21st Century, Contemporary Classical, Movies. Score. 133 pages. Published by SB VisionMusic (S0.116757). - Score - 21st Century,Contemporary Classical,Movies - SB VisionMusic
$25.00 ≈
23.33€
Sonic Rhapsody
Sonic Rhapsody
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Daniel Baldwin
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Sonic Rhapsody
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Imagine Music - Digital
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SheetMusicPlus
Solo contrabassoon, piano, and orchestral winds - SKU: IZ.CBW208-S Composed by Daniel Baldwin. Score. 45 pages. Imagine Music - Digital #CBW208-S. Publi...
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Solo contrabassoon, piano, and orchestral winds - SKU: IZ.CBW208-S Composed by Daniel Baldwin. Score. 45 pages. Imagine Music - Digital #CBW208-S. Published by Imagine Music - Digital (IZ.CBW208-S). 9 x 12 in inches.Many years ago I was on a flight to another premiere and had the pleasure of sitting next to a sonic engineer. It was a fascinating conversation talking about the different aspects of his career and hearing him expound on the similarities between our chosen professions.Ever since that flight, I wanted to write a Sonic Rhapsody. I had originally thought of having it be a more esoteric piece, exploring different sonic colors and effects. Instead, for this Sonic Rhapsody, I decided to fill a hole in the contrabassoon repertoire. This wonderful and deserving instrument has so little concerto repertoire and most of the pieces that do exist are quite difficult (and none for orchestral winds accompaniment). This Sonic Rhapsody features a lyrical and approachable contrabassoon duo feature (with piano) to include a brief cadenza for each soloist. Sonic Rhapsody for Contrabassoon, Piano, and Orchestral Winds is dedicated to the wonderful artists who commissioned, recorded, and made this piece possible.
$16.00 ≈
14.93€
Sonic Rhapsody
Sonic Rhapsody
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Daniel Baldwin
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Sonic Rhapsody
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Imagine Music - Digital
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SheetMusicPlus
Solo contrabassoon, piano, and orchestral winds - SKU: IZ.CBW208 Composed by Daniel Baldwin. Score and Parts. 115 pages. Imagine Music - Digital #CBW208...
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Solo contrabassoon, piano, and orchestral winds - SKU: IZ.CBW208 Composed by Daniel Baldwin. Score and Parts. 115 pages. Imagine Music - Digital #CBW208. Published by Imagine Music - Digital (IZ.CBW208). 9 x 12 in inches.Many years ago I was on a flight to another premiere and had the pleasure of sitting next to a sonic engineer. It was a fascinating conversation talking about the different aspects of his career and hearing him expound on the similarities between our chosen professions.Ever since that flight, I wanted to write a Sonic Rhapsody. I had originally thought of having it be a more esoteric piece, exploring different sonic colors and effects. Instead, for this Sonic Rhapsody, I decided to fill a hole in the contrabassoon repertoire. This wonderful and deserving instrument has so little concerto repertoire and most of the pieces that do exist are quite difficult (and none for orchestral winds accompaniment). This Sonic Rhapsody features a lyrical and approachable contrabassoon duo feature (with piano) to include a brief cadenza for each soloist. Sonic Rhapsody for Contrabassoon, Piano, and Orchestral Winds is dedicated to the wonderful artists who commissioned, recorded, and made this piece possible.
$60.00 ≈
56.00€
Vivaldi RV 297 Op 8 Winter Themes from The Four Seasons Duet for Any 2 Woodwinds
Vivaldi RV 297 Op 8 Winter Themes from The Four Seasons Duet for Any 2 Woodwinds
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Classique
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Rainer's
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R G Roth
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Vivaldi RV 297 Op 8 Winter The
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Rainer's Rainbow
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Contrabassoon,E-Flat Alto Saxophone,Instrumental Solo,Oboe/English Horn,Piccolo,Tenor Saxophone,Viola (Clarinet 3) - Level 4 - ...
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Woodwind Ensemble Alto Flute,Contrabassoon,E-Flat Alto Saxophone,Instrumental Solo,Oboe/English Horn,Piccolo,Tenor Saxophone,Viola (Clarinet 3) - Level 4 - SKU: A0.902203 By Rainer's. By Antonio Vivaldi. Arranged by R G Roth. Baroque,Contemporary,Instructional. Individual part. 110 pages. Rainer's Rainbow #6506601. Published by Rainer's Rainbow (A0.902203). Vivaldi wrote his violin concerto RV 297 Op 8 around 1723. It contains some of the most famous and frequently recorded and recognizable themes in music. I have closely followed the pattern of the original concerto which has come to be know as Winter from The Four Seasons. Included are a solo part plus a 2nd voice to make this playable as a duet. Chords are also included for jazz players to improvise and us the solo part as a guide.
$6.99 ≈
6.52€
Vivaldi 1723 RV 293 Op 8 Autumn from 4 Seasons L'Autunno Duet
Vivaldi 1723 RV 293 Op 8 Autumn from 4 Seasons L'Autunno Duet
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Classique
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Rainer's Rainbow
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R G Roth
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Vivaldi 1723 RV 293 Op 8 Autum
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Rainer's Rainbow
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SheetMusicPlus
Large Ensemble Alto Flute,Contrabassoon,E-Flat Alto Saxophone,Instrumental Solo,Oboe/English Horn,Piccolo,Tenor Saxophone,Viola (Clarinet 3) - Level 3 - SKU...
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Large Ensemble Alto Flute,Contrabassoon,E-Flat Alto Saxophone,Instrumental Solo,Oboe/English Horn,Piccolo,Tenor Saxophone,Viola (Clarinet 3) - Level 3 - SKU: A0.902204 By Rainer's Rainbow. By Antonio Vivaldi. Arranged by R G Roth. Baroque,Holiday,Instructional,Multicultural,World. Individual part. 107 pages. Rainer's Rainbow #6537573. Published by Rainer's Rainbow (A0.902204). Vivaldi wrote his violin concerto RV 293 Op 8 around 1723. It contains some of the most famous and frequently recorded and recognizable themes in music. I have closely followed the pattern of the original concerto which has come to be known as Autumn from The Four Seasons. Included are a solo part plus a 2nd voice to make this playable as a duet. Chords are also included for jazz players to improvise and use the solo part as a guide. Mix and match any string or woodwind.
$6.99 ≈
6.52€
Élégie
Élégie
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Gabriel Faure
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Andrew Grenci
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Élégie
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Andiss Music
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.809972 Composed by Gabriel Faure. Arranged by Andrew Grenci. Romantic Period. Score and parts. 40 pages. Andiss Music (...
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Concert Band - Level 4 - SKU: A0.809972 Composed by Gabriel Faure. Arranged by Andrew Grenci. Romantic Period. Score and parts. 40 pages. Andiss Music (www.andrewgrenci.com) #5291885. Published by Andiss Music (www.andrewgrenci.com) (A0.809972). The solo repertoire for bass clarinet, though growing, is still quite sparse when compared to other wind instruments. This is especially true for solo concertos or other solo works with orchestra, band, or wind ensemble. The present arrangement adds a significant piece by a great Romantic composer to the bass clarinet repertoire.Originally for solo cello with orchestra, Élégie fits perfectly into the extended range of the modern bass clarinet (just two low Ds are called for). The solo part is challenging, while the accompaniment parts are easily accessible. The arrangement calls for 2 flutes, 2 oboes, 4 clarinets, 2 bassoons, 4 horns, and 1 string bass (or alternatively, contrabassoon), in addition to the soloist.Enjoy the mp3 of a live performance of this arrangement. As you will hear, the parts balance quite well and it makes for an effective concert piece.
$29.99 ≈
27.99€
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Concerto contrebasson
