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Concert Fantasy for Piano and Orchestra
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Vous avez sélectionné:
Concert Fantasy for Piano and Orchestra
Partitions à imprimer
57 partitions trouvées
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Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
Ali Ben Sou Alle: Grande Fantaisie Variée sur "Lucia di Lammermoor" for alto saxophone and piano
#
Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle
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Ali Ben Sou Alle: Grande Fanta
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik ...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533508 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 35 pages. Musik Fabrik Music Publishing #3002551. Published by Musik Fabrik Music Publishing (A0.533508). This fantasy uses motifs from Donizetti's opera. After the opening which uses motives from the Overture, the main melody of the famous Sextet is presented. The tenor aria from the last act is presented with several vrariations. Finally, motifs form the fmaous mad scene end the work in a brilliant valse.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.
$19.95 ≈
£15.78
Fantasy for Piano and Orchestra
Fantasy for Piano and Orchestra
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Piano et Orchestre
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Jordan Grigg
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Fantasy for Piano and Orchestr
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Jordan Grigg
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SheetMusicPlus
Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - SKU: A0.1058105 Composed by Jorda...
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Bassoon,Cello,Clarinet,Double Bass,Flute,Horn,Multi-Percussion,Oboe,Piano,Timpani,Trombone,Trumpet,Tuba,Viola,Violin - SKU: A0.1058105 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Full Performance. Duration 376. Jordan Grigg #5360293. Published by Jordan Grigg (A0.1058105).
$2.99 ≈
£2.36
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
Ali Ben Sou Alle: Fantaisie sur La Favorita de Donizetti for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
#
Ali Ben Sou Alle, Gaetano Doni
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Paul Wehage
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Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,...
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Alto Saxophone,Piano - Level 3 - SKU: A0.533348 Composed by Ali Ben Sou Alle, Gaetano Donizetti. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 23 pages. Musik Fabrik Music Publishing #2348199. Published by Musik Fabrik Music Publishing (A0.533348). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Soualle not only performed on the clarinet, saxophone and piano, but also frequently sang during his concerts. He also wrotesongs while he was in London. His opera fantasies are usually written for the Alto saxophone. This particular fantasy usesthemes from the Third and fourth act sung by the hero et heroine which are marked in the score.
$11.95 ≈
£9.45
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
Ali Ben Sou Alle: Fantaisie sur la Somnambule de Bellini for alto saxophone and piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Ali Ben Sou Alle, Vincenzo Bel
#
Paul Wehage
#
Ali Ben Sou Alle: Fantaisie su
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,S...
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Alto Saxophone,Piano - Level 4 - SKU: A0.533353 Composed by Ali Ben Sou Alle, Vincenzo Bellini. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 28 pages. Musik Fabrik Music Publishing #2363203. Published by Musik Fabrik Music Publishing (A0.533353). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.This fantasy begins with motifs from the 1st act chorus « Sempre Felc’Amina » ». The Count’s first act aria « Vi ravisso, o loughi ameni » is followed by an extended cadenza and leads to Amina and Elvino’s first act duo « Prendi l’amel ti dono ». Amina’s second act aria « Ah non guige! » is presented with a brilliant variation to bring the work to a close.
$16.95 ≈
£13.41
Beethoven Choral Fantasia Op80 arr. Piano Quartet (Set of Parts)
Beethoven Choral Fantasia Op80 arr. Piano Quartet (Set of Parts)
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Piano Quintette: piano, 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
#
Tony Matthews
#
Beethoven Choral Fantasia Op80
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Archway Publications
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SheetMusicPlus
Piano Quintet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.945599 Composed by Ludwig van Beethoven. Arranged by Tony Matthews. Classical,Contemporary,Ro...
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Piano Quintet Cello,Piano,Viola,Violin - Level 4 - SKU: A0.945599 Composed by Ludwig van Beethoven. Arranged by Tony Matthews. Classical,Contemporary,Romantic Period. 84 pages. Archway Publications #6354529. Published by Archway Publications (A0.945599). This Fantasia (or Fantasy) for piano, vocal soloists, chorus, and orchestra, Op. 80, was composed in 1808 by a 38 year old Beethoven.The Fantasia was hastily written to serve as the grand finale for a (personal) benefit concert on the 22nd December 1808 which included premiers of his 5th and 6th symphonies, the 4th Piano concerto and the Mass in C. Beethoven took the opportunity to use the forces available to make this comparatively short piece for piano, orchestra, and a choral finale where he, the soloist, could showoff just how good he was.Sadly, this work is seldom performed because who wants to hire a choir for just 2 minutes of music and an orchestra for not that much longer. This quintet version addresses this by allowing a much smaller ensemble to enjoy performing this utterly delightful work. The piano part is basically what Beethoven wrote, however it has been suitably modified in places to allow the piano to fit into the overall ensemble.
$15.00 ≈
£11.86
London Town Fantasy for Trombone and Piano
London Town Fantasy for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Contemporain
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Antonio J
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London Town Fantasy for Trombo
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Cherry Classics Music
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SheetMusicPlus
Piano Accompaniment, Trombone - Advanced - Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. P...
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Piano Accompaniment, Trombone - Advanced - Composed by Antonio J. Garcia. 21st Century, Jazz, Blues, Swing, Funk Jazz. Score, Solo Part. 14 pages. Published by Cherry Classics Music
Virginia Commonwealth University Professor Antonio J. Garca has taken Haydn?s ?London? Symphony as a point of departure for his London Town Fantasy for trombone and orchestra (or piano accompaniment), commissioned by the Charlottesville Symphony Society for the Charlottesville & University Symphony Orchestra (Virginia). CUSO Music Director Kate Tamarkin sought a piece that would ?showcase the trombone in a jazz ballad style and somehow reference the Haydn ?London? Symphony? that would follow it on the program, knowing that the first half of the concert would also include the Brahms ?Variations on a Theme of Joseph Haydn.? She and trombone soloist Nathan Dishman suggested the title ?London Town Fantasy,? envisioning a potential intersection with elements of George Gershwin?s ?A Foggy Day (In London Town),? which seemed apt given a scheduled trip of Garca?s to London during the compositional process.
Listeners familiar with Haydn's ?London? Symphony No. 104" will notice references starting at the first measure. And the violin part at the outset of the Symphony?s fourth movement, Allegro Spiritoso, offered the core of what became the melody to this Fantasy. The melody of the ?bridge? section of the tune is crafted from the first seven measures of the opening theme of Haydn?s first movement (Allegro).
The use of ?A Foggy Day? had to be more subtle, as copyright law must be observed, limiting the use of its actual melody within this piece. But Gershwin?s harmony actually is the harmonic basis under the melody of the Fantasy; and his devotees will recognize that when the soloist improvises medium-swing jazz with the orchestra, the chord progression is indeed entirely that of ?A Foggy Day.? (An optional written-out solo is provided.)
Note that the string section is not asked to play swing eighth-notes at any time. Their jazz-phrased passages are couched in even-eighth, syncopated double-timed-sixteenth, and triplet-eighth cross-rhythmed lines well-rooted in the jazz tradition. Winds and brass, however, have swing-eighth passages to perform (and some even-sixteenth lines).
The superb piano reduction makes the six-minute London Town Fantasy ideal for performances on student and professional recitals, and no improvisational skills are needed by the pianist. Available MIDI demonstration recordings of the duo and orchestral settings, with MIDI soloist or ?minus one,? make rehearsals easy and even provide the aural basis for your own potential ?virtual? performance.
$27.50 ≈
£21.75
Fantasy for Piano and Orchestra
Fantasy for Piano and Orchestra
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Orchestre
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AVANCÉ
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Jordan Grigg
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Fantasy for Piano and Orchestr
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Jordan Grigg
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.864179 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 95 pages. Jordan Grig...
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Full Orchestra - Level 5 - SKU: A0.864179 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 95 pages. Jordan Grigg #5360291. Published by Jordan Grigg (A0.864179).
$49.95 ≈
£39.51
Ruby and Steel (for alto saxophone and piano)
Ruby and Steel (for alto saxophone and piano)
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Saxophone Alto et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Jeffrey Hoover
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Ruby and Steel
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Musicart Publications
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SheetMusicPlus
Alto Saxophone,Piano - Level 4 - SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #...
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Alto Saxophone,Piano - Level 4 - SKU: A0.971650 Composed by Jeffrey Hoover. 20th Century,Contemporary. Score and part. 25 pages. Musicart Publications #4628067. Published by Musicart Publications (A0.971650). Ruby and Steel (duration 7 min.) is a fantasy work for alto saxophone and piano, reflecting on the physical qualities and contrasts between an unlikely pairing of materials – nature's precious gemstone ruby and the manmade material steel. The ideas of the red glow of molten steel and the red light of ruby are held in common. Establishing a modern yet Romantic atmosphere, an extended piano solo opens the work. The music is developed through a thematic transformation process: gestures of earlier music reappears as transformations of its previous selves. The interaction (both musical dialogue and subsequent agreement) between piano and saxophone is a prominent characteristic, along with ebb-and-flow of tempo. As with several other compositions by Jeffrey Hoover, there is an abstract painting–Ruby and Steel–created by Hoover as a visual interpretation of the musicJeffrey Hoover's work– music ranging from soloist to symphony orchestra –has received recognition through the prestigious Trieste prize, awards from Mu Phi Epsilon, the Lancaster Fine Arts Festival, grants, publications fellowships and more than 20 commissions. He is a member of the ACME roster of Mu Phi Epsilon, recognized for distinguished achievement as a composer. One unique aspect of Hoover’s work is when he combines composition with his paintings, creating synergetic art that intrigues and captivate audiences and performers alike. His paintings are seen in exhibitions and in concerts where his paintings are projected while musicians perform his music. Whether making interdisciplinary works, or traditional stand-alone sonic or visual art, Hoover shapes his work through inner vision and practical experience. Jeffrey Hoover’s background as a performer includes both classical and jazz music, as saxophonist and conductor. His book The Arts and Society: Making New Worlds is published by Kendall Hunt Publishing.Jeffrey Hoover was born on September 11, 1959, in Anderson, Indiana. He holds a Ph.D. in Fine Arts (Composition and Interdisciplinary Fine Arts) from Texas Tech University, as well as a M.M. and Bch.Sc. from Ball State University. His career in higher education has included both music faculty and arts administrative appointments.
$19.95 ≈
£15.78
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
Carson Cooman: Flute Concerto (2006) for flute and orchestra, score and solo part
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Orchestre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Flute Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3...
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Full Orchestra - Level 5 - SKU: A0.533762 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 55 pages. Musik Fabrik Music Publishing #3043953. Published by Musik Fabrik Music Publishing (A0.533762). Flute Concerto (2006) was commissioned by flutist Judith von Hopf and theKiev Philharmonic and premiered by them under the direction of GuidoLamell. The work is in two movements: Chanson and Fantasy Variations.The first movement, Chanson, is an extended “song†that develops through avariety of textures. The opening song material is centered around G#. In turn,this G# is revealed to be a quasi-dominant of a D centered sonority. (A briefcoda returns to G#, in preparation for the D center of the second movement.)The second movement, Fantasy Variations, is cast as two presentations ofthe theme surrounding five free variations, plus a coda. The theme serves asthe basis of the musical material for each variation as well as the structuraltemplate for each. Also, each variation contains material referring backspecifically to the previous variation.The opening theme is declamatory and massive. The first variation is fastand limber. The second variation is introspective and stratified. The thirdvariation is fleeting. The fourth variation is distant and spare. The fifthvariation is fast and driving. The final theme begins whispered and slowlyregains its declamatory nature before a brief and intense coda ends the workin a blaze.This item is the score and the solo part only. The orchestral parts are on rental from the publisher. The piano reduction is for sale as a seperate item.Instrumentation2 Flutes (2nd dbl. Picc.)2 OboesEnglish Horn2 Clarinets in BbBass Clarinet in Bb2 Bassoons4 Horns in F/Bb2 Trumpets in C2 TrombonesTubaPercussion (2 players)I: tubular bells, crotales, bass drum, whip/slapstickII: vibraphone (motor off), snare drum(Percussion I needs one rosined bow.Percussion II needs one rosined bow.)PianoSolo Flute(If necessary, discreet amplification of the soloist is acceptable.)Violin IViolin IIViolaCelloContrabass(at least two players [ideally more] must have machine extension to low C)
$25.95 ≈
£20.52
Concert Fantasy for Piano and Orchestra
Concert Fantasy for Piano and Orchestra
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Piano seul
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Alexander Peskanov
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Concert Fantasy for Piano and
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Classical Video Concepts, Inc
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SheetMusicPlus
Composed by Alexander Peskanov. 21st Century, Contemporary Classical. 36 pages. Published by Classical Video Concepts, Inc (S0.65159). - - 21st Century,Contemp...
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Composed by Alexander Peskanov. 21st Century, Contemporary Classical. 36 pages. Published by Classical Video Concepts, Inc (S0.65159). - - 21st Century,Contemporary Classical - Classical Video Concepts, Inc
$20.00 ≈
£15.82
Emanuele Krakamp: Fantaisie sur la Traviata de Verdi, arranged for alto saxophone and piano by Paul
Emanuele Krakamp: Fantaisie sur la Traviata de Verdi, - alto saxophone and piano by Paul
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Saxophone Alto et Piano
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AVANCÉ
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Emanuele Krakamp
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Paul Wehage
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Emanuele Krakamp: Fantaisie su
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Musik Fabrik Music Publishing
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SheetMusicPlus
Alto Saxophone,Piano - Level 5 - SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score an...
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Alto Saxophone,Piano - Level 5 - SKU: A0.533263 Composed by Emanuele Krakamp. Arranged by Paul Wehage. Concert,Opera,Romantic Period,Standards. Score and part. 32 pages. Musik Fabrik Music Publishing #2151147. Published by Musik Fabrik Music Publishing (A0.533263). Emanuele Krakamp was born in Messina in 1813. He began studying music with his father. In 1841 he was named first flute in the royal orchestra of Naples and was also named flute professor of San Pietro a Majella Conservatory in 1860. Krakamp performed concerts in Europe, America, the Middle East and North Africa. The Fantasy Opus 248 based on themes from Verdi's Opera La Traviata is part of a group of three fantasies called La triade verdiana, first published in 1865. Krakamp died in Naples in 1883.The version for saxophone remains close to the original version for flute, with only a few register changes because of range issues. Some passages in the piano part have been re-enforced harmonically and the ending has been slightly changed, to create a more definitive ending. .
$19.95 ≈
£15.78
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Various
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Daniel Kelley
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Music for Four Volume 2, Score
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Last Resort Music Publishing
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SheetMusicPlus
Level 5 - SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pages. Last Resort ...
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Level 5 - SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pages. Last Resort Music Publishing #927370. Published by Last Resort Music Publishing (A0.1341863). Score #70299 from Music for Four, Volume 2Baroque Classical and Romantic Favorites Works by Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more!  An incredible collection of 25 arrangements for strings, woodwinds, French horn & piano – these mix and match quartets allow the performer to pick the instrumentation. Perfect for String Quartet, Wind Quartet, Piano Quartet, Sax Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played.Table of ContentsArioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Nocturne from String Quartet #2 in D Major (Borodin) Prelude from Op. 28, #4 & #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Am Camin  & Traumerei from Kinderscenen (Schumann) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi) Parts Available for purchase separately 70211  Part 1 Flute or Oboe or Violin 70213  Part 1 Clarinet in Bb 70221  Part 2 Flute or Oboe or Violin70223  Part 2 Clarinet in Bb 70231  Part 3 Viola70236  Part 3 Violin in C  70232  Part 3 French Horn or English Horn in F70233  Part 3 Clarinet in Bb 70241  Part 4 Cello or Bassoon70243  Part 4 Bass Clarinet in Bb 70250  Keyboard or Guitar 70299  Score (Parts 1-4 in C) from Last Resort Music Publishing
$40.00 ≈
£31.64
Beethoven - Choral Fantasia Op80 (arr. Piano Quartet) (Full Score)
Beethoven - Choral Fantasia Op80 (arr. Piano Quartet) (Full Score)
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Classique
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L
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Tony Matthews
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Beethoven - Choral Fantasia Op
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Archway Publications
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.945582 Composed by L. v. Beethoven. Arranged by Tony Matthews. Cl...
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Piano Quintet,String Ensemble Cello,Double Bass,Piano,Viola,Violin - Level 4 - SKU: A0.945582 Composed by L. v. Beethoven. Arranged by Tony Matthews. Classical. Score and parts. 62 pages. Archway Publications #6331857. Published by Archway Publications (A0.945582). This Fantasia (or Fantasy) for piano, vocal soloists, chorus, and orchestra, Op. 80, was composed in 1808 by a 38 year old Beethoven.The Fantasia was hastily written to serve as the grand finale for a (personal) benefit concert on the 22nd December 1808 which included premiers of his 5th and 6th symphonies, the 4th Piano concerto and the Mass in C. Beethoven took the opportunity to use the forces available to make this comparatively short piece for piano, orchestra, and a choral finale where he, the soloist, could showoff just how good he was.Sadly, this work is seldom performed because who wants to hire a choir for just 2 minutes of music and an orchestra for not that much longer. This quintet version addresses this by allowing a much smaller ensemble to enjoy performing this utterly delightful work. The piano part is basically what Beethoven wrote, however it has been suitably modified in places to allow the piano to fit into the overall ensemble.
$4.99 ≈
£3.95
Music for Four, Volume 2, Part 4 - Bass Clarinet 70243DD
Music for Four, Volume 2, Part 4 - Bass Clarinet 70243DD
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Quatuor de Clarinettes: 4 clarinettes
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AVANCÉ
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Various
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Daniel Kelley
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Music for Four, Volume 2, Part
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Last Resort Music Publishing
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.530270 Composed by Various. Arranged by Daniel Kelley. 20th Century,Baroque,Classical,Ro...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 5 - SKU: A0.530270 Composed by Various. Arranged by Daniel Kelley. 20th Century,Baroque,Classical,Romantic Period,Wedding. 43 pages. Last Resort Music Publishing #3221037. Published by Last Resort Music Publishing (A0.530270). Part 4 for Bass Clarinet in Bb - 25 Masterful arrangements for quartet with flexible instrumentation including composers like Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more! A must have for any quartet! Perfect for String Quartet or Wind Quartet or Piano Quartet or 4 Clarinets & more! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.Table of ContentsArioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Nocturne from String Quartet #2 in D Major (Borodin) Prelude from Op. 28, #4 (Chopin) Prelude from Op. 28, #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Am Camin from Kinderscenen, Op. 15, #8 (Schumann) Traumerei from Kinderscenen, Op. 15, #7 (Schumann) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi)www.lastresortmusic.com
$18.50 ≈
£14.63
A Child’s Garden of Jazz for Brass Quintet
A Child’s Garden of Jazz for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Wolking, Henryenry
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A Child’s Garden of Jazz
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Gordon Cherry
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cher...
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Brass Ensemble - Level 5 - SKU: A0.792338 Composed by Wolking, Henryenry. 20th Century,Contemporary,Jazz,Ragtime. Score and parts. 56 pages. Gordon Cherry #4804655. Published by Gordon Cherry (A0.792338). As an adult I occasionally try to remember and or capture child-like experiences-maybe not so much the actual event, but the emotive atmosphere left from impressions long ago embedded in the psyche.Each movement of this work is based on spontaneous and uncalculated musical imagery of dreams and childhood reflections. I have deliberately avoided the professional composer’s bag of developmental tricks and worked for a more free flow of simple melodic ideas: they go wherever they want.Movement IInspired by the feelings I had growing up on Merritt Island Florida with my older sister Barbara. This music was a gift to her on the occasion of her 2004 marriage in Flemington New Jersey. It was originally scored for a brass quartet with which I performed. I have written three other brass quintets, and when I started thinking about this one (my fourth) this seemed like a logical choice for a first movement.Movement IIBased on a tune that came to me in a dream. It is dedicated to my wife Lois (we also married in 2004) and has a formal title of Wake Up To A Melody. I originally scored it for jazz band-more specifically for the excellent Salt Lake Alternative Jazz Orchestra, and it has recently been recorded by that group. I like the simplicity of this melody, and felt it would make a natural second movement for this brass quintet.Movement IIIThe third and most difficult movement is Tangoragrondo. It is literally a rondo with a turn-of-the century (19th-20th) ragtime melody/gallop occupying the A theme followed by a Tango (inspired by trips to Santiago Chile) for the B theme. The return to the rag (A theme) is then followed by a fantasy development (C area) with a return to to the rag (A theme) followed by a coda that recalls material from the first movement. The form is quite simple- ABACA-Coda.The material was originally developed as a movement for my double concerto Letting Midnight Out On Bail written for the Duehlmeier-Gritton piano duo and orchestra. It was recorded by the Warsaw Philharmonic and has been released on CD. A second version for two pianos has also been recorded and released by the Duehlmeier-Gritton piano duo. This orchestration for brass quintet will be the final resting place for this chaotic rondo.
$27.50 ≈
£21.75
Father, Son and Holy Ghost
Father, Son and Holy Ghost
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Piano, Voix et Guitare
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Classique
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Trans-Siberian Orchestra
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Father, Son and Holy Ghost
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013492 By Trans-Siberian Orchestra. By Chris Caffery and Paul O'neill. Classical. 12 pages. Alfred Music - Digital S...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013492 By Trans-Siberian Orchestra. By Chris Caffery and Paul O'neill. Classical. 12 pages. Alfred Music - Digital Sheet Music #00-PS-0013492. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013492). ISBN 9780739086223. UPC: 038081432137.This is a perfect gift for any music maker who loves Trans-Siberian Orchestra. Though many fans first discover them via their well-known Christmas-themed albums and concerts, these rock opera masters also produce plenty of non-seasonal works. Night Castle is one such masterpiece: an ambitious, long form epic that tells an engaging fantasy tale amid a score that features TSO's signature neo-classical art rock at its very best. Instrumental virtuosity and brilliant writing are demonstrated throughout, including plenty of pianistic music that naturally begs to be played by any fan who dabbles with the piano, even if only casually. This complete 240-page score features spiral binding that lays flat on the piano music stand, and includes the comprehensive story text and piano sheet music for every song on the album. Complete melody lines and lyrics are included, along with basic guitar chord grids.
$3.99 ≈
£3.16
Moonlight and Madness
Moonlight and Madness
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Piano, Voix et Guitare
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Classique
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Trans-Siberian Orchestra
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Moonlight and Madness
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013490 By Trans-Siberian Orchestra. By Paul O'neill and Paul Silverstein. Classical. 10 pages. Alfred Music - Digita...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013490 By Trans-Siberian Orchestra. By Paul O'neill and Paul Silverstein. Classical. 10 pages. Alfred Music - Digital Sheet Music #00-PS-0013490. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013490). ISBN 9780739086223. UPC: 038081432137.This is a perfect gift for any music maker who loves Trans-Siberian Orchestra. Though many fans first discover them via their well-known Christmas-themed albums and concerts, these rock opera masters also produce plenty of non-seasonal works. Night Castle is one such masterpiece: an ambitious, long form epic that tells an engaging fantasy tale amid a score that features TSO's signature neo-classical art rock at its very best. Instrumental virtuosity and brilliant writing are demonstrated throughout, including plenty of pianistic music that naturally begs to be played by any fan who dabbles with the piano, even if only casually. This complete 240-page score features spiral binding that lays flat on the piano music stand, and includes the comprehensive story text and piano sheet music for every song on the album. Complete melody lines and lyrics are included, along with basic guitar chord grids.
$3.99 ≈
£3.16
Mozart and Memories
Mozart and Memories
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Piano, Voix et Guitare
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Classique
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Trans-Siberian Orchestra
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John Oliva and Paul O'neill
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Mozart and Memories
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-PS-0013494 By Trans-Siberian Orchestra. By Wolfgang Amadeus Mozart. Arranged by John Oliva and Paul O'neill. Classical. ...
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Piano/Vocal/Chords - SKU: AX.00-PS-0013494 By Trans-Siberian Orchestra. By Wolfgang Amadeus Mozart. Arranged by John Oliva and Paul O'neill. Classical. 11 pages. Alfred Music - Digital Sheet Music #00-PS-0013494. Published by Alfred Music - Digital Sheet Music (AX.00-PS-0013494). ISBN 9780739086223. UPC: 038081432137.This is a perfect gift for any music maker who loves Trans-Siberian Orchestra. Though many fans first discover them via their well-known Christmas-themed albums and concerts, these rock opera masters also produce plenty of non-seasonal works. Night Castle is one such masterpiece: an ambitious, long form epic that tells an engaging fantasy tale amid a score that features TSO's signature neo-classical art rock at its very best. Instrumental virtuosity and brilliant writing are demonstrated throughout, including plenty of pianistic music that naturally begs to be played by any fan who dabbles with the piano, even if only casually. This complete 240-page score features spiral binding that lays flat on the piano music stand, and includes the comprehensive story text and piano sheet music for every song on the album. Complete melody lines and lyrics are included, along with basic guitar chord grids.
$3.99 ≈
£3.16
Orbit: A Symphonic Fantasy (arr. for concert band)
Orbit: A Symphonic Fantasy (arr. for concert band)
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Karim Elmahmoudi
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Orbit: A Symphonic Fantasy
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Karelm Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.844112 Composed by Karim Elmahmoudi. 20th Century,Contemporary. Score and parts. 54 pages. Karelm Music #55955. Publish...
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Concert Band - Level 3 - SKU: A0.844112 Composed by Karim Elmahmoudi. 20th Century,Contemporary. Score and parts. 54 pages. Karelm Music #55955. Published by Karelm Music (A0.844112). In 2010, the Los Angeles Doctors Symphony commissioned me to write a large scale orchestral work that would become Ancient Dreams. In that piece, I was focused on dreamers of the distant past. The concept of my new work, Orbit: A Symphonic Fantasy, is concerned with dreamers and visionaries who look towards the future. Orbit: A Symphonic Fantasy is an epic space themed symphonic poem. The original version was written for symphony orchestra and it is here arranged for symphonic band. The overall feeling I attempted to capture with this piece is one of vigorous heroism, evocative lyricism, and spirited adventure. The work is suggestive of this quote from Mark Twain: Sail away from the safe harbor. Catch the trade winds in your sails. Explore. Dream. Discover. Inspired by the final flight of NASA's Space Shuttle program that ended on July 21, 2011, I wanted to create a tribute of sorts to the spirit of adventure, heroism, and exploration from those who have a dream to explore and the courage to meet the future without fear. Orbit: A Symphonic Fantasy was first performed by the Los Angeles Doctors Symphony Orchestra with David Weiss conducting on November 18, 2012. Duration: 13 minutes Instrumentation: PICCOLO FLUTE 1 FLUTE 2 OBOE 1 OBOE 2 BASSOON 1 BASSOON 2 CONTRABASSOON Eb CLARINET Bb CLARINET 1 Bb CLARINET 2 Bb CLARINET 3 BASS CLARINET ALTO SAXOPHONE 1 ALTO SAXOPHONE 2 TENOR SAXOPHONE BARITONE SAXOPHONE Bb TRUMPET 1 Bb TRUMPET 2 Bb TRUMPET 3 F HORN 1 F HORN 2 F HORN 3 F HORN 4 TROMBONE 1 TROMBONE 2 BASS TROMBONE 3 EUPHONIUM 1 EUPHONIUM 2 TUBA TIMPANI PERCUSSION (4 PLAYERS) PIANO | CELESTA HARP (ad lib).
$300.00 ≈
£237.27
Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and concert band, score and solo par
Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and concert band, score and solo par
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Orchestre d'harmonie
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AVANCÉ
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Francois Borne
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Paul Wehage
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Fantaisie Brillante sur des Th
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.534593 Composed by Francois Borne. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 68 pages....
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Concert Band - Level 5 - SKU: A0.534593 Composed by Francois Borne. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 68 pages. Musik Fabrik Music Publishing #4746297. Published by Musik Fabrik Music Publishing (A0.534593). The virutoso showstopper, also known as the Carmen Fantasy, orchestrated by Paul Wehage for concert band. This well-known crowd-pleaser will be the hit of your concert! This item is the full score and the solo part only. The complete parts are also offered for sale on this site. Versions for solo saxophone with piano, for solo saxophone with SATB saxophone quartet and for chamber orchestra are also available. François Borne (1840–1920), sometimes spelled Bourne, was a French flautist who performed with the orchestra of the Bordeaux Opera House, professor of flute and composition at the Conservatoire de Musique de Toulouse. He is recognized for technical improvements to the Boehm system for the flute
$29.95 ≈
£23.69
Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and concert band, score and complete
Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and concert band, score and complete
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Orchestre d'harmonie
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INTERMÉDIAIRE/AVANCÉ
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Opera
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Classique
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Francois Borne
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Paul Wehage
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Fantaisie Brillante sur des Th
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 4 - SKU: A0.534603 Composed by Francois Borne. Arranged by Paul Wehage. Opera,Romantic Period. Score and parts. 269 pages. Musik Fa...
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Concert Band - Level 4 - SKU: A0.534603 Composed by Francois Borne. Arranged by Paul Wehage. Opera,Romantic Period. Score and parts. 269 pages. Musik Fabrik Music Publishing #4765869. Published by Musik Fabrik Music Publishing (A0.534603). The virutoso showstopper, also known as the Carmen Fantasy, orchestrated by Paul Wehage for concert band. This well-known crowd-pleaser will be the hit of your concert! This item is the full score and the complete parts. The score and the individual parts are also available for sale on this site Versions for solo saxophone with piano, for solo saxophone with SATB saxophone quartet and for chamber orchestra are also available. François Borne (1840–1920), sometimes spelled Bourne, was a French flautist who performed with the orchestra of the Bordeaux Opera House, professor of flute and composition at the Conservatoire de Musique de Toulouse. He is recognized for technical improvements to the Boehm system for the flute
$90.95 ≈
£71.93
Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and orchestra, score and solo part
Fantaisie Brillante sur des Thèmes de Carmen for alto saxophone and orchestra, score and solo part
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Orchestre de chambre
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AVANCÉ
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Francois Borne
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Paul Wehage
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Fantaisie Brillante sur des Th
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534428 Composed by Francois Borne. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 65 p...
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Chamber Orchestra - Level 5 - SKU: A0.534428 Composed by Francois Borne. Arranged by Paul Wehage. Opera,Romantic Period,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3492217. Published by Musik Fabrik Music Publishing (A0.534428). The virutoso showstopper, also known as the Carmen Fantasy, orchestrated by Paul Wehage for chamber orchestra (2222/2200/timp/hp/strings). This well-known crowd-pleaser will be the hit of your concert! This item is the full score and the solo part only. The parts are on rental from the publisher. Versions for solo saxophone with piano, for solo saxophone with SATB saxophone quartet and for concert band are also available.
$29.95 ≈
£23.69
"Faust" Fantasy Op.13 (arr. for Violin and Strings)
"Faust" Fantasy Op.13 (arr. for Violin and Strings)
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Orchestre à Cordes
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AVANCÉ
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Pablo de Sarasate
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VioArrange
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"Faust" Fantasy Op.1
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Vio Arrange
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.946331 Composed by Pablo de Sarasate. Arranged by VioArrange. Concert,Romantic Period. Score and parts. 63 pages. V...
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String Orchestra - Level 5 - SKU: A0.946331 Composed by Pablo de Sarasate. Arranged by VioArrange. Concert,Romantic Period. Score and parts. 63 pages. Vio Arrange #6215735. Published by Vio Arrange (A0.946331). Sarasate's Faust Fantasy Op.13 arranged for Solo Violin and String Orchestra. The PDF file contains Full score and set of parts (Solo Violin, Violin I, Violin II, Viola, Violoncello, Double Bass). Dear all! We are happy to offer variety of compositions for violin and piano (or symphony orchestra) arranged for violin and string orchestra. For any questions please do not hesitate to contact us on vioarrange@gmail.com .
$54.95 ≈
£43.46
Fantasy on Chopin's Piano Concerto in e
Fantasy on Chopin's Piano Concerto in e
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Piano seul
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FACILE
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Classique
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Frederic Chopin
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Paul Taylor
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Fantasy on Chopin's Piano Conc
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Paul Taylor
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.803300 Composed by Frederic Chopin. Arranged by Paul Taylor. Romantic Period. Score. 3 pages. Paul Taylor #4745359. Publi...
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Piano Solo - Level 2 - SKU: A0.803300 Composed by Frederic Chopin. Arranged by Paul Taylor. Romantic Period. Score. 3 pages. Paul Taylor #4745359. Published by Paul Taylor (A0.803300). Originally commissioned by the Austin Civic Ballet in the early 1970's this piece has been modified for the intermediate pianist. The orchestra and solo piano part have been merged and some of the more difficult rhythms and stretches have been modified. .
$1.99 ≈
£1.57
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Concert Fantasy for Piano and Orchestra
