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Concert Aria for Double Bass
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9
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7
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ACCORDEON
ALTO
AUTOHARPE
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CLARINETTE
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MANDOLINE
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Vous avez sélectionné:
Concert Aria for Double Bass
Partitions à imprimer
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126
Bass String Sampler Sheet Music
Bass String Sampler
#
Contre Basse
#
Contemporain
#
Robin Kay Deverich
#
Bass String Sampler
#
Global Music School String Publications
#
SheetMusicPlus
Double Bass,String Bass Solo - SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Public...
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Double Bass,String Bass Solo - SKU: A0.902210 Arranged by Robin Kay Deverich. Contemporary. Individual part. 82 pages. Global Music School String Publications #5355069. Published by Global Music School String Publications (A0.902210). String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$4.99 ≈
4.60€
O Mio Babbino Caro - for double bass solo (with chords)
O Mio Babbino Caro - for double bass solo (with chords)
#
Contre Basse
#
FACILE
#
Giacomo Puccini
#
Rodrigo Faleiros
#
O Mio Babbino Caro - for doubl
#
Rodrigo Faleiros
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 2 - SKU: A0.1377163 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,...
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Double Bass,String Bass Solo - Level 2 - SKU: A0.1377163 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961604. Published by Rodrigo Faleiros (A0.1377163). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo double bass. This beloved aria, known for its tender expression of love and longing, is now reimagined for double bass, allowing the melodic lines to shine with the accompaniment of chords. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features:Double Bass Showcase: Tailored for a solo double bass, allowing for a captivating and expressive performance of the iconic aria. Chord Symbols Included: Enhance your performance and explore harmonies with included chord symbols. Instant : Begin your musical exploration promptly with our easy-to-access PDF download.Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for double bass offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99 ≈
1.83€
O Mio Babbino Caro - for double bass solo
O Mio Babbino Caro - for double bass solo
#
Contre Basse
#
FACILE
#
Giacomo Puccini
#
Rodrigo Faleiros
#
O Mio Babbino Caro - for doubl
#
Rodrigo Faleiros
#
SheetMusicPlus
Double Bass,String Bass Solo - Level 2 - SKU: A0.1377114 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,...
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Double Bass,String Bass Solo - Level 2 - SKU: A0.1377114 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Individual part. 1 pages. Rodrigo Faleiros #961722. Published by Rodrigo Faleiros (A0.1377114). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo double bass. This beloved aria, known for its tender expression of love and longing, is now reimagined for double bass, allowing the melodic lines to shine. This arrangement invites players add their personal touch to the performance, creating a captivating musical experience.Key Features: Double Bass Showcase: Tailored for a solo double bass, allowing for a captivating and expressive performance of the iconic aria. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for double bass offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$1.99 ≈
1.83€
Bass and Piano String Sampler Sheet Music
Bass and Piano String Sampler
#
Contrebasse, Piano (duo)
#
FACILE
#
Contemporain
#
Robin Kay Deverich
#
Bass and Piano String Sampler
#
Global Music School String Publications
#
SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global Music School St...
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Double Bass,Piano,String Bass - Level 2 - SKU: A0.902215 Arranged by Robin Kay Deverich. Contemporary. Score and part. 255 pages. Global Music School String Publications #5355089. Published by Global Music School String Publications (A0.902215). This combined version of the of the Piano Accompaniment and String Bass Online String Sampler Bass Sheet Music is a fun and easy way to actively learn, study and play beautiful bass music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available online on StringBassOnline* as a self-guided class specifically designed to accompany this music: https://www.stringbassonline.com The study guide explains the history and musical form of the selected pieces, and includes bass technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-TyÄgarÄja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy.
$5.99 ≈
5.52€
Ave Maria for double bass and piano (simplified)
Ave Maria for double bass and piano (simplified)
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Contrebasse, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Franz Schubert
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Daniel C
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Ave Maria for double bass and
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Daniel C. M.
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 3 - SKU: A0.810241 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding....
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Double Bass,Piano,String Bass - Level 3 - SKU: A0.810241 Composed by Franz Schubert. Arranged by Daniel C. M. Concert,Romantic Period,Standards,Wedding. Score and part. 3 pages. Daniel C. M. #5869089. Published by Daniel C. M. (A0.810241). This is an easy arrangement for the piano accompaniment and double bass. The double bass part is almost the same as the original for voice but with a few changes to make it easier. The famous broken chords in the accompaniment are simplified from double notes to single notes and the result is a quasi Chopin-like nocturne. Perfect for early intermiediate piano students or double bass teachers who want to play the piano part with their students with an easy but still enjoyable arrangement.
$3.99 ≈
3.68€
Hungarian Dance â„– 1 in G Minor
Hungarian Dance â„– 1 in G Minor
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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Maria Galkina
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Hungarian Dance â„– 1 in
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Maria Galkina
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1359458 Composed by Johannes Brahms. Arranged by Maria Galkina. 19th Century,Romantic ...
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String Quintet Cello,Double Bass,Viola,Violin - Level 4 - SKU: A0.1359458 Composed by Johannes Brahms. Arranged by Maria Galkina. 19th Century,Romantic Period. 17 pages. Maria Galkina #943923. Published by Maria Galkina (A0.1359458). â„– 1 from well-known cycle by famous German romantic composer Johannes Brahms 21 Hungarian Dances for Orchestra WoO 1.Arragned for string quintet (2 violins, violan and double bass). Optionally can be performed with a string quartet by simply removing the double bass line or exchanging cello part with double bass part.Great piece for concerts, events, recitals etc.
$20.00 ≈
18.43€
Air In D For Woodwind Quintet
Air In D For Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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Air In D For Woodwind Quintet
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Luis Anjos Teixeira
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Conc...
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Woodwind Ensemble,Woodwind Quintet - Level 2 - SKU: A0.889424 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 12 pages. Luis Anjos Teixeira #4604487. Published by Luis Anjos Teixeira (A0.889424). Johann Sebastian Bach wrote some song-like, lyrical pieces, often movements in larger compositions for instrumental ensembles, the so called „Airs. This piece, the Air of the second movement of the Suite No.3 in D major, BWV 1068 is one of the most impressive master works ever written in the history of the human being. The piece does not require virtuoso skills to perform and is appropriate for students or amateurs. Without any doubt very pleasant to listen when played by a dedicated and very well rehearsed ensemble, it has always a very powerful effect on the audience. It can be used in concerts and all sorts of spiritual or religious events. In this arrangement for woodwind Quintet the bass is shared by the fagote and the horn as two independent voices that perform „as one. For a matter of study and comparison the original cello part is included in this work. It could be eventually used if the ensemble decides to double the original bass line with both the fagot and the horn. I also could not resist not to interchange the role of the flute and the oboe on the „repetition : I have shortened some of the notes and used various interpretation symbols, accents and nuances, they are mere suggestions for an interpretation and are total absent on the original score. The use of the dot over the notes is called „staccato, it means in this case that the note is shortened to approximately half of its length. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design tips, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi, Carlinhos, Pontinha, Maria Joaninha, Schwarzenegger, Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all the Love All Your Love and Compassion. Love Forever. Luis Anjos Teixeira Disclaimer: Most serene Highness and noble performer of the Holy Musical Empire, gracious and dread Artist, the most joyous occasion of your name day may your highness celebrate it in divine grace and enjoy it in complete well-being felicity with the performance of this score. The grandiose musical purchase contest takes place In the month of august. The cheapest price for this score is 15 Dollars. It would be of the greatest advantage to do your Highnesses gracious musical purchase during the month of august thus that would bring me the possibility of winning this grandiose selling competition. I therefore await your Highnesses gracious musical purchase I hope for your favor and gracious Highness, most humble, Luis Anjos Teixeira The score was written on Finale and the sound file was produced with Garritan instruments.
$15.00 ≈
13.82€
Hungarian Dance No.5 for Double Bass Quartet
Hungarian Dance No.5 for Double Bass Quartet
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4 Contrebasses
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AVANCÉ
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Classique
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Johannes Brahms
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Stephen Rockey
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Hungarian Dance No.5 for Doubl
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Stephen Rockey
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SheetMusicPlus
String Quartet Double Bass,String Quartet - Level 5 - SKU: A0.761396 Composed by Johannes Brahms. Arranged by Stephen Rockey. Concert,Graduation,Romanti...
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String Quartet Double Bass,String Quartet - Level 5 - SKU: A0.761396 Composed by Johannes Brahms. Arranged by Stephen Rockey. Concert,Graduation,Romantic Period,World. Score and parts. 17 pages. Stephen Rockey #6064375. Published by Stephen Rockey (A0.761396). Hungarian Dance No 5 by Brahms arranged for Double Bass Quartet. This is not an easy arrangement to play but a lot of fun. Suitable for concerts, recitals etc. Enjoy!
$4.00 ≈
3.69€
Concerto in Bb Major for Double Bass and Orchestra
Concerto in Bb Major for Double Bass and Orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Robert E
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Concerto in Bb Major for Doubl
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R. E. Proctor
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102...
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Full Orchestra - Level 4 - SKU: A0.809714 Composed by Robert E. Proctor. 20th Century,Contemporary,Jazz. Score and parts. 128 pages. R. E. Proctor #2102129. Published by R. E. Proctor (A0.809714). A concerto for Double Bass and orchestra in the traditional fast - slow – fast concerto format. While not overly challenging for the bass soloist, it does explore, to a degree, the upper reaches of the instrument as well as sounding the beautiful low range. The first movement is that might be called Neo – Classical, opening with an 8-measure solo in a Largo or slow tempo. The tempo then changes to Allegro (fast) for the balance of the movement. The movement ends as it began with the double bass playing alone. The second movement is a jazz waltz. In 9/8, it opens with the soloist playing pizzicato against a rhythmic cord progression. The bass and cello sections pick this up to provide a ground upon which the balance of the movement is played over. The second movement is in the relative minor of Bb which is G minor. A haunting melody is introduced by the bass and doubled by the strings. This melody is replayed by various instruments as the Bass Soloist plays variations on this theme. The harp and the bass solo end the movement. The third movement leans toward French Impressionism. This movement is Andantino; however, it is a spirited. Written in cut time, where the half note equals 92 beats per minute. The melody is introduced by the woodwinds with the harp accompanying. The strings and brass join in as the woodwinds repeat the melody. Finally, the bass solo takes charge of the melody using it as a theme and variation. The harp is used extensively in this concerto providing harmonic, melodic, and rhythmic support for the bass. Written in 2015, the concerto is a new work, however, it is not experimental music. It uses the standard orchestral instruments playing in the standard fashion. It is replete with modern harmonic sounds and chord progressions. As concerto's go, this one is not overly difficult providing the bassist with a starting point as a soloist. It does require the soloist to have some mastery over the instrument as the music traverses most of the instrument’s range. Performance time is approximately 13 minutes and 10 seconds.
$19.95 ≈
18.38€
All I Want For Christmas Is You
All I Want For Christmas Is You
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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FACILE
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Noël
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Mariah Carey
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Rodrigo Faleiros
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All I Want For Christmas Is Yo
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Rodrigo Faleiros
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1306942 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Rodrigo Fa...
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1306942 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Rodrigo Faleiros. Christmas,Film/TV,Holiday. 8 pages. Rodrigo Faleiros #896271. Published by Rodrigo Faleiros (A0.1306942). Immerse yourself in the joy of the holiday season with our exquisite string quintet sheet music arrangement of Mariah Carey's beloved classic, All I Want For Christmas Is You. This arrangement is thoughtfully designed to bring the festive spirit to life through the harmonious interplay of strings.Key Features: Captivating String Quintet: Experience the magic of this holiday hit like never before with our beautifully arranged string quintet version. Perfect for All Occasions: Whether you're performing at a holiday gathering, concert, or just for your own enjoyment, this arrangement adds elegance and charm to any event. Instant : Get your PDF copy right away and start spreading the holiday cheer. Elevate your holiday repertoire with the timeless beauty of Mariah Carey's music. This arrangement is suitable for musicians of all levels, and its joyful melodies will leave a lasting impression on your audience.Check out other arrangements for christmas songs by clicking here!
$17.99 ≈
16.58€
All I Want For Christmas Is You
All I Want For Christmas Is You
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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FACILE
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Noël
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Mariah Carey
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Rodrigo Faleiros
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All I Want For Christmas Is Yo
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Rodrigo Faleiros
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1307032 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Rodrigo Fa...
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String Quintet Cello,Double Bass,Viola,Violin - Level 2 - SKU: A0.1307032 By Mariah Carey. By Mariah Carey and Walter Afanasieff. Arranged by Rodrigo Faleiros. Christmas,Film/TV,Holiday. 8 pages. Rodrigo Faleiros #896296. Published by Rodrigo Faleiros (A0.1307032). Immerse yourself in the joy of the holiday season with our exquisite string quintet sheet music arrangement of Mariah Carey's beloved classic, All I Want For Christmas Is You. This arrangement is thoughtfully designed to bring the festive spirit to life through the harmonious interplay of strings.Key Features: Captivating String Quintet: Experience the magic of this holiday hit like never before with our beautifully arranged string quintet version. Perfect for All Occasions: Whether you're performing at a holiday gathering, concert, or just for your own enjoyment, this arrangement adds elegance and charm to any event. Instant : Get your PDF copy right away and start spreading the holiday cheer. Elevate your holiday repertoire with the timeless beauty of Mariah Carey's music. This arrangement is suitable for musicians of all levels, and its joyful melodies will leave a lasting impression on your audience.Check out other arrangements for christmas songs by clicking here!
$17.99 ≈
16.58€
Figaro's Cavatina "Largo Al Factotum" for Double Bass and Piano
Figaro's Cavatina "Largo Al Factotum" for Double Bass and Piano
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Contrebasse, Piano (duo)
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INTERMÉDIAIRE
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Classique
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Gioachino Rossini
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Diego Marani
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Figaro's Cavatina "Largo
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Diego Marani
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.528323 Composed by Gioachino Rossini. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Stan...
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String Ensemble - Level 3 - SKU: A0.528323 Composed by Gioachino Rossini. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and parts. 14 pages. Diego Marani #5750083. Published by Diego Marani (A0.528323). Largo al factotum (Make way for the factotum) is an aria from the opera The Barber of Seville by Gioachino Rossini, sung at the first entrance of the title character; the repeated Figaros before the final patter section are an icon in popular culture of operatic singing. This arrangement for Contrabass with Piano Accompaniment faithfully reproduces the original for baritone voice.
$9.99 ≈
9.21€
Ave Maria (Schubert)
Ave Maria (Schubert)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Franz Schubert
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Rodrigo Faleiros
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Ave Maria
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Rodrigo Faleiros
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1381859 Composed by Franz Schubert. Arranged by Rodrigo Faleiros. 19th Century,Chamber...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1381859 Composed by Franz Schubert. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Religious,Romantic Period,Wedding. 12 pages. Rodrigo Faleiros #966370. Published by Rodrigo Faleiros (A0.1381859). Immerse yourself in the timeless beauty of Franz Schubert's Ave Maria with our captivating string quintet arrangement, now featuring chord symbols for added versatility. The iconic melody gracefully unfolds in the first violin, intertwining seamlessly with the rich harmonies of the quintet. Key Features: String Quintet Brilliance: Crafted for two violins, viola, cello, and double bass, each instrument contributes to a harmonious ensemble performance. Chord Symbols Included: Enhance your performance and explore harmonies with included chord symbols. First Violin Melody: Experience the emotional depth of the melody as it shines through amidst the ensemble. Harmonic Depth: Delight in intricate harmonies and nuanced counterpoint, adding depth and dimension to the performance. Instant : Begin your musical journey promptly with our convenient PDF download. Whether you're performing in a concert hall, church, or private setting, our string quintet arrangement with chord symbols promises to captivate audiences with its timeless beauty and spiritual resonance.
$15.99 ≈
14.73€
Ave Maria (Schubert)
Ave Maria (Schubert)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Franz Schubert
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Rodrigo Faleiros
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Ave Maria
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Rodrigo Faleiros
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SheetMusicPlus
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1381860 Composed by Franz Schubert. Arranged by Rodrigo Faleiros. 19th Century,C...
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String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1381860 Composed by Franz Schubert. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Religious,Romantic Period,Wedding. 12 pages. Rodrigo Faleiros #966372. Published by Rodrigo Faleiros (A0.1381860). Immerse yourself in the timeless beauty of Franz Schubert's Ave Maria with our captivating string quintet arrangement accompanied by piano, now featuring chord symbols for added versatility. The iconic melody gracefully unfolds in the first violin, intertwining seamlessly with the rich harmonies of the quintet and the supportive accompaniment of the piano. Key Features: String Quintet Brilliance: Crafted for two violins, viola, cello, and double bass, each instrument contributes to a harmonious ensemble performance. Piano Accompaniment: Elevate your rendition with the addition of a piano, enriching the arrangement with depth and resonance. Chord Symbols Included: Enhance your performance and explore harmonies with included chord symbols. First Violin Melody: Experience the emotional depth of the melody as it shines through amidst the ensemble and piano. Instant : Begin your musical journey promptly with our convenient PDF download. Whether you're performing in a concert hall, church, or private setting, our string quintet arrangement with piano accompaniment and chord symbols promises to captivate audiences with its timeless beauty and spiritual resonance.
$17.99 ≈
16.58€
Ave Maria (Schubert)
Ave Maria (Schubert)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Franz Schubert
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Rodrigo Faleiros
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Ave Maria
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Rodrigo Faleiros
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1381875 Composed by Franz Schubert. Arranged by Rodrigo Faleiros. 19th Century,Chamber...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1381875 Composed by Franz Schubert. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Religious,Romantic Period,Wedding. 12 pages. Rodrigo Faleiros #966409. Published by Rodrigo Faleiros (A0.1381875). Dive deeper into Franz Schubert's Ave Maria with our enchanting string quintet arrangement. The iconic melody gracefully unfolds in the first violin, enriched by the lush harmonies and rhythmic support of the quintet. Key Features: String Quintet Brilliance: Tailored for two violins, viola, cello, and double bass, allowing each instrument to contribute to a full and resonant ensemble sound. First Violin Melody: Experience the emotional depth of the melody as it soars with grace and eloquence. Harmonic Depth: Delight in intricate harmonies and nuanced counterpoint, adding depth and dimension to the performance. Perfect for Various Occasions: Ideal for weddings, religious ceremonies, or intimate performances. Instant : Start your musical journey promptly with our easy-to-access PDF download. Whether you're in a concert hall, church, or private setting, our string quintet arrangement promises to captivate audiences with its timeless beauty and spiritual resonance.
$15.99 ≈
14.73€
O Mio Babbino Caro - for double bass solo (with piano accompaniment and chords)
O Mio Babbino Caro - for double bass solo (with piano accompaniment and chords)
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Accompagnement Piano
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FACILE
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for doubl
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Rodrigo Faleiros
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - SKU: A0.1379116 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera...
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Double Bass,Piano,String Bass - Level 2 - SKU: A0.1379116 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #963418. Published by Rodrigo Faleiros (A0.1379116). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo double bass. This beloved aria, known for its tender expression of love and longing, is now reimagined for double bass, allowing the melodic lines to shine with the accompaniment of a piano. With included chord symbols, this arrangement invites players to explore harmonies and add their personal touch to the performance, creating a captivating musical experience.Key Features: Double Bass Showcase: Tailored for a solo double bass, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: Enhance your performance and explore harmonies with included fully notated piano accompaniment with chord symbols. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for double bass and piano offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$2.99 ≈
2.76€
O Mio Babbino Caro - for double bass solo (with piano accompaniment)
O Mio Babbino Caro - for double bass solo (with piano accompaniment)
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Accompagnement Piano
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FACILE
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Giacomo Puccini
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Rodrigo Faleiros
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O Mio Babbino Caro - for doubl
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Rodrigo Faleiros
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SheetMusicPlus
Double Bass,Piano,String Bass - Level 2 - SKU: A0.1379009 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera...
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Double Bass,Piano,String Bass - Level 2 - SKU: A0.1379009 Composed by Giacomo Puccini. Arranged by Rodrigo Faleiros. 19th Century,Contest,Festival,Opera,Romantic Period. Score and part. 3 pages. Rodrigo Faleiros #963444. Published by Rodrigo Faleiros (A0.1379009). Enjoy the timeless beauty of Giacomo Puccini's opera Gianni Schicchi with our arrangement of the aria O Mio Babbino Caro for solo double bass. This beloved aria, known for its tender expression of love and longing, is now reimagined for double bass, allowing the melodic lines to shine with the accompaniment of a piano. This arrangement invites players to add their personal touch to the performance, creating a captivating musical experience.Key Features: Double Bass Showcase: Tailored for a solo double bass, allowing for a captivating and expressive performance of the iconic aria. Piano Accompaniment: Enhance your performance and explore harmonies with included fully notated piano accompaniment. Instant : Begin your musical exploration promptly with our easy-to-access PDF download. Whether you're preparing for a recital, a concert, or simply savoring the beauty of Puccini's operatic masterpiece, this arrangement of O Mio Babbino Caro for double bass and piano offers a poignant and unforgettable musical experience.Check out every other arrangement I've made for this and numerous other arias by clicking here.
$2.99 ≈
2.76€
Ave Maria (Schubert)
Ave Maria (Schubert)
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Quintette à cordes: 2 violons, alto, violoncelle, basse
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INTERMÉDIAIRE
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Franz Schubert
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Rodrigo Faleiros
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Ave Maria
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Rodrigo Faleiros
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SheetMusicPlus
String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1381876 Composed by Franz Schubert. Arranged by Rodrigo Faleiros. 19th Century,C...
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String Quintet Cello,Double Bass,Piano,Viola,Violin - Level 3 - SKU: A0.1381876 Composed by Franz Schubert. Arranged by Rodrigo Faleiros. 19th Century,Chamber,Religious,Romantic Period,Wedding. 12 pages. Rodrigo Faleiros #966410. Published by Rodrigo Faleiros (A0.1381876). Dive deeper into Franz Schubert's Ave Maria with our enchanting string quintet arrangement accompanied by piano. The iconic melody gracefully unfolds in the first violin, enriched by the lush harmonies and rhythmic support of the quintet, further enhanced by the resonant tones of the piano. Key Features: String Quintet Brilliance: Tailored for two violins, viola, cello, and double bass, allowing each instrument to contribute to a full and resonant ensemble sound. Piano Accompaniment: Elevate your rendition with the addition of a piano, enriching the arrangement with depth and resonance. First Violin Melody: Experience the emotional depth of the melody as it soars with grace and eloquence. Harmonic Depth: Delight in intricate harmonies and nuanced counterpoint, adding depth and dimension to the performance. Instant : Start your musical journey promptly with our easy-to-access PDF download. Whether you're in a concert hall, church, or private setting, our string quintet arrangement with piano promises to captivate audiences with its timeless beauty and spiritual resonance.
$17.99 ≈
16.58€
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
Gabrieli: Jubilate Deo Ch. 136 for Double Reed Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Jubilate Deo Ch. 136
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renais...
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Woodwind Ensemble Bassoon,English Horn,Oboe - Level 3 - SKU: A0.549199 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Easter,Renaissance,Standards. 42 pages. Jmsgu3 #3458615. Published by jmsgu3 (A0.549199). Giovanni Gabrieli: Jubilate Deo (Ch. 136). Instrumentation: 4 oboes, 2 English horns, 2 bassoons, 1 contrabassoon (or 3 bassoons). Duration: 3:00, cut time 4/2 at half-note = 96, 71 ms. Score: 24 pg. parts: 2 pg. Here is a stunningly beautiful example of Renaissance polyphony, and a mesmerizing fast-paced recital number. Program this either at the beginning to set an exciting mood or as an encore to leave the listeners in a jubilant afterglow. The parts are not difficult but plan to rehearse the many subtleties of dynamic contrast between the various sub-groups and the overall articulations. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Register for free lifetime updates and revisions of this product at www.jamesguthrie.com
$47.95 ≈
44.19€
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 3 - SKU: A0.549205 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 58 pages. Jmsgu3 #3462151. Published by jmsgu3 (A0.549205). Minimum instrumentation: 8 double reeds (or multiples) arranged in 2 antiphonal choirs. 4 oboes, 2 English horns, 1 bassoon, 1 contrabassoon (or 2 bassoons). Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.19€
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
Gottes Zeit ist die allerbeste Zeit - For String Orquestra
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Classique
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Johann Sebastian Bach
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Luis Anjos Teixeira
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edited by Wilhelm Rust.
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Gottes Zeit ist die allerbeste
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Con...
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Large Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.889436 Composed by Johann Sebastian Bach. Arranged by Luis Anjos Teixeira. Baroque,Concert,Contemporary,Easter,Standards. Score and parts. 11 pages. Luis Anjos Teixeira #4737807. Published by Luis Anjos Teixeira (A0.889436). The cantata „Gottes Zeit ist die allerbeste Zeit, BWV 106- „God`s Time Is The Very Best Time, ranks among Bach's most important works. It is a work of genius such as even great masters seldom achieve. The Actus tragicus belongs to the great musical literature of the world. Although Bach's manuscript is lost, the work is agreed to be one of the earliest Bach cantatas, probably composed during the year he spent in Mühlhausen 1707/1708 as organist of theDivi Blasil church, at the age of 22. Various funerals known to have taken place at this time have been proposed as the occasion for the composition, for example that of his uncle Tobias Lämmerhirt from his mother's family, who died inErfurt on 10 August 1707, and that of Adolph Strecker, a former mayor of Mühlhausen, whose funeral was 16 September 1708. The earliest surviving manuscript, in the hand of Christian Friedrich Penzel, was copied in 1768 after Bach's death. It introduced the title Actus tragicus. The cantata was published in 1876 as part of the first complete edition of Bach's works: the Bach-Gesellschaft-Ausgabe, edited by Wilhelm Rust. The text consists of different Bible passages from the Old and New Testament, as well as individual verses of hymns by Martin Lither and Adam Reusner, which all together refer to finiteness, preparation for death and dying. The Arrangement is relatively easy to perform, also appropriate for beginners. It is an ideal piece for advanced performers, this music touches deep into the Soul. The piece was arranged for modern instruments, I introduced some embellishments and interpretation symbols thus shortening the length of some notes, but no notes where otherwise changed or omitted in this arrangement. Also the original placement of the voices is totally respected, the structure of the piece was simply left as it was composed in its original form. Bach scored the instrumental parts for a small ensemble of Baroque instruments two recorders, two violas da gamba and continuo. I propose an interpretation for a modern string orquestra or a string quintet in this arrangement. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. If the orquestra only has one double bass I would recommend you to reenforce the bass with a cello. It can be very well performed by a „string quintet- a string quartet with a double bass. Have fun! It is a piece that can be used in many different kinds of situations, in a serious concert hall, or a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Teixeira Thanks to Claudia Eppelt for the all the Love, the wonderful painting and cover design. Special Thanks to Johann Sebastian Bach, Stray Dog Nina, Stray Queen Mimi, Carlinhos, Maria Pontinha, Maria Joaninha, Schwarzenegger, Maria Koboldinha. For all Living beings on Earth, for all our Ancestors, Thank You for all of You All Your Love and Compassion. Love Forever. Luis Anjos Teixeira
$10.99 ≈
10.13€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bassoon Quartet
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Basson
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
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Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Rid...
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Bassoon Solo - Level 3 - SKU: A0.784331 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288651. Published by Slide Ride (A0.784331). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.61€
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
Gabrieli: Canzon Septimi Toni Ch 172 for Double Brass Choir
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Giovanni Gabrieli
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James M
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Gabrieli: Canzon Septimi Toni
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jmsgu3
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SheetMusicPlus
Bass Trombone,Trumpet - Level 3 - SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festiva...
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Bass Trombone,Trumpet - Level 3 - SKU: A0.549202 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Chamber,Contest,Early Music,Festival,Renaissance,Standards. 47 pages. Jmsgu3 #3460779. Published by jmsgu3 (A0.549202). An antiphonal masterwork from the Sacrae Symphoniae, Venice,1597. Minimum instrumentation: 2 Trumpets, 2 French Horns, 2 Tenor Trombones, 2 Bass Trombones. Suggested instrumentation: multiples of the minimum instrumentation, e.g., 4 or 8 on each part. Place the choirs left and right - separated by enough space to accentuate the antiphonal nature of the music entirely. It is best performed in an ample reverberant space. Euphoniums might replace some of the trombones to good effect. Innovations First of all, Gabrieli preferred sacred vocal and, indeed, instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. It seems like Gabrieli may have invented dynamics – or was rather the first to indicate them, such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He, therefore, developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, followed by a response from the group on the other. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. Because they could be appropriately situated, the instruments could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper can, in contrast, sound perfectly in balance. First Works Finally, Gabrieli published his first motets and his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, the instruments are an essential part of the presentation here. Also, only parts marked Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moved to a much more homophonic style. He writes sections purely for instruments – which is called Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
$47.95 ≈
44.19€
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
Gabrieli: Sonata Pian e Forte Ch. 175 for Double Reed Choir
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Gabrieli
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James M
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Gabrieli: Sonata Pian e Forte
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jmsgu3
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SheetMusicPlus
Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Stan...
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Woodwind Ensemble Contrabassoon,English Horn,Oboe - Level 2 - SKU: A0.549212 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. 59 pages. Jmsgu3 #3465004. Published by jmsgu3 (A0.549212). A musical monument: the first composition to employ dynamics. Instrumentation: 3 oboes, 3 English horns, 2 bassoons, 1 contrabassoon. Arranged in two antiphonal choirs. Full Score: 27 pg. 81 ms 4/2, Study Score: 14 pg., Instrumental parts: 2 pg. Duration: 3:45 at half-note = 86.  Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo. Â
$47.95 ≈
44.19€
Concert Aria for Double Bass & Piano
Concert Aria for Double Bass & Piano
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Contrebasse, Piano (duo)
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INTERMÉDIAIRE
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Daniel Leo Simpson
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Concert Aria for Double Bass &
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ScorePerfect
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SheetMusicPlus
Composed by Daniel Leo Simpson. For Piano, Double Bass. Classical Period, General Instructional, Wedding. Intermediate. Score, Solo Part. Published by ScorePerf...
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Composed by Daniel Leo Simpson. For Piano, Double Bass. Classical Period, General Instructional, Wedding. Intermediate. Score, Solo Part. Published by ScorePerfect
$12.99 ≈
11.97€
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Concert Aria for Double Bass 
