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Vous avez sélectionné:
Common Silence
Partitions à imprimer
18 partitions trouvées
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1
My Soul Waits in Silence
My Soul Waits in Silence
#
Chorale SATB
#
Musique Sacrée
#
Mary Lynn Lightfoot
#
My Soul Waits in Silence
#
Laurel Press
#
SheetMusicPlus
SATB choir - SKU: LX.10-3111LA Composed by Mary Lynn Lightfoot. Sacred Anthem. Octavo. 8 pages. Laurel Press #e10/3111LA. Published by Laurel Press (LX....
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SATB choir - SKU: LX.10-3111LA Composed by Mary Lynn Lightfoot. Sacred Anthem. Octavo. 8 pages. Laurel Press #e10/3111LA. Published by Laurel Press (LX.10-3111LA). UPC: 000308092028.Various Psalms comprise this affirming text, with a modal music setting befitting the contrasting statements of strength with a prayerful entreaty evoloving into an uncommonly effective final phrase.
$2.40 ≈
2.25€
Psalm 137: Let My Tongue Be Silenced (piano/vocal)
Psalm 137: Let My Tongue Be Silenced (piano/vocal)
#
Piano, Voix
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Bill Hayes
#
Psalm 137: Let My Tongue Be Si
#
www.HayesMusicPublishing.com
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.832429 Composed by Bill Hayes. Christian,Easter,Sacred,Spiritual. Score. 3 pages. Www.HayesMusicPublishing.com #61...
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Piano,Vocal,Voice - Level 3 - SKU: A0.832429 Composed by Bill Hayes. Christian,Easter,Sacred,Spiritual. Score. 3 pages. Www.HayesMusicPublishing.com #6138933. Published by www.HayesMusicPublishing.com (A0.832429). Psalm 137: Let My Tongue Be Silenced is suitable for use in Catholic liturgy and other religious services with a simple refrain and common verse melody, written in a piano/vocal format, with chord symbols and ICEL lyrics. Easy to learn. Appropriate for the 4th Sunday in Lent, Year B, as well as personal reflection.
$2.99 ≈
2.80€
Psalm 137: Let My Tongue Be Silenced
Psalm 137: Let My Tongue Be Silenced
#
Musique Sacrée
#
Bill Hayes
#
Psalm 137: Let My Tongue Be Si
#
www.HayesMusicPublishing.com
#
SheetMusicPlus
Level 3 - SKU: A0.832343 Composed by Bill Hayes. Easter,Praise & Worship,Sacred,Spiritual. 2 pages. Www.HayesMusicPublishing.com #4888387. Published by ...
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Level 3 - SKU: A0.832343 Composed by Bill Hayes. Easter,Praise & Worship,Sacred,Spiritual. 2 pages. Www.HayesMusicPublishing.com #4888387. Published by www.HayesMusicPublishing.com (A0.832343). Psalm 137: Let My Tongue Be Silenced is suitable for use in Catholic liturgy and other religious services with a simple refrain and common verse melody, written in a lead sheet format with single line melody, chord symbols and ICEL lyrics. Easy to learn. Appropriate for the 4th Sunday in Lent, Year B, as well as personal reflection.
$1.99 ≈
1.86€
Psalm 137: Let My Tongue Be Silenced (leadsheet)
Psalm 137: Let My Tongue Be Silenced (leadsheet)
#
Musique Sacrée
#
Bill Hayes
#
Psalm 137: Let My Tongue Be Si
#
www.HayesMusicPublishing.com
#
SheetMusicPlus
Level 3 - SKU: A0.832428 Composed by Bill Hayes. Christian,Easter,Sacred,Spiritual. 1 pages. Www.HayesMusicPublishing.com #6138929. Published by www.Hay...
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Level 3 - SKU: A0.832428 Composed by Bill Hayes. Christian,Easter,Sacred,Spiritual. 1 pages. Www.HayesMusicPublishing.com #6138929. Published by www.HayesMusicPublishing.com (A0.832428). Psalm 137: Let My Tongue Be Silenced is suitable for use in Catholic liturgy and other religious services with a simple refrain and common verse melody, written in a leadsheet format, with chord symbols and ICEL lyrics. Easy to learn. Appropriate for the 4th Sunday in Lent, Year B, as well as personal reflection.
$1.99 ≈
1.86€
Common Silence
Common Silence
#
Chorale SATB
#
Marie-Claire Saindon
#
Common Silence
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral Choir,Choral,Voice (SATB) - SKU: HX.1078669 Composed by Marie-Claire Saindon. This edition: scorch. Concert,Festival,Inspirational. Octavo. 11 pa...
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Choral Choir,Choral,Voice (SATB) - SKU: HX.1078669 Composed by Marie-Claire Saindon. This edition: scorch. Concert,Festival,Inspirational. Octavo. 11 pages. Hal Leonard - Digital #343289. Published by Hal Leonard - Digital (HX.1078669).
$2.60 ≈
2.43€
Common Silence
Common Silence
#
Chorale 2 parties
#
Marie-Claire Saindon
#
Common Silence
#
Hal Leonard - Digital
#
SheetMusicPlus
Choral Choir,Choral,Voice (2-Part) - SKU: HX.1078675 Composed by Marie-Claire Saindon. This edition: scorch. Concert,Festival,Inspirational. Octavo. 6 p...
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Choral Choir,Choral,Voice (2-Part) - SKU: HX.1078675 Composed by Marie-Claire Saindon. This edition: scorch. Concert,Festival,Inspirational. Octavo. 6 pages. Hal Leonard - Digital #343289. Published by Hal Leonard - Digital (HX.1078675).
$2.15 ≈
2.01€
Rouse (Reveille)
Rouse (Reveille)
#
Trompette
#
Traditional
#
Steve Lees
#
Rouse
#
High Voltage Charts
#
SheetMusicPlus
Trumpet Solo - SKU: A0.983327 Composed by Traditional. Arranged by Steve Lees. Contemporary,Patriotic. Individual part. 1 pages. High Voltage Charts #66...
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Trumpet Solo - SKU: A0.983327 Composed by Traditional. Arranged by Steve Lees. Contemporary,Patriotic. Individual part. 1 pages. High Voltage Charts #6644269. Published by High Voltage Charts (A0.983327). Rouse (Reveille) is a traditional British military bugle call and is commonly used at Commonwealth military funerals and ceremonies commemorating those who have lost their lives in war. It is usually used on Remembrance Day after the two minute silence which begins with The Last Post.
$1.99 ≈
1.86€
In The Steppes Of Central Asia
In The Steppes Of Central Asia
#
Alexander Borodin
#
George Willson
#
In The Steppes Of Central Asia
#
George Willson
#
SheetMusicPlus
Brass Ensemble Trombone - Level 3 - SKU: A0.927177 Composed by Alexander Borodin. Arranged by George Willson. Concert,Romantic Period. Score and parts. ...
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Brass Ensemble Trombone - Level 3 - SKU: A0.927177 Composed by Alexander Borodin. Arranged by George Willson. Concert,Romantic Period. Score and parts. 16 pages. George Willson #4608717. Published by George Willson (A0.927177). The composer wrote the following about the piece: In the silence of the monotonous steppes of Central Asia is heard the unfamiliar sound of a peaceful Russian song. From the distance we hear the approach of horses and camels and the bizarre and melancholy notes of an oriental melody. A caravan approaches, escorted by Russian soldiers, and continues safely on its way through the immense desert. It disappears slowly. The notes of the Russian and Asiatic melodies join in a common harmony, which dies away as the caravan disappears in the distance.George Willson is a trombone player and has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$9.99 ≈
9.35€
Mozart Violin Duets
Mozart Violin Duets
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2 Violons (duo)
#
INTERMÉDIAIRE
#
Classique
#
Wolfgang Amadeus Mozart
#
Luis Anjos Teixeira
#
Mozart Violin Duets
#
Luis Anjos Teixeira
#
SheetMusicPlus
Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards....
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Violin Duet Violin - Level 3 - SKU: A0.889440 Composed by Wolfgang Amadeus Mozart. Arranged by Luis Anjos Teixeira. Baroque,Christmas,Concert,Standards. 35 pages. Luis Anjos Teixeira #4758249. Published by Luis Anjos Teixeira (A0.889440). Wolfgang Amadeus Mozart, is probably the most beloved artist that ever existed in this World. His work is without any doubt amongst the highest cultural achievements of the Human Being. To understand his cultural environment and musical practices I would advise you to read among others also the following books: „A Treatise on the Fundamental Principles of Violin Playing „Versuch einer gründlichen Violinschule from Leopold Mozart and from David D. Boyden A History of Violin Playing from its Origins to 1761. Also the biography righten by Jean et Brigite Massin gives us a deep view and idea of this times. Mozart wrote in Wien at 27.07.1786 this 12 duets for 2 basset horns K. 487, for his very Dear Friends „the Jacquin Family. This arrangement for 2 violin proposes an intime relation with the original work, but allows us to perform it also with modern instruments and to apply todays standards of musical literature praxis. No changes where made on the original composition, only the presentation of the score has been adjusted to contemporary violin music literature. It is also perfect adjusted for the use of baroque violins. I transposed it for the violin and introduced interpretation symbols to shorten some notes and induce loudness variations. The bowing is adjusted to violin performance but very much compromised with the ones in the original scores in wish they also meant a musical legato. I advise you to adjust much of the bowing to your taste and interpretation. Fingering is also relative to taste and school practices and is left to the artists choice. In order to leave the original notation as much untouched as possible I shortened the length of some notes with the „Staccato symbol to originate silence in between them. You are also free to further shorten even many more notes. As Mozart said - „The music is not in the notes but in the silent in between. In the arrangement, instead of repetitions, the performers interchange their parts so each of them will get to play as first and second violin player along each piece. This was common practice in chamber music when both musicians where at the same level. Very Human, this work comes from the hand of a musical Genius no other than Mozart. I tried to do an arrangement that would bring us as close as possible to the musical intention of the original work. This music demands accuracy and a very lively sensitive approach, it is a refined work of art, totally appropriate for serious „concert halls, for advanced students and great performers. Very useful of course for the music classroom on a wide range of various practices with students and also little concerts or presentations. It was righten for close friends and it should be practiced and performed with a heart full of Love and compassion. You should feel Free to apply in this piece the Art and technic that expresses entirely your individual skills, Your taste and Soul. Have fun! It is a piece that can be used in many different kinds of situations, from the serious concert hall to a funeral, in Easter or even Christmas celebrations and all other kinds of Spiritual events or even joyful social meetings. When performed Live It will give you back a great feedback from the public, you will always want to have it in your repertoire. The score was written on Finale. The sound file was produced with samplers from Garritan and conceived merely as an audio support for the presentation of this score. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Luis Anjos Tei.
$17.56 ≈
16.43€
Autumn's Winter
Autumn's Winter
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Mitchell Woodruff
#
Autumn's Winter
#
M. Woodruff
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1262617 Composed by Mitchell Woodruff. 21st Century,Chamber,Contemporary,Contest,Festival,Pop. Score and Parts. 17...
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Chamber Orchestra - Level 3 - SKU: A0.1262617 Composed by Mitchell Woodruff. 21st Century,Chamber,Contemporary,Contest,Festival,Pop. Score and Parts. 17 pages. M. Woodruff #855634. Published by M. Woodruff (A0.1262617). Autumn's Winter is a piece that displays both good and bad times. Farmers and gardeners alike have a fear of an early freeze, one that destroys the crops they spent time cultivating. This song depicts that fear, turning the meaning of the common phrase Ending on a high note into something full of anxiety. It ends with a release into silence, telling us that life goes on, hard moments are only temporary.
$25.00 ≈
23.39€
Flexible Offertories for Piano
Flexible Offertories for Piano
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Piano seul
#
INTERMÉDIAIRE
#
Musique Sacrée
#
Various
#
Jayne Nitz
#
Flexible Offertories for Piano
#
Jayne Nitz
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.922829 Composed by Various. Arranged by Jayne Nitz. Christian,Sacred. Score. 19 pages. Jayne Nitz #6327373. Published by ...
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Piano Solo - Level 3 - SKU: A0.922829 Composed by Various. Arranged by Jayne Nitz. Christian,Sacred. Score. 19 pages. Jayne Nitz #6327373. Published by Jayne Nitz (A0.922829). The unique aspect of these short hymn-based offertories is their flexible length. When the offertory goes by quickly, as it does in a smaller church or even an efficient larger church, a pianist needs to be able to end a piece quickly, or extend it if there are a few more in attendance. I’ve included directions for doing this written right into the music.Each arrangement takes the tune in a bit of a new direction and could be used as pre-service music, post-service music, and for filling other awkward variable-length silences in a church service (as when the organist/pianist takes communion).Titles by common hymn name: (listening sample has excerpts of titles with * below)Amazing Grace*Beautiful Savior*Behold the Lamb of God (Lent, Good Friday)Christ Has Arisen, Alleluia (Easter)*Lord, Thee I Love With All My HeartOpen Now They Gates of Beauty*Rock of Ages, Cleft for Me*The Angel Gabriel from Heaven Came/ Oh, Come, Oh, Come, Emmanuel (Advent, Christmas)*The Strife Is O’er, the Battle Done (Easter)Titles by hymn tune: ECCE AGNUSGABRIEL’S MESSAGE/ VENI, EMMANUELHERZLICH LIEB HAB ICH DICH, O HERRMFURAHINI HALELUYANEW BRITAINSCHÖNSTER HERR JESUTOPLADYUNSER HERRSCHERVICTORYIf you like these flexible-length offertories, I have another volume of ten titled Little Offertories for Little Churches published with Northwestern Publishing House at:www.nph.net.
$12.00 ≈
11.23€
March of the Creepy Pumpkins
March of the Creepy Pumpkins
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gavin Koh
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March of the Creepy Pumpkins
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Gavin Koh
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.874411 Composed by Gavin Koh. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 6 pages. Gavin Koh #3687573. ...
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Piano Solo - Level 4 - SKU: A0.874411 Composed by Gavin Koh. 20th Century,Concert,Contemporary,Halloween,Standards. Score. 6 pages. Gavin Koh #3687573. Published by Gavin Koh (A0.874411). Looking for a piece to play during Halloween? Well, the March of the Creepy Pumpkins employs an uncommon meter, tritone dissonances, bouts of silence, and a 2-bar cadenza (optional for the performer). Enjoy listening and leave comments on what you think about it.Follow the composer at https://www.facebook.com/gavinkoh1970
$3.99 ≈
3.73€
De La Chica: Poemas de bar, Op. 12
De La Chica: Poemas de bar, Op. 12
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Piano, Voix
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Julián De La Chica
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De La Chica: Poemas de bar, Op
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Vagabundo Music Publishing
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SheetMusicPlus
Piano,Vocal,Voice - SKU: A0.1180858 Composed by Julián De La Chica. 20th Century,Classical,Opera. Score. 62 pages. Vagabundo Music Publishing #780716...
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Piano,Vocal,Voice - SKU: A0.1180858 Composed by Julián De La Chica. 20th Century,Classical,Opera. Score. 62 pages. Vagabundo Music Publishing #780716. Published by Vagabundo Music Publishing (A0.1180858). MUSIC NOTES:Poemas de Bar is at the same time a cycle of deceptive simplicity. Each song suggests the bare outlines of a complex scenario of relationships, layers of memory filtered through the straightforward poetry. Musically, De La Chica knows how to use space and the weight of silence to load the most commonplace chords with aching resonance. Preconceived musical entities like “dissonance†or a jazz riff become sealed in a kind of sonic amber—objects in themselves. — Thomas May.
$55.00 ≈
51.46€
Our last words
Our last words
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Kjell Perder
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Our last words
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Bo Ejeby Forlag - Digital
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SheetMusicPlus
SMzATBarB chorus and pilgrim's staffs - SKU: BJ.1449 Composed by Kjell Perder. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1449. Published by ...
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SMzATBarB chorus and pilgrim's staffs - SKU: BJ.1449 Composed by Kjell Perder. Secular. Octavo. 16 pages. Bo Ejeby Forlag - Digital #1449. Published by Bo Ejeby Forlag - Digital (BJ.1449). 8.27 x 11.7 inches.Lyrics based on authentic quotes from death penalty prisoners facing execution.The choir piece Our last words allows a number of silenced voices – facing execution – to come forward in emotional goodbyes, pleads for forgiveness, assurances of innocence and wise advices to the survivors. Yes, there is a hint of revolt against the eye-for-an-eyementality and retaliation, but maybe the piece deals mostly with our common ontological longing of condonation? Is there a divine grace for us all: sinners, victims and executioners?Our last words is not completely a cappella. Thuds from four staffs is heard here and there as to emphasize the final words of a pilgrim; a percussive interpunction when life and death is about to be summed up, even echoes of the hammer-blows from the most famous crucifixion in history.Christe eleison… – K. Perder.
$4.80 ≈
4.49€
Cradle Song (SATB + Piano)
Cradle Song (SATB + Piano)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Russell Ronnebaum
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Cradle Song
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Russell Ronnebaum
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.761463 Composed by Russell Ronnebaum. Contemporary. Octavo. 11 pages. Russell Ronnebaum #2912079. Published by R...
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Choral Choir (SATB) - Level 4 - SKU: A0.761463 Composed by Russell Ronnebaum. Contemporary. Octavo. 11 pages. Russell Ronnebaum #2912079. Published by Russell Ronnebaum (A0.761463). Cradle Song for SATB Choir and PianoWords by: William BlakeMusic by: Russell Ronnebaum About the piece:William Blake’s serene language inspired this dramatic setting of his poem Cradle Song. The piece opens with a constantly descending scale as a mother sings to her sleeping child. As more voices are layered in, the texture becomes increasingly lush, but still soothing. The third stanza of text is marked with peaceful harp-like figures (as thy softest limbs I feel) while the voices take over the calming decent into deeper, more peaceful sleep. The mother’s concern suddenly changes as the descending scale transforms and (the cunning wiles that creep) set in. Anticipation of escaping the terror of potential nightmares escalates as the ascending textures grow more tense and dissonant. The tension finally peaks with a breathless silence before resolving with (then the dreadful night shall break). The final phrase of the piece is a slightly transformed iteration of the opening vocal phrase and is a subtle nod to Johannes Brahms’ Wiegenlied: Guten Abend, Gute Nacht, more commonly known as Brahms’ Lullaby.Cradle Song was commissioned by Rincon/University High School Concert Choir in Tucson, Arizona; Directed by Mareena Boosamra.www.RRonnebaum.com
$2.25 ≈
2.11€
Marie-Claire Saindon: Common Silence - choir (2-Part)
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Chorale
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INTERMÉDIAIRE
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Gospel Spirituel
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Marie-Claire Saindon
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Virtualsheetmusic
Instantly printable sheet music by Marie-Claire Saindon for choir (2-Part) of MEDIUM skill level. / inspirational,concert,festival
Instantly printable sheet music by Marie-Claire Saindon for choir (2-Part) of MEDIUM skill level. / inspirational,concert,festival
$5.13 ≈
4.80€
Marie-Claire Saindon: Common Silence - choir (SATB: soprano, alto, tenor, bass)
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Chorale
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INTERMÉDIAIRE
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Gospel Spirituel
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Marie-Claire Saindon
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Virtualsheetmusic
Instantly printable sheet music by Marie-Claire Saindon for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / inspirational,concert,festival...
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Instantly printable sheet music by Marie-Claire Saindon for choir (SATB: soprano, alto, tenor, bass) of MEDIUM skill level. / inspirational,concert,festival
$6.58 ≈
6.16€
Contours
Contours
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Saxophone (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Robert A
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Contours
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Robert A. Howard
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SheetMusicPlus
Soprano Saxophone Solo - Level 4 - SKU: A0.998869 Composed by Robert A. Howard. Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard ...
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Soprano Saxophone Solo - Level 4 - SKU: A0.998869 Composed by Robert A. Howard. Contemporary,Jazz,Standards. Individual part. 4 pages. Robert A. Howard #6348469. Published by Robert A. Howard (A0.998869). 'Contours' explores various shapes and directions of brief musical phrases, in the context of a virtuosic single-movement solo work. The piece takes the notion of improvisation, commonly associated with the saxophone, and aims to convey this through a fully notated work. Contours is cast in an overall ternary form. A fairly chromatic opening section develops a succession of short phrases, occasionally repeated by octave displacement, that are separated by notated silences. The middle section is more obviously influenced by jazz and is itself in an arch form. It is framed by a fanfare idea followed by a theme of triplet arpeggios. The apex of this central part is a jazz-like syncopated melody. This idea is repeated with its own canon, thus giving the illusion of two saxophones answering each other in contrasting octaves. The opening section then returns in full, exact in rhythm and almost exactly in inversion by pitch. The piece is accessible for the listener and is appropriate for advanced saxophonists, including students and professional players.Duration: 6 minutes 30 seconds. Registered with PRS (Performing Rights Society, UK).
$3.49 ≈
3.27€
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Common Silence
