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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
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Common Ravel
Non classifié
29
Piano & claviers
Piano seul
5
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1
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1
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2
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1
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4
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4
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3
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2
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2
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2
Quatuor de Clarinettes: 4 clarinettes
2
Cor Anglais
1
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
1
Quatuor de Saxophones: 4 saxophones
1
Piccolo
1
Quintette de Flûte : 5 flûtes
1
Saxophone Alto et Piano
1
Hautbois, Piano (duo)
1
Clarinette
1
2 Flûtes traversières (duo)
1
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1
+ 13 instrumentations
Retracter
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
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4
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3
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2
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1
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
1
Quatuor de cuivres: 4 trombones
1
Trompette
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 cors
1
Tuba
1
+ 6 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon
2
Trio à Cordes: 2 violons, violoncelle
1
Harpe
1
Violoncelle (partie séparée)
1
Ensemble d'Altos
1
Violon (partie séparée)
1
Contre Basse
1
Ensemble de Violons
1
Alto seul
1
Violoncelle
1
Violon et Piano
1
+ 7 instrumentations
Retracter
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5
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2
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2
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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Vous avez sélectionné:
Common Ravel
Partitions à imprimer
125 partitions trouvées
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101
Ravel Vocalise Etude En Form Habanera Clarinet Quartet
Ravel Vocalise Etude En Form Habanera Clarinet Quartet
#
Quatuor de Clarinettes: 4 clarinettes
#
FACILE
#
Rainer's Rainbow
#
R G Roth
#
Ravel Vocalise Etude En Form H
#
Rainer's Rainbow
#
SheetMusicPlus
Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1045605 By Rainer's Rainbow. By Maurice Ravel 1975-1937. Arranged by R G Roth. Classical,Folk,Jazz,R...
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Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.1045605 By Rainer's Rainbow. By Maurice Ravel 1975-1937. Arranged by R G Roth. Classical,Folk,Jazz,Romantic Period,Standards. 16 pages. Rainer's Rainbow #650184. Published by Rainer's Rainbow (A0.1045605). This original theme by Ravel was composed for 4 hands piano in 1895. It has been adapted many time including substantial liberties taken with the melody. This clarinet quartet follows the most common performance ideas featuring a solo clarinet part.
$12.99 ≈
11.96€
Ravel Vocalise Etude En Form Habanera Bassoon Quartet
Ravel Vocalise Etude En Form Habanera Bassoon Quartet
#
4 Bassons
#
FACILE
#
Rainer's Rainbow
#
R G Roth
#
Ravel Vocalise Etude En Form H
#
Rainer's Rainbow
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon - Level 2 - SKU: A0.1046074 By Rainer's Rainbow. By Maurice Ravel 1975-1937. Arranged by R G Roth. Classical,...
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Woodwind Ensemble,Woodwind Quartet Bassoon - Level 2 - SKU: A0.1046074 By Rainer's Rainbow. By Maurice Ravel 1975-1937. Arranged by R G Roth. Classical,Contemporary,Folk,Jazz,Romantic Period. 13 pages. Rainer's Rainbow #650602. Published by Rainer's Rainbow (A0.1046074). This original theme by Ravel was composed for 4 hands piano in 1895. It has been adapted many times including substantial liberties taken with the melody. This bassoon quartet follows the most common performance ideas featuring a solo bassoon part that can be played alone with a jazz guitar (chords are provided).
$12.99 ≈
11.96€
Ravel Vocalise Etude En Form Habanera Flute Quartet
Ravel Vocalise Etude En Form Habanera Flute Quartet
#
Rainer's Rainbow
#
R G Roth
#
Ravel Vocalise Etude En Form H
#
Rainer's Rainbow
#
SheetMusicPlus
Woodwind Ensemble Alto Flute - Level 2 - SKU: A0.1046149 By Rainer's Rainbow. By Maurice Ravel 1875-1937. Arranged by R G Roth. Classical,Folk,Jazz,Roma...
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Woodwind Ensemble Alto Flute - Level 2 - SKU: A0.1046149 By Rainer's Rainbow. By Maurice Ravel 1875-1937. Arranged by R G Roth. Classical,Folk,Jazz,Romantic Period,Standards. 13 pages. Rainer's Rainbow #650655. Published by Rainer's Rainbow (A0.1046149). This original theme by Ravel was composed for 4 hands piano in 1895. It has been adapted many times including substantial liberties taken with the melody. This flute quartet follows the most common performance ideas featuring a solo flute part that includes chords. It can be played as a solo piece with jazz piano or guitar.
$12.99 ≈
11.96€
Ravel Vocalise Etude En Form Habanera Sax Quartet
Ravel Vocalise Etude En Form Habanera Sax Quartet
#
Quatuor de Saxophones: 4 saxophones
#
FACILE
#
Rainer's Rainbow
#
R G Roth
#
Ravel Vocalise Etude En Form H
#
Rainer's Rainbow
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1046095 By Rainer's Rainbow....
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 2 - SKU: A0.1046095 By Rainer's Rainbow. By Maurice Ravel 1875-1937. Arranged by R G Roth. Classical,Folk,Jazz,Romantic Period,Standards. 16 pages. Rainer's Rainbow #650624. Published by Rainer's Rainbow (A0.1046095). This original theme by Ravel was composed for 4 hands piano in 1895. It has been adapted many times including substantial liberties taken with the melody. This sax quartet follows the most common performance ideas featuring parts for either solo Alto or Soprano. These parts can be played alone with a jazz piano or guitar (chords are provided).
$12.99 ≈
11.96€
Ravel Vocalise Etude En Form Habanera Woodwind Quartet (Oboe Solo)
Ravel Vocalise Etude En Form Habanera Woodwind Quartet (Oboe Solo)
#
Flûte, Hautbois, Clarinette, Basson
#
DÉBUTANT
#
Rainer's Rainbow
#
R G Roth
#
Ravel Vocalise Etude En Form H
#
Rainer's Rainbow
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - SKU: A0.1045606 By Rainer's Rainbow. By Maurice Ravel 1975-1937. Arranged by ...
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 1 - SKU: A0.1045606 By Rainer's Rainbow. By Maurice Ravel 1975-1937. Arranged by R G Roth. Classical,Contemporary,Folk,Romantic Period,Standards. 14 pages. Rainer's Rainbow #650185. Published by Rainer's Rainbow (A0.1045606). This original theme by Ravel was composed for 4 hands piano in 1895. It has been adapted many timse including substantial liberties taken with the melody. This woodwind quartet follows the most common performance ideas featuring a solo oboe part.
$12.99 ≈
11.96€
Trois Chansons (Three Songs) for Trombone Quartet
Trois Chansons (Three Songs) for Trombone Quartet
#
Quatuor de cuivres: 4 trombones
#
AVANCÉ
#
Contemporain
#
Maurice Ravel
#
Ralph Sauer
#
Trois Chansons
#
Gordon Cherry
#
SheetMusicPlus
Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1226911 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. 52 pages. Gordon Cherry #8229...
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Bass Trombone,Tenor Trombone - Level 5 - SKU: A0.1226911 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. 52 pages. Gordon Cherry #822920. Published by Gordon Cherry (A0.1226911). Trois Chansons (Three Songs) is a work by Maurice Ravel originally composed for a cappella choir written in 1915 in the spirit of nursery rhymes, with a Renaissance almost archaic sounding atmosphere.Ravel composed the Three Songs (Nicolette, Trois beaux oiseaux du Paradis and Ronde) in response to World War I while he was waiting to be drafted and he dedicated the songs to three people who might help him enlist in the military. The common theme in all the Songs is loss.Mr. Sauer has beautifully arranged the Trois Chansons for 4 Trombones. They are appropriate for advanced performers and total about 7-minutes in length.
$30.00 ≈
27.61€
Trois Chansons (Three Songs) for Horn Quartet
Trois Chansons (Three Songs) for Horn Quartet
#
Quatuor de cuivres: 4 cors
#
AVANCÉ
#
Contemporain
#
Maurice Ravel
#
Ralph Sauer
#
Trois Chansons
#
Gordon Cherry
#
SheetMusicPlus
Horn - Level 5 - SKU: A0.1291756 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. 28 pages. Gordon Cherry #882365. Published by Gordon ...
(+)
Horn - Level 5 - SKU: A0.1291756 Composed by Maurice Ravel. Arranged by Ralph Sauer. 20th Century. 28 pages. Gordon Cherry #882365. Published by Gordon Cherry (A0.1291756). Trois Chansons (Three Songs) is a work by Maurice Ravel originally composed for a cappella choir written in 1915 in the spirit of nursery rhymes, with a Renaissance almost archaic sounding atmosphere.Ravel composed the Three Songs (Nicolette, Trois beaux oiseaux du Paradis and Ronde) in response to World War I while he was waiting to be drafted and he dedicated the songs to three people who might help him enlist in the military. The common theme in all the Songs is loss.Mr. Sauer has beautifully arranged the Trois Chansons for Four Horns. They are appropriate for advanced performers and total about 7-minutes in length.
$30.00 ≈
27.61€
The Auld Hoose / Loch Lomond / Comin' Thro' The Rye / The Bluebells Of Scotland
The Auld Hoose / Loch Lomond / Comin' Thro' The Rye / The Bluebells Of Scotland
#
Accordéon
#
Traditional
#
Julia Gordon
#
The Auld Hoose / Loch Lomond /
#
Julia Gordon
#
SheetMusicPlus
Accordion - SKU: A0.822592 Composed by Traditional. Arranged by Julia Gordon. Celtic,Folk,World. Score. 5 pages. Julia Gordon #3578371. Published by Jul...
(+)
Accordion - SKU: A0.822592 Composed by Traditional. Arranged by Julia Gordon. Celtic,Folk,World. Score. 5 pages. Julia Gordon #3578371. Published by Julia Gordon (A0.822592). four Scottish airs arranged as a set for accordion THE AULD HOOSEWritten by Carilina Oliphant (Lady Nairne, 1766-1845) this is a nostalgic song about her birthplace in Gask, Perthshire.LOCH LOMONDLoch Lomond, also known as ‘The Bonnie Banks o' Loch Lomond’, is a well-known traditional Scottish song first published in 1841 in 'Vocal Melodies of Scotland'. There are many theories about the meaning of the song, most of which are connected to the Jacobite Uprising of 1745. One interpretation based on the lyrics is that the song is sung by the lover of a captured Jacobite rebel set to be executed in London following a show trial. The heads of the executed rebels were then set upon pikes and exhibited in all of the towns between London and Edinburgh in a procession along the 'high road' (the most important road), while the relatives of the rebels walked back along the 'low road' (the ordinary road travelled by peasants and commoners).COMIN’ THRO’ THE RYEThe lyrics were written in 1782 by Robert Burns (1759–96) who put the words to the melody of the ‘Common' Frae The Town’, a variant of the tune to which 'Auld Lang Syne' is usually sung.THE BLUEBELLS OF SCOTLANDThe Bluebells of Scotland is the usual modern name for a Scottish folk song. It was written by Dora Jordan, an English actress and writer, and first published in 1801.
$6.50 ≈
5.98€
Requiem
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
51.53€
The Plane
The Plane
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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William Masloske
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The Plane
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Acappellago Presents
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1022992 Composed by William Masloske. A Cappella,Contemporary. Octavo. 8 pages. Acappellago Presents #4355299. P...
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Choral Choir (SATB) - Level 4 - SKU: A0.1022992 Composed by William Masloske. A Cappella,Contemporary. Octavo. 8 pages. Acappellago Presents #4355299. Published by Acappellago Presents (A0.1022992). The Plane is an original SATB a cappella composition by WiIlliam Masloske, written for Acappellago's March 2019 concerts.The Plane, explores our love-hate relationship with commercial aviation. Says the composer, Only in recent history has mankind been so fortunate as to have at its disposal a vehicle capable of traveling such great distances in a short period of time. All corners of the earth are now accessible to the common man. Yet, the voyage on these ‘flying machines’ is rarely the highlight of any trip. The use of irregular rhythms to convey the anxiety that so often underlies every aspect of air travel: the fear of missing the flight, the rush to the gate, the momentary calm after take-off that’s quickly interrupted by turbulence, and finally the vain search at the baggage claim.
$2.50 ≈
2.30€
Suite for Oboe and Piano (Downloadable)
Suite for Oboe and Piano (Downloadable)
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Hautbois, Piano (duo)
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Walter Piston
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Suite for Oboe and Piano
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Oboe & piano - Moderately Difficult - SKU: MQ.0788-E Composed by Walter Piston. 18 pages. E. C. Schirmer Music Company - Digital #0788-E. Published by E...
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Oboe & piano - Moderately Difficult - SKU: MQ.0788-E Composed by Walter Piston. 18 pages. E. C. Schirmer Music Company - Digital #0788-E. Published by E. C. Schirmer Music Company - Digital (MQ.0788-E). This 1931 suite was first performed by a principal player of the Boston Symphony Orchestra, Ferdinand Gillet, with Jesus Sanromá as pianist. It is dedicated to Dr. Augusts Thorndike, an amateur oboist who was the father of one of Piston's friends. Commentators on the music suspect that Piston might have been writing it to suite Thorndike's tastes and skills, for it is unusually brilliantly written for the instrument, but is uncommonly Debussian and Ravelian in its style, which abounds in use of the whole-tone scale and chords of the ninth. It even quotes Debussy's Clair de lune and Roussel's Suite in F. The movements of the suite have titles that would not be out of place in the music of any of these composers, such as Nocturne, Sarabande, Prelude, and Minuetto. While the piece is very lyrical, it is almost excessively pretty and hence is pretty atypical for Piston. -Joseph Stevenson, AllMusic.com.
$12.85 ≈
11.83€
Molecules and Stars: Drums
Molecules and Stars: Drums
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Batterie (partie séparée)
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Methodes
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Martin Norgaard
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Molecules and Stars: Drums
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0014533_D Drums. Composed by Martin Norgaard. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #...
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String Orchestra - SKU: AX.00-PC-0014533_D Drums. Composed by Martin Norgaard. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014533_D. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014533_D). UPC: 038081381503.This gentle Latin piece features unusual and challenging harmonies. Though melodic, the piece does not have a common key center, giving it a sound reminiscent of Impressionistic composers such as Ravel or Debussy. Yet, following the jazz tradition, the piece is based on a Bossa Nova beat and includes individual solos that are written out or can be improvised. Sure to become a modern jazz string orchestra classic!
$5.99 ≈
5.51€
Memorial (for Brass Quintet & Percussion)
Memorial (for Brass Quintet & Percussion)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Dr
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Memorial
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https://gildedmusicpress.com/
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SheetMusicPlus
Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. H...
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Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1158398 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Historic,Patriotic. 18 pages. Https://gildedmusicpress.com/ #758679. Published by https://gildedmusicpress.com/ (A0.1158398). Composed to commemorate the 20th year of the 9-11 terrorist attacks. This somber, gorgeous piece of music draws tears when presented correctly, and is an extraordinarily important contribution to the brass quintet repertoire. The Jewish “feast†(or “appointed timeâ€) of trumpets, as outlined in Leviticus 23:24-25, prescribes the observance: “Speak unto the children of Israel, saying, In the seventh month, in the first day of the month, shall ye have a sabbath, a memorial of blowing of trumpets, an holy convocation. Ye shall do no servile work therein: but ye shall offer an offering made by fire unto the Lord.†According to the Jewish calendar, the feast of trumpets in 2001 coincided exactly with the 9-11 attacks, which could indeed be thought of as “an offering made by fire.†Effectively no servile work was done on that day throughout the attacked nation, and it has indeed become a somber type of “sabbath†to observe every year. It seemed extraordinarily appropriate—perhaps even requisite—that a somber composition with trumpets be composed for the 20th annual observance of the horrific attacks on American soil, as a “Memorial†to those lost that day, and those who since perished in the Global War on Terror. “Where were you when you first heard about the 9-11 attacks?†This common question is posed to those who were of age to comprehend what had happened in 2001. Personally, I had just listened to an emotional rendition of Maurice Ravel’s “Pavane to a Dead Princess.†Elements of that musical memory influenced this present work “Memorial.†Other sources of inspiration—whether intended or subconscious—include Samuel Barber’s heart-wrenching “Adagio for Strings,†Michael Kamen’s “Quintet†for brass, and John Williams’ “Hymn to the Fallen.†The harmonies are thick and often dissonant, including many suspensions. The players get little rest, symbolic of the constant state of alertness of a shocked nation after being so brutally attacked. Perhaps of greatest symbolic import is the fact that there are exactly 911 notes in this composition. Because of this, it is crucial that the percussion part be performed, and that great care be taken by all performers to refrain from altering the notes or rhythms in any way. A comment on the interpretation of notation: all long notes that are tied to a staccato note on the downbeat are to be held to the downbeat and gently released, not held over.
$24.95 ≈
22.96€
Introspection 1
Introspection 1
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the same standard, it can't be
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Eric Paul Nolte
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Introspection 1
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Eric Paul Nolte
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte ...
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Piano Solo - Level 4 - SKU: A0.987080 Composed by Eric Paul Nolte. Contemporary. Score. 12 pages. Eric Paul Nolte #566749. Published by Eric Paul Nolte (A0.987080). This piece is one of an album of my contemporary classical compositions. Yes, I too wince at offering you something saddled with this oxymoron--contemporary classical--but this phrase is now an irresistible, commercially recognized category defying any principled protest from the ranks of wounded musicological curmudgeons like me. The style here employs a tonal palette that celebrates the more or less common practice of composers from J. S. Bach to Ravel, Prokofiev, and the 20th century American songbook. You will see that I reject Arnold Schoenberg's assertion that by 1910 tonality had exhausted itself, and needed to be reinvented according to an aesthetics that dismiss our scales and harmonies as purely arbitrary human conventions with no basis in nature. On the contrary, I believe that we are endowed by our nature to respond emotionally to our traditional materials of music in the same way as nature equips us to respond to the taste of food and drink. We differ in our taste for savory, sweet, and sour, but it is wrong to say that our very capacity to taste is a merely cultural convention. There is biology, and then physics too! By the same standard, it can't be true that one person's taste for arsenic is as valid as another's taste for beer or kumquats. The major triad is a force of nature, like the sun, wind, and rain! I also like big fat juicy 13 chords, and contrapuntal weaving of melody! I believe the purpose of music is to sway us emotionally, and if it can uplift us too, so much the better! While I am not ashamed to write a bare triad, unadorned by chromatic alterations (much less by clusters of chord collisions) I have nevertheless employed much complicated harmony. Moreover, some passages are written in a spiky harmony that might be analyzed as bitonal, as at the meno mosso section, beginning at measure 112, where the mood I wanted to set inspired me to write the theme in C minor while the left hand climbs up from the bottom of the keyboard in a widely spaced, D-flat 13 arpeggio. I have composed these pieces with the skills of intermediate to early-advanced pianists in mind. This piece demands the ability to play some counterpoint between two voices in one hand. There is a section that requires one to play moderately fast octaves, but nothing as difficult as the G minor Prelude of Chopin (to say nothing of his harrowing octave Etude from Opus 25!) While there are many polyrhythmic passages, none is more complicated than two-against-three notes. All said, there is nothing here to make your hands (or, I dare say, your ears) bleed. The performing time is around nine minutes and a breath or three. I have a number of videos posted on YouTube.com, I have a website under construction, ericpaulnolte.com, and, since 2011, an occasional blog of my ravings on life, love, and the cosmos, at ericpaulnolte.blogspot.com. You may write me at nolte0125@gmail.com.
$3.99 ≈
3.67€
Nocturne
Nocturne
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Piano seul
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AVANCÉ
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Charles Koechlin
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Nocturne
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q47441 For piano. Composed by Charles Koechlin. This edition: Sheet music. Downloadable. Op. 33. Duration 12 minutes....
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Piano - difficult - SKU: S9.Q47441 For piano. Composed by Charles Koechlin. This edition: Sheet music. Downloadable. Op. 33. Duration 12 minutes. Schott Music - Digital #Q47441. Published by Schott Music - Digital (S9.Q47441). This first print is a rarity: the highly virtuoso, evocative 'Nocturne' owes its creation to an instrument that has only survived as a museum piece. Gustave Lyon, the director of the French instrument maker Pleyel, commissioned Charles Koechlin as well as several other French composers (such as Claude Debussy and Maurice Ravel) to write works for the 'harpe chromatique' developed by him around 1900. In contrast to the common pedal harp, the chromatic harp allows for an unlimited modulatory range. Nevertheless, the instrument did not gain much acceptance and remained exotic. Koechlin was aware of the difficulty of introducing and establishing new instruments. He therefore, from the very beginning, had the piano as an alternative of equal value in mind when writing his Nocturne.
$15.99 ≈
14.72€
Molecules and Stars: String Bass
Molecules and Stars: String Bass
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Orchestre à Cordes
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Methodes
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Martin Norgaard
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Molecules and Stars: String Ba
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0014533_SB String Bass. Composed by Martin Norgaard. Instructional. Part. 2 pages. Alfred Music - Digital Sheet ...
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String Orchestra - SKU: AX.00-PC-0014533_SB String Bass. Composed by Martin Norgaard. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014533_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014533_SB). UPC: 038081381503.This gentle Latin piece features unusual and challenging harmonies. Though melodic, the piece does not have a common key center, giving it a sound reminiscent of Impressionistic composers such as Ravel or Debussy. Yet, following the jazz tradition, the piece is based on a Bossa Nova beat and includes individual solos that are written out or can be improvised. Sure to become a modern jazz string orchestra classic!
$5.99 ≈
5.51€
Molecules and Stars: Score
Molecules and Stars: Score
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Orchestre à Cordes
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Methodes
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Martin Norgaard
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Molecules and Stars: Score
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PR-0002852 Score. Composed by Martin Norgaard. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #...
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String Orchestra - SKU: AX.00-PR-0002852 Score. Composed by Martin Norgaard. Instructional. Score. 16 pages. Alfred Music - Digital Sheet Music #00-PR-0002852. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0002852). UPC: 038081381503.This gentle Latin piece features unusual and challenging harmonies. Though melodic, the piece does not have a common key center, giving it a sound reminiscent of Impressionistic composers such as Ravel or Debussy. Yet, following the jazz tradition, the piece is based on a Bossa Nova beat and includes individual solos that are written out or can be improvised. Sure to become a modern jazz string orchestra classic!
$7.00 ≈
6.44€
Molecules and Stars: 1st Violin
Molecules and Stars: 1st Violin
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Violon (partie séparée)
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Methodes
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Martin Norgaard
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Molecules and Stars: 1st Violi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0014533_VN1 1st Violin. Composed by Martin Norgaard. Instructional. Part. 3 pages. Alfred Music - Digital Sheet ...
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String Orchestra - SKU: AX.00-PC-0014533_VN1 1st Violin. Composed by Martin Norgaard. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014533_VN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014533_VN1). UPC: 038081381503.This gentle Latin piece features unusual and challenging harmonies. Though melodic, the piece does not have a common key center, giving it a sound reminiscent of Impressionistic composers such as Ravel or Debussy. Yet, following the jazz tradition, the piece is based on a Bossa Nova beat and includes individual solos that are written out or can be improvised. Sure to become a modern jazz string orchestra classic!
$5.99 ≈
5.51€
Molecules and Stars: 2nd Violin
Molecules and Stars: 2nd Violin
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Orchestre à Cordes
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Methodes
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Martin Norgaard
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Molecules and Stars: 2nd Violi
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0014533_VN2 2nd Violin. Composed by Martin Norgaard. Instructional. Part. 3 pages. Alfred Music - Digital Sheet ...
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String Orchestra - SKU: AX.00-PC-0014533_VN2 2nd Violin. Composed by Martin Norgaard. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014533_VN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014533_VN2). UPC: 038081381503.This gentle Latin piece features unusual and challenging harmonies. Though melodic, the piece does not have a common key center, giving it a sound reminiscent of Impressionistic composers such as Ravel or Debussy. Yet, following the jazz tradition, the piece is based on a Bossa Nova beat and includes individual solos that are written out or can be improvised. Sure to become a modern jazz string orchestra classic!
$5.99 ≈
5.51€
Molecules and Stars: Viola
Molecules and Stars: Viola
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Orchestre à Cordes
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Methodes
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Martin Norgaard
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Molecules and Stars: Viola
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0014533_VA1 Viola. Composed by Martin Norgaard. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music...
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String Orchestra - SKU: AX.00-PC-0014533_VA1 Viola. Composed by Martin Norgaard. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014533_VA1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014533_VA1). UPC: 038081381503.This gentle Latin piece features unusual and challenging harmonies. Though melodic, the piece does not have a common key center, giving it a sound reminiscent of Impressionistic composers such as Ravel or Debussy. Yet, following the jazz tradition, the piece is based on a Bossa Nova beat and includes individual solos that are written out or can be improvised. Sure to become a modern jazz string orchestra classic!
$5.99 ≈
5.51€
Molecules and Stars: Cello
Molecules and Stars: Cello
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Orchestre à Cordes
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Methodes
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Martin Norgaard
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Molecules and Stars: Cello
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0014533_VC1 Cello. Composed by Martin Norgaard. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music...
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String Orchestra - SKU: AX.00-PC-0014533_VC1 Cello. Composed by Martin Norgaard. Instructional. Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0014533_VC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014533_VC1). UPC: 038081381503.This gentle Latin piece features unusual and challenging harmonies. Though melodic, the piece does not have a common key center, giving it a sound reminiscent of Impressionistic composers such as Ravel or Debussy. Yet, following the jazz tradition, the piece is based on a Bossa Nova beat and includes individual solos that are written out or can be improvised. Sure to become a modern jazz string orchestra classic!
$5.99 ≈
5.51€
String Quartet No. 3: Among Friends
String Quartet No. 3: Among Friends
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Contemporain
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Robert M
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String Quartet No. 3: Among Fr
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Robert M. Greenberg
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SheetMusicPlus
String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg ...
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String Quartet String Quartet - Level 5 - SKU: A0.987847 Composed by Robert M. Greenberg. 20th Century. Score and parts. 178 pages. Robert M. Greenberg #90283. Published by Robert M. Greenberg (A0.987847). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 33 minutes Year of composition: 1995 Program Note: I. With Friends Like These II. Inner Voices III. Little Hands and Little Feet IV. Freund Barry V. Friendly Persuasion VI. All For One and One For All I've known the Alexander String Quartet since 1987. More than just colleagues, they have become my friends: I've traveled with them, performed with them, watched them rehearse, dined with them in their homes and they in mine; I know their children and they know my children. Throughout the time I've known the members of the quartet I have observed the relationship between them, that special bond shared by the members of any touring band, described by one pundit as being like a bad marriage with no sex. Such issues notwithstanding, this particular marriage works. A string quartet represents, perhaps, the ultimate musical compromise between individual incentive and the common good. In a string quartet, by definition, four distinct instrumental voices and four different instrumental roles unite to create a whole greater than its parts. And, lest we forget, behind each instrument is a person, with his own particular attitudes, feelings, needs, and, yes, issues, all of which must be tempered and blended for the common good of a good performance. Among Friends is, its liberties aside, about the four people behind the instruments of the Alexander String Quartet and their relationships with one another; the way they play, rehearse, get along and, on occasion, not get along. The first movement, With Friends Like These is gritty and contentious in tone. The players argue, debate, annoy, tease, irk, cajole, abuse, harass, form brief alliances, heap merde upon, gang up on, and otherwise find endless ways to irritate each other. It is in this movement that the individual characters of the four instrumental parts stand in highest relief: the first violin as coloratura prima donna, forever attempting to soar above it all; the second violin as the voice in the wilderness, the viola as the voice of reason and the 'cello as mover and shaker. The opening of the movement is marked argument in progress; with greatest intensity. The second, third and fourth movements are a series of portraits, played without a break. In movement two, Inner Voices, the second violin and viola are featured in a collegial and decidedly non-contentious dialogue. Movement three, Little Hands and Little Feet, is the quiet center of the quartet. It is here that the first violin finally attains the lyric heights vainly sought in the first movement. The fourth movement is a vigorous dance entitled Freund Barry. This movement honors three great friends: Dr. Barry Gardiner, whose friendship and support made the writing of this quartet possible; Gustav Mahler, whose Symphony No. 4, second movement (Freund Heine) inspired this one; and Sandy Wilson, who first encouraged me to compose my second string quartet (Child's Play) for the Alexander in 1987 and whose boisterous 'cello is Freund Barry's alter-ego. The fifth movement is entitled Friendly Persuasion. Rapid fire repeated notes, accompanimental figures and melodic lines are shuttled about from voice to voice, each time elaborated or altered in some way. In this way the music slowly metamorphoses, ultimately arriving at a version of the argumentative music that concluded the first movement. Movement six, All For One and One For All is a fast, brief coda/finale, during which the quartet plays primarily in unison, the musical antithesis of the contentious argument that began the quartet. Among Friends was commissioned by the Koussevitzky Foundation in the Library of Congress and the Alexander String Quartet. Among Friends i.
$36.00 ≈
33.13€
She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
She's Like the Swallow for SSA choir and piano. Newfoundland folk song ballad.
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Chorale 3 parties
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INTERMÉDIAIRE
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Stella ter Hart
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Stella ter Hart
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She's Like the Swallow for SSA
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Stella ter Hart
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SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.890639 Composed by Stella ter Hart. Arranged by Stella ter Hart. 20th Century,Folk,Standards. 12 pages. St...
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.890639 Composed by Stella ter Hart. Arranged by Stella ter Hart. 20th Century,Folk,Standards. 12 pages. Stella ter Hart #3455153. Published by Stella ter Hart (A0.890639). This hauntingly beautiful and artistic arrangement of She's Like the Swallow contains the original, very old Newfoundland folk text very rarely used due to it's tragic story line. It is in the genre of beware the uncaring man common in folk songs of Europe which served to teach and warn young girls about the dangers of infatuation. This genre travelled to the United States and Canada in the 1700's. The expression apron low/apron high is a common thread in this genre and refers to being pregnant. She's Like the Swallow tells the tragic tale of a young girl who has fallen in love with, no doubt, a handsome but uncaring man. The story is told from each character's perspective plus an observer (narrator). The girl ultimately creates her own funeral bower of rose petals (ripping them off in desperation as she frantically runs through a garden), lies down on this 'bed of roses' and dies.  You have probably heard this song many times without ever knowing the true meaning due to significant verses left out. You will need a skilled accompanist! The accompaniment utilizes significant word painting throughout to highlight the haunting melody line. Word painting depicts the swallow, uncaring cruelty, desperation, blindly going in circles, anger, church bells and fading away/dying. The conductor is free to take liberties with the tempi and dynamics in order to create a unique interpretation that will resonate with their own choral group. This arrangement of She's Like the Swallow is an exceptional festival or competition piece and one that should be in the repertoire of every skilled women's choir! Duration:  4 minutes                                                                               Key: C minor (plus modulations)                                                                                    Level: intermediate/early advanced composer contact:  www.stellaterhart.com
$2.75 ≈
2.53€
After Dark
After Dark
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Piano Facile
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FACILE
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Forrest Avery Carney and Moham
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Nicole Elyse DiPaolo
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After Dark
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Nicole Elyse DiPaolo
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. ...
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Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. 3 pages. Nicole Elyse DiPaolo #714697. Published by Nicole Elyse DiPaolo (A0.1112682). An abridged version of After Dark optimized for early intermediate pianists and those with small hands. The left hand chords can be varied with arpeggios, tremolos, and the like as the student's skill level allows. Great for teens who are fairly early in their piano studies and busy students who want to learn this piece quickly. ABOUT THE ARRANGER: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions (two of which also featured her own Piano Trio in C minor) and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited contributor to the Tonebase app's piano blog; and a sought-after online instructor of piano, music theory, and composition. She has additionally been an online teaching artist for the Tunaweza Kimuziki cultural/artistic exchange program+, through which IU instructors teach undergraduate music students in Kenya via Zoom and WhatsApp. Ms. DiPaolo was also on the composition and collaborative piano faculty at Blue Lake Fine Arts Camp in 2014 and 2015. In June 2018, Ms. DiPaolo was a Collaborative Piano Fellow at the Bay View Music Festival in Petoskey, Michigan, performing with the festival's SOARS voice program participants on fully staged opera scenes and art song recitals as well as in the Bay View Young Artist Series (Charlevoix, MI). She then joined the Spooky Goose Opera team as an online coach/pianist for their Quarantine Concert Series, the world's first livestreamed Zoom production of Mozart's Die Zauberflöte (summer 2020), and new opera projects under development. When not on the piano bench, Ms. DiPaolo continues to compose and arrange, and her compositions have been described as very effective with a fantastic amount of intrigue, mindfulness...[and] colorful nuance (Seven Sky Music). Ms. DiPaolo's music has been heard across the world. Along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed nationwide, and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Ms. DiPaolo's music also received its Mexican premiere in 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014 Ms. DiPaolo published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, for early-intermediate pianists of all ages, available on SheetMusicPlus and MusicaNeo, and she is currently working on Vignettes, a new set of pedagogical pieces that will introduce intermediate pianists to the Impressionist language of Maurice Ravel. Most recently, her Divertimento and Lucid Dreaming for solo harp were chosen to be featured in the She Scores new music festival, celebrating women composers with ties to Ohio, held at Case Western Reserve University in June 2022 and recorded for later broadcast on Mark Satola's Cleveland Ovations program on WCLV radio (90.3). Also a sought-after composition teacher and adjudicator, Ms. DiPaolo frequently judges state, regional, and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists. In her private online studio, she has recently expanded her curricular offerings to include partimento and other historical methods of teaching tonal composition and improvisation.
$5.99 ≈
5.51€
Wabash Cannonball
Wabash Cannonball
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Cascia Talbert
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Cascia Talbert
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Wabash Cannonball
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Cascia Talbert
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1398261 By Cascia Talbert. By J.A Roff. Arranged by Cascia Talbert. Country,Folk. 74 pages. Cascia Talbert #981538. Pub...
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Concert Band - Level 3 - SKU: A0.1398261 By Cascia Talbert. By J.A Roff. Arranged by Cascia Talbert. Country,Folk. 74 pages. Cascia Talbert #981538. Published by Cascia Talbert (A0.1398261). The Great Rock Island Route, popularized as Wabash Cannonball and various other titles, is a 19th-century American folk song that describes the scenic beauty and predicaments of a fictional train, the Wabash Cannonball Express, as it traveled on the Great Rock Island Railroad. The song has become a country music staple and common marching band repertoire. The only train to actually bear the name was created in response to the song's popularity, the Wabash Railroad renaming its daytime express service between Detroit and St. Louis the Wabash Cannon Ball from 1949 until discontinuation during the formation of Amtrak in 1971.The Carter Family made one of the first recordings of the song in 1929, though it was not released until 1932. Another popular version was recorded by Roy Acuff in 1936. The Acuff version is one of the fewer than 40 all-time singles to have sold 10 million (or more) physical copies worldwide.The tune is most famously associated with Kansas State University athletics and ESPN in 2016 named it the top Big Twelve football pregame ritual. It is also a signature song of the Indiana State University Marching Sycamores and the Purdue All-American Marching Band as the ISU and Purdue campuses are adjacent to the Mighty Wabash River. It is also associated with the Stephen F. Austin State University Lumberjack Marching Band, the Kansas State University Marching Band, the Texas Tech University Goin' Band from Raiderland, and the University of Texas Longhorn Band. It was also used as the theme song by USS Wabash.The song The Wabash Cannonball is part of The Rock and Roll Hall of Fame's 500 Songs that Shaped Rock and Roll list. It is the oldest song on the list.This arrangement is for concert band.
$19.99 ≈
18.40€
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