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Come Follow The Band Trombone
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Vous avez sélectionné:
Come Follow The Band Trombone
Partitions à imprimer
106 partitions trouvées
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Come Follow The Band
Come Follow The Band
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Comédie Musicale
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Cy Coleman
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Tim Olt
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1st trumpet is piccolo in Bb
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Come Follow The Band
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Olt Music
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.759483 Composed by Cy Coleman. Arranged by Tim Olt. Broadway,Musical/Show. Score and parts. 25 pages. Olt Music #6722...
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Brass Ensemble - Level 4 - SKU: A0.759483 Composed by Cy Coleman. Arranged by Tim Olt. Broadway,Musical/Show. Score and parts. 25 pages. Olt Music #6722517. Published by Olt Music (A0.759483). The opening song from the musical Barnum translates beautifully for brass quintet. 1st trumpet is piccolo in Bb. Optional drum set with melodics.
$15.00 ≈
14.04€
Schnoodles 32 Easy Flex Duets for Band (Trombone, Bassoon, Baritone, Bass)
Schnoodles 32 Easy Flex Duets for Band (Trombone, Bassoon, Baritone, Bass)
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2 Trombones (duo)
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FACILE
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Brad Carman
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Schnoodles 32 Easy Flex Duets
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Brad Carman
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SheetMusicPlus
Trombone Duet Trombone - Level 2 - SKU: A0.799957 Composed by Brad Carman. 20th Century,Contemporary,Folk,Standards. Score. 54 pages. Brad Carman #59885...
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Trombone Duet Trombone - Level 2 - SKU: A0.799957 Composed by Brad Carman. 20th Century,Contemporary,Folk,Standards. Score. 54 pages. Brad Carman #5988531. Published by Brad Carman (A0.799957). Schnoodles Flex Duet Repertoire for Band is a collection of 32 easy duets that can be played by any two wind or keyboard players or group of players; including full band! Following in the footsteps of Schnibbles for Two, these duets offer variety, fun, and encourage creative expression and musical experimentation. This duet book asks the student to consider multiple interpretations, and making connections to other art forms, such as visual art, creative writing, and dance. Used as a compliment to any band method, this collection helps to bridge the gap between unison playing and the more ambitious ensemble repertoire that requires both independence and sometimes extreme patience, especially for those that do not carry the melody. With Schnoodles, each part takes turns carrying and supporting the melody giving each player the opportunity to experience both roles simultaneously. While Schnoodles give each player a lot to play, they also give players some creative choices. None come with a prescribed tempo, and most allow students to determine the appropriate articulations and dynamics for the piece based on their abilities, preferences, and interpretations - and hopefully - guidance from a teacher! Players are encouraged to consult teachers and more experienced musicians as they ponder the possibilities of each petit little piece.
$8.99 ≈
8.41€
Keeping Step with the Union
Keeping Step with the Union
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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John Philip Sousa
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Matthew Nunes
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Keeping Step with the Union
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Matthew Nunes Music
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SheetMusicPlus
Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1413917 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classic...
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Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1413917 Composed by John Philip Sousa. Arranged by Matthew Nunes. Chamber,Classical,Historic,March,Patriotic. 22 pages. Matthew Nunes Music #995692. Published by Matthew Nunes Music (A0.1413917). The title comes from congressman Rufus Choate’s 1855 quote “We join ourselves to no party that does not carry the flag and keep step to the music of the Unionâ€.This Brass Quintet arrangement was made using “The President’s Own†United States Marine Band’s The Complete Marches of John Philip Sousa score as found at https://www.marineband.marines.mil/Audio-Resources/The-Complete-Marches-of-John-Philip-Sousa/. Keeping Step with the Union was composed in 1921, and the referenced edition was made Public Domain in 2019. The piece is catalogued as Volume 5, No. 94.Section titles (such as “First Strain†and “Trioâ€) follow the measure numbers provided by that edition. Each instrument follows its full-band part as often as possible, the only exception being Trombone covering the Euphonium/Baritone part. Because of this, Euphonium/Baritone would make a suitable substitute.
$1.99 ≈
1.86€
20 Favourite Christmas Carols for solo Trombone and Piano
20 Favourite Christmas Carols for solo Trombone and Piano
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Trombone et Piano
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FACILE
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Musique Sacrée
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Various
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David McKeown
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20 Favourite Christmas Carols
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.587273 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 2...
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Piano,Trombone - Level 2 - SKU: A0.587273 Composed by Various. Arranged by David McKeown. Christian,Christmas,Praise & Worship,Sacred. Score and part. 28 pages. David McKeown #3123379. Published by David McKeown (A0.587273). 20 Favourite Carols for Solo Trombone and Piano is a collection of the best-known Christmas carols arranged simply for solo Trombone in concert pitch bass clef and Piano. The file contains the Trombone part plus the separate Piano score with added chord symbols. If you prefer reading treble clef in Bb then search for the Euphonium version of the music item no. S0.245523 20 Favourite Carols for Solo Trombone and Piano is fully compatible with the other Brass, Woodwind and String volumes in the series. Both the short sample audio and the linked youtube performance are from the Clarinet version of these arrangements.· There are also Duet and Quartet versions available of the same carols, in the same keys, so that no matter what instrument you play they will fit together. · This makes them ideal for building a full and flexible band or ensemble for school, community or church.· The keys chosen are the standard singing keys · These arrangements will provide colourful accompaniment to carol singing anywhere throughout the Christmas period.The carols are in alphabetical order and are as follows· Away in a Manger· Deck the Halls· Ding Dong Merrily on High· The First Nowell· God Rest ye Merry Gentleman· Good Christian Men Rejoice· Good King Wenceslas· Hark, the Herald Angels Sing· The Holly and the Ivy· I Saw Three Ships· In the Bleak Midwinter· It Came upon a Midnight Clear· O Cone All Ye Faithful· O Come, O Come Emmanuel· O Little Town of Bethlehem· Once in Royal David’s City· Silent Night· We Three Kings· While Shepherds Watched· We Wish you a Merry Christmas There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$7.60 ≈
7.11€
Heading Home for Junior Big Band
Heading Home for Junior Big Band
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Ensemble Jazz
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DÉBUTANT
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Phil Thrift
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Heading Home for Junior Big Ba
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Phil Thrift
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.955736 Composed by Phil Thrift. Instructional,Jazz. Score and parts. 62 pages. Phil Thrift #6037863. Pub...
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Jazz Ensemble Jazz Ensemble - Level 1 - SKU: A0.955736 Composed by Phil Thrift. Instructional,Jazz. Score and parts. 62 pages. Phil Thrift #6037863. Published by Phil Thrift (A0.955736). Heading Home is a new, easy swing number for junior big band. This was originally a song and so essentially has a verse-refrain form. All the sections have something to do and there are short solos for the lead players. A tempo range is suggested so that bands with different abilities will be able to attempt this piece.Following the intro, which uses the refrain, the main theme is stated by unison saxes. The brass enter in the continuation of the main theme, with the saxes now in harmony. Unison trumpets then play the refrain and that is followed by the first solo section, which is cued in the lead alto sax, tenor sax, trumpet, and trombone parts as well as the optional flute. A solo is suggested but the chords are included so that players can try out their own ideas. This section is followed by a brief bridge passage played by the trombones and lower saxes. After that we hear the second part of the main theme again, which is followed by unison trumpets playing the refrain and another short solo section. At the change of key, the trombones and lower saxes take over the main theme at first. Following the final refrain, the outro with its walking bass, cross-stick now added to the rhythm, and syncopated accompaniment beneath a sax or flute solo ensures that this piece really is heading home, although it concludes on a quiet note.The actual notes of these charts are easy, but this piece still demands full concentration and that tight playing so crucial to the big band sound. Unison passages will test intonation. For players new to swing, I hope it will help them to become familiar with this style of music.
$19.99 ≈
18.71€
Concerto for Trombone and Piano
Concerto for Trombone and Piano
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Trombone et Piano
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AVANCÉ
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Mark Narins
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Concerto for Trombone and Pian
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Gordon Cherry
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SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #...
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Piano,Trombone - Level 5 - SKU: A0.811191 Composed by Mark Narins. 20th Century,Contemporary,Romantic Period. Score and part. 101 pages. Gordon Cherry #6069485. Published by Gordon Cherry (A0.811191). Cherry Classics is pleased to introduce Concerto for Trombone and Orchestra 2020 (Piano reduction) by San Francisco based composer/conductor Mark Narins. The concerto is in 4 movements: I. Prayer, II. Meditation, III. Call and Response, IV. Exaltation Here is a description of the work by Mark Narins, the composer: Prayer: The first movement starts with a shimmering tremolo in the strings over which the silver voice of the trombone plays an arching phrase that lingers on an extended appoggiatura. The trombone is a lone mystic reaching for the sky and then falling perilously down to the pedal register. Later the orchestra breaks into a frenetic vamp over which the trombone plays intense ascending scales and passage work. The movement ends with an ascent to a high C#, moving to a final ringing high C. Meditation: After the harp lays out a series of arpeggiated chords, the trombone plays a warm, rich theme in the middle range. The following episodes are variations on this theme. The trombone moves into the upper register, floating with the ease of a lead trombone in a big band. The movement ends with an ascending yearning phrase reaching a high D as the soloist touches the sky and then comes gently back to earth. Call and Response: The orchestral accompaniment starts in an anxious, mysterious tonality. The trombone enters with a burst of energy playing a machine gun series of Fs. The movement develops into a series of short brilliant solo passages answered boldly by the orchestra. This movement showcases the stunning declamatory powers of the trombone. Exaltation: Movement 4 starts as an allegro with intense tremolos in the basses. The trombone breaks out into an articulated driving theme followed by several extended melodic passages. Midway in the movement the strings abruptly lay out a syncopated Latin dance rhythm over which the trombone climbs from the bottom to the top of its range in rapid triplets. In the final codetta the trombone accelerates the dance tempo and climaxes on a series of high C#s in a brilliant and joyous fashion. The concerto is 27 minutes in duration and is appropriate for advanced performers. This version with Piano is a reduction of the full Orchestral version (to be published in the near future). The new Trombone Concerto by Mark Narins is a very exciting piece with dramatic contrasts between the slow and fast sections. The move to the finish of the piece makes for a great wrap-up. It's a real blow for the player, really exploring the range of the instrument. It will be demanding and fun for the trombonist. Ken Andresen, New York freelance musician
$27.50 ≈
25.73€
Blue All Over, from the Michael BB Quartet CD " Guided Tour"
Blue All Over, from the Michael BB Quartet CD " Guided Tour"
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Michael Bomier
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Blue All Over, from the Michae
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Michael Butkus-Bomier
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862507 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 61 pages....
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.862507 Composed by Michael Bomier. Contemporary,Instructional,Jazz,Standards. Score and parts. 61 pages. Michael Butkus-Bomier #2032065. Published by Michael Butkus-Bomier (A0.862507). Here is a blues in C minor, a staple of jazz groups both large and small. This chart has several unusual aspects, all set within this familiar format. The theme is stated by the trumpets, then, the saxes take a one-chorus interlude on a pentatonic figure. The first (and ONLY) soloist on the audio track is the tenor sax. BUT, the chart is designed to have the alto, tenor, bari, and finally All THREE saxes blowing their blues away at once! A similar treatment follows with the trumpets. Three blues choruses from the piano give the horns a break, and a SampleSolo is included for this instrument ONLY, due to the nature of the group improv that is structured into the piece. Then the trombones have their 12-bar interlude, and the lead trombone plays three more 12-bar sets, but just the one horn, as we've had enough group enthusiasm at this point! At the conclusion, the three interlude sections all come back, but simultaneously, as they have been designed to fit together. Then the final statement of the theme is played in hocket or stretto, whichever term you choose, with one voice starting and the other two choirs following behind. This chart can be played using only one soloist per section, or with the entire group solos, or anything in between, for that matter! If you have a blowing band, you'll want to show them off! Running time with a single soloist per section is 3 mins 45 secs. considerably longer with the multiple and group solos. MBB.
$20.00 ≈
18.72€
Everything Is Awesome (Awesome Remixxx!!!) (from The Lego® Movie): 1st Trombone
Everything Is Awesome (Awesome Remixxx!!!) (from The Lego® Movie): 1st Trombone
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Trombone (partie séparée)
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Film/TV
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Akiva Schaffer, Andy Samberg,
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Everything Is Awesome
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0016743_TN1 1st Trombone. Composed by Akiva Schaffer, Andy Samberg, Jorma Taccone, Joshua Bartholomew, and Shawn Pat...
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Concert Band - SKU: AX.00-PC-0016743_TN1 1st Trombone. Composed by Akiva Schaffer, Andy Samberg, Jorma Taccone, Joshua Bartholomew, and Shawn Patterson. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016743_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016743_TN1). UPC: 038081500454.From the hit animated film, The LEGO Movie, Everything Is Awesome is the infectious dance theme that is intertwined throughout the story of Emmet, an ordinary, follow the rules LEGO character who becomes the key to saving the world from the evil President Business. Featuring a driving bass line, this familiar gleeful theme is a sure winner! (2:15).
$3.00 ≈
2.81€
Welcome To The Jungle
Welcome To The Jungle
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Guns N' Roses
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Diego Marani
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Welcome To The Jungle
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528231 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528231 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Rock,Standards. Score and parts. 15 pages. Diego Marani #5316485. Published by Diego Marani (A0.528231). Welcome to the Jungle is a song by American rock band Guns N' Roses, featured on their debut album, Appetite for Destruction (1987). Axl Rose and Slash are the main authors of the piece. In 2009 it was named the greatest hard rock song of all time by VH1, and the readers of Rolling Stone Magazine rated it the greatest sports anthem.This funky arrangement for brass quartet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, Trombone or F Horn, Tuba.It is suitable for classroom, repertoire and for a powerful encore.
$14.99 ≈
14.03€
Welcome To The Jungle
Welcome To The Jungle
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Guns N' Roses
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Diego Marani
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Welcome To The Jungle
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Diego Marani
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528232 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl ...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.528232 By Guns N' Roses. By Duff McKagan, Izzy Stradlin', Slash, Steven Adler, and W. Axl Rose. Arranged by Diego Marani. 20th Century,Contemporary,Instructional,Rock,Standards. Score and parts. 17 pages. Diego Marani #5317261. Published by Diego Marani (A0.528232). Welcome to the Jungle is a song by American rock band Guns N' Roses, featured on their debut album, Appetite for Destruction (1987). Axl Rose and Slash are the main authors of the piece. In 2009 it was named the greatest hard rock song of all time by VH1, and the readers of Rolling Stone Magazine rated it the greatest sports anthem.This funky arrangement for brass quintet includes the following parts: Bb Trumpet 1, Bb Trumpet 2, F Horn, Trombone, Tuba.It is suitable for classroom, repertoire and for a powerful encore.
$19.99 ≈
18.71€
They Came Here to Dance (Swing Band Arrangement)
They Came Here to Dance (Swing Band Arrangement)
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Ensemble Jazz
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INTERMÉDIAIRE/AVANCÉ
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Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00 ≈
7.49€
The Privateers
The Privateers
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Craig Wadley
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The Privateers
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Wadley Publications
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #30438...
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Concert Band - Level 3 - SKU: A0.983162 Composed by Craig Wadley. Concert,Contemporary,Standards. Score and parts. 102 pages. Wadley Publications #3043809. Published by Wadley Publications (A0.983162). The Privateers is a swashbuckling depiction of an oceangoing pirate adventure, presented in the form of a march. The piece starts with a brief fanfare, followed immediately by a rousing melody in the style of an old sea-shanty. Images of sailing upon an endless sea of stars come to mind as a tranquil nocturne is presented, but the peace is shattered as cutlasses and sabers clash in a dogfight sure to end in Davy Jones’ locker! The music swells to a dramatic conclusion as our mighty galleon surges across a stormy sea. Instrumentation The Privateers comes with full sets of both concert/stage and marching/field parts, allowing for great flexibility in your performance venues. Contemporary marching bands and drum & bugle corps utilize specialized field percussion which is typically not used in a concert setting. With this piece, the use of outdoor percussion (quad toms and a tonal bass drum line) onstage is encouraged, although not required. A single bass drum line is included which may be used instead of (or in addition to) the tonal bass drum line, and the Quad Toms part may be omitted. A piano part is included, primarily for optional use indoors as a color instrument for the ensemble. However, smaller bands in particular may find it useful for filling out the accompaniment line if instrumentation is limited. Optionally, a very small ensemble of melodic instruments could be used, with the piano acting as a full-fledged accompaniment. Several optional parts are included, such as Eb and Bb Horn, for ensembles with limited instrumentation. Also, the two Low Winds parts should be distributed equally across trombone, baritone/euphonium, and tenor sax players. Double reed parts are not included. Double these instruments on appropriate parts to suit the needs of your ensemble. Teaching Points Meter – The alternation of 6/8 and 4/4 with a constant pulse (rather than a constant 8th note) provides an excellent opportunity to teach your students to shift the subdivision of the beat from triple to duple and back again. Chromaticism & Accidentals – There is a recurring passage which features the prominent use of secondary dominants, or circle of fifths chord motion. Students can learn a few less-than-common accidentals and enharmonics, while also getting a larger lesson in music theory.
$24.99 ≈
23.39€
A New Day Has Come
A New Day Has Come
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Celine Dion
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Ted Samuels
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manager, Rene Angelil &
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A New Day Has Come
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Theodore A. Samuels
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SheetMusicPlus
Bass Clarinet,Bassoon,Double Bass,Electronic Keyboard,Flute,Horn,Medium-High Voice,Oboe,Piano,Trombone,Trumpet - Level 3 - SKU: A0.1419720 By Celine Dio...
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Bass Clarinet,Bassoon,Double Bass,Electronic Keyboard,Flute,Horn,Medium-High Voice,Oboe,Piano,Trombone,Trumpet - Level 3 - SKU: A0.1419720 By Celine Dion. By Aldo Nova Caporuscio and Stephan Moccio. Arranged by Ted Samuels. 21st Century,Chamber,Contemporary,Pop,Spiritual. 45 pages. Theodore A. Samuels #1001142. Published by Theodore A. Samuels (A0.1419720). This is a wind combo arrangement of a song originally recorded by Celine Dion for her 2002 comeback album, A New Day Has Come, following her sabbatical to start her family with husband & manager, Rene Angelil & the birth of their 1st son, Rene-Charles.The performance time is approximately 5 minutes.
$49.99 ≈
46.78€
Super Hero: 1st Trombone
Super Hero: 1st Trombone
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Trombone (partie séparée)
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Methodes
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Scott Watson
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Super Hero: 1st Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017019_TN1 1st Trombone. Composed by Scott Watson. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music...
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Concert Band - SKU: AX.00-PC-0017019_TN1 1st Trombone. Composed by Scott Watson. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017019_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017019_TN1). UPC: 038081505824.The golden age of comic books comes to life in this action-packed tune, taking its inspiration from those iconic, super-powered champions of justice, the super heroes! Mirroring the shape of a classic super hero story, the piece begins with a powerful main theme and is followed by a brief contrasting section expressing resolve. A determined return to the hero theme includes some harmonic surprises! (1:40).
$3.00 ≈
2.81€
Christmas Vacation: 1st Trombone
Christmas Vacation: 1st Trombone
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Trombone (partie séparée)
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Noël
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Barry Mann and Cynthia Weil
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Patrick Roszell
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Christmas Vacation: 1st Trombo
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017420_TN1 1st Trombone. Composed by Barry Mann and Cynthia Weil. Arranged by Patrick Roszell. Movie. Part. 2 pages...
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Concert Band - SKU: AX.00-PC-0017420_TN1 1st Trombone. Composed by Barry Mann and Cynthia Weil. Arranged by Patrick Roszell. Movie. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017420_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017420_TN1). UPC: 038081515939.Since its release in 1989, National Lampoon's Christmas Vacation has become an annual modern Christmas classic with an almost cult following generating recollections of the funniest lines from the film. Stimulate those hilarious memories musically with this delightful arrangement of the charismatic theme song. Grab some Tylenol with Clark and the rest of the Griswold family as we celebrate the holiday season. (2:30).
$3.00 ≈
2.81€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.45€
Come Follow The Band - Trombone
Come Follow The Band - Trombone
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Trombone (partie séparée)
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Michael Stewart, Cy Coleman
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Mark A
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Come Follow The Band - Trombon
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
Composed by Michael Stewart, Cy Coleman. Arranged by Mark A. Brymer. Broadway, Concert, Light Concert, Musical/Show. EPak. 3 pages. Duration 160. Published by H...
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Composed by Michael Stewart, Cy Coleman. Arranged by Mark A. Brymer. Broadway, Concert, Light Concert, Musical/Show. EPak. 3 pages. Duration 160. Published by Hal Leonard - Digital Sheet Music (HX.47362). - ePak - Broadway,Concert,Light Concert,Musical/Show - Hal Leonard - Digital Sheet Music
$7.00 ≈
6.55€
Brass Band - March - Marching Through the Pain
Brass Band - March - Marching Through the Pain
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Contemporain
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Mike Lyons
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Brass Band - March - Marching
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Lyons Music Services
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.767304 Composed by Mike Lyons. Contemporary. Brass Band. 67 pages. Lyons Music Services #3433595. Published by Lyons Music Services (A0.767304). A brand new, original march for brass band. The title refers to that oft felt feeling you get on a street march, especially after you have walked into a couple of bollards or pot holes and you're tired and cranky and want to get to the end!It follows the traditional march form, with an Intro, a solo cornet and 1st baritone, with a counter melody on euphonium on the repeat. a contrasting section featuring lower brass arpeggios answered by high brass semiquaver motifs. This is followed by a 'bass solo'. Then comes the trio section with a lightly scored, lovely little melody on the solo euphonium, which is reprised with the whole band before a DC al fine.A rousig march suitable for both concert and marching programmes. Please contact me for march sized copies.Parts supplied:Soprano Cornet in EbSolo Cornet in BbRepieno Cornet in Bb2nd Cornet in Bb3rd Cornet in BbFlugelhornSolo Tenor Horn in Eb(1st Horn in F)1st Horn in Eb (2nd Horn in F)2nd horn in Eb (3rd Horn in F)1st baritone in Bb (treble/bass)2nd Baritone in Bb (treble/bass)1st Trombone in Bb (treble/bass)2nd Trombone in Bb (treble/bass)Bass TromboneEuphonium in Bb (treble/bass)Eb Bass (treble/bass)Bb Bass (treble/bass)TimpaniDrum KitGlockenspiel
$25.00 ≈
23.40€
Come Una Sentenza
Come Una Sentenza
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Ennio Morricone
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Lorenzo Bocci
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Come Una Sentenza
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1411697 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 61 pages. Lorenzo Bocci #993943. ...
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Concert Band - Level 3 - SKU: A0.1411697 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 61 pages. Lorenzo Bocci #993943. Published by Lorenzo Bocci (A0.1411697). COME UNA SENTENZA From The Paramount Picture Once Upon A Time In The Westfor Concert Band (with Fanfare Band parts) - Grade 3 - Â Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. With Fanfare Band parts. Duration 3'03''. Published by Lorenzo Bocci.Create Once Upon a Time in the West Suite (C'era una volta il West Suite) with:- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Come una sentenza - Farewell To Cheyenne - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Man with a Harmonica - YouTube ScorePlay - Sheet Music Direct - Sheet Music PlusInstrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Bass Drum, Electric Guitar.Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Once Upon a Time in the West (C'era una volta il West) is a 1968 epic spaghetti Western film directed by Sergio Leone. It stars Henry Fonda, Charles Bronson, Jason Robards and Claudia Cardinale. The film is the first installment in Leone's Once Upon a Time trilogy, followed by Duck, You Sucker! and Once Upon a Time in America, though the films do not share any characters in common. In 2009, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. The film is regarded as one of the greatest Westerns of all time and one of the greatest films of all time.The music was written by composer Ennio Morricone, Leone's regular collaborator, who wrote the score under Leone's direction before filming began. As in The Good, the Bad and the Ugly, the haunting music contributes to the film's grandeur and is considered one of Morricone's greatest compositions.Subscribe to my YouTube Channel to stay updated on new releases.
$89.00 ≈
83.29€
Man With The Harmonica
Man With The Harmonica
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Film/TV
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Ennio Morricone
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Lorenzo Bocci
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Man With The Harmonica
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Lorenzo Bocci
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1413716 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 70 pages. Lorenzo Bocci #995501. ...
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Concert Band - Level 3 - SKU: A0.1413716 Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Contemporary,Film/TV. 70 pages. Lorenzo Bocci #995501. Published by Lorenzo Bocci (A0.1413716). MAN WITH A HARMONICA From The Paramount Picture Once Upon A Time In The Westfor Concert Band (with Fanfare Band parts) - with Choir (SATB) optional (not present in the score) - Grade 3 - Â Composed by Ennio Morricone. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. With Choir (SATB) optional (not present in the score). Score and parts. With Fanfare Band parts. Duration 3'29''. Published by Lorenzo Bocci.Create Once Upon a Time in the West Suite (C'era una volta il West Suite) with:- Titoli - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Come una sentenza - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Farewell To Cheyenne - YouTube ScorePlay - Sheet Music Direct - Sheet Music Plus- Man with a HarmonicaInstrumentation:Full Score, Harmonica, Piccolo, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Double Bass, Timpani, Tubolar Bells, Percussion 1 (Snare Drum), Percussion 2 (Bass Drum, Cymbals), Electric Guitar, Keyboard, Choir (SATB) (not present in the score).Additional Parts:Bb Soprano Saxophone (CB, FA), Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Fanfare Band Parts:Eb Cornet, Bb Flugelhorn 1, 2, 3.Once Upon a Time in the West (C'era una volta il West) is a 1968 epic spaghetti Western film directed by Sergio Leone. It stars Henry Fonda, Charles Bronson, Jason Robards and Claudia Cardinale. The film is the first installment in Leone's Once Upon a Time trilogy, followed by Duck, You Sucker! and Once Upon a Time in America, though the films do not share any characters in common. In 2009, the film was selected for preservation in the United States National Film Registry by the Library of Congress as being culturally, historically, or aesthetically significant. The film is regarded as one of the greatest Westerns of all time and one of the greatest films of all time.The music was written by composer Ennio Morricone, Leone's regular collaborator, who wrote the score under Leone's direction before filming began. As in The Good, the Bad and the Ugly, the haunting music contributes to the film's grandeur and is considered one of Morricone's greatest compositions.Subscribe to my YouTube Channel to stay updated on new releases.
$99.00 ≈
92.64€
Fantasy on "The Itsy Bitsy Spider"
Fantasy on "The Itsy Bitsy Spider"
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Rawn Boulden
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Fantasy on "The Itsy Bits
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R. Boulden
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1028182 Composed by Rawn Boulden. 20th Century,Children,Contemporary. Score and parts. 69 pages. R. Boulden #3417495. P...
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Concert Band - Level 3 - SKU: A0.1028182 Composed by Rawn Boulden. 20th Century,Children,Contemporary. Score and parts. 69 pages. R. Boulden #3417495. Published by R. Boulden (A0.1028182). A programmatic piece depicting the tale of the Itsy Spider. The composition starts out very bright and joyful (the itsy bitsy spider climbed up the water spout). Quickly, it becomes darker, as the clouds and thunder emerge (down came the rain and washed the spider out). After the period of darkness and melancholy, the song's key gets brighter and brighter, symbolizing the clouds slowly dissipating and sunlight emerging (out came the sun and dried up all the rain). The song ends joyously (and the itsy bitsy spider climbed out the spout again), celebrating the spider's survival of the perilous weather. Fantasy on Itsy Bitsy Spider has the following instrumentation: Flue/Piccolo, Oboe, Clarinet, French Horn, Trumpet, Trombone, Euphonium, Tuba, Timpani, Bass Drum, Snare Drum, Cymbal. The song features an oboe solo, in the middle. I hope you enjoy this thrilling piece that is sure to be a pleasure to perform and hear!
$30.00 ≈
28.07€
Fantastic Foster: (wp) 1st B-flat Trombone B.C.
Fantastic Foster: (wp) 1st B-flat Trombone B.C.
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Orchestre d'harmonie
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Methodes
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Stephen Foster
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L
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Fantastic Foster:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014571_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Stephen Foster. Arranged by L. C. Harnsberger. Instructio...
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Concert Band - SKU: AX.00-PC-0014571_WPTN1BC (wp) 1st B-flat Trombone B.C.. Composed by Stephen Foster. Arranged by L. C. Harnsberger. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014571_wpTN1BC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014571_WPTN1BC). UPC: 038081395135.During his short life (1826--1864), Stephen C. Foster wrote over 200 songs, including some that are still extremely popular today. A few of his songs are so well known that many believe they are American folk songs. In this arrangement, three of his most popular songs are arranged for young band. The entire band shares the melody of Camptown Races, which is followed by a tender setting of My Old Kentucky Home featuring the woodwinds and bells. Everything comes to a rousing conclusion with Foster's first big hit, Oh! Susanna, that lets the entire band shine.
$3.00 ≈
2.81€
Fantastic Foster: (wp) 1st B-flat Trombone T.C.
Fantastic Foster: (wp) 1st B-flat Trombone T.C.
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Orchestre d'harmonie
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Methodes
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Stephen Foster
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L
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Fantastic Foster:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0014571_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Stephen Foster. Arranged by L. C. Harnsberger. Instructio...
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Concert Band - SKU: AX.00-PC-0014571_WPTN1TC (wp) 1st B-flat Trombone T.C.. Composed by Stephen Foster. Arranged by L. C. Harnsberger. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0014571_wpTN1TC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014571_WPTN1TC). UPC: 038081395135.During his short life (1826--1864), Stephen C. Foster wrote over 200 songs, including some that are still extremely popular today. A few of his songs are so well known that many believe they are American folk songs. In this arrangement, three of his most popular songs are arranged for young band. The entire band shares the melody of Camptown Races, which is followed by a tender setting of My Old Kentucky Home featuring the woodwinds and bells. Everything comes to a rousing conclusion with Foster's first big hit, Oh! Susanna, that lets the entire band shine.
$3.00 ≈
2.81€
Your Favorite Thanksgiving and Harvest Hymns for Wind Instruments
Your Favorite Thanksgiving and Harvest Hymns for Wind Instruments
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Orchestre d'harmonie
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FACILE
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Musique Sacrée
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Various
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Colin Kirkpatrick
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Your Favorite Thanksgiving and
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Colin Kirkpatrick Publications
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. Score and parts. ...
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Concert Band - Level 2 - SKU: A0.522168 Composed by Various. Arranged by Colin Kirkpatrick. Christian,Holiday,Praise & Worship,Sacred. Score and parts. 185 pages. Colin Kirkpatrick Publications #4727417. Published by Colin Kirkpatrick Publications (A0.522168). This new collection of Thanksgiving and Harvest hymns contains all your favorites, or at least, most of them. It’s probably all you’ll ever need for thanksgiving and harvest festivals and the arrangements can be used for virtually any combination of wind instruments. This is an essential title for any band library or for any ensembles that are called upon to provide music for schools or churches. There’s also an optional but useful simplified keyboard part intended for less experienced keyboard players. The left hand plays only the bass part most of the time, with the right hand part kept as simple as possible. The piano part too means that you can use the arrangements as solos, duets or trios. These arrangements are intended either as stand-alone pieces that could be used as interludes in a service, or they could be used to accompany solo, choral or congregational singing. The score and all the parts are contained in a single PDF file. The following 25 hymns are included: All Creatures of our God and King (Lasst uns Erfreuen); As the Sun doth Daily Rise (Innocents); All Things Bright and Beautiful (Bright and Beautiful); Bringing in the Sheaves (George Minor); Come Ye Thankful People Come (St George’s Windsor); Fair Waved the Golden Corn (Holyrood); Fill your hearts with Joy and Gladness (Ode to Joy); For the Beauty of the Earth (Dix); For the Fruits of His Creation (Ar Hyd y Nos); Glorious Things of Thee are Spoken (Austrian Hymn); Immortal, Invisible (St Denio); Let all Things now Living (Ash Grove); Let us with a Gladsome Mind (Monkland); Now Thank we all Our God (Nun danket); Praise and Thanksgiving (Bunessan); Praise God for the Harvest (Stowey); Praise my Soul the King of Heaven (Lauda anima); Praise to the Lord the Almighty (Lob den herren); Rejoice the Lord is King (Darwall’s 148th); Sing to the Lord of Harvest (Wie lieblich ist der maien); This is my Father’s World (Terra Beata); To thee, O Lord, our Hearts we Raise (Golden Sheaves); We Gather Together (Kremser); We plough the Fields and Scatter (Wir pflügen); Praise God from whom all Blessings Flow (Old Hundredth) The publication consists of a four-staff score for each hymn plus: Part 1 in B flat (clarinet, trumpet, cornet, soprano sax); Part 1 in C (8ve higher for flute, oboe); Part 1 in E flat (alto saxophone, E flat clarinet); Part 2 in B flat (clarinet, trumpet, cornet, flugelhorn); Part 2 in C (8ve higher for flute, oboe); Part 2 in E flat (alto saxophone); Part 3 in B flat (tenor saxophone, B flat baritone); Part 3 in C (bass clef for trombone, bassoon); Part 3 in E flat (E flat tenor horn, alto saxophone, alto clarinet); Part 3 in F (French horn in F); Part 4 in B flat (B flat bass clarinet, B flat bass); Part 4 in C (bass clef for trombone, bass trombone, bassoon, tuba); Part 4 in E flat (E flat baritone saxophone, E flat bass).
$29.95 ≈
28.03€
DeSalvo: 2nd Trombone
DeSalvo: 2nd Trombone
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Orchestre d'harmonie
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Methodes
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Carl Strommen
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Festival.
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DeSalvo: 2nd Trombone
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0015855_TN2 2nd Trombone. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Musi...
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Concert Band - SKU: AX.00-PC-0015855_TN2 2nd Trombone. Composed by Carl Strommen. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0015855_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015855_TN2). UPC: 038081458496.Literally translated, the title The Salute was commissioned and dedicated to a band director of the same name. This original work opens with an expressive regal musical statement and develops into a driving, energetic frenzy initiated by the percussion section and followed by the entire ensemble. Utilizing subtle multi-meter and shifting pulse to enhance the excitement throughout, the work finishes with a suitably dramatic conclusion. It is a welcomed addition to the serious concert band literature. (5:30) This title is available in SmartMusic.Concert/Contest; Festival.
$3.00 ≈
2.81€
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Come Follow The Band Trombone
