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Come, Heavy Sleep
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Vous avez sélectionné:
Come, Heavy Sleep
Partitions à imprimer
13 partitions trouvées
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1
Come, Heavy Sleep
Come, Heavy Sleep
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Flûte et Guitare
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INTERMÉDIAIRE
#
Renaissance
#
John Dowland
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Mark Phillips
#
Come, Heavy Sleep
#
A. J. Cornell Publications
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SheetMusicPlus
Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.691165 Composed by John Dowland. Arranged by Mark Phillips. Renaissance. Score and ...
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Instrumental Duet Flute,Guitar,Instrumental Duet - Level 3 - SKU: A0.691165 Composed by John Dowland. Arranged by Mark Phillips. Renaissance. Score and parts. 3 pages. A. J. Cornell Publications #2961287. Published by A. J. Cornell Publications (A0.691165). Come, Heavy Sleep, by John Dowland, for flute and classical guitar (in standard notation and tablature).
$4.99 ≈
4.64€
Come, Heavy Sleep - String Quartet
Come, Heavy Sleep - String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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John Dowland
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Christopher Bell
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Come, Heavy Sleep - String Qua
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Silent Home Records
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SheetMusicPlus
String Quartet String Quartet - Level 2 - SKU: A0.812555 Composed by John Dowland. Arranged by Christopher Bell. Classical,Concert,Renaissance. Score an...
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String Quartet String Quartet - Level 2 - SKU: A0.812555 Composed by John Dowland. Arranged by Christopher Bell. Classical,Concert,Renaissance. Score and parts. 7 pages. Silent Home Records #6130873. Published by Silent Home Records (A0.812555). Come, Heavy Sleep by John DowlandApproximately 1.5 minutes long. Key of G Major. V1 has the melody. Level 3 for all pieces at hardest. .
$8.99 ≈
8.36€
J. Dowland-Come,Heavy Sleep,in G Major
J. Dowland-Come,Heavy Sleep,in G Major
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Piano, Voix
#
INTERMÉDIAIRE
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Classique
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John Dowland
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OSM Press
#
J. Dowland-Come,Heavy Sleep,in
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Open Cloud
#
SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.1389718 Composed by John Dowland. Arranged by OSM Press. Classical. Score. 6 pages. Open Cloud #973313. Published ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.1389718 Composed by John Dowland. Arranged by OSM Press. Classical. Score. 6 pages. Open Cloud #973313. Published by Open Cloud (A0.1389718).
$4.99 ≈
4.64€
Come, Heavy Sleep
Come, Heavy Sleep
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John Dowland
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Joe Williams
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Come, Heavy Sleep
#
Joe Williams
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SheetMusicPlus
String Ensemble Violin - Level 1 - SKU: A0.1077187 Composed by John Dowland. Arranged by Joe Williams. Classical,Renaissance. Score and parts. 6 pages. ...
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String Ensemble Violin - Level 1 - SKU: A0.1077187 Composed by John Dowland. Arranged by Joe Williams. Classical,Renaissance. Score and parts. 6 pages. Joe Williams #681350. Published by Joe Williams (A0.1077187). This heart breaking motet by Elizabethan composer, John Dowland, has bean arranged for a quartet of violins. It can be played as a quartet, or a violin ensemble.
$5.99 ≈
5.57€
Madrigal Book (for unaccompanied choir in up to 12 parts)
Madrigal Book (for unaccompanied choir in up to 12 parts)
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Chorale SATB
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AVANCÉ
#
Alan Bullard
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Madrigal Book
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / Bu...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1089116 Composed by Alan Bullard. A Cappella,Classical,Contemporary. Octavo. 24 pages. Colne Edition / BullardMusic #693333. Published by Colne Edition / BullardMusic (A0.1089116). Madrigal Book contains four virtuosic and exciting settings of sixteenth-century texts for unaccompanied choir. The four movements are 1. The lowest trees have tops (Sir Edward Dyer) 2. Hot sun, cool fire (George Peele) 3. Fire, fire! (Thomas Campion) 4. Come, heavy sleep (Anon.) The first poem sings of the richness, but sometimes the incompatibility, of love, and the second is the mysterious song of Bathsheba, mother of Solomon and alleged seductress of David. The third song portrays the scorching pain of love, which all the oceans of the world cannot quench, and finally the heart-broken lover takes refuge in sleep, ‘the image of true death’ Alan Bullard’s choral works are performed worldwide, and many have been recorded and broadcast. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. The Colne Choral Series contains a range of Bullard’s pieces for adult and youth choirs of all types, including cantatas and choral suites as well as individual movements. For full details please visit www.colneedition.co.uk or www.alanbullard.co.uk.
$3.99 ≈
3.71€
Excuse me for violin/flute and piano (cello part ad lib.)
Excuse me for violin/flute and piano (cello part ad lib.)
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John Dowland
#
Klas Krantz
#
Excuse me for violin/flute and
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Amadeus Music
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SheetMusicPlus
Small Ensemble Cello,Flute,Piano Accompaniment,Violin,Voice - Level 2 - SKU: A0.532039 Composed by John Dowland. Arranged by Klas Krantz. Concert,Renais...
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Small Ensemble Cello,Flute,Piano Accompaniment,Violin,Voice - Level 2 - SKU: A0.532039 Composed by John Dowland. Arranged by Klas Krantz. Concert,Renaissance. Score and parts. 4 pages. Amadeus Music #2054449. Published by Amadeus Music (A0.532039). Score and parts (violin/flute and cello ad lib). Can be palyed as a duo or as a piano trio.John Dowland (1563–1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as Come, heavy sleep, Come again, Flow my tears and In darkness let me dwell. His instrumental music has undergone a major revival.
$3.50 ≈
3.25€
Tarlenton's Riserrectione - Guitar
Tarlenton's Riserrectione - Guitar
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Guitare
#
John Dowland
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Arte Nova Music Lab
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Tarlenton's Riserrectione - Gu
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Arte Nova Music Lab
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SheetMusicPlus
Solo Guitar - SKU: A0.742409 Composed by John Dowland. Arranged by Arte Nova Music Lab. Concert,Renaissance,Standards. Individual part. 2 pages. Arte No...
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Solo Guitar - SKU: A0.742409 Composed by John Dowland. Arranged by Arte Nova Music Lab. Concert,Renaissance,Standards. Individual part. 2 pages. Arte Nova Music Lab #3009351. Published by Arte Nova Music Lab (A0.742409). John Dowland[1] (1563 – buried 20 February 1626) was an English Renaissance composer, lutenist, and singer. He is best known today for his melancholy songs such as Come, heavy sleep (the basis of Benjamin Britten's 1963 composition for guitar solo, Nocturnal after John Dowland), Come again, Flow my tears, I saw my Lady weepe and In darkness let me dwell, but his instrumental music has undergone a major revival, and with the 20th century'searly music revival, has been a continuing source of repertoire for lutenists and classical guitarists. Taken from https://en.wikipedia.org/wiki/John_Dowland
$5.00 ≈
4.65€
John Dowland Lute Songs for Solo Ukulele
John Dowland Lute Songs for Solo Ukulele
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Intermediate
#
John Dowland Lute Songs for So
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Mel Bay Publications - Digital Sheet Music
#
SheetMusicPlus
Guitar - Beginning; Intermediate; Advanced - SKU: M0.31120MEB Folk. Ebook and online video. 65 pages. Mel Bay Publications - Digital Sheet Music #31120M...
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Guitar - Beginning; Intermediate; Advanced - SKU: M0.31120MEB Folk. Ebook and online video. 65 pages. Mel Bay Publications - Digital Sheet Music #31120MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31120MEB). ISBN 9781513477510. 8.75X11.75 inches.John Dowland (1563 – 1626), a contemporary of both William Shakespeare and Queen Elizabeth I, was recognized as one of the greatest musicians of his time, writing songs, ensemble music and solos for the lute.Early music has long been part of the classic guitar repertoire and more recently, it has been adopted with enthusiasm by ukulele players. This book presents sixteen of Dowland's most beautiful lute songs that can be performed by ukulele players, with or without a vocalist.Two versions of each song – one easier and another more advanced—are offered in both standard notation and tablature for soprano, concert, and tenor ukuleles in re-entrant (gCEA) tuning. Various vocal ensemble renditions of the songs, as well as the author’s video performances of each solo arrangement are available online. For vocalists and their audiences, and for all musicians and songwriters to fully connect with the emotion of the songs, Dowland’s sublime lyrics are also included.
Song List
:
Awake, Sweet Love, Thou Art Return?d
Can She Excuse My Wrongs?
Come Again!
Come Away, Come Sweet Love
Come Heavy Sleep
Fine Knacks for Ladies
Flow My Tears
Flow Not So Fast, Ye Fountains
Go Crystal Tears
His Golden Locks
I Saw My Lady Weep
If My Complaints Could Passions Move
Now, O Now, I Needs Must Part
Shall I Sue?
Sweet, Stay Awhile
Unquiet Thoughts
$17.99 ≈
16.73€
Come, Heavy Sleep
Come, Heavy Sleep
#
Guitare notes et tablatures
#
Renaissance
#
John Dowland
#
Mark Phillips
#
Come, Heavy Sleep
#
A. J. Cornell Publications
#
SheetMusicPlus
Composed by John Dowland (1563-1626). Arranged by Mark Phillips. Renaissance. Sheet Music Single. 3 pages. Published by A. J. Cornell Publications (S0.278331). ...
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Composed by John Dowland (1563-1626). Arranged by Mark Phillips. Renaissance. Sheet Music Single. 3 pages. Published by A. J. Cornell Publications (S0.278331). - Sheet Music Single - Renaissance - A. J. Cornell Publications
$3.99 ≈
3.71€
Come, Heavy Sleep
Come, Heavy Sleep
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Chorale SATB
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Michael Gilbertson
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Concert
#
Come, Heavy Sleep
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Michael Gilbertson. SATB. A Cappella; Concert; Festival. Choral. 10 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music ...
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By Michael Gilbertson. SATB. A Cappella; Concert; Festival. Choral. 10 pages. Duration 6:00. Published by Hal Leonard - Digital Sheet Music
$1.90 ≈
1.77€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
#
Arlo Guthrie
#
Craig Hanson
#
The Story Of Reuben Clamzo &am
#
Edition Craig Hanson
#
SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.71€
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ, score
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. P...
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Full Orchestra - Level 5 - SKU: A0.533844 Composed by Therese Brenet. Contemporary. Score and parts. 13 pages. Musik Fabrik Music Publishing #3053313. Published by Musik Fabrik Music Publishing (A0.533844). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the score only. The orchestral parts are on rental from the publisher. The chorus part, which contains a piano reduction, is available for sale.RonelIl fait noir, enfant, voleur d'étincelles !Il n'est plus de nuits, il n'est plus de jours ;Dors... en attendant venir toutes cellesQui disaient : Jamais ! Qui disaient : Toujours !Entends-tu leurs pas ?... Ils ne sont pas lourds :Oh ! les pieds légers ! – l'Amour a des ailes...Il fait noir, enfant, voleur d'étincelles !Entends-tu leurs voix ?... Les caveaux sont sourds.Dors : Il pèse peu, ton faix d'immortelles :Ils ne viendront pas, tes amis les ours,Jeter leur pavé sur tes demoiselles...Il fait noir, enfant, voleur d'étincelles !English translationIt is Dark, child, thief of sparks!There are no longer nights, There are no longer daysSleep..waiting for those who say never, who say always, to arriveDo you hear their footsteps? They are not heavy.Oh, the light steps! Love has wings...It is Dark, child, thief of sparks!Do you hear their voices? The tombs are silent.Sleep, it weighs little, your weight of dried flowersThey will not come, your friends the bears,to throw their cobblestone on your firefliesIt is Dark, child, thief of sparks!Translation © 2008 by Paul Wehage
$16.95 ≈
15.76€
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
Thérèse Brenet: Rondel for SATB chorus, orchestra and organ,chorus part
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Orchestre
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AVANCÉ
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Contemporain
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Therese Brenet
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Thérèse Brenet:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. P...
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Full Orchestra - Level 5 - SKU: A0.533845 Composed by Therese Brenet. Contemporary. Score and parts. 12 pages. Musik Fabrik Music Publishing #3053315. Published by Musik Fabrik Music Publishing (A0.533845). A setting of a poem in French by Tristan Corbières (1845-1875) for SATB chorus, and orchestra. The instrumentation is: 2220/2000/timp/3perc/hp/organ/strings. The work may be performed alone or together with the composer's two other owrks for chorus and orchestra (Ciels and Le Bois Amical). This is the chorus part, which contains a piano reduction, only. The orchestral parts are on rental from the publisher. The score, is available for sale. Ronel Il fait noir, enfant, voleur d'étincelles ! Il n'est plus de nuits, il n'est plus de jours ; Dors... en attendant venir toutes celles Qui disaient : Jamais ! Qui disaient : Toujours ! Entends-tu leurs pas ?... Ils ne sont pas lourds : Oh ! les pieds légers ! – l'Amour a des ailes... Il fait noir, enfant, voleur d'étincelles ! Entends-tu leurs voix ?... Les caveaux sont sourds. Dors : Il pèse peu, ton faix d'immortelles : Ils ne viendront pas, tes amis les ours, Jeter leur pavé sur tes demoiselles... Il fait noir, enfant, voleur d'étincelles ! English translation It is Dark, child, thief of sparks! There are no longer nights, There are no longer days Sleep..waiting for those who say never, who say always, to arrive Do you hear their footsteps? They are not heavy. Oh, the light steps! Love has wings... It is Dark, child, thief of sparks! Do you hear their voices? The tombs are silent. Sleep, it weighs little, your weight of dried flowers They will not come, your friends the bears, to throw their cobblestone on your fireflies It is Dark, child, thief of sparks! Translation © 2008 by Paul Wehage
$2.50 ≈
2.32€
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