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Christmas Time Is Here for Clarinet Choir
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Vous avez sélectionné:
Christmas Time Is Here for Clarinet Choir
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Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
Bach: Jesu, Joy of Man's Desiring for Clarinet Choir
#
Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
J
#
James M
#
Bach: Jesu, Joy of Man's Desir
#
jmsgu3
#
SheetMusicPlus
Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding...
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Woodwind Ensemble Clarinet - Level 3 - SKU: A0.548650 Composed by J. S. Bach, 1685 - 1750. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Wedding. 32 pages. Jmsgu3 #3407883. Published by jmsgu3 (A0.548650). Jesu, Joy of Man's Desiring from Bach's Cantata 147, arranged for the clarinet choir.1 Eb Clarinet3 Bb Clarinets1 Alto Clarinet1 Bass Clarinet1 Contrabass ClarinetScore: 18 pg. Parts: 2 pg. Duration: 5:00 with optional repeat. Jesu, Joy of Man’s Desiring Bach composed a cantata called Herz und Mund und Tat und Leben. Though it is the 32nd cantata, it is listed as BWV 147. Jesu, Joy of Man’s Desiring is the 10th movement of the cantata. It was customary to use previous melodies as a basis for a new work - a practice called Cantus prius factus. So, the chorale melody for this piece is a historic tune called Werde munter, mein Gemüthe. Jesu, Joy of Man’s Desiring is customarily performed at weddings and during major church seasons such as Easter and Christmas. Bach Overview First, Johann Sebastian Bach may be the greatest composer in music history. Indeed, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. People are probably most familiar with instrumental works such as the Brandenburg Concertos and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. His most famous vocal works seem to include the most noteworthy Mass in B Minor. Also, the St. John Passion and certainly the Christmas Oratorio are the most noteworthy.  History Bach came from a long line of musicians and, above all, composers. Consequently, he first pursued a career as a church organist. As a result, he gained employment in various Protestant churches in Germany. He worked as a court musician in Weimar and Köthen for a while. Here he probably developed his organ style and, likewise, his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. This new style was probably his synthesis of European musical rhythm and form. Furthermore, in addition to his complete mastery of counterpoint and motivic development, his sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will use an S (Schmieder) as an abbreviation for BWV.
$49.95 ≈
44.92€
Christmas Time Is Here
Christmas Time Is Here
#
Ensemble de Clarinettes
#
FACILE
#
Noël
#
Lee Mendelson and Vince Guaral
#
Steve Ash
#
Christmas Time Is Here
#
Aaron Hettinga
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1342775 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Ste...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1342775 Composed by Lee Mendelson and Vince Guaraldi. Arranged by Steve Ash. 20th Century,Christmas,Film/TV,Holiday,Standards. 17 pages. Aaron Hettinga #928283. Published by Aaron Hettinga (A0.1342775). This melancholy Christmas standard from the 1960’s “A Charlie Brown Christmas†television special gets a brass treatment in Steve Ash’s lovely arrangement for brass quintet. Every part takes its turn with the melody for at least a short time, while other accompanying moving lines around the entire ensemble will keep things interesting for everybody. Other than an optional improvised tag for the alto clarinetist, there aren’t many other technical challenges as this arrangement becomes more a vehicle for displaying ensemble blend and balance, as well as making for an accessible chart for a broad range of skill levels. This fantastic chart belongs in the book for every clarinet choir’s Christmas program as it brings a smile to everyone’s face!
$19.99 ≈
17.98€
Christmas Time Is Here
Christmas Time Is Here
#
Ensemble de Clarinettes
#
FACILE
#
Noël
#
Vince Guaraldi
#
Stephen DeCesare
#
Christmas Time Is Here
#
Exultet Music
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.611938 Composed by Vince Guaraldi. Arranged by Stephen DeCesare. Christmas,Film/TV,Ja...
(+)
Clarinet Choir,Woodwind Ensemble Bass Clarinet - Level 2 - SKU: A0.611938 Composed by Vince Guaraldi. Arranged by Stephen DeCesare. Christmas,Film/TV,Jazz. 11 pages. Exultet Music #3079273. Published by Exultet Music (A0.611938). The popular Christmas song written by Lee Mendelson and Vince Guaraldi for the 1965 TV special A Charlie Brown Christmas has now been arranged for Clarinet Choir (Bb-Clarinet (3), Bass Clarinet), Violin, and Piano.
$12.99 ≈
11.68€
Bach-Gounod: Ave Maria for Clarinet & Harp
Bach-Gounod: Ave Maria for Clarinet & Harp
#
Clarinette, Harpe (duo)
#
INTERMÉDIAIRE
#
Bach-Gounod
#
James M
#
Bach-Gounod: Ave Maria for Cla
#
jmsgu3
#
SheetMusicPlus
Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holid...
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Instrumental Duet B-Flat Clarinet,Harp,Instrumental Duet - Level 3 - SKU: A0.552194 Composed by Bach-Gounod. Arranged by James M. Guthrie. Baroque,Holiday,Standards,Wedding. Score and parts. 11 pages. Jmsgu3 #6265157. Published by jmsgu3 (A0.552194). SchwenckeThere are two popular versions of the Bach-Gounod Ave Maria. Firstly, we have the version that faithfully follows the harmonic scheme set forth by J. S. Bach in his Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Secondly, we have the arrangement introduced by the Choirmaster Christian Friedrich Gottlieb Schwencke in 1783 that introduces a controversial added measure designed to intensify the harmony in measure 23. Both versions employ the melody that Charles Gounod provided as an overlay to the Bach harmony. In either case, the convenient 1st & 2nd endings provide options for extended performance. The duration with the repeat runs about 4:50. The score is 7 pages long. This version features the Schwencke measure. Ave MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewJohann Sebastian Bach was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. Bach HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Bach StyleIt seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Bach Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.
$32.95 ≈
29.63€
Greensleeves for Clarinet Choir
Greensleeves for Clarinet Choir
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Ensemble de Clarinettes
#
INTERMÉDIAIRE
#
Classique
#
Mannheim Steamroller
#
Lisa Ochoco
#
Greensleeves for Clarinet Choi
#
Lisa Ochoco
#
SheetMusicPlus
Clarinet Choir - Intermediate - By Mannheim Steamroller. Arranged by Lisa Ochoco. Score, Set of Parts. 18 pages. Published by Lisa Ochoco...
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Clarinet Choir - Intermediate - By Mannheim Steamroller. Arranged by Lisa Ochoco. Score, Set of Parts. 18 pages. Published by Lisa Ochoco
One of the most recognized and performed Christmas songs is Greensleeves. This arrangement for clarinet choir is taken from Chip Davis' arrangement for the group that he founded called Mannheim Steamroller. As with almost all of my arrangements, there are differences in this piece that I adapted to my liking, but the overall feel is intact.
Scored for 3 Bb, alto, bass, and contrabass clarinets. There is an optional Eb part that can be played in addition to or in lieu of the 1st Bb part.
This is a timeless piece that I hope you and your audience will love.
$15.00 ≈
13.49€
"Christmas Waltz" Original for Clarinet Choir. Early Intermediate
"Christmas Waltz" Original for Clarinet Choir. Early Intermediate
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Ensemble de Clarinettes
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FACILE
#
Noël
#
Grant Horsley
#
"Christmas Waltz" Or
#
Grant Horsley
#
SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1291975 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holida...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1291975 Composed by Grant Horsley. Christmas,Classical,Film/TV,Holiday,Standards. 22 pages. Grant Horsley #882595. Published by Grant Horsley (A0.1291975). Christmas Waltz is a short gentle waltz for Clarinet choir scored for E flat Clarinet, 3 B flat Clarinets, Alto and Bass Clarinet. I wanted this piece to convey the feeling of the shared warmth of having family and friends meeting over the festive season when everything is done, and now it’s time to enjoy! Written in Concert E flat major the introduction begins with a bell- like Christmas chime settling into the main theme which is almost like a verse and chorus. The piece has two of these sections with a link between the two. The second section is a different treatment to the first as some of the bell like figurations of the opening are incorporated. There is also a mix of staccato and legato phrasing to give contrast. The Chorus part is repeated before a short quiet reflective ending. The range is two octaves at most and there is nothing more complicated than an eighth note- hence it has been set in early intermediate level. The whole piece is on the youtube link for you to assess suitability. Ideal to be added to a Christmas concert list! It is 3 minutes 15 in length.Price is for score and all parts.
$12.99 ≈
11.68€
Christmas Time Is Here
Christmas Time Is Here
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Noël
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Vince Guaraldi
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Christmas Time Is Here
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JMS Composer
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SheetMusicPlus
Small Ensemble Clarinet,Flute,Horn,Trombone - Level 3 - SKU: A0.749401 Composed by Vince Guaraldi. Arranged by Arranged by James-Michael Sellers. Contem...
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Small Ensemble Clarinet,Flute,Horn,Trombone - Level 3 - SKU: A0.749401 Composed by Vince Guaraldi. Arranged by Arranged by James-Michael Sellers. Contemporary. Score and parts. 12 pages. JMS Composer #6454005. Published by JMS Composer (A0.749401). CHRISTMAS TIME IS HERE is the well-known work from the 1965 television special A Charlie Brown Christmas. The song became a hit in two ways: a vocal version and an instrumental version. This arrangement for flute choir mixes the best of both worlds to create a magical moment for your ensemble and audience.Contains:- Full Score- Flute 1- Flute 2- Clarinet in B-flat- Bass Clarinet in B-flat- Horn in F- Trombone.
$12.99 ≈
11.68€
Overture for the Holidays (for Clarinet Choir)
Overture for the Holidays (for Clarinet Choir)
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Ensemble de Clarinettes
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FACILE
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Noël
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James-Michael Sellers
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Overture for the Holidays
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JMS Composer
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SheetMusicPlus
Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.749390 Composed by James-Michael Sellers. Christmas. 21 pages. JMS Co...
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Clarinet Choir,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.749390 Composed by James-Michael Sellers. Christmas. 21 pages. JMS Composer #3245545. Published by JMS Composer (A0.749390). There's always a need for a majestic opening for any performance, whether it be at the start of the show or as a piece to break up different portions of a show. This work was written while a light snow was falling, and serves to highlight the light and fluffy nature. It's an easy-going piece which should be easy to work up without much rehearsal time needed.Instrumentation:- E-flat Clarinet (opt.)- 4 B-flat Clarinets- Alto Clarinet- Bass ClarinetA full recording is provided on YouTube at: https://www.youtube.com/watch?v=vRtJdm-PfHg
$10.99 ≈
9.88€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Clarinet and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Clarinet and Piano
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Clarinette et Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Clarinet,Piano - Level 3 - SKU: A0.594414 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. D...
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Clarinet,Piano - Level 3 - SKU: A0.594414 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658343. Published by David McKeown (A0.594414). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Clarinet with piano accompaniment. The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament. Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of this arrangement. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
Jingle Bells for Clarinet & Piano
Jingle Bells for Clarinet & Piano
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Clarinette et Piano
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DÉBUTANT
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Noël
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James Pierpont
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James M
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piano
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Jingle Bells for Clarinet &
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jmsgu3
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SheetMusicPlus
B-Flat Clarinet,Piano - Level 1 - SKU: A0.548663 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jm...
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B-Flat Clarinet,Piano - Level 1 - SKU: A0.548663 Composed by James Pierpont. Arranged by James M. Guthrie, ASCAP. Christmas. Score and part. 8 pages. Jmsgu3 #3408937. Published by jmsgu3 (A0.548663). Jingle Bells arranged for Bb clarinet & piano. Jingle Bells is perhaps the most famous songs in American music history. James L. Pierpont published the song as One Horse Open Sleigh in the late 1850’s. Since its introduction, people began to insist that Pierpont wrote it for a Sunday school choir. However, it seems unlikely that such a secular song would be considered appropriate during that historical period for Sunday school.Christmas Repertoire Pierpont wrote the song for the Thanksgiving holidays, but over time people began to think of it more as a Christmas song. Some choirs adopted it as part of their Christmas repertoire in the 1860s and 1870s. Jingle Bells was first recorded in 1889 on a wax cylinder. Origins No one knows where Pierpont composed the song. One theory suggests he wrote it in Medford Massachusetts in 1850. Sleigh races were certainly popular in 19th Century Massachusetts. To this day, a commemorative placard appears in Medford square claiming that it is the birthplace of Jingle Bells. Others suggest that he wrote it in Savannah, Georgia where he was an organist and music director at the Unitarian Church. This theory gains support from the copyright date of 1857. We know he was living in Savannah by then. Traffic Signals Horse-drawn sleighs are relatively quiet in the snow. Consequently, horses were usually equipped with bell-laden straps so as to avoid accidents at blind intersections. Sleigh drivers in 19th Century New England were constantly vigilant, listening for the sounds of approaching horse-drawn sleighs. The tune imitates the rhythm that the trotting horse bells produce. Social Context Jingle Bells was sung as a drinking song at local revelries: during the song folks would rhythmically jangle the ice in their glasses. A sleigh ride gave couples an opportunity to be alone together. The term Jingle bells is a poetic descriptive adjective referring specifically to the more accurate term sleigh bells. In many arrangements, sleigh bells are used to accentuate the rhythm during the song chorus. Register for free lifetime updates and revisions at www.jamesguthrie.com
$24.95 ≈
22.44€
American Patriotic Music for All, Volume 1
American Patriotic Music for All, Volume 1
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Orchestre de chambre
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Americana
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Various
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American Patriotic Music for A
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Custom Chamber Music
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SheetMusicPlus
Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic, Old-time, Americana. Score, Set of Parts. 468 pages. Published by ...
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Composed by Various. Arranged by Randy Calistri-Yeh. Fourth of July, Recital, Patriotic, Old-time, Americana. Score, Set of Parts. 468 pages. Published by Custom Chamber Music
Volume 1 of our Patriotic collection contains four classic patriotic tunes and three complete Sousa marches. Altogether this has 15 minutes of music that both you and your audience are sure to love.
These arrangements can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional). This is one of the most versatile collections you'll ever use!
To demonstrate the flexibility of this collection, the audio clip has "America the Beautiful" performed as a full concert band, a string orchestra, and a woodwind trio.
The songs included in Volume 1 are:
The Star-Spangled Banner (US National Anthem), by John Stafford Smith.
America the Beautiful, by Samuel Ward.
Battle Hymn of the Republic ("Mine Eyes Have Seen the Glory").
My Country, 'Tis of Thee ("America", known as "God Save the King/Queen" in England).
Stars and Stripes Forever, by John Philip Sousa.
Washington Post March, by John Philip Sousa.
Semper Fidelis, by John Philip Sousa.
These songs are also available separately through the publisher link above.
Each song is in its original key, so it is easy to combine these with your own choir or piano/organ parts.
This collection contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:
Brass trio, quartet, quintet, and sextet.
Woodwind trio, quartet, quintet, and sextet.
String trio, quartet, quintet, and sextet.
Clarinet trio, quartet, quintet, and sextet.
Saxophone trio, quartet, and quintet.
Mixed trio, quartet, quintet, and sextet, with optional percussion.
Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.
The parts are described as follows:
Part 1 [D4-Ab5] is the main melody. Flute/Piccolo, Oboe, Bb Clarinet, Alto Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.
Part 2 [G3-Eb5] has some B-section melody and harmony. Bb Clarinet, Alto/Bass Clarinet, Alto Saxophone, French Horn, Bb Trumpet, Violin, Viola.
Part 3 [G3-Bb4] is additional harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Baritone, Trombone, C/Bb Euphonium, Violin, Viola, Cello.
Part 4 [F2-C4] is the main bass line. Bass Clarinet, Baritone/Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.
Part 5 [E2-C4] is other harmony. Bass Clarinet, Bass Saxophone, Bassoon, French Horn, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.
Part 6 [E2-F4] is the main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.
Part 7 is an optional percussion part (snare drum, cymbal, bass drum) that can be added to any of the above combinations, or skipped entirely.
We recommend the following combinations:
Trio: Parts 1, 2, 4 (4 works better than 3 for trio).
Quartet: Parts 1, 2, 3, 4.
Quintet: Parts 1, 2, 3, 4, 5.
Sextet: Parts 1, 2, 3, 4, 5, 6.
Septet: Part 1, 2, 3, 4, 5, 6, 7.
Be sure to also check out our three volumes of Christmas Carols for All!
$45.00 ≈
40.47€
Christmas Time Is Here for Clarinet Choir
Christmas Time Is Here for Clarinet Choir
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Ensemble de Clarinettes
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Noël
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Vince Guaraldi
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Lisa Ochoco
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Christmas Time Is Here for Cla
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Lisa Ochoco
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SheetMusicPlus
By Vince Guaraldi. Arranged by Lisa Ochoco. Score, Set of Parts. 16 pages. Published by Lisa Ochoco (H0.163991-138880). - Score,Set of Parts - - Lisa Ochoco...
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By Vince Guaraldi. Arranged by Lisa Ochoco. Score, Set of Parts. 16 pages. Published by Lisa Ochoco (H0.163991-138880). - Score,Set of Parts - - Lisa Ochoco
$14.00 ≈
12.59€
Holst: Lullay My Liking (4 Carols for A Capella Choir Op.34 No.2) - wind quintet
Holst: Lullay My Liking (4 Carols for A Capella Choir Op.34 No.2) - wind quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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FACILE
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Classique
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Contemporain
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Gustav Holst
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Ray Thompson
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Holst: Lullay My Liking
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RayThompsonMusic
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1323763 Composed by Gustav Holst. Arranged by Ray Thompson. 20th...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 2 - SKU: A0.1323763 Composed by Gustav Holst. Arranged by Ray Thompson. 20th Century,Christmas,Religious. 10 pages. RayThompsonMusic #911949. Published by RayThompsonMusic (A0.1323763). Lullay, mine liking is a Middle English lyric poem or carol of the 15th century which frames a narrative describing an encounter of the Nativity with a song sung by the Virgin Mary to the infant Christ. The refrain is an early example of an English lullaby; the term lullaby is thought to originate with the lu lu or la la sound made by mothers or nurses to calm children, and by or bye bye, another lulling sound (for example in the similarly ancient Coventry Carol)There are a number of surviving medieval English verses associated with the birth of Jesus which take the form of a lullaby, of which this is probably the most famous example. Written by an anonymous hand, the text is found uniquely in Sloane MS 2593, a collection of medieval lyrics now held in the British Library.My arrangement is transcribed from Gustav Holst's setting of the text, which he calls Lullay, My Liking.It is number 2 from Holst's 4 Carols for Unaccompanied Choir Op.34Arranged wind quintetThe solo verses are played by oboe, flute, clarinet,oboe and bassoon together and finally horn.The refrain has been arranged in a differnt instrumental line up each time it is played.
$9.95 ≈
8.95€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Soprano Recorder and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Soprano Recorder and Piano
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Flûte à bec Soprano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Recorder Solo,Soprano Recorder - Level 3 - SKU: A0.594421 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Individual...
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Recorder Solo,Soprano Recorder - Level 3 - SKU: A0.594421 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Individual part. 4 pages. David McKeown #6658357. Published by David McKeown (A0.594421). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Soprano Recorder with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Flute and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Flute and Piano
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Flûte traversière et Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Flute,Piano - Level 3 - SKU: A0.594417 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. Davi...
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Flute,Piano - Level 3 - SKU: A0.594417 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658349. Published by David McKeown (A0.594417). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Flute with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Descant Recorder and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Descant Recorder and Piano
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Piano seul
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Instrumental Solo,Piano - Level 3 - SKU: A0.594420 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and individ...
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Instrumental Solo,Piano - Level 3 - SKU: A0.594420 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and individual part. 4 pages. David McKeown #6658355. Published by David McKeown (A0.594420). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Descant Recorder with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Trumpet and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Trumpet and Piano
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Trompette, Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Piano,Trumpet - Level 3 - SKU: A0.594426 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. Da...
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Piano,Trumpet - Level 3 - SKU: A0.594426 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658367. Published by David McKeown (A0.594426). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Trumpet with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Euphonioum and Piano
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Euphonium, Piano (duo)
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. ...
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Euphonium,Piano - Level 3 - SKU: A0.594416 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658347. Published by David McKeown (A0.594416). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Euphonium (treble clef, in B Flat) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Total performance time is around two minutes. Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Cor Anglais and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Cor Anglais and Piano
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Cor anglais, Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
English Horn,Piano - Level 3 - SKU: A0.594415 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 page...
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English Horn,Piano - Level 3 - SKU: A0.594415 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658345. Published by David McKeown (A0.594415). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Cor Anglais (or English Horn) with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Trombone and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Trombone and Piano
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Trombone et Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.594425 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. D...
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Piano,Trombone - Level 3 - SKU: A0.594425 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658365. Published by David McKeown (A0.594425). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Trombone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Viola and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Viola and Piano
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Alto, Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Piano,Viola - Level 3 - SKU: A0.594427 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. Davi...
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Piano,Viola - Level 3 - SKU: A0.594427 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658369. Published by David McKeown (A0.594427). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Viola with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Alto Recorder and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Alto Recorder and Piano
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Small Ensemble Alto Recorder,Recorder Solo - Level 3 - SKU: A0.594419 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred...
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Small Ensemble Alto Recorder,Recorder Solo - Level 3 - SKU: A0.594419 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Individual part. 4 pages. David McKeown #6658353. Published by David McKeown (A0.594419). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Alto Recorder with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Tenor Saxophone and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Tenor Saxophone and Piano
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Saxophone Tenor et Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Piano,Tenor Saxophone - Level 3 - SKU: A0.594424 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 p...
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Piano,Tenor Saxophone - Level 3 - SKU: A0.594424 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658363. Published by David McKeown (A0.594424). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Tenor Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Alto Saxophone and Piano
How Beautiful are the Feet, (from the Messiah), by Handel, for Solo Alto Saxophone and Piano
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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G F Handel
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David McKeown
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How Beautiful are the Feet,
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David McKeown
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SheetMusicPlus
Alto Saxophone,Piano - Level 3 - SKU: A0.594422 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pa...
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Alto Saxophone,Piano - Level 3 - SKU: A0.594422 Composed by G F Handel. Arranged by David McKeown. Baroque,Christmas,Easter,Sacred. Score and part. 4 pages. David McKeown #6658359. Published by David McKeown (A0.594422). How Beautiful are the Feet is one of the best loved arias from G F Handel’s oratorio The Messiah. This version is arranged as a solo for Alto Saxophone with piano accompaniment.The original 1741 version of The Messiah presented How Beautiful are the Feet as a duet for two altos and choir, but in 1749 Handel revised the piece as a solo aria for soprano. This revision forms the basis for this arrangement. The text is taken directly from the book of Romans in the New Testament.Musicians at an intermediate standard will find this ideal for formal and informal concert performances. Total performance time is around two minutes. Click the link YouTube link to listen to a complete performance of the clarinet version of this arrangement.Teachers will enjoy using this arrangement as a fun way to approach expressive playing and phrasing. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$4.60 ≈
4.14€
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Christmas Time Is Here for Clarinet Choir
