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Choir Quartet, i
Non classifié
128
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
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FORMATION MUSI…
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MANDOLINE
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OCARINA
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Vous avez sélectionné:
Choir Quartet, i
Partitions à imprimer
786 partitions trouvées
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Polonaise in G Minor - Flute Choir Quartet (2 Flutes; Alto Flute and Bass Flute)
Polonaise in G Minor - Flute Choir Quartet (2 Flutes; Alto Flute and Bass Flute)
#
Quatuor de Flûtes : 4 flûtes
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Carl Philipp Emanuel Bach
#
Raymond Fenech
#
2 Alto Flute and Bass Flute
#
Polonaise in G Minor - Flute C
#
Raymond Fenech
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.759892 Composed by Carl Philipp Emanuel Bach. Arranged by Raymond Fenech. Baroque,Classical...
(+)
Woodwind Ensemble,Woodwind Quartet Flute - Level 4 - SKU: A0.759892 Composed by Carl Philipp Emanuel Bach. Arranged by Raymond Fenech. Baroque,Classical,Easter,Holiday,Wedding. 12 pages. Raymond Fenech #3426589. Published by Raymond Fenech (A0.759892). Carl Philipp Emanuel Bach (1714 – 1788) was the second surviving and most famous son of Johann Sebastian Bach. The Polonaise is a stately dance in triple meter, originated in court ceremonies and processions in the 16th century, Poland This Polonaise is arranged for Flute Choir Quartet, i.e. 2 Flutes; 2 Alto Flute and Bass Flute. The level is Advanced Intermediate and the duration is 1.49 minutes.
$6.95 ≈
6.47€
Canon - Johann Pachebel - Clarinet Choir Quartet (E Flat Clarinet; B Flat Clarinet; Alto Clarinet an
Canon - Johann Pachebel - Clarinet Choir Quartet (E Flat Clarinet; B Flat Clarinet; Alto Clarinet an
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE/AVANCÉ
#
Johann Pachebel
#
Raymond Fenech
#
B Flat Clarinet
#
Canon - Johann Pachebel - Clar
#
Raymond Fenech
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.759957 Composed by Johann Pachebel. Arranged by Raymond Fenech. Baroque,Contemporary,Eas...
(+)
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 4 - SKU: A0.759957 Composed by Johann Pachebel. Arranged by Raymond Fenech. Baroque,Contemporary,Easter,Standards,Wedding. 21 pages. Raymond Fenech #3469306. Published by Raymond Fenech (A0.759957). The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne. This Canon is arranged for Clarinet Choir Quartet, i.e. E Flat Clarinet; B Flat Clarinet; Alto Clarinet and Bass Clarinet. In the middle of this piece you will hear a part which is in a more modern style. The Duration is 6.05 minutes and the level is Advanced Intermediate.
$9.95 ≈
9.26€
Canon - Johann Pachebel (Saxophone Choir Quartet)
Canon - Johann Pachebel (Saxophone Choir Quartet)
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Johann Pachebel
#
Raymond Fenech
#
Canon - Johann Pachebel
#
Raymond Fenech
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759953 Composed by Johann Pa...
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759953 Composed by Johann Pachebel. Arranged by Raymond Fenech. Baroque,Contemporary,Easter,Holiday,Wedding. 26 pages. Raymond Fenech #3467732. Published by Raymond Fenech (A0.759953). The canon was originally scored for three violins and basso continuo and paired with a gigue. Both movements are in the key of D major. Although a true canon at the unison in three parts, it also has elements of a chaconne.The duration is 6.05 minutes and the level is Advanced Intermediate This Canon is arranged for Saxophone Choir Quartet, i.e. Soprano Saxophone, Alto Saxophone; Tenor Saxophone and Baritone Saxophone. In the middle of this piece you will hear a part which is in a more modern style.
$9.95 ≈
9.26€
When I'm sixty four (64) By The Beatles for Clarinet Quartet or Clarinet Choir
When I'm sixty four (64) By The Beatles for Clarinet Quartet or Clarinet Choir
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Rock
#
The Beatles
#
Genessa West
#
When I'm sixty four
#
Genessa Wes
#
SheetMusicPlus
Clarinet, Woodwind Quartet, 3 Bb Clarinets and Bass Clarinet - Intermediate - By The Beatles. Arranged by Genessa West. Score, Set of Parts. 15 pages. Pub...
(+)
Clarinet, Woodwind Quartet, 3 Bb Clarinets and Bass Clarinet - Intermediate - By The Beatles. Arranged by Genessa West. Score, Set of Parts. 15 pages. Published by Genessa Wes
This Classic Song by The Beatles, lasting just 3 minutes, surely shows the Fab 4 at their best! This arrangement for Clarinet Quartet (3 Bb Clarinets and bass) does it full justice. Skillfully arranged for the clarinet by Genessa West, who is herself a clarinetist. This piece will bring the house down at literally any kind of performance. Snap it up now!
$19.99 ≈
18.60€
Polonaise in G Minor - Saxophone Choir Quartet (Soprano Sax; Alto Sax; Tenor Sax and Baritone Sax))
Polonaise in G Minor - Saxophone Choir Quartet (Soprano Sax; Alto Sax; Tenor Sax and Baritone Sax))
#
Quatuor de Saxophones: 4 saxophones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Carl Philipp Emanuel Bach
#
Raymond Fenech
#
Alto
#
Polonaise in G Minor - Saxopho
#
Raymond Fenech
#
SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759894 Composed by Carl Phil...
(+)
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.759894 Composed by Carl Philipp Emanuel Bach. Arranged by Raymond Fenech. Baroque,Classical,Easter,Holiday,Wedding. 12 pages. Raymond Fenech #3426593. Published by Raymond Fenech (A0.759894). Carl Philipp Emanuel Bach (1714 – 1788) was the second surviving and most famous son of Johann Sebastian Bach. The Polonaise is a stately dance in triple meter, originated in court ceremonies and processions in the 16th century, Poland This Polonaise is arranged for Saxophone Quartet, i.e. Soprano; Alto; Tenor and Bass Saxophones . The level is Advanced Intermediate and the duration is 1.49 minutes.
$6.95 ≈
6.47€
"Saxophone Quartet" [Score & Parts]
"Saxophone Quartet" [Score & Parts]
#
Quatuor de Saxophones: 4 saxophones
#
AVANCÉ
#
Contemporain
#
Lior Navok
#
"Saxophone Quartet"
#
Lior Navok Music
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.976041 Composed by Lior Navok...
(+)
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - SKU: A0.976041 Composed by Lior Navok. 20th Century,Contemporary. 108 pages. Lior Navok Music #4725323. Published by Lior Navok Music (A0.976041). SAXOPHONE QUARTET (1999) INSTRUMENTATION: SATB Saxophones DURATION: 15 minutes MOVEMENTS: Introduction Recitative No. 1 - AltoCirclesrecitative No. 2 - TenorEvening ThoughtsRecitative No.3 - BaritoneScherzo; Recitative No. 4 - SopranoFinalePROGRAM NOTES: The composer writes about his work:The saxophone quartet as a musical medium is one of the richest in its contrasting colors, versatility and expressions. For me, Saxophone Quartet music is also the closest to the human choir. While writing my saxophone quartet I was intrigued to explore the ensemble's technical, timbrel, rhythmical and lyrical aspects. The four saxophones can create a homogeneous texture, but can also express their own individuality and uniqueness. Therefore, the quartet consists of five movements, and four recitatives, one for each saxophone. The recitatives' purpose is double: to feature one saxophone a time on one hand, and lead to the next movement on the other. Saxophone Quartet was commissioned by the Fromm Music Foundation and received its first performance by the Raschèr Saxophone Quartet. INFO:Item: Full Score & Set of Parts Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: Score: 37 Parts: 68 Ink: Black & White Paper Size: DIN A4 / Letter.
$35.00 ≈
32.56€
Queen - Bohemian Rhapsody for vocal, SATB choir, piano and string orchestra
Queen - Bohemian Rhapsody for vocal, SATB choir, piano and string orchestra
#
Soli, choeur mixte et accompagnement
#
FACILE
#
Rock
#
Queen
#
Volodymyr Koliarov
#
Queen - Bohemian Rhapsody for
#
Volodymyr Kotliarov
#
SheetMusicPlus
Piano Accompaniment, Violin, Viola, Cello, Double Bass, String Quartet, Voice, Soprano Voice, Alto Voice, Tenor Voice, Bass Voice, SATB - Early Interm...
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Piano Accompaniment, Violin, Viola, Cello, Double Bass, String Quartet, Voice, Soprano Voice, Alto Voice, Tenor Voice, Bass Voice, SATB - Early Intermediate - Digital Download By Queen. Arranged by Volodymyr Koliarov. Individual Part, Score, Set of Parts. 76 pages. Published by Volodymyr Kotliarov
CATION! This arrangement was made by pain and gain! This is the most EXACT transcription of this song. All choir parts very close to original recording, but adopted for SATB choir. I tried to
convey the atmosphere of song very accurate, note-to-note, also I add some interesting parts in strings. Part with Brian's solo was taken from The Queen Symphony by Tolga Kashif.
$20.00 ≈
18.61€
Twelve Hymns and Offertories for 4-part Brass Quartet Ensemble
Twelve Hymns and Offertories for 4-part Brass Quartet Ensemble
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Quatuor de Cuivres
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INTERMÉDIAIRE/AVANCÉ
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Musique Sacrée
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Ran Whitley
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Various
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Twelve Hymns and Offertories f
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Cherry Classics Music
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SheetMusicPlus
Brass Quartet, Brass Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Ran Whitley. Arranged by Various. Classical Period, Chr...
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Brass Quartet, Brass Choir or Ensemble - Advanced Intermediate - Digital Download Composed by Ran Whitley. Arranged by Various. Classical Period, Christian, Spiritual, Sacred, Praise & Worship. Score, Set of Parts. 143 pages. Published by Cherry Classics Music
Ran Whitley has compiled and beautifully arranged Twelve Hymn Preludes and Offertories for 4-part Brass Ensemble. They are playable by most performers of intermediate level and higher. Each piece is a complete arrangement on its own. The entire collection of twelve hymns contains almost 30 minutes of music of glorious Christian music appropriate for many different occasions.
The twelve hymns are amongst the most famous of the Christian liturgy:
All Hail the Power of Jesus' Name
Be Still My Soul
Brethren, We Have Met to Worship
God of our Fathers
Holy, Holy, Holy
I Love to Tell the Story
If You Will Only Let God Guide You
Immortal, Invisible, God Only Wise
Nearer, My God to Thee
O Worship the King
Savior, Like a Shepherd Lead Us
Instrumentation for the quartet is for 2 Trumpets in B-flat and two Trombones. There are 4 substitute parts for parts 2 and 3 in B-flat treble and for F Horn, plus a Tuba part 8ba on the 4th part. You can perform these works with a mass brass ensemble very successfully.
$32.50 ≈
30.24€
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
Bach Jesu, joy of man's desiring for Alto Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiri
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SheetMusicPlus
Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christ...
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Alto Sax, Woodwind Choir or Ensemble, Alto Saxophone Quartet - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99 ≈
9.29€
Bach Jesu, joy of man's desiring for Trumpet Quartet
Bach Jesu, joy of man's desiring for Trumpet Quartet
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Quatuor de cuivres: 4 trompettes
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiri
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SheetMusicPlus
Trumpet, Brass Quartet, Brass Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Chr...
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Trumpet, Brass Quartet, Brass Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99 ≈
9.29€
Bach Jesu, joy of man's desiring for Trumpet in D Quartet
Bach Jesu, joy of man's desiring for Trumpet in D Quartet
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Quatuor de cuivres: 4 trompettes
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiri
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SheetMusicPlus
Brass Quartet, Brass Choir or Ensemble, Trumpet in D - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period...
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Brass Quartet, Brass Choir or Ensemble, Trumpet in D - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99 ≈
9.29€
Jesu, joy of man's desiring by Bach for Trombone Quartet
Jesu, joy of man's desiring by Bach for Trombone Quartet
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Quatuor de cuivres: 4 trombones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Jesu, joy of man's desiring by
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SheetMusicPlus
Trombone, Brass Quartet, Brass Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Ch...
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Trombone, Brass Quartet, Brass Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99 ≈
9.29€
I Know That My Redeemer Lives (Duke Street)
I Know That My Redeemer Lives (Duke Street)
Timpani|Horn|Trombone|Choir|Percussion|Tuba|B-Flat Trumpet|Organ
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James Biery
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I Know That My Redeemer Lives
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
By James Biery. For Congregation, optional Soprano Descant / Organ, Brass Quartet or Brass Quintet, Timpani. Sacred, Easter. Medium. Published by MorningStar Mu...
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By James Biery. For Congregation, optional Soprano Descant / Organ, Brass Quartet or Brass Quintet, Timpani. Sacred, Easter. Medium. Published by MorningStar Music Publishers - Digital Sheet Music
$10.00 ≈
9.30€
I Love to Tell the Story (Hankey)
I Love to Tell the Story (Hankey)
Horn|Trombone|Choir|B-Flat Trumpet|Organ
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Musique Sacrée
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Michael Burkhardt
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I Love to Tell the Story
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MorningStar Music Publishers - Digital Sheet Music
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SheetMusicPlus
By Michael Burkhardt. For Congregation / Organ, Brass Quartet. Occasion: General. Sacred. Medium to Moderately Difficult. Published by MorningStar Music Publish...
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By Michael Burkhardt. For Congregation / Organ, Brass Quartet. Occasion: General. Sacred. Medium to Moderately Difficult. Published by MorningStar Music Publishers - Digital Sheet Music
$10.00 ≈
9.30€
Bach Jesu, joy of man's desiring for Flute Quartet
Bach Jesu, joy of man's desiring for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiri
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SheetMusicPlus
Flute, Woodwind Choir or Ensemble - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, E...
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Flute, Woodwind Choir or Ensemble - Easy/Beginner - Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99 ≈
9.29€
Bach Jesu, joy of man's desiring for Saxophone Quartet
Bach Jesu, joy of man's desiring for Saxophone Quartet
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Quatuor de Saxophones: 4 saxophones
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DÉBUTANT
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Classique
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Johann Sebastian Bach
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Bach Jesu, joy of man's desiri
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SheetMusicPlus
Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685...
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Alto Sax, Tenor Sax, Baritone Sax, Soprano Sax, Woodwind Choir or Ensemble - Easy/Beginner - Digital Download Composed by Johann Sebastian Bach (1685-1750). Baroque Period, Christian, Classroom, European, Easter. Score, Set of Parts. 10 pages. Published by KrahenfuBlieder
This instrumental quartet version was created with ensemble practice in mind for beginning music school students who want more contact with baroque music, ideal also for liturgical performances in churches, since it is a sacred work. This version lasts 3:19 minutes with the original melody adapted with the harmony divided between the voices of the performers.
Jesu joy of man's desiring or Wohl mir, daß ich Jesum habe (I am happy to have Jesus) is a chorale from the cantata 147 "Herz und Mund und Tat und Leben" or "Heart and mouth and deed and life" from the B. W. V 147 catalog composed by Johann Sebastian Bach around 1723, where the same music in different stanzas of a chorale closes both parts of the cantata.
$9.99 ≈
9.29€
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Methodes
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Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide ...
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.784347 Composed by Joshua Hauser. Instructional. Score and parts. 110 pages. Slide Ride #5288705. Published by Slide Ride (A0.784347). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50 ≈
11.63€
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
Donut Etudes vol. 3: Don’t Step in the Holes! – Saxophone Quartet (AATB or SATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784345 Composed by Joshua Hau...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.784345 Composed by Joshua Hauser. Instructional. 110 pages. Slide Ride #5288699. Published by Slide Ride (A0.784345). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$12.50 ≈
11.63€
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Bass Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
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Slide Ride
#
SheetMusicPlus
Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Sli...
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Bass Clarinet Solo - Level 3 - SKU: A0.784329 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288649. Published by Slide Ride (A0.784329). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.65€
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! - Flute Quartet
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Quatuor de Flûtes : 4 flûtes
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride ...
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Flute Solo - Level 3 - SKU: A0.784325 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288633. Published by Slide Ride (A0.784325). Donut Etudes vol. 3: Don’t Step in the Holes!1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.65€
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
Donut Etudes vol. 3: Don’t Step in the Holes! – Clarinet Quartet
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Methodes
#
Joshua Hauser
#
#
Donut Etudes vol. 3: Don&rsquo
#
Slide Ride
#
SheetMusicPlus
Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ri...
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Clarinet Solo - Level 3 - SKU: A0.784327 Composed by Joshua Hauser. Instructional. Individual part. 38 pages. Slide Ride #5288647. Published by Slide Ride (A0.784327). 1 Octave Scale Studies in 15+ keys for 4-part ensembles of like or mixed instruments If this is your first exposure to these scale studies, you are in for a treat! Donuts, if you make a mistake!The initial incarnation of these studies were written for trombone quartet and we would play them in the Tennessee Tech Trombone Choir with the challenge that whomever made the first mistake had to buy donuts for the rest of the ensemble. Since then I have brought that version to several clinics and warm up sessions. One time before I got to explain the title, a fellow trombone professor said, Oh, I get it! Don’t step in the holes!I only wish I had thought of that myself... Since we have one of the best donut shops in TN here in Cookeville, treating the studio to sugar coated goodies was always my intent.As with those initial exercises, you can vary these as much as you’d like.· Choose a tempo.· Choose a dynamic.· Choose an articulation/style.One way I like to play these is to have one person be the model, playing the entire scale over and over while everyone else plays the fragmented versions. That helps everyone to keep on track and stay in time. Double or triple up the parts for ensemble cohesion with a larger group.Practice one key, gradually speeding it up to improve fluidity, or choose a variation and take it through all keys, playing version A, B, C, or D then skipping to play the same set in a new key.If you want an additional challenge, play them in different octaves or change the key. Play the F Major set in f minor (all forms), different modes, etc. Players really have to be on their toes to remember if they are playing melodic minor in the ascending or descending form! For jazz players, try swinging them in dorian or mixolydian modes.The variations are endless!If you are using these with transposing instruments, 1) is F Major in Concert Pitch, 2) is Bb Major in Concert pitch, and so on. When you reach a scale that is enharmonic for another key (Db/C#, Gb/F#, or Cb/B), they are presented in both keys for each instrument so Trumpets can play in Eb while the Flutes are playing in C# with similar examples for all keys.All Donut Etudes with the same volume number are compatible so you can play them in mixed quartets or large ensembles with one or more instruments/people on part 1 and a different instrument on part 2, etc. Since the quartets are all identical, conductors/coaches can use any of the scores to tell which part should be playing at what time. Once you have played a scale with one set of parts, everyone can rotate to a different part and play the same scales again!Enjoy!
$5.00 ≈
4.65€
Fugue in C minor #2 from The Well-Tempered Clavier, Part I for Trombone Quartet
Fugue in C minor #2 from The Well-Tempered Clavier, Part I for Trombone Quartet
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Quatuor de cuivres: 4 trombones
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Charles Decker
#
Fugue in C minor #2 from The W
#
Charles Decker Music Press
#
SheetMusicPlus
Trombone Ensemble Bass Trombone,Euphonium - Level 4 - SKU: A0.1226108 Composed by Johann Sebastian Bach. Arranged by Charles Decker. Baroque,Chamber,Con...
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Trombone Ensemble Bass Trombone,Euphonium - Level 4 - SKU: A0.1226108 Composed by Johann Sebastian Bach. Arranged by Charles Decker. Baroque,Chamber,Contest,Festival,Historic. 19 pages. Charles Decker Music Press #822136. Published by Charles Decker Music Press (A0.1226108). From J.S. Bach’s Well-Tempered Clavier, Part I, the Fugue in C minor (No. 2) is arranged to showcase a trombone quartet of three tenors and one bass trombone on the familiar three-voice fugue. Bass and tenor clef parts are provided for trombone I. Beyond brass programs and special events consider featuring your trombone section on your band or orchestra concert. The recording is of the complete edition.See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$7.95 ≈
7.40€
Album for the Young, op 39, No. 24: In Church for String Quartet
Album for the Young, op 39, No. 24: In Church for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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FACILE
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Classique
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P
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Clara Obsidian
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Album for the Young, op 39, No
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Clara Obsidian
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1149274 Composed by P. I. Tchaikovsky. Arranged by Clara Obsidian. 19th Century,Rom...
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String Quartet Cello,String Quartet,Viola,Violin - Level 2 - SKU: A0.1149274 Composed by P. I. Tchaikovsky. Arranged by Clara Obsidian. 19th Century,Romantic Period. 8 pages. Clara Obsidian #749414. Published by Clara Obsidian (A0.1149274). From the Children's Album (1878) by Pyotr Ilyich Tchaikovsky, the 24th title 'In Church', also 'The Choir' is arranged for String Quartet Suitable for Beginner to Intermediate level Quartets and Ensembles, and perfect for concerts and gigs! Other pieces from the Album for the Young also available Individually or as a collection of all 24 works. Full Score and Parts
$3.99 ≈
3.71€
16 Favourite Easter Hymns for Clarinet Quartet or Choir
16 Favourite Easter Hymns for Clarinet Quartet or Choir
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Quatuor de Clarinettes: 4 clarinettes
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FACILE
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Musique Sacrée
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Various
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David McKeown
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16 Favourite Easter Hymns for
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David McKeown
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.587859 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred. 8...
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Woodwind Ensemble,Woodwind Quartet Clarinet - Level 2 - SKU: A0.587859 Composed by Various. Arranged by David McKeown. Easter,Praise & Worship,Sacred. 80 pages. David McKeown #5031033. Published by David McKeown (A0.587859). 16 Favourite Easter Hymns for Clarinet Quartet or Choir is a beautiful collection of well-known traditional Easter hymns. They are arranged in four parts for three Bb Clarinets and one Bass Clarinet. Separate parts are included with the score in one single pdf file. Alternative parts 1 and 3 for Eb Soprano Clarinet and Eb Alto Clarinet are also included. You can watch and listen to two of these hymns (the Saxophone Quartet version), via the youtube link above.16 Favourite Easter Hymns for Clarinet Quartet or Choir are simply arranged in easy keys and are fun to play for musicians with a year or two’s experience and above. Teachers and students alike will find 16 Favourite Easter Hymns for Clarinet Quartet or Choir useful for building ensemble, reading and rhythmic skills.The hymns are in alphabetical order and are as follows…· All Creatures of Our God and King, (Lasst Uns Erfreuen)· All Hail the Power of Jesus Name, (Coronation)· Before the Throne of God Above, (Before the Throne)· Blessed Assurance, (Blessed Assurance)· Christ the Lord is Risen Today, (Easter Hymn)· Crown Him with Many Crowns, (Diademata)· The Day of Resurrection, (Ellacombe)· Just as I Am, (Woodworth)· I Know that My Redeemer Lives, (Bradford)· It is Well with My Soul, (Ville du Havre)· A Mighty Fortress is Our God, (Ein Feste Burg)· Nothing But the Blood of Jesus, (What Can Wash Away My Sin)· There is a Green Hill Far Away, (The Green Hill)· Thine Be the Glory, (Judas Maccabeus)· Were You There? (Were You There?)· When I Survey the Wondrous Cross, (Hamburg) There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
$9.99 ≈
9.29€
I Will Follow You Into The Dark
I Will Follow You Into The Dark
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Contemporain
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Death Cab For Cutie
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Phyllis Avidan Louke, ASCAP
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I Will Follow You Into The Dar
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Louke Publishing
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SheetMusicPlus
Woodwind Ensemble Flute - Level 4 - SKU: A0.736295 By Death Cab For Cutie. By Benjamin Gibbard. Arranged by Phyllis Avidan Louke, ASCAP. Contemporary. 1...
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Woodwind Ensemble Flute - Level 4 - SKU: A0.736295 By Death Cab For Cutie. By Benjamin Gibbard. Arranged by Phyllis Avidan Louke, ASCAP. Contemporary. 17 pages. Louke Publishing #4791539. Published by Louke Publishing (A0.736295). For Flute Quartet or Flute Choir I Will Follow You Into the Dark by Death Cab for Cutie Program Notesfor Flute Choir or Flute Quartet I Will Follow You Into the Dark was written by Benjamin Gibbard, and recorded by the indie rock band Death Cab for Cutie of Bellingham, Washington.  Released in 2005, it is a popular modern wedding song with a beautiful melody. I arranged it for the processional at my son and daughter-in-law’s wedding. This arrangement works beautifully for flute quartet or flute choir. For flute choir, the instrumentation is 3 flutes, alto flute, bass flute, opt. contrabass flute. For quartet, instrumentation is 3 flutes and bass flute, or 4 flutes (use the Bass Flute part for Flute 4). WeddingsAnniversariesBirthdaysConcertsLove SongsRomanceEmoIndie Rock Wedding SongsIndie RockAlternative RockAlternative Rock Wedding SongsModern Wedding SongsOne of the Best Modern Wedding Songs Phyllis Avidan Louke is a flutist and award-winning composer and arranger with more than 70 published pieces to her credit.  A list of her other SMP arrangements can be found at www.phyllislouke.com   ÂÂ
$13.50 ≈
12.56€
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