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Chimichanga Cha Cha
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Vous avez sélectionné:
Chimichanga Cha Cha
Partitions à imprimer
15 partitions trouvées
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1
Chimichanga Cha-Cha
Chimichanga Cha-Cha
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Piano seul
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Latin/Musique du monde
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Jennifer Linn
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Chimichanga Cha-Cha
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jennifer Linn. For piano. Latin. EDPNO. 3 pages. Published by Hal Leonard - Digital Sheet Music...
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By Jennifer Linn. For piano. Latin. EDPNO. 3 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.49€
Jennifer Linn: Chimichanga Cha-Cha for piano solo
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Piano seul
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DÉBUTANT
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Latin/Musique du monde
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Jennifer Linn
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Virtualsheetmusic
Instantly printable sheet music by Jennifer Linn for piano solo (elementary) of VERY EASY skill level. / latin,children
Instantly printable sheet music by Jennifer Linn for piano solo (elementary) of VERY EASY skill level. / latin,children
$5.97 ≈
5.37€
Carmina Burana
Carmina Burana
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Piano seul
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AVANCÉ
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Contemporain
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Eric Chumachenco
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Carmina Burana
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - Digital Download The Piano Version. Composed by Carl Orff (1895-1982). Arranged by Eric Chumachenco. This edition: Sheet music. T...
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Piano - difficult - Digital Download The Piano Version. Composed by Carl Orff (1895-1982). Arranged by Eric Chumachenco. This edition: Sheet music. Transkription, Piano, Eric Chumachenco. Downloadable. Schott Music - Digital #Q19417. Published by Schott Music - Digital
Carl Orffs beruhmtes, auf einer Sammlung mittelalterlicher Texte basierendes Werk in einer Klavierversion von Eric Chumachenco. Diese Transkription ist kein Klavierauszug. was Vokalsolisten und Chor singen, wird genauso in den Klang einbezogen wie der Orchesterpart.
Orffs Melos schwingt hier auf Tasten aus. Der archaisierende, neobarbarische Rhythmus verbindet sich mit der pragnanten, mal modalen, mal diatonischen Melodik zu einer pianistischen Siktion, die auch sinnliche Klangfulle nicht scheut. (als CD bei Wergo erhaltlich unter Best.-Nr. WER 6217-2).
$23.99 ≈
21.58€
3 Romances Op.22
3 Romances Op.22
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
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Clara Wieck-Schumann
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ChunYan Cheung
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3 Romances Op.22
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ChunYanCHEUNG
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SheetMusicPlus
Piano,Soprano Flute - Level 4 - SKU: A0.1419011 Composed by Clara Wieck-Schumann. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Romantic Pe...
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Piano,Soprano Flute - Level 4 - SKU: A0.1419011 Composed by Clara Wieck-Schumann. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Romantic Period,Wedding. Score and part. 25 pages. ChunYanCHEUNG #1000453. Published by ChunYanCHEUNG (A0.1419011). The romance was one of Clara’s favorite character genres, and these make complementary companions to Robert’s Märchenbilder. The Andante molto has hints of gypsy pathos amid lyrically supple sentiments, and the merry spirits of the Allegretto likewise have a darker center. Almost as long as the other two together, Clara’s final romance, marked Leidenschaftlich schnell (passionately quick), features a long-limbed melody over rippling pianism, developed with assurance.
$5.99 ≈
5.39€
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
Giovanni Bononcini - Anthem (for the Funeral of John Duke of Marlborough)
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Giovanni Bononcini
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Giovanni Bononcini, Giovanni B
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Guido Menestrina
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Giovanni Bononcini - Anthem
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contem...
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Choral Choir (SATB) - Level 4 - SKU: A0.828704 Composed by Giovanni Bononcini, Giovanni Battista Bononcini. Arranged by Guido Menestrina. Baroque,Contemporary,Sacred. Octavo. 44 pages. Guido Menestrina #368381. Published by Guido Menestrina (A0.828704). Anthem which was performed in King Henry the Seventh's Chappel at the Funeral of the most Noble & Victorious Prince John Duke of Marlborough By Giovanni Bononcini (1670-1747) transcribed by Guido Menestrina Il padre, Giovanni Maria Bononcini (Buononcini) (1642-1678), era stato violinista e compositore: attivo alla corte di Modena, aveva scritto un trattato, Musico prattico, pubblicato nel 1673. Il fratello minore di Giovanni, Antonio Maria, fu anch'egli musicista. Proprio dal padre Giovanni ricevette la prima educazione musicale; quando questi morì, nel 1678, divenne studente di Giovanni Paolo Colonna a Bologna, dove vennero eseguiti i suoi primi lavori. Proprio grazie al Colonna entrò a far parte dell'Accademia dei Filarmonici in veste di compositore. Nel 1685 aveva già preparato e pubblicato le sue prime opere. Ottenne nel 1688 il posto di musicista presso la basilica di San Petronio, e più tardi divenne maestro di cappella nella chiesa di San Giovanni in Monte. Sempre a Bologna fece la conoscenza del librettista Silvio Stampiglia, assieme al quale, tra il 1692 e il 1696, produrrà cinque opere. A partire dal 1692 si recò a Milano, Roma (dove fu apprezzato e sostenuto da Filippo II Colonna e dalla sua consorte Olimpia Pamphilj) e Venezia; infine, dal 1698 al 1711 si stabilì a Vienna, dove godette i favori degli imperatori Leopoldo I e Giuseppe I. Di passaggio a Berlino nel 1702, incontrò Georg Friedrich Händel, di quindici anni più giovane di lui, di cui riconobbe il talento precoce: lo avrebbe rincontrato alcuni anni più tardi. Dal 1714 al 1719 fu di nuovo a Roma, al servizio di Johann Wenzel, Conte di Gallas, Ambasciatore dell'Imperatore d'Austria a Roma, molto noto per il suo amore per la musica. Al Conte di Gallas, Bononcini dedicò la Favola Pastorale Erminia, rappresentata al Teatro della Pace nella Stagione del Carnevale del 1719. Il dramma musicale ebbe grandissimo successo sia per la musica, sia per gli interpreti, fra cui si segnalarono Domenico Gizzi (1687-1758), Musico Soprano della Real Cappella di Napoli ed il celebre contralto napoletano Francesco Vitale. Sempre nella Stagione del Carnevale 1719 al Teatro della Pace, Bononcini rappresentò il dramma per musica L'Etearco, dal librettista Silvio Stampiglia dedicato alla Contessa Ernestina di Gallas, moglie dell'Ambasciatore austriaco. Anche in questo dramma per musica Domenico Gizzi e Francesco Vitale fecero apprezzare tutte le spezie più ricercate del virtuosismo canoro. Poi, dal 1720 si stabilì a Londra, sotto la protezione del John Churchill, I duca di Marlborough. Qui si esibì anche al violoncello in numerosi concerti, molto apprezzati dall'aristocrazia inglese. Divenne membro della prestigiosa Royal Academy of Music.[senza fonte] Il pubblico londinese era, all'epoca, totalmente ignorante dell'opera italiana, e Händel stava muovendo i primi passi della sua prestigiosa carriera. Fra i due compositori si accese un forte spirito di competizione, sia che collaborassero alla realizzazione della medesima impresa (i tre atti dell'opera Muzio Scevola furono composti il primo da Filippo Amadi, il secondo da Bononcini, il terzo da Händel, al fine di soddisfare tutti e tre gli artisti), sia che, più spesso, si impegnassero in produzioni rivali. Le opere di maggior successo di Bononcini in quegli anni furono Astarto (1720), Crispo (1722), Griselda (1722), che si rivelò un vero e proprio trionfo, Erminia (1723), Calfurnia (1724). A favore dell'italiano era anche una certa ostilità verso Händel dovuta alle sue origini tedesche e alla contemporanea presenza sul trono inglese della poco amata dinastia di Hannover. Ma nel 1727-1728 scoppiò uno scandalo che compromise il successo di Bononcini e lo costrinse a lasciare Londra: il compositore Antonio Lotti accusò il madrigale di Bononcini In una siepe ombrosa di essere un plagio di un brano dei suoi Duetti, terzetti e madrigali. Fuggito a Parigi nel 1733, a causa di speculazion.
$9.99 ≈
8.98€
Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
Flowers of Edinburgh, Celtic Song Arranged by Gustavo Fuentes
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Traditional
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Gustavo Fuentes
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Flowers of Edinburgh, Celtic S
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Gustavo Fuentes
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SheetMusicPlus
Woodwind Ensemble - SKU: A0.900410 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #36...
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Woodwind Ensemble - SKU: A0.900410 Composed by Traditional. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. 3 pages. Gustavo Fuentes #3637565. Published by Gustavo Fuentes (A0.900410). Flowers of Edinburgh. Scotish music song, arranged for three voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, harmonic or violin, and low voice like cello or bass, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The hornpipe is a traditional dance in Ireland and Scotland. The legend says that sailors used to dance the hornpipe before setting sail. It makes sense that they would dance atop bar tables until their legs gave out: after all, on each journey they put their lives at risk. Dancing is a way to face one’s fears and find the happiness that lies within. It is a way to find hope amidst uncertainty.We should dance when we are happy, so we can be happier. We should dance when we are sad, so our sadness can be soothed. We should dance like our sailor ancestors once did, so that we can know that even though the journey might be dangerous, if we are tired from dancing, nothing can go wrong. Canción tradicional escocesa, arreglada para tres voces. Dos agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, armónica o violÃn, y un instrumento grave como cello o bajo, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El hornpipe es una danza muy tradicional en Irlanda y Escocia. Cuenta la leyenda que lo bailaban los marineros antes de embarcar. Y suena lógico que zapatearan hasta el cansancio sobre las mesas de los bares porque en cada viaje ellos arriesgaban sus vidas. Bailar es una forma de ponerle el cuerpo al miedo, de ahuyentar los fantasmas, de conectarnos con nuestra alegrÃa más profunda. Bailar es un modo de encontrar esperanza cuando el porvenir nos llena de incertidumbre.Bailemos cuando estemos felices, porque aumentará nuestra felicidad. Bailemos cuando estemos tristes, porque atenuará nuestra tristeza. Bailemos como lo hacÃan nuestros ancestros marineros, para tomar conciencia de que aunque el viaje puede ser peligroso, si nuestro cuerpo está cansado de felicidad, nada saldrá mal.
$4.99 ≈
4.49€
Violin Sonata in A Major I. Allegro Moderato, Opus 13
Violin Sonata in A Major I. Allegro Moderato, Opus 13
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Flûte traversière et Piano
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AVANCÉ
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Gabriel Faure
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ChunYan Cheung
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Violin Sonata in A Major I. Al
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ChunYanCHEUNG
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1449958 Composed by Gabriel Faure. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic...
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Piano,Soprano Flute - Level 5 - SKU: A0.1449958 Composed by Gabriel Faure. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic Period. Score and part. 25 pages. ChunYanCHEUNG #1029688. Published by ChunYanCHEUNG (A0.1449958). Fauré composed his violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music.
$3.99 ≈
3.59€
Violin Sonata in A major II. Andante, Opus 13
Violin Sonata in A major II. Andante, Opus 13
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Flûte traversière et Piano
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AVANCÉ
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Gabriel Faure
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ChunYan Cheung
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Violin Sonata in A major II. A
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ChunYanCHEUNG
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1449963 Composed by Gabriel Faure. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic...
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Piano,Soprano Flute - Level 5 - SKU: A0.1449963 Composed by Gabriel Faure. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic Period. Score and part. 14 pages. ChunYanCHEUNG #1029694. Published by ChunYanCHEUNG (A0.1449963). Fauré composed his violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music.
$1.99 ≈
1.79€
Violin Sonata in A major IV. Allegro quasi Presto, Opus 13
Violin Sonata in A major IV. Allegro quasi Presto, Opus 13
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Flûte traversière et Piano
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AVANCÉ
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Gabriel Faure
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ChunYan Cheung
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Violin Sonata in A major IV. A
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ChunYanCHEUNG
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1449969 Composed by Gabriel Faure. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic...
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Piano,Soprano Flute - Level 5 - SKU: A0.1449969 Composed by Gabriel Faure. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic Period. Score and part. 19 pages. ChunYanCHEUNG #1029700. Published by ChunYanCHEUNG (A0.1449969). Fauré composed his violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music.
$1.99 ≈
1.79€
Violin Sonata in A major III. Allegro Vivo, Opus 13
Violin Sonata in A major III. Allegro Vivo, Opus 13
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Flûte traversière et Piano
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AVANCÉ
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Gabriel Faure
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ChunYan Cheung
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Violin Sonata in A major III.
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ChunYanCHEUNG
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1449966 Composed by Gabriel Faure. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic...
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Piano,Soprano Flute - Level 5 - SKU: A0.1449966 Composed by Gabriel Faure. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic Period. Score and part. 17 pages. ChunYanCHEUNG #1029697. Published by ChunYanCHEUNG (A0.1449966). Fauré composed his violin sonata in 1875/76 and in so doing opened up a new tradition for this genre in French music.
$1.99 ≈
1.79€
Violin Concerto No.1 in G minor II. Adagio
Violin Concerto No.1 in G minor II. Adagio
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Flûte traversière et Piano
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AVANCÉ
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Max Bruch
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ChunYan Cheung
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Violin Concerto No.1 in G mino
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ChunYanCHEUNG
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SheetMusicPlus
Piano,Soprano Flute - Level 5 - SKU: A0.1453606 Composed by Max Bruch. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic Per...
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Piano,Soprano Flute - Level 5 - SKU: A0.1453606 Composed by Max Bruch. Arranged by ChunYan Cheung. 19th Century,Chamber,Classical,Religious,Romantic Period. Score and part. 12 pages. ChunYanCHEUNG #1032822. Published by ChunYanCHEUNG (A0.1453606). The core movement from the violin concerto No.1 by Bruch.
$1.99 ≈
1.79€
Remanso
Remanso
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Guitare
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INTERMÉDIAIRE
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Nicolas Mustillo
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Nicolas Mustillo
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Remanso
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Nico Mustillo
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SheetMusicPlus
Solo Guitar - Level 3 - SKU: A0.540234 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Contemporary,Multicultural,New Age,Praise...
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Solo Guitar - Level 3 - SKU: A0.540234 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Contemporary,Multicultural,New Age,Praise & Worship,Spiritual,World. Individual part. 5 pages. Nico Mustillo #150374. Published by Nico Mustillo (A0.540234). La obra narra el proceso de una viaje interno y externo a un lugar llamado Capilla del Monte ubicado en una región de Córdoba, Argentina, muy caracterizada por su energÃa espiritual y conciencia. La musica describe ese lugar interior, ese remanso interno donde todo esta bien, y lleno de paz y luz. La partitura contiene el arreglo para guitarra solista y también los cifrados de acorde y melodÃa. The work narrates the process of an internal and external journey to a place called Capilla del Monte located in a region of Córdoba, Argentina, very characterized by its spiritual energy and consciousness. The music describes that inner place, that inner haven where everything is fine, and full of peace and light. The score contains the arrangement for solo guitar and also the chord and melody symbols.
$10.00 ≈
8.99€
Jeux pour Deux
Jeux pour Deux
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Panagiotis Theodossiou
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Jeux pour Deux
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Panagiotis Theodossiou
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.886672 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Scor...
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Instrumental Duet Instrumental Duet,Piano - Level 5 - SKU: A0.886672 Composed by Panagiotis Theodossiou. Concert,Contemporary,Graduation,Standards. Score and parts. 63 pages. Panagiotis Theodossiou #3073727. Published by Panagiotis Theodossiou (A0.886672). Jeux pour Deux for two pianos (2007)A work of neoclassical character with influences from jazz idiom. It is dedicated to the piano duo Dimitra Mane – Andy Miliory and to Maurice Ravel in the musical style of whom there are intentional references - by which was performed at Athenaeum Concert Hall Athens in 2008. The work have been secondly performed by Ting Ke and Chenshayang Huang at Boston University Concert Hall under Spring 14 Piano Ensemble Juries (K. Papadakis piano class) in 2014 and by Effie Agrafioti and Giorgos Kontrafouris in D. Mitropoulos Hall, Athens Concert Hall in 2015.https://www.youtube.com/watch?v=IpEJJHgenjw https://www.youtube.com/watch?v=JtBs6FnoB7o .
$15.00 ≈
13.49€
From a Diary of a Child
From a Diary of a Child
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Piano seul
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FACILE
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Panagiotis Theodossiou
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From a Diary of a Child
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Panagiotis Theodossiou
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.886642 Composed by Panagiotis Theodossiou. Children,Concert,Contemporary,Standards. Score. 51 pages. Panagiotis Theodossi...
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Piano Solo - Level 2 - SKU: A0.886642 Composed by Panagiotis Theodossiou. Children,Concert,Contemporary,Standards. Score. 51 pages. Panagiotis Theodossiou #2914377. Published by Panagiotis Theodossiou (A0.886642). 30 Short Children Pieces for Piano Solo (2007)The life of a child reveals and hides inside images and sentiments, sounds and experiences, questions and concerns. Parts of a world lost forever but treasured in the adult soul.From First Day, First Page of the diary and Sunday’s Joybells to the Bittersweet morning dances and the Calm of a Sunny Afternoon, from A Sudden Absence and a Strange Question to the Loneliness and Dream, from the imaginary Indian Dance to the Walkin’ on a Rainy Day and from March of the Goose to the Flowers’ Waltz, Lullaby and Farewell Song, these Diary of a Child pages unfold the thread of a very well known memory, a memory of us all.These 30 short piano pieces were composed between 2003 and 2007. Some of them are compositions of inspired children, composer’s pupils, like Orsaki Roussetou and Plato Tsoukatos-Pontikis.This collection is dedicated to all composer’s pupils and especially toy Nikos Karidis, the grown up child who gave me the opportunity to write most of the pieces presented. The work was recorded by Dimitra Mane on cd for the upcoming edition.. The artist performed parts of the work in composer's personal Portrait organized by Greek Composers Union at Hellenic Conservatory in Maroussi in 2010 and the whole collection at Mikros Horos Tehnis (Little Hall of Arts) in Glyfada, Attiki, in 2015. Parts of the work had been performed also by Eleni Papaspyrou students, from Herakleion Music School, in Theatrical Station, Herakleion, Crete and at Lillian Voudouri Library Hall in Athens Concert Hall in 2015.39. Jeux pour Deux for two pianos (2007)A work of neoclassical character with influences from jazz idiom. It is dedicated to the piano duo Dimitra Mane – Andy Miliory and to Maurice Ravel in the musical style of whom there are intentional references - by which was performed at Athenaeum Concert Hall Athens in 2008. The work have been secondly performed by Ting Ke and Chenshayang Huang at Boston University Concert Hall under Spring 14 Piano Ensemble Juries (K. Papadakis piano class) in 2014 and by Effie Agrafioti and Giorgos Kontrafouris in D. Mitropoulos Hall, Athens Concrt Hall in 2015.https://www.youtube.com/watch?v=jI62IN0xdA0
$12.99 ≈
11.68€
Christe Redemptor Omnium (SATB)
Christe Redemptor Omnium (SATB)
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Chorale SATB
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INTERMÉDIAIRE
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Sarum chant
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Sara Garrard
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Christe Redemptor Omnium
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Sara Garrard
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - SKU: A0.1100378 Composed by Sarum chant. Arranged by Sara Garrard. Christmas,Holiday,Medieval,Religious,Sacred. O...
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Choral Choir (SATB divisi) - Level 3 - SKU: A0.1100378 Composed by Sarum chant. Arranged by Sara Garrard. Christmas,Holiday,Medieval,Religious,Sacred. Octavo. 7 pages. Sara Garrard #704207. Published by Sara Garrard (A0.1100378). The words and melody of 'Christe redemptor omnium' are hundreds of years old. Here is an arrangement of the Christmas plainchant hymn for SATB choir divisi, the effect warm and full, building over the sevenfold structure of the piece. 1. Christe, redemptor omnium, ex Patre, Patris unice, solus ante principium natus ineffabiliter, 2. Tu lumen, tu splendor Patris, tu spes perennis omnium, intende quas fundunt preces tui per orbem servuli. 3. Salutis auctor, recole quod nostri quondam corporis, ex illibata Virgine nascendo, formam sumpseris. 4. Hic praesens testatur dies, currens per anni circulum, quod a solus sede Patris mundi salus adveneris; 5. Hunc caelum, terra, hunc mare, hunc omne quod in eis est, auctorem adventus tui laudat exsultans cantico. 6. Nos quoque, qui sancto tuo redempti sumus sanguine, ob diem natalis tui hymnum novum concinimus. 7. Jesu, tibi sit gloria, qui natus es de Virgine, cum Patre et almo Spiritu, in sempiterna saecula. Amen. Rhymed English translation by John Mason Neale (1818-1866) 1. O Christ, the Father's only Son, whose death for all redemption won, before the worlds, of God most high, begotten all ineffably. 2. The Father's Light and Splendour Thou their endless Hope to Thee that bow: accept the prayers and praise today that through the world Thy servants pay. 3. Salvation's author, call to mind how, taking the form of humankind, born of a Virgin undefiled, Thou in man's flesh becamest a Child. 4. Thus testifies the present day Through every year in long array, that Thou, salvation's source alone proceedest from the Father's Throne. 5. Whence sky, and stars, and sea's abyss, and earth, and all that therein is, shall still, with laud and carol meet, the Author of thine Advent greet. 6. And we who, by Thy precious Blood from sin redeemed, are marked for God, on this, the day that saw Thy Birth, sing the new song of ransomed earth. 7. All honour, laud, and glory be, O Iesu, Virgin-born, to Thee; whom with the Father we adore, and Holy Ghost forevermore. Amen.
$4.50 ≈
4.05€
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