Tout le site ▾
Tout le site ▾
Partitions GRATUITES
Partitions LIVRES
Partitions NUMÉRIQUES
MATERIEL de Musique
Mon compte
(connectez-vous)
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites ▾
▽ INSTRUMENTS
ACCORDEON
ALTO
AUTRES INSTRU…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHORA…
CHARANGO
CITHARE
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNET
DOBRO - GUIT.…
DULCIMER
EUPHONIUM
FANFARE - BAN…
FLUTE
FLUTE A BEC
FLUTE DE PAN
GUITARE
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEORBE
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
PARTITIONS VI…
PERCUSSION
PIANO
SAXOPHONE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLE DE GAMB…
VIOLON
VIOLONCELLE
XYLOPHONE
|
NOUVEAUTÉS
|
GENRES
|
20eme siecle
Bluegrass
Baroque
Blues
Celtique
Celebrations
Classique
Classique contemporain
Contemporain
Hymnes Nationaux
Jazz
New age
Opera
Ragtime
Renaissance
Romantique
Sonate
Tango
Traditionnel
Valse
Afro-americain
Ballade
Chant Occitan
Chanson
Chinois
Ethnique
Klezmer
Flamenco
Folk
Japonais
March
Medieval
Musette
Orientale
Pasodoble
Populaire Francais
Populaire Danse
Reggae
Swing
World / Bresil
World / Latino
APPRENTISSAGE:
Dictionnaires
Enfants
Etudes
Methodes
Musicologie
Partitions vierges
Theorie de la musique
Solfeges
Solfege rythmique
RELIGIEUX:
Chants Gregoriens
Christian
Eglise/Religion
Gospel
Hassidique
Israeli
Hymnes Africains
Mariage
Noël
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
TOP
|
TOP TELECHARGEMENTS
TOP 100 CLASSEMENT SOCIAL
COMPOSITEURS
|
Compositeurs membres
Compositeurs historiques
Tous les compositeurs
INSTRUMENTATIONS
|
SOLO
DUO
TRIO
QUATUOR
QUINTET
ENSEMBLE
TOUS
R. AVANCÉES
|
Partitions Numériques
ACCUEIL
|
NOUVEAUTÉS
|
PIANO
|
Partitions Piano
Piano seul
Piano, Voix, Guitare
Piano duo
Piano facile
Méthodes Piano
Méthodes
Etudes
Partitions Orgue
Orgue seul
Orgue duo
INSTRUMENTAL
|
Cordes
Violon
Alto
Violoncelle
Contrebasse
Harpe
Vents
Flute
Clarinette
Hautbois
Saxophone
Basson
Cuivre
Trompette
Cor
Trombone
Tuba
Guitare
Guitare Tablatures
Piano, Voix, Guitare
Basse
Folk
Accordéon
Banjo
Dulcimer
Ukulélé
Mandoline
Chambre
Quatuor à cordes
Quintet à vent
Quintet de cuivres
Cloches
ORCHESTRE
|
Orchestre d'Harmonie
Ensemble Jazz
Jazz combo
Ensemble de Cuivres
Fanfare
Methodes
Orchestre
Orchestre à cordes
Orchestre de chambre
Ensemble de percussions
CHORALE / VOIX
|
Chorale
SATB
TTBB
SSAA
3 parties
2 parties
Voix
Piano, Voix, Guitare
Piano, Voix
Voix seule
Voix duo
GENRES
|
20eme siecle
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
DIFFICULTÉ
|
Débutant
Facile
Intermédiaire
Intermédiaire/avancé
Avancé
NOËL
|
Librairie Musicale ▾
TOP VENTES
|
NOUVEAUTÉS
|
PIANO
|
Tout Piano
Piano Débutant
Piano Facile
Piano Seul
PVG
Meilleures Ventes
Nouveautes
GUITARE
|
Tout Guitare
Guitare Débutant
Guitare Facile
Guitare avec TABLATURE
Guitare avec SOLFEGE
Meilleures Ventes
Nouveautes
VOIX/CHORALE
|
Tout Chorale & Voix
Voix seule
Chorale 2 Parties
Chorale 3 Parties
Chorale SATB
Chorale TTBB
Chorale SSAA
Chorale UNISON
Meilleures Ventes
Nouveautes
INSTRUMENTS
|
CLAVIERS
ACCORDEON
CLAVECIN
ORGUE
PIANO
GUITARES
GUITARE
BANJO
BASSE
DOBRO
UKULELE
VOIX
CHANT - CHORALE
CORDES
ALTO
CONTREBASSE
HARPE
VIOLE DE GAMBE
VIOLON
VIOLONCELLE
VENT
BASSON
CLARINETTE
COR ANGLAIS
FLUTE
FLUTE A BEC
FLUTE DE PAN
HARMONICA
HAUTBOIS
SAXOPHONE
ENSEMBLE
ORCHESTRE
FANFARE - BANDA
CUIVRES
BUGLE
COR
CORNET
EUPHONIUM
TROMBONE
TROMPETTE
TUBA
FOLK
BALALAIKA
BOUZOUKI
CHARANGO
CITHARE
DULCIMER
LUTH, THEORBE
MANDOLINE
PERCUSSIONS
BATTERIE
CLOCHES
MARIMBA
PERCUSSION
VIBRAPHONE
XYLOPHONE
AUTRES
AUTRES INSTRU…
FORMATION MUSICALE
LIVRES
PARTITIONS VIERGES
INSTRUMENTATIONS
|
GENRES
|
20eme siecle
Africain
Asie
Bluegrass
Blues
Celtique
Chanson Francaise
Classique
Comédie Musicale
Country
Enfant
Europe de l'Est
Examen
Film / TV
Film Walt Disney
Fingerpicking
Flamenco
Folk Rock
Funk
Gospel
Halloween
Jazz
Jazz Manouche
Jeux Video
Klezmer
Latin / World
Latin Pop
Mariage / Amour
Medieval / Renaissance
Metal
Méthodes
Méthodes - Etudes
New Age
Noël
Patriotique
Pop
Reggae
Religion / Eglise
Rock
Rock Alt.
Soul / Rap
Tango
Traditionnel
SECTIONS
|
ARTISTES
EDITEURS
FORMATION MUSICALE
IDEES CADEAUX
LIVRES SUR LA MUSIQUE
PLAY-ALONG
R. AVANCÉE
Matériel de Musique ▾
STUDIO
|
SONO
|
ACCESSOIRES
|
ACCESSOIRES
|
CABLE
|
EFFET
|
FLIGHT
|
LOGICIEL
|
VIDEO
LUMIERE
|
DEEJAY
|
MICROPHONE
|
MARQUES
|
GUITARE
|
CLAVIER
|
PERCUSSION
|
VENT
|
NOËL
|
CORDES/TRAD.
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Chicago In Concert Bass
Non classifié
9
Piano & claviers
Piano seul
1
2 Pianos, 4 mains
1
Guitares
Voix
Vents
Flûte, Hautbois, Clarinette, Basson
4
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
4
Ensemble de Clarinettes
1
Quintette de Clarinettes: 5 clarinettes
1
Ensemble De Flûte à bec
1
Cuivres
Trombone et Piano
1
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Cordes
Contrebasse (partie séparée)
1
Percussions & orchestre
Orchestre d'harmonie
4
Orchestre
1
Autres
Imprimer aprés achat
Accueil
Meilleures Ventes
Nouveautés
Vendeurs
Vendeurs
Européens
Chez Tomplay
Chez Quickpartitions
Chez Noviscore
Chez Profs-edition
Chez Note4piano
Américains
Chez Musicnotes
Chez Sheetmusicplus
Chez Virtualsheetmusic
Artistes Internationaux
Artistes Francophones
Top artistes
Top artistes
POP
Adele
Billie Eilish
Ed Sheeran
BTS
Coldplay
Pharrel Williams
Daft Punk
Avicii
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Beatles
NEW AGE / CONTEMPORAINS :
Ludovico Einaudi
Yiruma
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
FILMS
Lin-Manuel Miranda
Joe Hisaishi
Ennio Morricone
Yann Tiersen
John Williams
Howard Shore
Hans Zimmer
FRANÇAIS :
Slimane
Calogero
Clara Luciani
Vianney
Kendji Girac
Stromae
William Sheller
Georges Brassens
Claude Nougaro
Serge Gainsbourg
Jean Jacques Goldman
Artistes :
• Chicago
PARTITIONS GRATUITES
188 000+ partitions
BOUTIQUE PARTITIONS
1 500 000+ acheter et livraison
PARTITIONS NUMÉRIQUES
2 000 000+ acheter et imprimer
MATERIEL DE MUSIQUE
Accessoires & Instruments
Partitions Numériques, Accès après l'Achat
Expédition postale
Téléchargement
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Meilleures ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Chicago In Concert Bass
Partitions à imprimer
30 partitions trouvées
<
1
26
Chicago In Concert - Bass
Chicago In Concert - Bass
#
Contrebasse (partie séparée)
#
Rock
#
Chicago
#
Roger Emerson
#
Chicago In Concert - Bass
#
Hal Leonard - Digital
#
SheetMusicPlus
SKU: HX.384383 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 5 pages. Hal Leonard - Digital #12219. Pu...
(+)
SKU: HX.384383 By Chicago. Arranged by Roger Emerson. This edition: scorch. Pop,Rock. Choral Instrumental Pak. 5 pages. Hal Leonard - Digital #12219. Published by Hal Leonard - Digital (HX.384383).
$7.00 ≈
6.25€
Sweet Home Chicago
Sweet Home Chicago
#
Orchestre d'harmonie
#
INTERMÉDIAIRE
#
Robert Johnson
#
Adrian Horvath
#
Sweet Home Chicago
#
Horváth Adrián
#
SheetMusicPlus
Concert Band - Level 3 - SKU: A0.1146311 By Robert Johnson. By Robert Johnson. Arranged by Adrian Horvath. Blues,Jazz,Patriotic. Score and Parts. 72 pag...
(+)
Concert Band - Level 3 - SKU: A0.1146311 By Robert Johnson. By Robert Johnson. Arranged by Adrian Horvath. Blues,Jazz,Patriotic. Score and Parts. 72 pages. Horváth Adrián #746532. Published by Horváth Adrián (A0.1146311). Visit my website: https://www.hadrian.huInstrumentation: Full Score (A4 Portrait), Parts (A4 Portrait): Singer (opt.) Flute 1., 2., Oboe, Bassoon, Clarinet in Bb 1., 2., 3., Bass Clarinet in Bb, Alto Saxophone 1., 2., Tenor Saxophone, Baritone Saxophone, Trumpet in Bb 1., 2., 3., Horn in F, Horn in Eb, Euphonium in Bb 1., 2., (T.C.), Euphonium in C 1., 2., (B.C.), Trombone 1., 2., 3., Tuba, Bass Guitar (opt.), Rock Organ (opt.), Guitar (opt.), Drum Set, Percussion, Glockenspiel, Xylophone.
$49.99 ≈
44.66€
Concerto for Electric Guitar and Orchestra
Concerto for Electric Guitar and Orchestra
#
Orchestre
#
INTERMÉDIAIRE
#
Robert E
#
Concerto for Electric Guitar a
#
R. E. Proctor
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Publish...
(+)
Full Orchestra - Level 3 - SKU: A0.809889 Composed by Robert E. Proctor. Blues,Contemporary. Score and parts. 270 pages. R. E. Proctor #4800403. Published by R. E. Proctor (A0.809889). This concerto is in the traditional three movement format with the first and third movements being fast and the middle movement slow. The second and third movements are most like a blues work. The first movement is a rondo format, is not particularly bluesy. A Les Paul™ guitar would play particularly well in this movement. The second movement switches between the soloist as the distorted guitar sound to the vocalist as the clean guitar sound. The final movement is happy, upbeat, and lively good time blues. In the second and third movements in particular, the basses (cello, double bass) should be easily heard. At the end of the third movement, the precisionist on the drum set should improvise a loud, untimed measure, solo utilizing all the drums and cymbals in the set ending with four moderately paced and slowing beats on the snare drum. A momentary pause, then the final chord. The guitarist will need at least one foot pedal for distortion enabling him/her to switch between a clean sound and a distorted sound. The guitar should be the equivalent of a Fender™ Stratocaster or Telecaster guitar; a Gibson™ Les Paul would do nicely also. The music is partially fingered leaving the player the opportunity to interpret the part. The work is after the fashion of Chicago style blues of the 1960’s. The conductor and guitarist may wish to listen to recordings by the Paul Butterfield Blues Band, John Lee Hooker, John Mayall and the Blues Breakers, B.B. King, etc. to get a feel for the music of the 1960’s blues bands. It would be highly desirable to use an organ, for the 3rd movement, that can produce a Hammond B3™ with Leslie sound, as that instrument was widely used in blues of that period. Although some of the notes notated as harmonics (h) in the score can be played as fretted notes, playing them as natural and artificial harmonics provides an interesting change of tonality. The orchestral part is not particularly challenging. The concerto is approx. 17 minutes in length.
$19.95 ≈
17.82€
Rocked In The Cradle Of The Deep
Rocked In The Cradle Of The Deep
#
Musique Sacrée
#
E
#
Peet du Toit
#
Rocked In The Cradle Of The De
#
Peet du Toit
#
SheetMusicPlus
Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 2 - SKU: A0.1495668 Composed by E. De Lamater. Arranged by Peet du Toit. Praise & Worship. 21 pag...
(+)
Brass Ensemble Bass Trombone,Horn,Trumpet,Tuba - Level 2 - SKU: A0.1495668 Composed by E. De Lamater. Arranged by Peet du Toit. Praise & Worship. 21 pages. Peet du Toit #1072189. Published by Peet du Toit (A0.1495668). Eric DeLamarter (February 18, 1880 – May 17, 1953) was an American composer and classical organist.DeLamarter was born in Lansing, Michigan on February 18, 1880, the child of Dr. Louis and Mary B. DeLamarter. He attended public schools in Kalamazoo, then Albion College. He was a music critic for the Chicago Tribune in 1909, 1910, 1915, and 1916.He served as assistant conductor of the Chicago Symphony Orchestra from 1918 to 1933 and from 1933 to 1936 he served as their associate conductor. He was also an uncredited orchestra conductor in the 1946 film Humoresque.Among his pupils was Leon Stein.Eric DeLamarter was a composer, church organist, and music and drama critic of The Inter Ocean. He was also a close friend and adviser to Leo Sowerby as well as a champion of Sowerby's music. DeLamarter aided Sowerby in his becoming an accomplished organist. In 1915 he was organist at the Fourth Presbyterian Church in Chicago, IL. The following year he commissioned and gave the premiere performance of Sowerby's Comes Autumn Time.He died in Orlando, Florida on May 17, 1953.The Lila Acheson Wallace Library of The Juilliard School has several of his holographs as well as printed items. The University of Michigan Library holds the holograph of his organ concerto and a number of printed items.
$15.00 ≈
13.40€
Concerto for Trombone and Piano accompaniment (piano reduction)
Concerto for Trombone and Piano accompaniment (piano reduction)
#
Trombone et Piano
#
AVANCÉ
#
Cherry Classics Music
#
John, W
#
Concerto for Trombone and Pian
#
Gordon Cherry
#
SheetMusicPlus
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. ...
(+)
Piano,Trombone - Level 5 - SKU: A0.810983 Composed by Cherry Classics Music. Arranged by John, W., and Ware. 20th Century,Contemporary. Score and part. 63 pages. Gordon Cherry #4601711. Published by Gordon Cherry (A0.810983). This fine work has sat dormant for many years and has now come to light thanks to the efforts of Charlie Vernon, Bass Trombonist of the Chicago Symphony, who performed this virtuoso work as a young performer. The concerto is in the standard three movement form: Fast, slow, fast. This publication is a reduction from the original orchestral version (to be released at some point in the future). Here is a description of the Concerto by the composer, John W. Ware. I started on the trombone concerto in my junior year studying composition at Indiana University. While working on it, I learned of an opportunity to make it sort of a thesis piece (though students didn't write a thesis in composition while an undergrad). The original version was for trombone with string orchestra, and it was performed by the IU String Orchestra, conducted by Dr. Arthur Corra, with Robert Priez, trombone, as part of my senior composition recital. I thought the performance was quite good (Priez played extraordinarily well), and the piece received a newspaper review in the Indiana Daily Student, in which the reviewer wrote that the work was almost too exciting. I thought at the time that he had given me and my music a fine compliment. I made a piano version of the accompaniment, shortening and tightening the first movement, for performances in 1966; I made a second revision in 1967 for a performance by E. J. Eaton, trombonist at the University of Tennessee at Martin, arriving at the form in which the work exists now. The first movement is in fairly normal sonata-allegro form, in the key of A minor. It alternates between assertive and more thoughtful moods. There is no introduction; the soloist enters immediately and dominates much of the movement. The main theme is--by some manipulation--a source for most of the other themes, and all of the themes are used in close proximity to each other, including contrapuntal combinations, especially near the end. Originally the movement included a lengthy fugato, now much shortened and including a stretto that builds and subsides before a cadenza leading to a coda based on both the principal and secondary themes. Key relations in this movement, as in the other two, are quite free and often chromatic, with frequent third-relations; but returns to the tonic at the end are emphatic. The writing is challenging for both soloist and accompanist; the piece is substantial, requiring technique and stamina. The second movement is in F minor and is also built on both contrast and close relationships between the main and secondary themes. The main theme is heard in the piano part before the soloist enters. The mood is more lyric than in the first movement, but with dramatic episodes also. In this movement are some definite derivations from themes in the first movement. The ending is a sort of lengthened shadow of the opening. The finale returns to A minor, with themes slightly related to polonaise rhythms, but with strong echoes of first-movement themes. Here, too, dramatic and lyric episodes alternate, with dotted rhythms frequently propelling the music forward. The introduction is a brief and simple preparation for the solo entry. Later in the movement, a very brief, slightly slower section is soon overtaken by the original tempo. Toward the end, there is a second cadenza, again leading to a swift and energetic coda. The work is about 20 minutes in length and is appropriate for advanced performers.
$35.00 ≈
31.27€
Down by the Riverside - Traditional - Recorder Choir Quintet and Drum Set - 2 Alto Recorders; Bass R
Down by the Riverside - Traditional - Recorder Choir Quintet and Drum Set - 2 Alto Recorders; Bass R
#
Ensemble De Flûte à bec
#
INTERMÉDIAIRE
#
Traditional
#
Raymond Fenech
#
Down by the Riverside - Tradit
#
Raymond Fenech
#
SheetMusicPlus
Recorder - Level 3 - SKU: A0.760372 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Recorder Ensemble. 21 pages...
(+)
Recorder - Level 3 - SKU: A0.760372 Composed by Traditional. Arranged by Raymond Fenech. Easter,Jazz,Patriotic,Rock,Wedding. Recorder Ensemble. 21 pages. Raymond Fenech #3602021. Published by Raymond Fenech (A0.760372). Down by the Riverside (also known as Ain't Gonna Study War No More and Gonna lay down my burden) is a Negro spiritual song. Its roots date back to before the American Civil War, though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. The song has alternatively been known as Ain' go'n' to study war no mo', Ain't Gwine to Study War No More, Down by de Ribberside, Going to Pull My War-Clothes and Study war no more This arrangement is very ideal for school concerts. The level is Intermediate and the duration is 2.39minutes.
$8.95 ≈
8.00€
Crosstown Traffic
Crosstown Traffic
#
Flûte, Hautbois, Clarinette, Basson
#
FACILE
#
Rock
#
Jimi Hendrix
#
Jeff Tincher
#
Crosstown Traffic
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.586102 By Jimi Hendrix. By Jimi Hendrix. Arranged by Jeff Tincher. Ro...
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.586102 By Jimi Hendrix. By Jimi Hendrix. Arranged by Jeff Tincher. Rock. 15 pages. Jeff Tincher #6593939. Published by Jeff Tincher (A0.586102). One of the best rockers from The Jimi Hendrix Experience. In the original key from their Electric Ladyland lp, this arrangement includes a live ending from the band Gov't Mule from Halloween Night 10/13/12 Chicago, Illinois concert. Duration = 2:34. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.60€
Sweet Home Chicago
Sweet Home Chicago
#
Blues
#
Robert Johnson
#
Austin Ralphson
#
Sweet Home Chicago
#
SheetMusicPlus
Small Ensemble Alto Saxophone, Tenor Saxophone, Trombone, Trumpet - Level 4 - Digital Download By Robert Johnson. By Robert Johnson. Arranged by Austin...
(+)
Small Ensemble Alto Saxophone, Tenor Saxophone, Trombone, Trumpet - Level 4 - Digital Download By Robert Johnson. By Robert Johnson. Arranged by Austin Ralphson. Blues. Score and parts. 11 pages. Austin Ralphson #4278441. Published by Austin Ralphson
Horn parts arranged as per the original for this classic soul track. The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef.
$12.99 ≈
11.60€
South California Purples
South California Purples
#
Flûte, Hautbois, Clarinette, Basson
#
FACILE
#
Rock
#
Chicago
#
Jeff Tincher
#
South California Purples
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.585412 By Chicago. By Robert Lamm. Arranged by Jeff Tincher. Pop,Rock...
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.585412 By Chicago. By Robert Lamm. Arranged by Jeff Tincher. Pop,Rock. 29 pages. Jeff Tincher #6259119. Published by Jeff Tincher (A0.585412). Here is one of my favorite early Chicago hits. In the original key from their first LP The Chicago Transit Authority double LP, this bluesy rocker was a staple in their early concerts and also appears in a longer version on their Chicago IV: Live At Carnegie Hall 4 record set. This arrangement includes both the organ and guitar solos. Duration = 6:16. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing.
$12.99 ≈
11.60€
Beginnings
Beginnings
#
Flûte, Hautbois, Clarinette, Basson
#
FACILE
#
Rock
#
Chicago
#
Jeff Tincher
#
Beginnings
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.582951 By Chicago. By Robert Lamm. Arranged by Jeff Tincher. Pop,Rock. 68 pages. Jeff Tincher #35...
(+)
Woodwind Ensemble,Woodwind Quartet - Level 2 - SKU: A0.582951 By Chicago. By Robert Lamm. Arranged by Jeff Tincher. Pop,Rock. 68 pages. Jeff Tincher #3530747. Published by Jeff Tincher (A0.582951). This is a Woodwind Quartet (Flute, Oboe, Clarinet, Bassoon) arrangement of one of Chicago's early hits. This was the second single that they released. It never charted. However it has become one of the most requested songs at their live concerts. Robert Lamm once said he wrote this song as an attempt to create a song that had no rhymes. I think he succeeded. This arrangement is in the original key from their first album The Chicago Transit Authority. The trombone and trumpet solos are included in the arrangement. The album version has the percussion continuing until it fades out. I included the Chicago IV: Live At Carnegie Hall ending so that you can perform this live. This is a mellow rock song that will be well received at any live venue. Duration=5:41. This is a 2018 New ArrangeMe Song Contest Entry. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99 ≈
11.60€
Free
Free
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Rock
#
Chicago
#
Kreechur Kumfort Publishing
#
Free
#
Kreechur Kumfort Publishing
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.833845 By Chicago. By Robert Lamm. Arranged by Kreechur Kumfort Publishing. Pop,Rock. 18 pages. K...
(+)
Woodwind Ensemble,Woodwind Quintet - Level 3 - SKU: A0.833845 By Chicago. By Robert Lamm. Arranged by Kreechur Kumfort Publishing. Pop,Rock. 18 pages. Kreechur Kumfort Publishing #4822553. Published by Kreechur Kumfort Publishing (A0.833845). Written by Robert Lamm as a part of the Travel Suite for their third album Chicago III, Free by Chicago peaked at #20 on the U.S. Billboard Hot 100 in 1971. Still featured as a popular part of their encore set in live concerts, it has maintained popularity among Chicago fans. This arrangement retains the original spirit of the tune and is set for five saxes (SATTB) and features a challenging soli section in the middle.
$15.00 ≈
13.40€
Will You Still Love Me
Will You Still Love Me
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Rock
#
Chicago
#
James Haynor
#
Will You Still Love Me
#
James Haynor
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782404 By Chicago. By David Babyface Foster, Richard Baskin, and Tom Keane. Arranged...
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782404 By Chicago. By David Babyface Foster, Richard Baskin, and Tom Keane. Arranged by James Haynor. Pop,Rock. Score and parts. 22 pages. James Haynor #6306399. Published by James Haynor (A0.782404). Will You Still Love Me? is a song recorded by the American rock band Chicago for their fifteenth studio album Chicago 18 (1986). The song was written by David Foster, Tom Keane and Richard Baskin, and produced by Foster. The second single released from the Chicago 18 album, it reached number three on the US Billboard Hot 100 in early 1987, and also number two on the Billboard Adult Contemporary. Scored here for woodwind quintet, Will You Still Love Me adds a very enjoyable chart to your concert or recital. ( Duration 4:54 )
$12.99 ≈
11.60€
Don't Get Around Much Anymore - Score Only
Don't Get Around Much Anymore - Score Only
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Bob Russell and Duke Ellington
#
Popnroll
#
Don't Get Around Much Anymore
#
Popnroll 1976
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1291982 Composed by Bob Russell and Duke Ellington. Arranged by Popnroll.76. 20th Century,Pop,Rock,Standards. 32 pages....
(+)
Concert Band - Level 4 - SKU: A0.1291982 Composed by Bob Russell and Duke Ellington. Arranged by Popnroll.76. 20th Century,Pop,Rock,Standards. 32 pages. Popnroll 1976 #882626. Published by Popnroll 1976 (A0.1291982). Don't Get Around Much Anymore - Chicago (Band Score/Vocal/Horn/Parts)Complete band score for DON'T GET AROUND MUCH ANYMORE, a lilting number composed by Duke Ellington from Night & Day, a stylish album of jazz standards with a rock beat released by the American rock band Chicago in 1995. Complete band score (with parts).Composed by Duke Ellington Lyrics: Bob Russell & Keith Russell Performed by: Chicago Album: Night & Day (1995)PDF format, 32 pages. Contents: Score (C) 8 pages, Lead Vocals (with lyrics) 2 pages, Chorus (with lyrics) 3 pages, Flute (C) 2 pages, Alto Saxophone (Eb) 2 pages, Tenor Saxophone (Bb) 2 pages, Trumpet (Bb) 2 pages, Trombone (C) 2 pages, Electric Guitar 2 pages, Keyboard 3 pages, Bass 2 pages Guitar 2 pages, Keyboards 3 pages, Bass 2 pages, Drums 2 pages.
$9.99 ≈
8.92€
Moonlight Serenade - Score Only
Moonlight Serenade - Score Only
#
Orchestre d'harmonie
#
INTERMÉDIAIRE/AVANCÉ
#
Jazz
#
Glenn Miller and Mitchell Pari
#
Popnroll
#
Moonlight Serenade - Score Onl
#
Popnroll 1976
#
SheetMusicPlus
Concert Band - Level 4 - SKU: A0.1291978 Composed by Glenn Miller and Mitchell Parish. Arranged by Popnroll.76. 20th Century,Funk,Pop,Rock,Standards. 36...
(+)
Concert Band - Level 4 - SKU: A0.1291978 Composed by Glenn Miller and Mitchell Parish. Arranged by Popnroll.76. 20th Century,Funk,Pop,Rock,Standards. 36 pages. Popnroll 1976 #882610. Published by Popnroll 1976 (A0.1291978). Moonlight Serenade - Chicago (Complete Score for Vocal/Band/Horns/Parts/Lyrics)This is a complete transcription of the band score (with parts) for Moonlight Serenade, a moody number composed by Glenn Miller from Night & Day, a stylish album of jazz standards with a rock beat released by the American rock band Chicago in 1995.Composed by Glenn Miller Lyrics: Mitchell Parish Performed by: Chicago Album: Night & Day (1995)PDF format, 36 pages. Contents: Score (C) 10 pages, Lead Vocals & Chorus (with lyrics) 3 pages, Lyrics 1 page, Flute (C) 2 pages, Alto Sax (Eb) 2 pages, Tenor Sax (Bb) 2 pages, Trumpet (Bb) 2 pages, Trombone (C) 2 pages, Electric Guitar 3 page, Keyboards 3 pages, Bass 3 pages, Drums 3 pages.
$9.99 ≈
8.92€
Policeman
Policeman
#
Flûte, Hautbois, Clarinette, Basson
#
FACILE
#
Rock
#
Chicago
#
Jeff Tincher
#
Policeman
#
Jeff Tincher
#
SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.583323 By Chicago. By Robert Lamm. Arranged by Jeff Tincher. Pop,Rock...
(+)
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 2 - SKU: A0.583323 By Chicago. By Robert Lamm. Arranged by Jeff Tincher. Pop,Rock. 23 pages. Jeff Tincher #3680427. Published by Jeff Tincher (A0.583323). This is a Woodwind Quartet arrangement of one of Chicago's album hits. In the original key from their XI CD, this Latin rock song is about a Policeman that loses everything but is comforted that he is a Policeman. The ending is taken from their live 1977 concert. Great for any live venue! Duration = 3:41 https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing
$12.99 ≈
11.60€
You're The Inspiration
You're The Inspiration
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE
#
Contemporain
#
Peter Cetera Featuring AZ Yet
#
James Haynor
#
You're The Inspiration
#
James Haynor
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782416 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. ...
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.782416 By Peter Cetera Featuring AZ Yet. By David Babyface Foster and Peter Cetera. Arranged by James Haynor. Contemporary. Score and parts. 16 pages. James Haynor #6358165. Published by James Haynor (A0.782416). You're the Inspiration is a song written by Peter Cetera and David Foster for the group Chicago and recorded for their fourteenth studio album Chicago 17 (1984), with Cetera singing lead vocals. The third single released from that album, it reached No. 3 on the US Billboard Hot 100 chart in January 1985 and also climbed to the top position on the Adult Contemporary chart at the same time. Scored here for woodwind quintet, You're the Inspiration adds a very enjoyable chart to your concert or recital. ( Duration 4:04 )
$12.99 ≈
11.60€
Glory Of Love
Glory Of Love
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Peter Cetera
#
James Haynor
#
Glory Of Love
#
James Haynor
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782423 By Peter Cetera. By David Babyface Foster, Diane Nini, and Peter Cetera. Arra...
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.782423 By Peter Cetera. By David Babyface Foster, Diane Nini, and Peter Cetera. Arranged by James Haynor. Contemporary. Score and parts. 16 pages. James Haynor #6410095. Published by James Haynor (A0.782423). Glory of Love is a 1986 song performed by Peter Cetera, which he wrote and composed with his then-wife Diane Nini and David Foster. The song was recorded by Cetera shortly after he left the band Chicago to pursue a solo career. Featured in the film The Karate Kid Part II (1986), it was Cetera's first hit single after he left the band, reaching number one on the Billboard Hot 100. Scored here for woodwind quintet, Glory of Love adds a very enjoyable chart to your concert or recital. ( Duration 4:16 )
$12.99 ≈
11.60€
Rhythms of the Spirit
Rhythms of the Spirit
#
Orchestre d'harmonie
#
Contemporain
#
James M
#
Rhythms of the Spirit
#
Jim Stephenson Music, Inc.
#
SheetMusicPlus
Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published b...
(+)
Concert Band - SKU: A0.1030888 Composed by James M. Stephenson. Contemporary. Score and parts. 154 pages. Jim Stephenson Music, Inc. #48491. Published by Jim Stephenson Music, Inc. (A0.1030888). Written by internationally renowned, Chicago-based composer, James M. Stephenson stephensonmusic.com Jim@Stephensonmusic.com Product info: http://stephensonmusic.com/product/rhythms-of-the-spirit Facebook: https://www.facebook.com/jim.stephenson.946 Twitter: https://twitter.com/ComposerJim YouTube: https://www.youtube.com/user/JimmyThird/featured Duration: 9' Commissioned by and dedicated to the Grand Symphonc Winds; Matthew George, Music Director. Premiered May 2, 2013. Notes about the Music: In the spring of 2012, I was in Minnesota attending some performances, and had the fortunate opportunity of catching up with Matthew George, conductor of the Grand Symphonic Winds. Matt had given the world premiere performance of my Concerto for Brass Quintet (Dodecafecta), and has always had a major presence in the formation of new works for winds, so I was very delighted when he brought up the idea of a new work for his group. The Grand Symphonic Winds, in honor of their 25th anniversary, were looking to celebrate the influx of many international cultures which had become a significant part of the landscape in Minnesota. This immediately called out to me in musical terms, namely in the forms of rhythms and spirituality (hence the title!) The piece opens and closes with heroic and beautiful music, signifying (to me) what most cultures seem to all be saying, but in different languages: we all just want peace, harmony and love. The entire middle section is very rhythmic, using many percussion instruments found in different cultures, also represented in Minnesota: Latin America (claves, bongos), Africa (Djembe) and if possible, Southeast Asia (Dholak). And just for fun, I even spelled out Minnesota in Morse code, but this was merely for my own enjoyment! I wish to thank Matt George, for all he has done for the field of music in Wind Ensembles, and specifically to him and the Grand Symphonic Winds for entrusting to me the responsibility of composing this new work, which I truly hope finds its home in the literature. Jim Stephenson March, 2013 Instrumentation: Wind Ensemble – one per part, except: 2 tubas recommended, French Horns doubled Recommended: Rhythm percussion sit in the middle of the ensemble, or immediately in front of the conductor, where visible to audience. Percussion instruments needed: Snare Drum, Bass Drum, Cymb. a2 Claves, Djembe, Marimba, Triangle, Vibes, Bongos (or Dholak) Xylophone, Glock., Tambourine, Sus. Cymb. (if desired, the Dholak could replace the Bongos, using high/low sounds).
$140.00 ≈
125.07€
Sonata Hymnica No. 6
Sonata Hymnica No. 6
#
2 Pianos, 4 mains
#
INTERMÉDIAIRE/AVANCÉ
#
James Siddons
#
Sonata Hymnica No. 6
#
James Siddons Music and Writings
#
SheetMusicPlus
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...
(+)
2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired.  Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons  The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.
$10.00 ≈
8.93€
Make Me Smile
Make Me Smile
#
Rock
#
Chicago
#
Austin Ralphson
#
Make Me Smile
#
Austin Ralphson
#
SheetMusicPlus
Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.564302 By Chicago. By James Pankow. Arranged by Austin Ralphson. Pop,...
(+)
Small Ensemble Alto Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 4 - SKU: A0.564302 By Chicago. By James Pankow. Arranged by Austin Ralphson. Pop,Rock. Score and parts. 22 pages. Austin Ralphson #6496023. Published by Austin Ralphson (A0.564302). Horn parts arranged for this classic 70s song, as close to the original as possible. The parts are flexible, as the tenor sax and trombone are the same. Trombone part is also provided in B flat treble and in concert C bass clef.Complete horn chart catalogue arr. Austin Ralphson is here (copy and paste to new tab):www.hornchartsrus.com
$12.99 ≈
11.60€
If You Leave Me Now
If You Leave Me Now
#
Piano seul
#
Rock
#
Chicago
#
Javier MartÃnez
#
If You Leave Me Now
#
Arte Nova Music Lab
#
SheetMusicPlus
Piano Solo - SKU: A0.742484 By Chicago. By Peter Cetera. Arranged by Javier MartÃnez. Pop,Rock. Score. 5 pages. Arte Nova Music Lab #4742215. Publish...
(+)
Piano Solo - SKU: A0.742484 By Chicago. By Peter Cetera. Arranged by Javier MartÃnez. Pop,Rock. Score. 5 pages. Arte Nova Music Lab #4742215. Published by Arte Nova Music Lab (A0.742484). If You Leave Me Now is the title of a hit ballad by the American rock group Chicago, from their album Chicago X. It was written and sung by bass player Peter Cetera and released as a single on July 31, 1976. It is also the title of a Chicago compilation album released by Columbia Records (Columbia 38590) in 1983.The single topped the US charts on October 23, 1976, and stayed there for two weeks, making it the first number one hit for the group as well as hitting number one on the Easy Listening charts.[4] If You Leave Me Now was also Chicago's biggest hit internationally, topping the charts in other countries such as the UK, Australia, Ireland, Canada, and Netherlands. In the UK it maintained the number one position for three weeks.[5] It was one of only five non-disco songs to make it to number one in the US in a nine-month period of 1976.[6]According to writer Zachary Houle of PopMatters, The song was so pervasive on radio upon its release that, reportedly, those tuning in inNew York could hear the song playing on four different stations, each with varying formats, simultaneously.[7]The song won Grammy Awards for Best Arrangement Accompanying Vocalist(s) (strings) for arranger Jimmie Haskell[8] and producerJames William Guercio[9] and Best Pop Vocal Performance by a Duo, Group or Chorus,[10] the first Grammy Award won by the group.[11] It also received a Grammy nomination for Record of the Year.[12] In addition, by August 1978 it had sold 1.4 million copies in the United States alone.[13] It has been certified gold and platinum by the RIAA.[14]In 2010 Chicago teamed with the American Cancer Society and offered the opportunity to bid on the chance to sing their hit, If You Leave Me Now with them on stage live at their concerts, with proceeds going to the American Cancer Society to fight breast cancer.[15] The fund raising effort has continued in succeeding years.Taken from https://en.wikipedia.org/wiki/If_You_Leave_Me_Now
$10.00 ≈
8.93€
Hard To Say I'm Sorry
Hard To Say I'm Sorry
#
Rock
#
Chicago
#
Derek Hasted
#
Hard To Say I'm Sorry
#
Derek Hasted
#
SheetMusicPlus
Guitar - Level 3 - SKU: A0.1369697 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #95...
(+)
Guitar - Level 3 - SKU: A0.1369697 By Chicago. By David Babyface Foster and Peter Cetera. Arranged by Derek Hasted. Pop,Rock. 21 pages. Derek Hasted #954061. Published by Derek Hasted (A0.1369697). HARD TO SAY I'M SORRY (Chicago)- GUITAR QUARTET/large ensembleFor Classical or Acoustic GuitarDerek Hasted writes This power ballad makes a wonderful concert item for a Guitar Quartet or large ensemble - it has a big sound for surprisingly little difficulty.My quartet has parts that increase slightly in complexity from bass to tune, so there’s something for everyone here. The bass line is supplied in both treble and bass clefs, and the two parts are identical, so for a large ensemble, you can have one or the other or both in your performance.Everything is comfortable to play, and my transcription is based closely on the official video from Chicago. I have changed the key very slightly so that the deep bass notes fit on the guitar’s bottom strings and the tune is placed comfortably on the neck. There are no page turns in the part score.The music rises and falls as the song progresses, making the dynamics happen almost automatically. But there are plenty of opportunities in the phrasing to make this piece  absolutely magical.The breathtaking key-change of the original is included!I hope you enjoy playing this piece!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
4.46€
March from "Love for Three Oranges" (Prokofiev) - Brass Quintet
March from "Love for Three Oranges" (Prokofiev) - Brass Quintet
#
Sergei Prokofiev
#
Rob Bushnell
#
March from "Love for Thre
#
RBMusic
#
SheetMusicPlus
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - SKU: A0.1351992 Composed by Sergei Prokofiev. Arranged...
(+)
Brass Quintet Baritone Horn TC,Bass Trombone,Cornet,Euphonium,Flugelhorn,Trumpet,Tuba - Level 4 - SKU: A0.1351992 Composed by Sergei Prokofiev. Arranged by Rob Bushnell. 20th Century,Classical,Film/TV,March,Opera. 21 pages. RBMusic #936821. Published by RBMusic (A0.1351992). In 1918, Sergei Prokofiev undertook his first visit to the United States. A number of concerts of his works were held in Chicago, which were received very favourably. As a result, the director of the Chicago Opera Association, Cleofonte Campanini, commissioned Prokofiev to write an opera. It just so happened that, during his trip, he had written a draft of a libretto, based on the Italian play by Gozzi L'amore delle tre melarance, adding some additional Surrealism to the text. Given Prokofiev’s poor English, and American’s unlikely to accept an opera in Russian, French was his final choice. The result, L'amour des trois oranges (or The Love for Three Oranges), which premiered at the Auditorium Theatre in Chicago on 30 December 1921, conducted by Prokofiev himself.The March from this opera is probably the most familiar part and has been used by CBS in the radio-drama series The FBI in Peace and War. It was also used in films such as The Brink's Job and Prokofiev quoted it in the second act of his ballet Cinderella.This arrangement includes alternative parts for tenor horn, treble-clef trombone/euphonium and tuba. A recording of the original can be found on YouTube: https://www.youtube.com/watch?v=obTZBHAuOqY.
$19.99 ≈
17.86€
Lithuanian Nonet for winds & strings
Lithuanian Nonet for winds & strings
#
Contemporain
#
Juozas ŽileviÄius
#
Kazys DaugÄ—la
#
Lithuanian Nonet for winds &am
#
Kazys Daugela
#
SheetMusicPlus
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys Dau...
(+)
A Clarinet,Bassoon,Cello,Double Bass,Flute,Horn,Oboe,Viola,Violin - Level 4 - SKU: A0.1358397 Composed by Juozas ŽileviÄius. Arranged by Kazys DaugÄ—la. 20th Century,Classical. 162 pages. Kazys Daugela #942837. Published by Kazys Daugela (A0.1358397). Juozas ŽileviÄius (1891–1985) was an organist, composer, educator, and researcher in the history of music. In 1919, when graduating from the Petrograd Conservatory, he composed Symphony in F minor, the first Lithuanian composition in this genre. Upon his return to Lithuania in 1920, ŽileviÄius worked in various musical life spheres of the young republic: he took part in the activities of the Society of Lithuanian Art Creators, contributed to the establishment of Kaunas Opera House, worked for several years as the head of the Art Department at the Ministry of Education, prepared the first music curricula for secondary schools and progymnasiums, conducted courses for music teachers, taught at music schools in Kaunas and KlaipÄ—da, published a musical periodical, and initiated the first Lithuanian Song Festival. Musicologist DanutÄ— PetrauskaitÄ— managed to bring copies of three-movement Nonet for strings and wind instruments from Chicago to Lithuania. ŽileviÄius started writing it in December 1924. The composition was apparently inspired by the Czech Nonet members, working at KlaipÄ—da School of Music, who had been invited by its director Stasys Å imkus from Prague. This was a lively and youthful group that gave concerts all over Lithuania. It amazed audiences with its high artistic level and set an example for students, encouraging them to form various ensembles. The repertoire of the Czech Nonet consisted mainly of works from the Classical and Romantic eras. There were few contemporary compositions, and therefore the Czech Nonet performers turned to composers with a request to write new works for them. They might have discussed the matter with ŽileviÄius with whom they maintained a close relationship, as they did later with Lithuanian composer Jeronimas KaÄinskas.ŽileviÄius finished writing Nonet on 15 November 1926. All three movements were based on the intonations of Lithuanian folk melodies. The first movement (Andante. Allegro moderato) imitatively developed the motifs of the song “Autumn will Comeâ€, while the second one (Andante cantabile) featured fragments of the song I Rode through the Woodâ€, and the third one (Allegro) of the song “Oh, you Bird Cherryâ€. The composition was written professionally, it should have been attractive and interesting for the performers, but, unfortunately, it was never performed. The reasons for this could have been various: disagreements between the director of  KlaipÄ—da Music School, Å imkus, and his deputy, ŽileviÄius, as well a the Czech teachers’ falling into disgrace and starting to resign from their teaching positions in the autumn of 1926. A few years later, ŽileviÄius also resigned from the school: in January 1929 he left for the USA and settled in Elizabeth, New Jersey, where he worked as a church organist. He also brought his Nonet from KlaipÄ—da, hoping that this work would be heard in America. To this end, he found transcribers who made instrumental parts from the score. As it turned out, there were few Lithuanian instrumentalists in the USA, and ŽileviÄius did not have close relations with Americans. Thus Nonet, which the composer regarded as one of his most successful compositions after his Symphony in F minor, sank into oblivion. Thanks to Kazys DaugÄ—la, an opportunity appeared to edit and digitise it after the sheet music of Nonet had arrived in Lithuania. This work reveals the origins of the Lithuanian musical culture, enriches the repertoire of chamber-instrumental ensembles, broadens music education curricula, inks the name of ŽileviÄius, the author of both the first Lithuanian symphony and of the first nonet, in the history of music, and contributes to the preservation and fostering of the Lithuanian musical heritage.by Prof. Dr. DanutÄ— PetrauskaitÄ—.
$59.99 ≈
53.59€
If You Leave Me Now
If You Leave Me Now
#
Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Rock
#
Chicago
#
James Haynor
#
If You Leave Me Now
#
James Haynor
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782363 By Chicago. By Peter Cetera. Arranged by James Haynor. Pop,Rock. Score and parts. 1...
(+)
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.782363 By Chicago. By Peter Cetera. Arranged by James Haynor. Pop,Rock. Score and parts. 17 pages. James Haynor #6015025. Published by James Haynor (A0.782363). If You Leave Me Now is a song by the American rock group Chicago, from their album Chicago X. It was written and sung by bass player Peter Cetera and released as a single on July 31, 1976. It is also the title of a Chicago compilation album released by Columbia Records (Columbia 38590) in 1983. Scored here for brass quintet, If You Leave Me Now adds a great change of pace to your concert or recital. ( Trumpets may, of course, be substituted for the written flugelhorn parts. ) ( Duration 4:37 )
$12.99 ≈
11.60€
<
1
26
Chicago In Concert Bass
