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Vous avez sélectionné:
Canção Napolitana
Partitions à imprimer
25 partitions trouvées
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1
Vieni Sul Mar
Vieni Sul Mar
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Piano Facile
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DÉBUTANT
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Marcelo Borba
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Marcelo Borba
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Vieni Sul Mar
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Marcelo Borba
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SheetMusicPlus
C Instrument - Level 1 - SKU: A0.1310120 By Marcelo Borba. By Public Domain. Arranged by Marcelo Borba. Folk,Historic,Jazz,Multicultural,Patriotic,World...
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C Instrument - Level 1 - SKU: A0.1310120 By Marcelo Borba. By Public Domain. Arranged by Marcelo Borba. Folk,Historic,Jazz,Multicultural,Patriotic,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #899258. Published by Marcelo Borba (A0.1310120). Leadsheet style with chords Vieni Sul Mar é uma tradicional canção napolitana que captura a essência do romantismo italiano. Essa melodia evoca imagens das águas cintilantes do Mar Mediterrâneo e convida o ouvinte a se aventurar em um mundo de amor e paixão.A letra da música descreve um convite apaixonado para um amante se juntar ao mar, navegando juntos em um barco, simbolizando a jornada compartilhada da vida. A melodia suave e melancólica, combinada com a lÃrica sedutora, faz de Vieni Sul Mar uma canção atemporal que continua a encantar os ouvintes e a celebrar a beleza da música napolitana.Esta canção icônica foi gravada por muitos artistas ao longo dos anos, e sua popularidade transcende fronteiras, tornando-a uma representante da rica herança musical italiana. Vieni Sul Mar é uma amostra cativante do romantismo da região de Nápoles e uma lembrança das maravilhas do amor e da natureza, com seu apelo duradouro que ainda ressoa com as emoções de quem a ouve.A mesma canção foi adaptada para música popular Brasileira com o nome de Oh, Minas Gerais.É uma verdadeira ode ao estado de Minas Gerais, sua cultura, paisagens e povo. Oh, Minas Gerais se tornou um hino não oficial para os mineiros e uma representação musical do amor à sua terra natal, sendo regravada por diversos artistas ao longo dos anos.Vieni Sul Mar is a traditional Neapolitan song that captures the essence of Italian romanticism. This melody evokes images of the shimmering waters of the Mediterranean Sea and invites the listener to venture into a world of love and passion. The lyrics of the song describe a passionate invitation for a lover to join the sea, sailing together on a boat, symbolizing the shared journey of life. The gentle and melancholic melody, combined with the seductive lyrics, makes Vieni Sul Mar a timeless song that continues to enchant listeners and celebrate the beauty of Neapolitan music.This iconic song has been recorded by many artists over the years, and its popularity transcends borders, making it a representative of the rich Italian musical heritage. Vieni Sul Mar is a captivating sample of the romanticism of the Naples region and a reminder of the wonders of love and nature, with its enduring appeal that still resonates with the emotions of those who listen.The same song was adapted into Brazilian popular music with the name Oh, Minas Gerais. It is a true ode to the state of Minas Gerais, its culture, landscapes, and people. Oh, Minas Gerais has become an unofficial anthem for the people of Minas Gerais and a musical representation of their love for their homeland, being re-recorded by various artists over the years.
$3.99
Santa Lucia
Santa Lucia
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Piano seul
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INTERMÉDIAIRE
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Canção Napolitana
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Sérgio Matias da Cunha
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Santa Lucia
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Sérgio Matias da Cunha
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1281067 By Canção Napolitana. By Canção Napolitana. Arranged by Sérgio Matias da Cunha. Christian,Multicul...
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Piano Solo - Level 3 - SKU: A0.1281067 By Canção Napolitana. By Canção Napolitana. Arranged by Sérgio Matias da Cunha. Christian,Multicultural,Religious,Traditional,World. Score. 2 pages. Sérgio Matias da Cunha #872399. Published by Sérgio Matias da Cunha (A0.1281067). Arranjo harmonioso apresentando cifra, sinais de expressão, ornamento, modulação, acordes elaborados, acordes invertidos, linhas de oitava e livre interpretação, numa proposta diferenciada que pretende embelezar a melodia através de efeitos rÃtmicos e harmônicos, criando um clima musical enriquecido, envolvente e interessante. Acompanhamento diversificado, valorizando cada parte da melodia através de movimentos e arpejos que melhor se integram com os diferentes momentos rÃtmicos e demais intensões. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
$6.99
< Flex Piano Quartet and Vocal > 'O sole mio for High Voice (Key:G)
< Flex Piano Quartet and Vocal > 'O sole mio for High Voice (Key:G)
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Neapolitan Folk Song / Eduardo
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Tsuyoshi Yoroiguma
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< Flex Piano Quartet and Vo
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Flute,High Voice,Horn,Piano,Viola,Violin - Level 3 - SKU: A0.711580 Composed by Neapolitan Folk Song / Eduardo Di...
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Large Ensemble Alto Saxophone,Clarinet,Flute,High Voice,Horn,Piano,Viola,Violin - Level 3 - SKU: A0.711580 Composed by Neapolitan Folk Song / Eduardo Di Capua. Arranged by Tsuyoshi Yoroiguma. 20th Century,Concert,Pop,Standards,World. Score and parts. 30 pages. Tsuyoshi Yoroiguma #6380679. Published by Tsuyoshi Yoroiguma (A0.711580). This is a famous canzone(Italian popular song) arranged for High Voice and Flex Piano Quartet.You can try various instrumental combination.This arrangement is performed in original key (G Major).Flex Piano Quartet parts are as follows;Part 1 in C for Flute or Violin etc.Part 2 in C for Violin etc.Part 2 in Bb for ClarinetPart 3 in C for Violin etc.Part 3 (C clef) for ViolaPart 3 in F for HornPart 3 in Bb for ClarinetPart 3 in Eb for Alto SaxophonePart 4 for Vocal Solo (Soprano or Tenor)Part 5 for Piano(all part sheets included)PDF file includes 9 pages of score and 21 pages of parts.Playing time is 2min 20sec.for Medium Voice (Key: F) and Low Voice (Key: Eb) versions are also published.
$28.00
<Flex Piano Quartet and Vocal > 'O sole mio for Medium Voice (Key:F)
<Flex Piano Quartet and Vocal > 'O sole mio for Medium Voice (Key:F)
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Neapolitan Folk Song / Eduardo
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Tsuyoshi Yoroiguma
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<Flex Piano Quartet and Voc
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Tsuyoshi Yoroiguma
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SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Flute,High Voice,Horn,Low Voice,Piano Accompaniment,Viola,Violin - Level 3 - SKU: A0.711582 Composed by Neapolita...
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Large Ensemble Alto Saxophone,Clarinet,Flute,High Voice,Horn,Low Voice,Piano Accompaniment,Viola,Violin - Level 3 - SKU: A0.711582 Composed by Neapolitan Folk Song / Eduardo Di Capua. Arranged by Tsuyoshi Yoroiguma. 20th Century,Concert,Pop,Standards,World. Score and parts. 30 pages. Tsuyoshi Yoroiguma #6400589. Published by Tsuyoshi Yoroiguma (A0.711582). This is a famous canzone(Italian popular song) arranged for High Voice and Flex Piano Quartet.You can try various instrumental combination.This arrangement is performed in original key (G Major).Flex Piano Quartet parts are as follows;Part 1 in C for Flute or Violin etc.Part 2 in C for Violin etc.Part 2 in Bb for ClarinetPart 3 in C for Viola etc.Part 3 (C clef) for ViolaPart 3 in F for HornPart 3 in Bb for ClarinetPart 3 in Eb for Alto SaxophonePart 4 for Vocal Solo (Soprano or Tenor)Part 5 for Piano(all part sheets included)PDF file includes 9 pages of score and 21 pages of parts.Playing time is 2min 20sec.for High Voice (Key: G) and Low Voice (Key: Eb) versions are also published.
$28.00
<Flex Piano Quartet and Vocal > 'O sole mio for Low Voice (Key:Eb)
<Flex Piano Quartet and Vocal > 'O sole mio for Low Voice (Key:Eb)
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Neapolitan Folk Song / Eduardo
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Tsuyoshi Yoroiguma
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<Flex Piano Quartet and Voc
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Tsuyoshi Yoroiguma
#
SheetMusicPlus
Large Ensemble Alto Saxophone,Clarinet,Flute,Horn,Low Voice,Medium Voice,Piano Accompaniment,Viola,Violin - Level 3 - SKU: A0.711583 Composed by Neapoli...
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Large Ensemble Alto Saxophone,Clarinet,Flute,Horn,Low Voice,Medium Voice,Piano Accompaniment,Viola,Violin - Level 3 - SKU: A0.711583 Composed by Neapolitan Folk Song / Eduardo Di Capua. Arranged by Tsuyoshi Yoroiguma. 20th Century,Concert,Pop,Standards,World. Score and parts. 30 pages. Tsuyoshi Yoroiguma #6402079. Published by Tsuyoshi Yoroiguma (A0.711583). This is a famous canzone(Italian popular song) arranged for High Voice and Flex Piano Quartet.You can try various instrumental combination.This arrangement is performed in original key (G Major).Flex Piano Quartet parts are as follows;Part 1 in C for Flute or Violin etc.Part 2 in C for Violin etc.Part 2 in Bb for ClarinetPart 3 in C for Viola etc.Part 3 (C clef) for ViolaPart 3 in F for HornPart 3 in Bb for ClarinetPart 3 in Eb for Alto SaxophonePart 4 for Vocal Solo (Mezzo Soprano, Alto, Baritone, Bass)Part 5 for Piano(all part sheets included)PDF file includes 9 pages of score and 21 pages of parts.Playing time is 2min 20sec.for High Voice (Key: G) and Medium Voice (Key: F) versions are also published.
$28.00
My Heart is Thine. 'O sole mio! Neapolitan Serenade
My Heart is Thine. 'O sole mio! Neapolitan Serenade
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Piano, Voix
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E
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My Heart is Thine. 'O sole mio
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.8452 Composed by E. di Capua. Hotels & taverns--interiors, Musicians, Fireplaces, Benches, Courtship, Love. Lester S. Levy Col...
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Piano and voice - SKU: LV.8452 Composed by E. di Capua. Hotels & taverns--interiors, Musicians, Fireplaces, Benches, Courtship, Love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.8452). My Heart is Thine. 'O sole mio! Neapolitan Serenade. (The Over Night Success). [English and Italian]. English Lyric by Frank Sheridan. Italian Lyric by G. Capurro. Music by E. di Capua. Published 1910 by The John Franklin Music Co. in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Hotels & taverns--interiors, Musicians, Fireplaces, Benches, Courtship, Love. First line reads The day is dying and the west winds sighing.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99
O surdato 'nnammurato
O surdato 'nnammurato
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Enrico Cannio
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Armand Broshka
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O surdato 'nnammurato
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Armand Broshka
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.884568 Composed by Enrico Cannio. Arranged by Armand Broshka. Folk,Traditional. Score and parts. 28 pages. Armand ...
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Chamber Orchestra - Level 4 - SKU: A0.884568 Composed by Enrico Cannio. Arranged by Armand Broshka. Folk,Traditional. Score and parts. 28 pages. Armand Broshka #6011227. Published by Armand Broshka (A0.884568). O surdato 'nnammurato The Soldier in Love is a famous song written in the Neapolitan language by Aniello Califano and the music composed by Enrico Cannio in 1915. The song describes the sadness of a soldier who is fighting at the front during World War I, and who pines for his beloved.
$20.00
’O sole mio. Mandolin. Sheet music and tablature
’O sole mio. Mandolin. Sheet music and tablature
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Mandoline
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FACILE
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Eduardo Di Capua
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Ioannis Kalpakis www
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’O sole mio. Mandolin. S
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Ioannis Kalpakis
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SheetMusicPlus
Mandolin - Level 2 - SKU: A0.877172 Composed by Eduardo Di Capua. Arranged by Ioannis Kalpakis www.mandolino.blogspot.gr. Opera,Traditional,World. Score...
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Mandolin - Level 2 - SKU: A0.877172 Composed by Eduardo Di Capua. Arranged by Ioannis Kalpakis www.mandolino.blogspot.gr. Opera,Traditional,World. Score. 2 pages. Ioannis Kalpakis #4890191. Published by Ioannis Kalpakis (A0.877172). ’O sole mio is a globally known Neapolitan song written in 1898. This is an arrangement for Mandolin. Mandolin tuning: E5 A4 D4 G3Mandolin fingerings, and pick direction symbols are included.Also this arrangement can be played by instruments which play music using the treble clef.Enjoy it.For students who would like to take advantage of internet technology, lessons are now available over the internet via Skype. Contact:giannismusic@gmail.comSkype id: mathimata
$4.50
'O SURDATO 'NNAMURATO - Neapolitan folk song - For SATB Choir
'O SURDATO 'NNAMURATO - Neapolitan folk song - For SATB Choir
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Chorale SATB
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FACILE
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Folklorique/Traditionel
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Enrico Cannio
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Renato Tagliabue
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'O SURDATO 'NNAMURATO - Neapol
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - Composed by Enrico Cannio (1875-1949). Arranged by Renato Tagliabue. A Cappella, Folk. Octavo. 3 pages. Renato Tagli...
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Choral Choir (SATB) - Level 2 - Composed by Enrico Cannio (1875-1949). Arranged by Renato Tagliabue. A Cappella, Folk. Octavo. 3 pages. Renato Tagliabue #412301. Published by Renato Tagliabue
$2.49
4 Suítes infantis (4 Children's Suites)
4 Suítes infantis (4 Children's Suites)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Marcelo Rauta
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4 Suítes infantis
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Marcelo Rauta
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1004649 Composed by Marcelo Rauta. Children,Contemporary. Score. 67 pages. Marcelo Rauta #3925369. Published by Marcelo R...
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Piano Solo - Level 4 - SKU: A0.1004649 Composed by Marcelo Rauta. Children,Contemporary. Score. 67 pages. Marcelo Rauta #3925369. Published by Marcelo Rauta (A0.1004649). 4 SuÃtes infantis: SUÃTE INFANTIL Nº1 - CENAS INFANTIS (CHILDREN’S SCENES) - Pula-corda (Jump Rope), Amarelinha (Hopscotch), A Dança do Pião Napoletano (The Dance of the Neapolitan Top), Berceuse (Lullaby), Brincadeiras de Roda (Play a Circle Game), Quadrilha (Square Dance), Pique-pega (Catch one, catch all) e Passeando no Parque (Strolling in the Park); SUÃTE INFANTIL Nº2 - DANÇAS BARROCAS (BARROQUE DANCES) - Allemande, Courante, Sarabanda e Giga; SUÃTE INFANTIL Nº3 - MESTRES BRASILEIROS (BRAZILIAN MASTERS) - Chiquinha, Zequinha, Nazareth e Villa-Lobos; e SUÃTE INFANTIL Nº4: IL FOLCLORE D’ITALIA (THE FOLKLORE OF ITALY) - L’Orco, La Marabbecca, Le Streghe in Canone e La Befana.
$7.99
’O marenariello
’O marenariello
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2 Guitares (duo)
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INTERMÉDIAIRE
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Salvatore Gambardella
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’O marenariello
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arim
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SheetMusicPlus
Guitar,Instrumental Duet - Level 3 - SKU: A0.1429243 Composed by Salvatore Gambardella. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arr...
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Guitar,Instrumental Duet - Level 3 - SKU: A0.1429243 Composed by Salvatore Gambardella. Arranged by Giovanni Bianco (reviewer) and Pasquale Di Caro (arranger). Traditional. 3 pages. Arim #1009431. Published by arim (A0.1429243). “NeapolitanSongs” are a series of instrumental arrangements dedicated to Neapolitan songs respecting tradition. From simple writing to counterpoint the music can always be performed. The songs are intended for music students and professional musicians who want to get closer to the Neapolitan tradition.The parts are divided between the two instruments.Score without detached parts.
$5.00
COLLECTION OF FOLK SONGS FROM THE WORLD - Vol. 1°
COLLECTION OF FOLK SONGS FROM THE WORLD - Vol. 1°
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Chorale SATB
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FACILE
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Diversi autori
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Renato Tagliabue
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COLLECTION OF FOLK SONGS FROM
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Renato Tagliabue
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 2 - SKU: A0.724181 Composed by Diversi autori. Arranged by Renato Tagliabue. Folk,Multicultural,Sacred,World. 28 page...
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Choral Choir,Choral (SATB) - Level 2 - SKU: A0.724181 Composed by Diversi autori. Arranged by Renato Tagliabue. Folk,Multicultural,Sacred,World. 28 pages. Renato Tagliabue #3517131. Published by Renato Tagliabue (A0.724181). DEEP RIVER - Spiritual American FUNICULI', FUNICULA' - Music by Luigi Denza - Lyrics by Peppino Turco - Neapolitan song MONTAGNES VALDOTAINES - Music by Alfred Roland. Text by Flaminie Portè. - Song of the Valle d'Aosta (Italy). MY LORD, WHAT A MORNING - Spiritual American  NEBBI A LA VALLE - Italian folk song - Song of olive pickers, typical of the slopes of Maiella (Italy). 'O SURDATO 'NNAMURATO - Lyrics by Aniello Califano Music by Enrico Cannio - Neapolitan song OLD FOLKS AT HOME - Italian lyrics (Lontano lungo il fiume Swanee) - American folk song SANTA LUCIA - Italian folk song - Neapolitan song WE SHALL OVERCOME - Lyrics by Peter Seeger - American folk song
$2.49
COLLECTION OF FOLK SONGS FROM THE WORLD - Vol. 1° - Score Only
COLLECTION OF FOLK SONGS FROM THE WORLD - Vol. 1° - Score Only
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Public Domain
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Renato Tagliabue
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COLLECTION OF FOLK SONGS FROM
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Renato Tagliabue
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SheetMusicPlus
Small Ensemble - Level 2 - SKU: A0.724179 Composed by Public Domain. Arranged by Renato Tagliabue. Folk,Multicultural,Sacred,Spiritual,World. Score and ...
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Small Ensemble - Level 2 - SKU: A0.724179 Composed by Public Domain. Arranged by Renato Tagliabue. Folk,Multicultural,Sacred,Spiritual,World. Score and parts. 28 pages. Renato Tagliabue #3516931. Published by Renato Tagliabue (A0.724179). DEEP RIVER - Spiritual AmericanFUNICULI', FUNICULA' - Music by Luigi Denza - Lyrics by Peppino Turco - Neapolitan song MONTAGNES VALDOTAINES - Music by Alfred Roland. Text by Flaminie Portè. - Song of the Valle d'Aosta (Italy). MY LORD, WHAT A MORNING - Spiritual American  NEBBI A LA VALLE - Italian folk song - Song of olive pickers, typical of the slopes of Maiella (Italy). 'O SURDATO 'NNAMURATO - Lyrics by Aniello Califano Music by Enrico Cannio - Neapolitan song OLD FOLKS AT HOME - Italian lyrics (Lontano lungo il fiume Swanee) - American folk song SANTA LUCIA - Italian folk song - Neapolitan song WE SHALL OVERCOME - Lyrics by Peter Seeger - American folk song
$19.90
Tu scendi dalle stelle
Tu scendi dalle stelle
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Piano Quintette: piano, 2 violons, alto, violoncelle
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FACILE
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Sant'Alfonso Maria de' Liguori
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Tu scendi dalle stelle
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Budeanu Cristian
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SheetMusicPlus
Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.761788 Composed by Sant'Alfonso Maria de' Liguori. Arranged by Budeanu Cristi...
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Piano Quintet,String Ensemble Cello,Piano,Viola,Violin - Level 2 - SKU: A0.761788 Composed by Sant'Alfonso Maria de' Liguori. Arranged by Budeanu Cristian and Budeanu Cristian. Christian,Classical. Score and parts. 7 pages. Budeanu Cristian #2960907. Published by Budeanu Cristian (A0.761788). Tu scendi dalle stelle, noto anche come Canzoncina a Gesù Bambino, di Gesù Bambino o semplicemente A Gesù Bambino è un canto natalizio composto nel dicembre 1754 a Nola (NA), dal napoletano sant'Alfonso Maria de' Liguori, derivato come versione in italiano dall'originale Quanno nascette Ninno.2016 Holiday Contest Entry
$5.00
The Carnival of Venice
The Carnival of Venice
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J
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Chris Gorman
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The Carnival of Venice
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Chris Gorman
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1089024 Composed by J.B. Arban. Arranged by Chris Gorman. Classical,Contest,Festival. Brass Band. 101 pages. Chris Gorman #693241. Published by Chris Gorman (A0.1089024). The Carnival of Venice is based on a Neapolitan folk tune called O Mamma, Mamma Cara and popularised by violinist and composer Niccolo Paganini, who wrote twenty variations on the original tune. He titled it Il Carnevale Di Venezia, Op. 40. In 1829, he wrote to a friend, The variations I've composed on the graceful Neapolitan ditty, 'O Mamma, Mamma Cara,' outshine everything. I can't describe it. Since then, the tune has been used for a number of popular songs, such as If You Should Go to Venice and My Hat, It Has Three Corners. The tune was also used as an endless song in Australian schoolyards: A doggy stole a sausage, cos he was underfed The butcher saw him do it, and now that doggy's dead And all the little doggies, were very sad that night They built for him a tombstone, and on it they did write... – repeated, ad nauseam, to the tune of Carnival of Venice, sometimes only stopped by the ringing of the bell to return to class. A series of theme and variations has been written for solo cornet, as show off pieces that contain virtuoso displays of double and triple tonguing, and fast tempos.
$40.00
Italian Folksong Medley (for Saxophone Quartet SATB or AATB)
Italian Folksong Medley (for Saxophone Quartet SATB or AATB)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Various
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Kenneth Abeling
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Italian Folksong Medley
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.515233 Composed by Various. Arranged by Kenneth Abeling. Folk,Multicultural,Wedding,World. 32 pa...
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Saxophone Quartet,Woodwind Ensemble - Level 4 - SKU: A0.515233 Composed by Various. Arranged by Kenneth Abeling. Folk,Multicultural,Wedding,World. 32 pages. LINCOLN MUSIC PUBLICATIONS #6049019. Published by LINCOLN MUSIC PUBLICATIONS (A0.515233). Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Saxophone Quartet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$13.99
Italian Folksong Medley (for Woodwind Quartet)
Italian Folksong Medley (for Woodwind Quartet)
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE/AVANCÉ
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Various
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Kenneth Abeling
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Italian Folksong Medley
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.515235 Composed by Various. Arranged by Kenneth Abeling. Folk,W...
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Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - SKU: A0.515235 Composed by Various. Arranged by Kenneth Abeling. Folk,Wedding,World. 26 pages. LINCOLN MUSIC PUBLICATIONS #6049029. Published by LINCOLN MUSIC PUBLICATIONS (A0.515235). Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Woodwind Quartet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$13.99
Italian Folksong Medley (for Saxophone Quintet SATTB or AATTB)
Italian Folksong Medley (for Saxophone Quintet SATTB or AATTB)
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Quintette de Saxophone: 5 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Various
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Kenneth Abeling
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Italian Folksong Medley
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.515237 Composed by Various. Arranged by Kenneth Abeling. Folk,Multicultural,Wedding,World. 36 pa...
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Saxophone Quintet,Woodwind Ensemble - Level 4 - SKU: A0.515237 Composed by Various. Arranged by Kenneth Abeling. Folk,Multicultural,Wedding,World. 36 pages. LINCOLN MUSIC PUBLICATIONS #6049039. Published by LINCOLN MUSIC PUBLICATIONS (A0.515237). Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Saxophone Quintet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$14.99
Italian Folksong Medley (for Woodwind Quintet)
Italian Folksong Medley (for Woodwind Quintet)
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Various
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Kenneth Abeling
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Italian Folksong Medley
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.515236 Composed by Various. Arranged by Kenneth Abeling. Folk,Mu...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 4 - SKU: A0.515236 Composed by Various. Arranged by Kenneth Abeling. Folk,Multicultural,Wedding,World. 32 pages. LINCOLN MUSIC PUBLICATIONS #6049033. Published by LINCOLN MUSIC PUBLICATIONS (A0.515236). Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Woodwind Quintet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com
$14.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento
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Chorale SATB
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestri...
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Choral Choir (SATB) - SKU: A0.828714 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 23 pages. Guido Menestrina #481065. Published by Guido Menestrina (A0.828714). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Secondo movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://www.youtube.com/watch?v=vqOa9skJg5o.
$13.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimento
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guid...
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Choral Choir (SATB) - Level 4 - SKU: A0.828703 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella,Baroque,Sacred. Octavo. 15 pages. Guido Menestrina #238145. Published by Guido Menestrina (A0.828703). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Primo movimentoEdit Published by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: http://youtu.be/q3iMskZjm1Y.
$17.99
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)
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Leonardo Leo
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Guido Menestrina
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Leonardo Leo - Dixit Dominus a
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappell...
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Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà . Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà , poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
$12.99
O SOLE MIO! - Canzone napoletana
O SOLE MIO! - Canzone napoletana
Voice,Tenor Voice,Concert Band,Marching Band
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Classique
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Eduardo Di Capua
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Igor Zugrov For Concert Band
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O SOLE MIO! - Canzone napoleta
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Igor Zugrov
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SheetMusicPlus
Composed by Eduardo Di Capua (1864-1917). Arranged by Igor Zugrov For Concert Band. For Voice,Tenor Voice,Concert Band,Marching Band. Romantic Period,World,Folk...
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Composed by Eduardo Di Capua (1864-1917). Arranged by Igor Zugrov For Concert Band. For Voice,Tenor Voice,Concert Band,Marching Band. Romantic Period,World,Folk. Intermediate. Individual Part,Score,Set of Parts,Solo Part. Published by Igor Zugrov
$42.99
Italian Folksong Medley (for Brass Quintet)
Italian Folksong Medley (for Brass Quintet)
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Folklorique/Traditionel
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Various
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Italian Folksong Medley
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LINCOLN MUSIC PUBLICATIONS
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SheetMusicPlus
Composed by Various. Arranged by Kenneth Abeling. Folk, Wedding, World. Score and parts. 33 pages. LINCOLN MUSIC PUBLICATIONS #6049041. Pu...
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Composed by Various. Arranged by Kenneth Abeling. Folk, Wedding, World. Score and parts. 33 pages. LINCOLN MUSIC PUBLICATIONS #6049041. Published by LINCOLN MUSIC PUBLICATIONS
Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Brass Quintet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$14.99
Italian Folksong Medley (for Clarinet Quartet)
Italian Folksong Medley (for Clarinet Quartet)
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE/AVANCÉ
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Folklorique/Traditionel
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Various
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Italian Folksong Medley
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SheetMusicPlus
Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Various. Arranged by Kenneth Abeling. Folk, European, Wedding. Score, Set of ...
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Clarinet Quartet - Advanced Intermediate - Digital Download Composed by Various. Arranged by Kenneth Abeling. Folk, European, Wedding. Score, Set of Parts. 26 pages. Published by LINCOLN MUSIC PUBLICATIONS
Italian Folksongs Medley is a collection of six popular traditional Italian and Neapolitan folksongs arranged for Clarinet Quartet. The Titles Include: 1. Bella Ciao 2. Funiculi, Funicula, 3. O Sole Mio, 4. Torna a Surriento (Come Back to Sorrento), 5. Santa Lucia and 6. Tarantella. The piece can be played as a medley with repeats as desired or as individual pieces. This advanced intermediate level arrangement is suitable for a variety of performance application to include general performance, Weddings and other Italian celebrations. The approximate playing time for all songs is 9:30 with repeats and 5:00 without. To view and listen to this piece in its entirety as well hundreds of other arrangement and transcriptions by Kenneth Abeling at the lowest prices available please visit: https://lincolnmusicpublications.com/
$13.99
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Canção Napolitana
