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C Whole Tone Scale
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Vous avez sélectionné:
C Whole Tone Scale
Partitions à imprimer
42 partitions trouvées
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26
C Whole Tone Scale (5 Ways to Play)
C Whole Tone Scale (5 Ways to Play)
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Guitare notes et tablatures
#
INTERMÉDIAIRE
#
Traditional
#
Danny Crocome
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C Whole Tone Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1236833 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Early Music,Instructional,Jazz,Traditional. Guitar T...
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Guitar - Level 3 - SKU: A0.1236833 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Early Music,Instructional,Jazz,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #832365. Published by Danny Crocome Music (A0.1236833). This info sheet shows guitarists 5 different ways to play the C Whole Tone Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingering5. A pattern which ascends in the Root 5 position, then descends in the Root 6 position.A useful sheet for those looking to learn about this unusual sounding scale.
$2.99 ≈
¥21.70
C# Whole Tone Scale (5 Ways to Play)
C# Whole Tone Scale (5 Ways to Play)
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Guitare notes et tablatures
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INTERMÉDIAIRE
#
Traditional
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Danny Crocome
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C# Whole Tone Scale
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Danny Crocome Music
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1237591 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Early Music,Instructional,Jazz,Traditional. Guitar T...
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Guitar - Level 3 - SKU: A0.1237591 Composed by Traditional. Arranged by Danny Crocome. Contemporary,Early Music,Instructional,Jazz,Traditional. Guitar Tab. 1 pages. Danny Crocome Music #833108. Published by Danny Crocome Music (A0.1237591). This info sheet shows guitarists 5 different ways to play the C# Whole Tone Scale:1. A Standard Root 6 fingering2. A 3-notes-per-string Root 6 fingering3. A Standard Root 5 fingering4. A 3-notes-per-string Root 5 fingering5. A pattern which ascends in the Root 5 position, then descends in the Root 6 position.A useful sheet for those looking to learn about this unusual sounding scale.
$2.99 ≈
¥21.70
Whole-Tone Scales & Exercises
Whole-Tone Scales & Exercises
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Guitare notes et tablatures
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FACILE
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Methodes
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Hayden Woods
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Whole-Tone Scales & Exerci
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Hayden Lee Woods
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SheetMusicPlus
Guitar - Level 2 - SKU: A0.901487 Composed by Hayden Woods. Instructional. Guitar Tab. 3 pages. Hayden Lee Woods #5998889. Published by Hayden Lee Woods...
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Guitar - Level 2 - SKU: A0.901487 Composed by Hayden Woods. Instructional. Guitar Tab. 3 pages. Hayden Lee Woods #5998889. Published by Hayden Lee Woods (A0.901487). In working on concepts to break away from some of the more tonal aspects of music, I have been working on some exercises focused on scales that are not utilized in a classical sense, which brings us to this file.The whole-tone scale series uses the concept in the name: only whole steps, no half steps. For guitar, the best way to visualize the scale is by performing this scale by picking a string and playing only the even frets or odd frets on that string in order (0-2-4-6-8-10-12 or 1-3-5-7-9-11-13) to get that string's basic whole tone scale. This sheet music exercises the C and C# whole tone scales as they are the common anchors of whole tone scales, working all six strings and some techniques to maneuver appropriately. With this you get the two whole-tone scales and two exercises in each of the keys to get started on a less standard procedure! Enjoy!!!
$2.39 ≈
¥17.34
C - Every Day Warm-Ups for Full Orchestra
C - Every Day Warm-Ups for Full Orchestra
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Timothy Bandy
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Timothy Bandy
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C - Every Day Warm-Ups for Ful
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Timothy Bandy
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.944927 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 ...
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Concert Band - Level 3 - SKU: A0.944927 Composed by Timothy Bandy. Arranged by Timothy Bandy. Classical,Contemporary,Instructional. Score and parts. 44 pages. Timothy Bandy #5209335. Published by Timothy Bandy (A0.944927). One of a set of twelve Warm-Ups, each focused on a single Key Center. These warm-ups will help your ensemble become comfortable with all 12 Keys. Each Key Center has a variety of scales and arpeggios built around that Key Center, so that players are learning to play in other keys diatonically and chromatically around the Key Center.15 Exercises Plus An Harmonic Progression 1/2 Step Long tones: Descending, Ascending 5 Note Major/Minor Scales: Descending, Ascending Whole tone scales: Ascending, Descending Blues Scale 5 Chromatic Scale Exercises 2 Diminished Scale Exercises 3 Note Arpeggios: Ascending-Major/Minor, Descending-Major/Minor Harmonic Progression Parts included in Conductor’s Score Flute, Oboe, Bb Clarinet Trumpet, F Horn, Trombone, Tuba Violin, Viola, Cello (Bassoon), Dbl Bass (Rhythm) Piano, Mallet Percussion Also Includes Parts for… Alto Sax, Tenor Sax (Bass Clarinet), Bari Sax
$10.00 ≈
¥72.57
Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.
Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.
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Trompette
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AVANCÉ
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Classique
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ABRSM
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Tim Curd
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Trumpet Scales Grade 8. For th
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Tim Curd
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SheetMusicPlus
B-Flat Trumpet Solo - Level 5 - SKU: A0.1227795 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823759. Publishe...
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B-Flat Trumpet Solo - Level 5 - SKU: A0.1227795 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823759. Published by Tim Curd (A0.1227795). Trumpet Scales Grade 8. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. These scales can also be used for: Cornet in Bb, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued, legato tongued or slurred.The candidate will need to learn both harmonic and melodic minor scales.F Major Scale: a 12thF Major Arpeggio: a 12thF Harmonic Minor Scale: a 12thF Melodic Minor Scale: a 12thF Minor Arpeggio: a 12thF# Major Scale: a 12thF# Major Arpeggio: a 12thF# Harmonic Minor Scale: a 12thF# Melodic Minor Scale: a 12thF# Minor Arpeggio: a 12thB Major Scale: 2 OctavesB Major Arpeggio: 2 OctavesB Harmonic Minor Scale: 2 OctavesB Melodic Minor Scale: 2 OctavesB Minor Arpeggio: 2 OctavesC Major Scale: 2 OctavesC Major Arpeggio: 2 OctavesC Harmonic Minor Scale: 2 OctavesC Melodic Minor Scale: 2 OctavesC Minor Arpeggio: 2 OctavesAb Major, Extended-Range ScaleAb Major, Extended-Range ArpeggioG Harmonic Minor, Extended-Range ScaleG Minor, Extended-Range ArpeggioA Major, 2 Octaves in 3rdsBb Major, 2 Octaves in 3rdsF# Chromatic: 2 OctavesB Chromatic: 2 OctavesC Chromatic: 2 OctavesWhole Tone Scale in B: 2 OctavesWhole Tone Scale in C: 2 OctavesDominant 7th in the key of Bb, Resolving on TonicDominant 7th in the key of B, 2 Octaves Resolving on TonicDominant 7th in the key of E, 2 Octaves Resolving on TonicDominant 7th in the Key of F, 2 Octaves Resolving on TonicDiminished 7th in F#: 2 OctavesDiminished 7th in B: 2 OctavesDiminished 7th in C: 2 Octaves.
$3.00 ≈
¥21.77
Trumpet Scales Grade 7. For the new ABRSM Syllabus from 2023.
Trumpet Scales Grade 7. For the new ABRSM Syllabus from 2023.
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Trompette
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AVANCÉ
#
Classique
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ABRSM
#
Tim Curd
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Trumpet Scales Grade 7. For th
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Tim Curd
#
SheetMusicPlus
B-Flat Trumpet Solo - Level 5 - SKU: A0.1227794 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823757. Publishe...
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B-Flat Trumpet Solo - Level 5 - SKU: A0.1227794 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 4 pages. Tim Curd #823757. Published by Tim Curd (A0.1227794). Trumpet Scales Grade 7. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. These scales can also be used for: Cornet in Bb, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either legato tongued, staccato, or slurred.The candidate will need to learn both harmonic and melodic minor scales.Db Major Scale: a 12thDb Major Arpeggio: a 12thC# Major Scale: a 12thC# Major Arpeggio: a 12thC# Harmonic Minor Scale: a 12thC# Melodic Minor Scale: a 12thC# Minor Arpeggio: a 12thE Major Scale: a 12thE Major Arpeggio: a 12thE Harmonic Minor Scale: a 12thE Melodic Minor Scale: a 12thE Minor Arpeggio: a 12thA Major Scale: 2 OctavesA Major Arpeggio: 2 OctavesA Harmonic Minor Scale: 2 OctavesA Melodic Minor Scale: 2 OctavesA Minor Arpeggio: 2 OctavesBb Major Scale: 2 OctavesBb Major Arpeggio: 2 OctavesBb Harmonic Minor Scale: 2 OctavesBb Melodic Minor Scale: 2 OctavesBb Minor Arpeggio: 2 OctavesD Major, Extended-Range ScaleD Major, Extended-Range ArpeggioG Major, 2 Octaves in 3rdsA Chromatic: 2 OctavesBb Chromatic: 2 OctavesWhole Tone Scale in A: 2 OctavesWhole Tone Scale in Bb: 2 OctavesDominant 7th in the key of F#, Resolving on TonicDominant 7th in the key of A, Resolving on TonicDominant 7th in the key of D, Resolving on TonicDominant 7th in the Key of Eb, 2 Octaves Resolving on TonicDiminished 7th in A: 2 Octaves.Diminished 7th in Bb: 2 Octaves.
$3.00 ≈
¥21.77
Prelude on the Whole Tone Scale
Prelude on the Whole Tone Scale
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Piano seul
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FACILE
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Robert A
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Prelude on the Whole Tone Scal
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Robert A. Howard
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SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.998734 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 4 pages. ...
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Piano Solo - Level 2 - SKU: A0.998734 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. Score. 4 pages. Robert A. Howard #5319833. Published by Robert A. Howard (A0.998734). This piano prelude exclusively explores the whole tone scale on C. A bell-like 2-chord ostinato accompanies the haunting main theme. These ideas are subjected to simple motivic and textural development. They appear inverted in the second half of the piece, followed by a reflective, descending coda. The piece is genuinely accessible and is appropriate for most standards of pianist, including students and more advanced players. Other Preludes by the same composer are also available via SMP.
$3.49 ≈
¥25.33
N.I.C.E. March
N.I.C.E. March
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Film/TV
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J
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N.I.C.E. March
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J. Randolph Hall
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SheetMusicPlus
Orchestra Bassoon,Cello,Clarinet,Drum Set,Flute,Horn,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Interactive Download SKU: A0.482535 Composed by J. R...
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Orchestra Bassoon,Cello,Clarinet,Drum Set,Flute,Horn,Percussion,Trombone,Trumpet,Tuba,Viola,Violin - Interactive Download SKU: A0.482535 Composed by J. Randolph Hall. This edition: Interactive Download. Film/TV. Score and parts. 21 pages. Duration 202. Published by J. Randolph Hall (A0.482535). This march is inspired by C.S. Lewis' That Hideous Strength where the National Institute for Coordinated Experiments is the evil group that wants to transform humanity into something terrifying, living in a dystopian existence. The tritones and the whole tone scale help to create an ominous sound as if the N.I.C.E. is coming to get you. The flutes and first violins play N.I.C.E. in Morse code (U.S).
$20.00 ≈
¥145.14
Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.
Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.
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SheetMusicPlus
B-Flat Trumpet Solo - Level 3 - SKU: A0.1227792 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823755. Publishe...
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B-Flat Trumpet Solo - Level 3 - SKU: A0.1227792 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823755. Published by Tim Curd (A0.1227792). Trumpet Scales Grade 5. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. These scales can also be used for: Cornet in Bb, Soprano Cornet, Flugelhorn, Horn, Eb Horn, Baritone/Euphonium (treble clef), and Tuba (treble clef in Eb)Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurred.The candidate will only need to learn one type of minor scale; either harmonic or melodic.B Major Scale: a 12thB Major Arpeggio: a 12thC Major Scale: a 12thC Major Arpeggio: a 12thDb Major Scale: a 12thDb Major Arpeggio: a 12thG Major Scales: 2 OctavesG Major Arpeggio: 2 OctavesBb Harmonic Minor Scale: a 12thBb Melodic Minor Scale: a 12thBb Minor Arpeggio: a 12thC# Harmonic Minor Scale: a 12thC# Melodic Minor Scale: a 12thC# Minor Arpeggio: a 12thF Harmonic Minor Scale: 1 Octave and down to the dominant.F Melodic Minor Scale: 1 Octave and down to the dominant.F Minor Arpeggio: 1 Octave and down to the dominant.G Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesG Chromatic: 2 OctavesWhole Tone Scale in G: 2 OctavesDominant 7th in the key of C, Resolving on TonicDominant 7th in the key of Db, Resolving on TonicDiminished 7th in G: 2 Octaves.
$1.99 ≈
¥14.44
Trombone Scales (bass clef) Grade 5. For the new ABRSM Syllabus from 2023.
Trombone Scales (bass clef) Grade 5. For the new ABRSM Syllabus from 2023.
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Trombone Scales
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SheetMusicPlus
Tenor Trombone,Trombone Solo - Level 3 - SKU: A0.1227780 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823743....
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Tenor Trombone,Trombone Solo - Level 3 - SKU: A0.1227780 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823743. Published by Tim Curd (A0.1227780). Trombone Scales Grade 5 (Bass Clef). For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed tongued only. The candidate will only need to learn one type of minor scale: either harmonic or melodic.A Major Scale: a 12thA Major Arpeggio: a 12thC Major Scale: a 12thC Major Arpeggio: a 12thF Major Scale: a 12thF Major Arpeggio: a 12thG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesA Harmonic Minor Scale: a 12thA Melodic Minor Scale: a 12thA Minor Arpeggio: a 12thC Harmonic Minor Scale: a 12thC Melodic Minor Scale: a 12thC Minor Arpeggio: a 12thEb Harmonic Minor Scale: 1 Octave and down to the dominantEb Melodic Minor Scale: 1 Octave and down to the dominantEb Minor Arpeggio: 1 Octave and down to the dominantG Harmonic Minor Scale: 2 OctavesG Melodic Minor Scale: 2 OctavesG Minor Arpeggio: 2 OctavesF Chromatic: 2 OctavesWhole Tone in F, 2 OctavesDominant 7th in the key of Bb, 2 Octaves resolving on the tonicDominant 7th in the key of C, 2 Octaves resolving on the tonicDiminished 7th in F: 2 Octaves.
$1.99 ≈
¥14.44
Horn Scales Grade 5. For the new ABRSM Syllabus from 2023.
Horn Scales Grade 5. For the new ABRSM Syllabus from 2023.
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.1227736 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823700. Published b...
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French Horn Solo - Level 3 - SKU: A0.1227736 Composed by ABRSM. Arranged by Tim Curd. Classical. Individual part. 3 pages. Tim Curd #823700. Published by Tim Curd (A0.1227736). Horn Scales Grade 5. For the new ABRSM Syllabus from 2023.These are the scales for the new 2023 and onwards  brass syllabus. Please note that you can't use the old scales with the new syllabus or vice versa.The examiner will request the scales to be performed either tongued or slurredThe candidate will only need to learn one type of minor scale; either harmonic or melodic.A Major Scale: a 12thA Major Arpeggio: a 12thB Major Scale: a 12thB Major Arpeggio: a 12thD Major Scale: 2 OctavesD Major Arpeggio: 2 OctavesG Major Scale: 2 OctavesG Major Arpeggio: 2 OctavesC Harmonic Minor Scale: a 12thC Melodic Minor Scale: a 12thC Minor Arpeggio Scale: a 12thA Harmonic Minor Scale: 1 Octave and down to the dominantA Melodic Minor Scale: 1 Octave and down to the dominantA Minor Arpeggio Scale: 1 Octave and down to the dominantD Harmonic Minor: 2 OctavesD Melodic Minor: 2 OctavesD Minor Arpeggio: 2 OctavesF# Harmonic Minor: 2 OctavesF# Melodic Minor: 2 OctavesF# Minor Arpeggio: 2 OctavesF Chromatic: 2 OctavesWhole Tone Scale in F: 2 OctavesDominant 7th in the Key of A, resolving on tonicDominant 7th in the Key of C, resolving on tonicDiminished 7th in G: 2 Octaves.
$1.99 ≈
¥14.44
Thompson's Structured Guide: Scales, Modes and Associated Chords (C-TONIC ONLY VERSION)
Thompson's Structured Guide: Scales, Modes and Associated Chords (C-TONIC ONLY VERSION)
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Piano seul
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Alan R
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Alan R
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.814482 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Instructional,Jazz,Multicu...
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Piano Solo - Level 3 - SKU: A0.814482 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Instructional,Jazz,Multicultural,World. Score. 16 pages. Alan R Thompson #421393. Published by Alan R Thompson (A0.814482). The C-TONIC ONLY version of Thompson's Structured Guide: Scales, Modes and Associated Chords - represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This Structured Guide will provide a foundation for improvisation sessions, building blocks for the creation of original music, be helpful in developing technical proficiency in your instrument of choice, improve your sight-reading skills and help you better develop an ear for music. Though here only C-Tonic Scales, Modes and Associated Chords are listed, the complete version of this book (available separately at https://www.sheetmusicplus.com/title/thompson-s-structured-guide-scales-modes-and-associated-chords-complete-version-digital-sheet-music/22266897) lists in standard sheet music notation over 50 scales and over 50 chords in each of the 12 Tonic/Tonal Centers (C thru B) and in all Key Signatures in Western Music. Each Tonic/Tonal Center is 16 pages of sheet music. The Audio Preview covers the 16 pages of C-Tonic/Tonal Center (trumpet over piano used). Together with the exercises in the Appendices the entire book (sold separately) is 316 pages long. Summary of Scales & Modes Covered: Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Whole-Tone, Octatonic Diminished & Octatonic Dominant Scales, numerous Bebop Scales with variations, numerous Pentatonic & Blues Scales with variations, Chromatic Scale, Lydian Diminished/Lydian b3 Scale, miscellaneous Pentatonic Major Modes & Japanese & Rock Pentatonic Style Scales, and the Augmented and Arabian Scales. There is a 50+ Chords Reference section (basic triads up to 13th chords). The entire book is in essence a series of practice exercises covering most every conceivable scale & associated chord combination used in the vast majority of music. Additionally, there are basic foundational exercises located in the Appendices A thru L. NOTE: Only SHEET MUSTIC is available here. However, a FREE PDF version of the Cover Page, Table of Contents, Introduction & Instructions is available for the entire book. Contact the author at alanrt63@gmail.com to request this if you desire.
$2.99 ≈
¥21.70
Scharabaj - for Pianoforte, Whole Tone on C
Scharabaj - for Pianoforte, Whole Tone on C
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Piano seul
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David Cuff
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1024199 Composed by David Cuff. Contemporary. Score. 3 pages. David Cuff #3001083. Published by David Cuff (A0.1024199). ...
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Piano Solo - Level 3 - SKU: A0.1024199 Composed by David Cuff. Contemporary. Score. 3 pages. David Cuff #3001083. Published by David Cuff (A0.1024199). This piece has been written using only whole tones. It uses the Whole Tone scale on C.
$1.99 ≈
¥14.44
Thompson's Structured Guide - by Key: Scales, Modes and Associated Chords (in all KEY SIGNATURES)
Thompson's Structured Guide - by Key: Scales, Modes and Associated Chords (in all KEY SIGNATURES)
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Piano seul
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INTERMÉDIAIRE
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Alan R
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Alan R
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Thompson's Structured Guide -
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1108136 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Pop,Rock,Traditional. Sco...
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Piano Solo - Level 3 - SKU: A0.1108136 By Alan R. Thompson. By Alan R. Thompson. Arranged by Alan R. Thompson. Blues,Classical,Pop,Rock,Traditional. Score. 407 pages. Alan R Thompson #710754. Published by Alan R Thompson (A0.1108136). This book represents an invitation for you to explore part of the vast universe of melodic and harmonic musical options. This “STRUCTURED GUIDE†will provide building blocks for the creation of original music, be useful in increasing technical proficiency in your instrument of choice, improve your sight-reading skills and help you develop a better ear for music. This book lists in standard sheet music notation over 75 scales (and their Relative Modes) and over 75+ associated chords organized in each of the 12 Key Signatures (or enharmonic equivalent keys) found in Western Music. Note that the sheet music in this book is organized by Key Signature (Relative Modes) and not by Tonic/Tonal Center (Parallel Modes) as in separate book. This organization helps promote a more fluid approach for improvising without need for excessive mental calculations to transpose keys as you're playing. Each Key Signature Section is 28 pages of sheet music, which could take several hours to play depending on how familiar you are with the material and how much you improvise thereon. Scales and Modes listed include the Major, Natural Minor, Harmonic Minor, Melodic Minor, Melodic Minor Ascending/Natural Minor Descending, Lydian Diminished/Lydian b3, Whole Tone, Octatonic/Diminished and Chromatic Scales. Also, numerous Bebop and Pentatonic Scales (traditional & exotic), Augmented, Double Harmonic Scales and numerous unique non-standard Scales are referenced, etc. Chords from triads up to 13ths are presented in arpeggiated & as well as block format with inversions, along with SCALE SUGGESTIONS for these chords. Audio sample plays through a Grand Staff version in C-Major / A-Minor. Author Contact: alanrt63@gmail.com [Will provide free updated PDF to purchasers making suggestions incorporated in later edition.].
$14.99 ≈
¥108.78
Scale Exercise For String Quartet No.1 in C Major
Scale Exercise For String Quartet No.1 in C Major
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Quatuor à cordes: 2 violons, alto, violoncelle
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Neal Fitzpatrick
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Scale Exercise For String Quar
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.955352 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Instructional,St...
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String Quartet Cello,String Quartet,Viola,Violin - Level 1 - SKU: A0.955352 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Instructional,Standards. Score and parts. 2 pages. Neal Fitzpatrick Editions #5191307. Published by Neal Fitzpatrick Editions (A0.955352). This work for string quartet is No.1 of a set Major scale exercises in all 12 major keys. The focus of the study is varied divisions of the beat using whole notes, half notes, quarter notes and eighth notes. The exercise will also help understand articulation, tone and dynamics. A steady cycle through all 12 keys will help further an understanding of keys, key signatures and harmonic relationships.
$1.99 ≈
¥14.44
Major Scale Exercise For Violin Ensemble No.1 C Major
Major Scale Exercise For Violin Ensemble No.1 C Major
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Quatuor à cordes: 2 violons, alto, violoncelle
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Neal Fitzpatrick
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Neal Fitzpatrick
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Major Scale Exercise For Violi
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Neal Fitzpatrick Editions
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SheetMusicPlus
String Quartet String Quartet,Violin - Level 1 - SKU: A0.955339 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Instructional,Standards. Sco...
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String Quartet String Quartet,Violin - Level 1 - SKU: A0.955339 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Instructional,Standards. Score and parts. 2 pages. Neal Fitzpatrick Editions #5041953. Published by Neal Fitzpatrick Editions (A0.955339). This work is No.1 of a set Major scale exercises in all 12 major keys. The focus of the study is varied divisions of the beat using whole notes, half notes, quarter notes and eighth notes. The exercise will also help understand articulation, tone and dynamics. A steady cycle through all 12 keys will help further an understanding of keys, key signatures and harmonic relationships.
$1.99 ≈
¥14.44
Seven Pieces in Twentieth-Century Styles
Seven Pieces in Twentieth-Century Styles
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Piano seul
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James Siddons
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Seven Pieces in Twentieth-Cent
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James Siddons Music and Writings
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and W...
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Piano Solo - Level 3 - SKU: A0.972635 Composed by James Siddons. 20th Century,Contemporary,Ragtime,Standards. Score. 10 pages. James Siddons Music and Writings #3022927. Published by James Siddons Music and Writings (A0.972635). These seven short pieces were composed in the early months of 1976 as imitations of some of the composers and musical styles of the early twentieth century. They were never performed or published at the time. They are useful as didactic studies for student pianists. The seven pieces areI. Intonatione In the Whole-Tone ScaleII. Prélude and Nocturne in ModesIII. An Impression of ImpressionismIV. An Imitation of Roy HarrisV. Adding Chord-Tones While Shifting MetersVI. Ragtime BitonalityVII. Diatonic Waltz Program Notes: The Intonatione In the Whole-Tone Scale recalls the Renaissance Italian musical form that evolved into the prèlude in later organ music, as well as the use of Italian forms in the atonal music of Arnold Schoenberg, and some neo-Baroque composers of the twentieth century. In contrast, the whole-tone scale is reminiscent of generally tonal composers, including Debussy. The Martial Prèlude and Nocturne in Modes recalls the many pre-twentieth century pairings of preludes with fugues and other forms. The pairing with a nocturne evokes an air of Romanticism. The Martial Prèlude is a march-like fanfare, in Lydian mode on C. The Chopinesque Nocturne is in Phrygian mode, on E flat. An Impression of Impressionism evokes some of Debussy’s Preludes pour Piano, including a suggestive title at the bottom of the page, as Debussy himself did. For the young pianist aiming to master the works of Debussy, the arpeggio patterns, block chords, and sequential motives will prove helpful as introductory exercises. An Imitation of Roy Harris was inspired by the occasion in 1976 when James Siddons heard Roy Harris speaking in person about his compositions. Siddons was impressed by Harris’ youth in Oklahoma, and how the solidity of American rural life shaped Harris’ symphonic music. When taking questions at the end of the lecture, a young composer asked Harris about his creative methods when composing music. Well, Harris responded, You don’t pull up a potato just to see if its growing. Adding Chord-Tones While Shifting Meters is a technical exercise that is nonetheless fun to listen to, and fun to play. A student pianist should be asked to analyze the harmony in this piece, and to describe what shifts are taking place when the musical meter (as well as phrasing and rhythm patterns) change. The echoes of Stravinsky and Bartók should be apparent to the listener and pianist. Ragtime was not regarded as art music of the same caliber as Stravinsky and Schoenberg, or even Copland and Gershwin, until the 1970s. The inclusion of ragtime in these seven pieces would not have been accepted by composers of the early twentieth century, Stravinsky excepted. Ragtime Bitonality explores how such piano music might have sounded had major composers of the 1900-1920 era taken an interest in its march-like vitality. There is even a touch of atonality! In contrast to the powerful rhythms and juxtaposed tonal relations in much early twentieth-century music, there were works by many composers that continued familiar melodic patterns and balanced forms, offering musical relief in a turbulent era in music history. The Diatonic Waltz is offered here as a quiet, peaceful conclusion to our tour of musical styles in classical music of a century ago. About the Composer: James Siddons is a composer and pianist as well as musicologist. His research guide to the music of Japanese composer Toru Takemitsu was published in 2001. For more information, see www.JamesSiddons.com
$5.00 ≈
¥36.28
Interstellar
Interstellar
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Johnson Lee
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Interstellar
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johnson lee
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by ...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.912635 Composed by Johnson Lee. Contemporary,World. 35 pages. Johnson lee #2897207. Published by johnson lee (A0.912635). https://youtu.be/0hVSzb1pUP0INTERSTELLAR First movement - Astronomical Space Synopsis Astronomical Space is the void that exists between celestial bodies. However, the space is not completely empty, between, the vacuum consists of electromagnetic radiation, magnetic fields and dust and cosmic rays. Within this space, planets and moon freely orbits in their path. An unseen force is behind the organized path and movement of these planets in the galaxy. This movement uses different aspects of palindrome concept to depict the organised space in music. First, the time signature expands and contracts in palindromic fashion, indicating an orderly manner in which the music orbits. Next, the intervals expands exponentially and also contracts in retrograde fashion. Analysis This movement uses palindrome concept for compositional technique. Rhythmically, it is palindromic in nature. The note values starts from a minim to dotted crotchet, crotchet, quaver, semiquavers. The time signature also expands and contract palandromically, starting from 2/4, 3/4 , 4/4, 5/4, 6/4, 5/4, 4/4, 3/4, 2/4. The intervallic relationships are also in palindrome. Ascending from middle C the interval starts with Minor 2nd and expands exponentially to Major 2nd, Minor 3rd , Major 3rd, Perfect 4th , Augmented 4th , Perfect 5th to the tonic. Conversely, the intervals descend in similar fashion. French Horn begins with Low G (Concert C) and builds up this set of intervals reaching high B (Concert E). This melody is repeated by the Clarinet at the start of the new time signature of 3/ 4. Oboe enters at the next time signature of 4 /4. Flute at time signature of 5/4 and Bassoon at time signature of 6/4. The retrograde inversion of this motif is announced by the French Horn, this time starting on its high G (Concert C). Behind all this build up, the intervallic motif as shown above is played. At section A, this motif is announced without the rhythmic palindrome. The motif and its inversion builds up to a climax and re-asserts its presence with all the instruments playing at Bar before rehearsal mark B. The piece ends with the French horn performing the same motif at the beginning of this movement. Second Movement - Celestial Bodies Synopsis Celestial bodies or Astronomical objects refers to a single cohesive structure that is bound together usually by gravity or electromagnetism. Some examples includes asteroids, moons, planets and the stars. These objects or bodies may range from a single planet to star clusters, nebulae or entire galaxies and they have their position in space. This movement uses whole tone scale. The whole tone scale is used in this movement as it does not create sharp dissonances and the space between each interval is equal whichever way you stack the notes. The main melody, 8 bars long is repeated in canonic fashion. A countermelody is announced and also repeated by the ensemble in canonic fashion. Thereafter, both melodies will merge and this movement ends with a chord consisting of the whole tone scale starting on B. The music gradually unveils the each axis of the motion in which the astronomi.
$5.00 ≈
¥36.28
Exercises for Developing Jazz Improvisation Vol II C Version
Exercises for Developing Jazz Improvisation Vol II C Version
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Formation musicale - Solfège
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INTERMÉDIAIRE
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Mat Sibley
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Exercises for Developing Jazz
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Mat Sibley
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SheetMusicPlus
Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single...
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Composed by Mat Sibley. Jazz, Method, Etudes and Exercises, General Instructional, Technique Training. Individual Part, Lead Sheet, Sheet Music Single, Solo Part. 18 pages. Published by Mat Sibley
Exercises for Developing Jazz Improvisation Volume II
This method book covers a further 2 techniques to help the developing jazz player expand their jazz skills. These can also be purchased individually:
Examining Diminished Scales
This section looks at Whole/Half and Half/Whole step diminished scales. It includes ascending/descending broken chord exercises plus scale patterns for both Whole/Half and Half/Whole step diminished scales. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the exercises.
Triad Pairs and Hexatonic Scales
This section focuses on 4 common triad pairs and their related hexatonic scales - 2 major triads a whole step apart, 2 major triads a tritone apart, major/augmented triads a whole step apart and 2 minor triads a whole step apart. There are exercises and patterns for each triad pair/hexatonic scale plus suggested chord applications for each. There are also 2 written sample solos with audio demonstration and backing tracks to accompany the practice exercises and sample solos.
Although originally created for sax students, all books have now been adapted for C, Bb, Eb and Bass Clef instruments.
$14.99 ≈
¥108.78
Amen! Amen! (Revelation 7:12)
Amen! Amen! (Revelation 7:12)
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Chorale SATB
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Musique Sacrée
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Juan C
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Amen! Amen!
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Juan C. Davila
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.891016 Composed by Juan C. Davila. 20th Century,Christian,Praise & Worship,Sacred. Octavo. 11 pages. Juan C. Dav...
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Choral Choir (SATB) - Level 4 - SKU: A0.891016 Composed by Juan C. Davila. 20th Century,Christian,Praise & Worship,Sacred. Octavo. 11 pages. Juan C. Davila #6120661. Published by Juan C. Davila (A0.891016). This is a new choir (SATB) composition with piano accompaniment based on Revelation 7:12. I used the whole tone scale for the entire composition and includes a soprano solo. .
$4.99 ≈
¥36.21
Songs From The Book of Revelation (Cantata for SATB choir and piano accompaniment)
Songs From The Book of Revelation (Cantata for SATB choir and piano accompaniment)
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Chorale SATB
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Musique Sacrée
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Juan Carlos Davila
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Songs From The Book of Revelat
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Juan C. Davila
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.891025 Composed by Juan Carlos Davila. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 79 pages. Juan C. D...
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Choral Choir (SATB) - Level 4 - SKU: A0.891025 Composed by Juan Carlos Davila. A Cappella,Christian,Praise & Worship,Sacred. Octavo. 79 pages. Juan C. Davila #6363677. Published by Juan C. Davila (A0.891025). Songs from the Book Of Revelation is a powerful new cantata (SATB) and piano accompaniment consisting of 14 original songs from the book of Revelation that may be performed on any occasion throughout the year. I wrote this work during the height of the Coronavirus pandemic. I was inspired to praise God and compose new music using text from the book of Revelation. Next to each song title, I have provided the bible verses for easy access. I arranged the songs in chronological order, but may be sung in any order. Most of the songs are easy to medium in difficulty level, including the piano accompaniment. One of the songs titled Amen! Amen! (Revelation 7:12) is sung and played in whole tone scale and is challenging to perform. There is a couple of short solos, and acapella sections throughout the cantata. Check out the MIDI sample and video of this entire cantata in my YouTube channel with the link provided. All lyrics are shown on the screen as the music is playing. Enjoy performing this cantata and to God be the glory! Performance time is about 38 minutes (with repeats).
$24.99 ≈
¥181.35
Étude Duet II
Étude Duet II
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Classique
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Étude Duet II
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J. Randolph Hall
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SheetMusicPlus
Horn - Interactive Download SKU: A0.482486 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 8 pages. Duration 132. Pub...
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Horn - Interactive Download SKU: A0.482486 Composed by J. Randolph Hall. This edition: Interactive Download. Classical. Score. 8 pages. Duration 132. Published by J. Randolph Hall (A0.482486). This is a piece for two horns (or even trumpets) and explores counter-rhythms of simple vs. compound meter. It is in palindromic form. Sections A and E are c minor. Sections B and D are in B flat major. In these four sections, the players get to swap parts or voices.Section C is a mêlée of atonal, whole tone scale, modes etc; and plays with quintuplets.
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¥21.77
Harpation
Harpation
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Harpe
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Darhon Rees-Rohrbacher
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Harpation
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Afghan Press Music for the Harp
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SheetMusicPlus
Harp - Level 4 - SKU: A0.797293 Composed by Darhon Rees-Rohrbacher. Contemporary. Score. 30 pages. Afghan Press Music for the Harp #4800670. Published b...
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Harp - Level 4 - SKU: A0.797293 Composed by Darhon Rees-Rohrbacher. Contemporary. Score. 30 pages. Afghan Press Music for the Harp #4800670. Published by Afghan Press Music for the Harp (A0.797293). Harpation is a trilogy of solo harp pieces based on a whole-tone scale. It is available in two tuning versions, Eb major and C major, in order to accommodate the most common tunings used by folk harpers. (Harpers who tune in Bb may also use the Eb version.) Pedal harpists may use either tuning, although Eb is recommended for a richer sound. In addition to being interesting selections for pleasure or performance, these pieces teach students contemporary harp techniques in an enjoyable way. Each piece makes an interesting duet if two harps alternate some measures (or sections) in a kind of echo effect. In addition, an ensemble of harpers or harpists may play the entire trilogy simultaneously.The total range required to play all pieces (in both keys) is four and one-half octaves, from low C to high G (33 strings). All harmonics are to be played on the string indicated and not down the octave. Metronome markings are approximations only. Feel free to use choose your own tempos or re-arrange each selection to your liking.
$15.00 ≈
¥108.85
Suite for Oboe and Piano (Downloadable)
Suite for Oboe and Piano (Downloadable)
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Hautbois, Piano (duo)
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Walter Piston
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Suite for Oboe and Piano
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Oboe & piano - Moderately Difficult - SKU: MQ.0788-E Composed by Walter Piston. 18 pages. E. C. Schirmer Music Company - Digital #0788-E. Published by E...
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Oboe & piano - Moderately Difficult - SKU: MQ.0788-E Composed by Walter Piston. 18 pages. E. C. Schirmer Music Company - Digital #0788-E. Published by E. C. Schirmer Music Company - Digital (MQ.0788-E). This 1931 suite was first performed by a principal player of the Boston Symphony Orchestra, Ferdinand Gillet, with Jesus Sanromá as pianist. It is dedicated to Dr. Augusts Thorndike, an amateur oboist who was the father of one of Piston's friends. Commentators on the music suspect that Piston might have been writing it to suite Thorndike's tastes and skills, for it is unusually brilliantly written for the instrument, but is uncommonly Debussian and Ravelian in its style, which abounds in use of the whole-tone scale and chords of the ninth. It even quotes Debussy's Clair de lune and Roussel's Suite in F. The movements of the suite have titles that would not be out of place in the music of any of these composers, such as Nocturne, Sarabande, Prelude, and Minuetto. While the piece is very lyrical, it is almost excessively pretty and hence is pretty atypical for Piston. -Joseph Stevenson, AllMusic.com.
$12.85 ≈
¥93.25
Carson Cooman: Orbital for orchestra, score only
Carson Cooman: Orbital for orchestra, score only
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: Orbital for orc
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Musik Fabrik Music Publishing
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Pu...
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Full Orchestra - Level 4 - SKU: A0.533656 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3035629. Published by Musik Fabrik Music Publishing (A0.533656). Orbital (2003) for orchestra was commissioned by New Music Tomorrow and is dedicated tocomposer Georges Lentz.The work is a brief meditation, played throughout at a slow tempo and a generally quietdynamic level. After an atmospheric introductory section which hints at the principalmaterial, the work slowly traverses a grid of pitches and intervallic structures -- eachinstrumental group orbiting at its own pace. The musical material is derived from a coloredwhole-tone scale (in its prime form: C, D, E, F#, G#, A#, B).The poetic image was one of a distant planet, slowly orbiting -- amid the vast expansive voidof outer space. It is a mystical and prayerful piece -- as if we are watching this orbit amidstthe great expanse while contemplating existential questions.Instrumentation3 Flutes2 Oboes2 Clarinets in Bb2 Bassoons3 Horns in F3 Trumpets in CPercussion (1 player: tubular bells)3 Obbligato Violins(NOTE: The three violins may be discreetly amplified. They should be seated in a semi-circledirectly in front of the conductor -- not in a concerto position.)StringsParts on rental from the publisher
$11.95 ≈
¥86.72
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