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Vous avez sélectionné:
Busy Tone
Partitions à imprimer
36 partitions trouvées
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1
26
Busy Tone
Busy Tone
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Hayden Woods
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Busy Tone
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Hayden Lee Woods
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. Published by Hayd...
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Piano,Trombone - Level 4 - SKU: A0.901482 Composed by Hayden Woods. 20th Century. Score and part. 10 pages. Hayden Lee Woods #5707383. Published by Hayden Lee Woods (A0.901482). Original trombone solo by Hayden WoodsWhat do you do when you try calling for something dire that must be addressed and the phones are backed up for hours...and hours...with no end in sight? Other than losing patience (which you should never lose), going crazy might be the next step. Hearing the busy tone over-and-over again as it pounds your brain into a mushed pile of misfiring neurons with a side of bloodshot eyes from straining to keep conscious. This 12-tone project enamors the mind with blips of melody, sprinkled over the piano’s endless E-flats that simulate the pain of trying to get past the busy tone. It’s short and to the point on the premise and only takes the 80 seconds (ish, it’s up to you how fast/slow dial tones make you feel) to drive the sanity down.
$8.99 ≈
8.41€
Keep' Em Busy for Brass Band - Original Composition and Arrangement by Anderson Quevedo
Keep' Em Busy for Brass Band - Original Composition and Arrangement by Anderson Quevedo
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Anderson Quevedo
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Anderson Quevedo
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Drums)
Score &
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Keep' Em Busy for Brass Band -
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The Sheet Music Library
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1283528 By Anderson Quevedo. By Anderson Quevedo. Arranged by Anderson Quevedo. Contest,Festival,Funk,Instructional,Jazz. Brass Band. 29 pages. The Sheet Music Library #874716. Published by The Sheet Music Library (A0.1283528). Keep' Em Busy for Brass Band - Original Composition and Arrangement by Anderson QuevedoKeep' Em Busy is a funky-jazz tune for Brass Band (Alto, Tenor, Baritone Saxophone, Trumpet in Bb, Trombone, Tuba & Drums)Score & Parts.
$42.99 ≈
40.22€
Triumphant Journey: (wp) B-flat Baritone B.C.
Triumphant Journey: (wp) B-flat Baritone B.C.
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Orchestre d'harmonie
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Methodes
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Steve Hodges
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Triumphant Journey:
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0000806_WPBBBC (wp) B-flat Baritone B.C.. Composed by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music...
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Concert Band - SKU: AX.00-PC-0000806_WPBBBC (wp) B-flat Baritone B.C.. Composed by Steve Hodges. Instructional. World Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0000806_wpBBBC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0000806_WPBBBC). UPC: 038081274249.Here is a very unique piece that the band will really enjoy working up. With changing meters, frequent syncopations and smooth melodic and harmonic transitions from minor to major modes, there remains a smooth flow to the entire piece. The melody moves easily from section to section climaxing with a very effective contrapuntal presentation prior to the dynamic conclusion. This 'journey' will keep everybody busy and will be a welcome addition to any concert or contest program!Concert/Contest.
$3.00 ≈
2.81€
Hit the Ground Running: E-flat Baritone Saxophone
Hit the Ground Running: E-flat Baritone Saxophone
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Saxophone (partie séparée)
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Gordon Goodwin
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Hit the Ground Running: E-flat
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016682_BTX E-flat Baritone Saxophone. Composed by Gordon Goodwin. Funk; Jazz. Part. 4 pages. Alfred Music - Digita...
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Jazz Ensemble - SKU: AX.00-PC-0016682_BTX E-flat Baritone Saxophone. Composed by Gordon Goodwin. Funk; Jazz. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0016682_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016682_BTX). UPC: 038081344454.It's funky with all the Big Phat Band attributes, and it's fairly tough to play, but hey, it's Gordon and you know it will be a hot chart . . . if you have the horses. The opening lick for piano is really hot. The rhythm section will stay busy and it includes an auxiliary percussion part. Solo space is for alto, tenor, bari, trumpet and trombone. Open with this chart! (4:55) This title is available in SmartMusic.
$3.00 ≈
2.81€
Blind Brook Celebration: Baritone T.C.
Blind Brook Celebration: Baritone T.C.
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Orchestre d'harmonie
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Methodes
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Michael Story
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Blind Brook Celebration: Barit
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017524_BTC1 Baritone T.C.. Composed by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0017524_BTC1 Baritone T.C.. Composed by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017524_BTC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017524_BTC1). UPC: 038081481210.Inspired by the bedroom community to New York City, this vibrant overture musically reflects the juxtaposition of the tranquility of nature in this quiet suburb with the busyness of modern-day life in the city. Set in ABCA form, the composition opens with a trickling melodic line depicting the beginning of the brook itself building to the energetic main theme. Musically exploring that dichotomy, the work unifies to a chorale section and builds to a frenzied conclusion. Highly recommended for concerts and contest alike! (3:00)Concert/Contest.
$3.00 ≈
2.81€
Blind Brook Celebration: E-flat Baritone Saxophone
Blind Brook Celebration: E-flat Baritone Saxophone
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Orchestre d'harmonie
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Methodes
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Michael Story
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Blind Brook Celebration: E-fla
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017524_BTX E-flat Baritone Saxophone. Composed by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digit...
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Concert Band - SKU: AX.00-PC-0017524_BTX E-flat Baritone Saxophone. Composed by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017524_BTX. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017524_BTX). UPC: 038081481210.Inspired by the bedroom community to New York City, this vibrant overture musically reflects the juxtaposition of the tranquility of nature in this quiet suburb with the busyness of modern-day life in the city. Set in ABCA form, the composition opens with a trickling melodic line depicting the beginning of the brook itself building to the energetic main theme. Musically exploring that dichotomy, the work unifies to a chorale section and builds to a frenzied conclusion. Highly recommended for concerts and contest alike! (3:00)Concert/Contest.
$3.00 ≈
2.81€
Blind Brook Celebration: Baritone B.C.
Blind Brook Celebration: Baritone B.C.
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Orchestre d'harmonie
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Methodes
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Michael Story
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Blind Brook Celebration: Barit
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017524_BBC1 Baritone B.C.. Composed by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Mu...
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Concert Band - SKU: AX.00-PC-0017524_BBC1 Baritone B.C.. Composed by Michael Story. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017524_BBC1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017524_BBC1). UPC: 038081481210.Inspired by the bedroom community to New York City, this vibrant overture musically reflects the juxtaposition of the tranquility of nature in this quiet suburb with the busyness of modern-day life in the city. Set in ABCA form, the composition opens with a trickling melodic line depicting the beginning of the brook itself building to the energetic main theme. Musically exploring that dichotomy, the work unifies to a chorale section and builds to a frenzied conclusion. Highly recommended for concerts and contest alike! (3:00)Concert/Contest.
$3.00 ≈
2.81€
Chikende
Chikende
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Shona traditional
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Michael Sibanda
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Chikende
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Michael Sibanda
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SheetMusicPlus
Small Ensemble Drums,Hand Percussion,Marimba - Level 3 - SKU: A0.999184 Composed by Shona traditional. Arranged by Michael Sibanda. African,Graduation,H...
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Small Ensemble Drums,Hand Percussion,Marimba - Level 3 - SKU: A0.999184 Composed by Shona traditional. Arranged by Michael Sibanda. African,Graduation,Holiday,Wedding. Score and parts. 30 pages. Michael Sibanda #6058655. Published by Michael Sibanda (A0.999184). An arrangement for the African Marimba Ensemble taken from a Shona traditional dance. Exciting syncopating and polyrhythms with a busy baritone part.
$14.00 ≈
13.10€
Lily Park - I. Wind Bell
Lily Park - I. Wind Bell
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Orchestre
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INTERMÉDIAIRE
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Yoonjee Kim
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Lily Park - I. Wind Bell
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Yoonjee Kim
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SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoo...
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Full Orchestra - Level 3 - SKU: A0.1022807 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 4 pages. Yoonjee Kim #3417623. Published by Yoonjee Kim (A0.1022807). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.I. Wind BellThe first movement expresses the general images of the cemetery; calm atmosphere, blowing wind, clean air, and a wide green field. The place is so quiet that the only the wind-bell ringing as the wind blows can be heard. In order to depict the wind-bell sound along with other optic and aural images, I create various tone colors by using various instrumental combinations in different transpositions and registrations.
$17.00 ≈
15.91€
The Dream Of Olwen
The Dream Of Olwen
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2 Guitares (duo)
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INTERMÉDIAIRE
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Pamela Page
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Derek Hasted
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The Dream Of Olwen
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Derek Hasted
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. ...
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Instrumental Duet Guitar,Instrumental Duet - Level 3 - SKU: A0.797782 By Pamela Page. By Charles Williams and Cheri Williams. Arranged by Derek Hasted. Contemporary,Film/TV. Score and parts. 24 pages. Derek Hasted #5790447. Published by Derek Hasted (A0.797782). THE DREAM OF OLWEN - One of two GUITAR DUETSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar.Derek Hasted writes I have made two arrangements of this lovely piece. This edition contains the more accessible arrangement - ideal for an intermediate duo or a student/teacher duo. Visit my website (below) to easily find the other version.This fantastic piece was written as an integral part of the film 'While I Live', and such is the power and emotion in the music, it has achieved a recognition that has far outlasted the film.My arrangement for two guitars captures all of the original, fiendishly difficult, piano composition, but uses the sweet tone of the guitar to add quality, rather than quantity, to the notes, creating a soundscape that works effectively and makes a wonderful concert piece lasting almost 4 minutes.The centre section has a simpler accompaniment than the original to avoid an overly fussy and unsatisfactory sound. Elsewhere the accompaniment is less rhythmically busy than the original, yet the chords are retained.There are two arrangements in this one edition...Version 1 allocates the music to the players as if they were the left and right hands of the piano piece - ideal for a duo in which one player is technically stronger than the other (for example a student/teacher duet).Version 2 swaps the roles around at the phrase boundaries and suits a well-matched duo.The choice of which you play is yours...The arpeggios are fingered because they generally only work well in one position. The melody, by contrast, is unfingered; it is chromatic and so there is no place on the neck where all the notes are accessible. It’s really a matter of personal choice where you change position and whether you prefer to stay high up the neck or venture down to get a brighter tone.Dedicated to the memory of my maternal grandmother Olwen
$4.99 ≈
4.67€
Lily Park - II. Goblin Lights
Lily Park - II. Goblin Lights
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Orchestre
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Yoonjee Kim
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Lily Park - II. Goblin Lights
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Yoonjee Kim
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SheetMusicPlus
Full Orchestra - SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim ...
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Full Orchestra - SKU: A0.1022809 Composed by Yoonjee Kim. Contemporary,World. Score and parts. 16 pages. Yoonjee Kim #3417625. Published by Yoonjee Kim (A0.1022809). Lily Park consists of three movements entitled Wind Bell, Goblin Lights, and Rock of Ages. The three movements are based on my personal impression of the cemetery, Lily Park, where all my grandparents are buried. The first movement, the shortest in duration, is slow and calm. It is introductory in quality, and expresses the pictorial impression of the cemetery by using various tone colors. This movement utilizes mixed instrumental consorts to project the concept of moderation and serenity. There is a close connection between the first movement and the last movement, as both features a wind-bell sound, a variety of percussion instruments, and slow tempi. The first movement focuses on the external appearance of the cemetery such as the quiet atmosphere, the wind, and the sound of bell ringing. The third movement represents the mental and emotional aspects of grief, memory of the funerals and reminiscent of my grandparents. The second movement is an imaginary night scene. For thousands of years, Korean have believed that goblins roam the tombs at night and are visible as blue and red lights. The movement is fast, busy and somewhat bizarre and whimsical, depicting the motion of the goblin lights. This contrasts with other two movements, thus the overall form becomes an arch shape. In addition, only the second movement is sectionalized by three different musical ideas while the first and the last movements are through composed with a single idea.II. Goblin Lights
$17.00 ≈
15.91€
WHEN I SURVEY THE WONDROUS CROSS with Overhead PDF Text
WHEN I SURVEY THE WONDROUS CROSS with Overhead PDF Text
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Edward Miller & Lowell Mason -
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Wanda Cooley
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WHEN I SURVEY THE WONDROUS CRO
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Wanda J. COOLEY
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.931667 Composed by Edward Miller & Lowell Mason - music and Isaac Watts - words. Arranged by Wanda Cooley. Easter,Sacred....
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Piano Solo - Level 4 - SKU: A0.931667 Composed by Edward Miller & Lowell Mason - music and Isaac Watts - words. Arranged by Wanda Cooley. Easter,Sacred. Score. 15 pages. Wanda J. COOLEY #6272917. Published by Wanda J. COOLEY (A0.931667). This arrangement begins in a lightly syncopated, contemporary style over a pedal tone. The second verse is built on sixths, creating an open, hollow background. Next, a slow chordal style in verse three contemplates the scene at the cross, and the final verse bursts forth in bold sixteenth- note patterns in both hands which actually play quite easily together, contrary to how 'busy' the music appears on the page. A repetition of demands my soul, my life, my all' brings the value of the cross back down to serious contemplation. The length is 4 minutes.WHEN I SURVEY THE WONDROUS CROSS is also available at SMP within IN THE CROSS, a pianist's complete kit for presenting the Gospel thru 10 hymn arrangements sequenced with Overhead PowerPoint Texts. Also included are program and organizational aids, narratives, and promotional graphics so that the pianist's only responsibility is playing the music!
$3.99 ≈
3.73€
Sonata for Flutes
Sonata for Flutes
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Tony Bridgewater
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Sonata for Flutes
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Forton Music - Digital
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SheetMusicPlus
Picc. 5 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - SKU: F2.FM532 Composed by Tony Bridgewater. Flute Ensemble. Score and Parts. 138 pages. Forton Mu...
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Picc. 5 Fl. Afl. Bfl. (Cbfl) - Intermediate-Advanced - SKU: F2.FM532 Composed by Tony Bridgewater. Flute Ensemble. Score and Parts. 138 pages. Forton Music - Digital #FM532. Published by Forton Music - Digital (F2.FM532). ISBN 9790570484317.Tony Bridgewater's 'Sonata for Flutes' was written in 2014-2015 for the UK based National Flute Orchestra, founded by Margaret Lowe in 2008, and was performed in Birmingham, England, conducted by the composer. It is in three movements. The first is based around lively, dancing 7/8 rhythms, with playful changes in metre, and ideas thrown between the instruments in a busy texture. There is a slow, reflective middle section, much more serious in tone, featuring various flute solos. This gradually returns to the opening ideas of the movement in an abbreviated reprise, before the music ends, fading away into the distance, on the dancing rhythm of the opening. The second movement is slow, and suggests a misty dawn landscape with its spare, calm texture. This is followed by a series of lonely solo flute melodies which gradually combine and build up into a rich, imitative texture. Tension and dissonance builds, but at the climax a solemn, low melody on bass and alto flute returns the music to a reprise of the first section, which ends very quietly and mysteriously. The rousing final movement returns to the joyful dancing rhythms of the first, now based around 10/8 time. It is a rondo, with many playful variations of the returning theme shared between all of the flutes at each appearance, while contrasting episodes are a little more relaxed and lyrical. A final coda briefly reprises motifs from earlier in the piece, before building to an exciting conclusion.
$31.95 ≈
29.89€
Trio for flute, viola and classical guitar (arrangement of XV:10)
Trio for flute, viola and classical guitar (arrangement of XV:10)
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Classique
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Franz Joseph Haydn
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Nick Stokes
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Trio for flute, viola and clas
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Nick Stokes
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SheetMusicPlus
Acoustic Guitar,Flute,Viola - Level 3 - SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 pages. Nick Stoke...
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Acoustic Guitar,Flute,Viola - Level 3 - SKU: A0.1317395 Composed by Franz Joseph Haydn. Arranged by Nick Stokes. Chamber,Classical. 37 pages. Nick Stokes #906057. Published by Nick Stokes (A0.1317395). This arrangement is of a light 2 movement piano trio by Haydn. It goes for about 10 to 15 minutes (depending on if you do repeats). It has a number of delightful and catchy tunes and has plenty of energy in the presto movement.   It is for what I think is the best combination of instruments involving guitar in chamber music - flute , viola & guitar. the level of difficulty is probably in that order too , with the flute doing the lion’s share of the tunes, the viola doing a fair amount of double stops and some secondary tunes and the guitar not too hard but involving some grand barres and half barres and requires tuning the low string down to Eb.  This version has a many tone colours to explore and is very light in the bass which I find makes for a sparkling sound . All the players are busy and get to have solos, which is sometimes a complaint of cellists playing Haydn piano trios where the requirement at the time seemed to be to make the music work with or without the cello being there.   I hope other guitarists and amateur musicians find it fun and worthwhile putting the time in to learn and perform it. I feel the best of Haydn will never sound old and the basic structure is so solid that it has been used for centuries since he was alive and creating. Maybe this arrangement will allow a fresh listen to this particular piece.
$10.00 ≈
9.36€
The Winner Takes It All
The Winner Takes It All
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Guitare
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INTERMÉDIAIRE
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ABBA
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Derek Hasted
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The Winner Takes It All
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Derek Hasted
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1283320 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Derek Hasted. 20th Century,Pop. 28 pages. Derek Hasted #87...
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Guitar - Level 3 - SKU: A0.1283320 By ABBA. By Benny Andersson and Bjorn Ulvaeus. Arranged by Derek Hasted. 20th Century,Pop. 28 pages. Derek Hasted #874514. Published by Derek Hasted (A0.1283320). THE WINNER TAKES IT ALL - Great concert piece for 4 GUITARS or larger ensemblePrimarily for Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar only.Derek Hasted writes This is a concert crowd-pleaser perfect for intermediate or advanced intermediate guitarists!One reason ABBA songs are so memorable isn’t the strong melody line, it’s all the other clever harmonies and countermelodies that lurk just under the surface to make a crafted masterpiece.My arrangement uses guitar-friendly shapes to capture the whole song and many of the countermelodies that make the original such a great listen.The dynamics on the score tie in with the orchestration, so that the quiet sections are slow-moving and the louder sections are busy, adding yet more notes before the previous ones fade away. I’ve added just a little fingering here and there if there’s really only one place on the neck to play what’s on the page. Elsewhere, please choose the sweet spot that gives you, the player, the best mix of tone, sustain, playability and confidence.I hope you enjoy performing this as much as the audience will enjoy hearing it!This is one of a large and growing range of accessible ensembles from experienced arranger Derek Hasted, and is supplied as full score and parts. Derek's website at www.derek-hasted.co.uk/smp lists all his arrangements by title and by number of instruments, with links to soundclips and sample score.
$4.99 ≈
4.67€
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
Carson Cooman: Dark December: Ignis Dei: processional doubles for mixed sextet (2002) for flute, Bb
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Dark December:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Sco...
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Small Ensemble Cello,Clarinet,Flute,Piano Accompaniment,Vibraphone,Violin - Level 5 - SKU: A0.533618 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 36 pages. Musik Fabrik Music Publishing #3031747. Published by Musik Fabrik Music Publishing (A0.533618). Dark December: Ignis Dei (2002) was commissioned by Maurice and Amy Katz and was written forand is dedicated to Non Sequitur. It is scored for flute, clarinet, violin, cello, vibraphone, and piano, andis subtitled “processional doubles for mixed sextet.†(The word “doubles†is used in the old sense of“variations.â€)The source material for the composition is the composer's original hymn tune DOLMEN CREEK(2002), whose text by Margaret Clarkson (Burn in Me, Fire of God) provides the Ignis Dei of thetitle and poetic conception. The poetic conception is one of an emergence of a single inner flame, amida dark landscape.The tune is never heard in its full or straightforward form – instead it is always heard in fragment ortransformation. Its formal structure also provides the dimensions and structures of the four sections.Formally, the work is cast in a single movement as a series of three processionals plus a finalglorification-postlude. The conception of the work is ritualistic in tone, and pushes forward towardsthe end.The opening processional (for the entire sextet) is very slow and distant and sets out transformations ofthe hymn tune in its most abstruse form. The second processional (for violin, cello, and vibraphone) isslightly faster and features an active and independent vibraphone part over a cortege in the two strings.The third processional (for flute, clarinet, and piano) is quick and nimble as gestures and material arepassed between the two winds, and the piano provides commentary and allusions. In this processional, afragment of the hymn is heard in its most clear form. The final glorification-postlude brings the entireensemble together again in a vibrant coda of busy activity.Carson
$24.95 ≈
23.34€
It's Beginning To Look Like Christmas
It's Beginning To Look Like Christmas
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Noël
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Meredith Willson
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Mark Harrison
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It's Beginning To Look Like Ch
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Mark Harrison
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.547020 Composed by Meredith Willson. Arranged by Mark Harrison. Christmas,Pop. Brass Band. 33 pages. Mark Harrison #156958. Published by Mark Harrison (A0.547020). With some difficult, intricate band parts as well as a tricky solo part, this arrangement will keep everyone in the band busy! From Bell Tones, to weaving lines, to chromatic runs, and swinging Christmas antics, this piece will have everyone swaying in their seats, and gives the Bass player a chance to really shine! Enjoy! - British Style Brass Band - Bass Clef parts available on request.
$49.99 ≈
46.77€
Slow Down
Slow Down
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Ian Assersohn
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Slow Down
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Oxford University Press Digital
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SheetMusicPlus
CCBar choir and piano - SKU: OX.9780193538931 Composed by Ian Assersohn. Sheet music. Emerging Voices. Octavo. 10 pages. Oxford University Press Digital...
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CCBar choir and piano - SKU: OX.9780193538931 Composed by Ian Assersohn. Sheet music. Emerging Voices. Octavo. 10 pages. Oxford University Press Digital #9780193538931. Published by Oxford University Press Digital (OX.9780193538931). ISBN 9780193538931.For CCBar and piano. Slow Down has a relaxed swing feel, with imaginative lyrics by the composer that encourage us to take time out of our busy lives. The baritones have fun with a scat bassline while the upper parts enjoy exploring a swung quaver style, all underpinned by a supportive yet characterful piano part.
$3.65 ≈
3.42€
After Dark
After Dark
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Piano Facile
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FACILE
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Forrest Avery Carney and Moham
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Nicole Elyse DiPaolo
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After Dark
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Nicole Elyse DiPaolo
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. ...
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Easy Piano - Level 2 - SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. 3 pages. Nicole Elyse DiPaolo #714697. Published by Nicole Elyse DiPaolo (A0.1112682). An abridged version of After Dark optimized for early intermediate pianists and those with small hands. The left hand chords can be varied with arpeggios, tremolos, and the like as the student's skill level allows. Great for teens who are fairly early in their piano studies and busy students who want to learn this piece quickly. ABOUT THE ARRANGER: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions (two of which also featured her own Piano Trio in C minor) and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited contributor to the Tonebase app's piano blog; and a sought-after online instructor of piano, music theory, and composition. She has additionally been an online teaching artist for the Tunaweza Kimuziki cultural/artistic exchange program+, through which IU instructors teach undergraduate music students in Kenya via Zoom and WhatsApp. Ms. DiPaolo was also on the composition and collaborative piano faculty at Blue Lake Fine Arts Camp in 2014 and 2015. In June 2018, Ms. DiPaolo was a Collaborative Piano Fellow at the Bay View Music Festival in Petoskey, Michigan, performing with the festival's SOARS voice program participants on fully staged opera scenes and art song recitals as well as in the Bay View Young Artist Series (Charlevoix, MI). She then joined the Spooky Goose Opera team as an online coach/pianist for their Quarantine Concert Series, the world's first livestreamed Zoom production of Mozart's Die Zauberflöte (summer 2020), and new opera projects under development. When not on the piano bench, Ms. DiPaolo continues to compose and arrange, and her compositions have been described as very effective with a fantastic amount of intrigue, mindfulness...[and] colorful nuance (Seven Sky Music). Ms. DiPaolo's music has been heard across the world. Along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed nationwide, and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Ms. DiPaolo's music also received its Mexican premiere in 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014 Ms. DiPaolo published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, for early-intermediate pianists of all ages, available on SheetMusicPlus and MusicaNeo, and she is currently working on Vignettes, a new set of pedagogical pieces that will introduce intermediate pianists to the Impressionist language of Maurice Ravel. Most recently, her Divertimento and Lucid Dreaming for solo harp were chosen to be featured in the She Scores new music festival, celebrating women composers with ties to Ohio, held at Case Western Reserve University in June 2022 and recorded for later broadcast on Mark Satola's Cleveland Ovations program on WCLV radio (90.3). Also a sought-after composition teacher and adjudicator, Ms. DiPaolo frequently judges state, regional, and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists. In her private online studio, she has recently expanded her curricular offerings to include partimento and other historical methods of teaching tonal composition and improvisation.
$5.99 ≈
5.60€
Alone
Alone
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Contemporain
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Chris Bandy
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Alone
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Chris Bandy
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SheetMusicPlus
Small Ensemble Alto Saxophone,Cello,Clarinet,Piano,Violin - Level 4 - SKU: A0.921668 Composed by Chris Bandy. 20th Century,Contemporary. Score and parts...
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Small Ensemble Alto Saxophone,Cello,Clarinet,Piano,Violin - Level 4 - SKU: A0.921668 Composed by Chris Bandy. 20th Century,Contemporary. Score and parts. 28 pages. Chris Bandy #3684809. Published by Chris Bandy (A0.921668). Alone is a two-minute work for mixed chamber ensemble. It explores freely-composed twelve-tone rows, imitative polyphony, and harmony built on 4ths and 5ths. The first half of the piece uses syncopated, disjointed activity to reflect the carefree busyness of everyday life, and the second half uses dramatic harmonic shifts to express the feeling that when you lay down to rest, you are truly alone.The PDF contains the score as well as all six parts: violin, alto saxophone, bass clarinet, cello, piano, and mixed percussion. The original percussion part includes a brake drum, 5 tin cans, 5 wood blocks, a large guiro, a small antique cymbal, a sizzle cymbal, and a marimba (at least 4.3 octaves). The unpitched percussion may be substituted as desired.The MP3 is a live studio performance of the work.
$4.99 ≈
4.67€
Ground Force Theme
Ground Force Theme
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Jim Parker
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Trevor Wharton
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Ground Force Theme
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Bumpmusic Editions
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SheetMusicPlus
Baritone Horn TC/Euphonium,Baritone Saxophone,Clarinet,Tenor Saxophone,Trombone - Level 3 - SKU: A0.1426312 Composed by Jim Parker. Arranged by Trevor W...
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Baritone Horn TC/Euphonium,Baritone Saxophone,Clarinet,Tenor Saxophone,Trombone - Level 3 - SKU: A0.1426312 Composed by Jim Parker. Arranged by Trevor Wharton. 21st Century,Film/TV,March. 27 pages. Bumpmusic Editions #1007034. Published by Bumpmusic Editions (A0.1426312). Ground Force was a British garden makeover television series originally broadcast by the BBC between 1997 and 2005.The programmes opening and closing theme was composed by Jim Parker and performed by the Black Dyke Band. The theme reflects the busy activity involved in the projects. Over the main themes there are often short musical interjections at faster pace possibly denoting a burst of activity somewhere in the garden.This arrangement for Clarinet, Tenor Sax, Baritone Sax, Trombone and Euphonium requires a precisness of articulation and an awareness of musical balance between the part. Although fairly quick there should be an underlying clamness to the piece.
$19.75 ≈
18.48€
Allegro from 'The Musical Offering' By J.S.Bach BWV1079, for Saxophone Quartet.
Allegro from 'The Musical Offering' By J.S.Bach BWV1079, for Saxophone Quartet.
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Stephen Davies
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Allegro from 'The Musical Offe
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Stephen Davies
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.891837 Composed by Johann Seb...
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Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - SKU: A0.891837 Composed by Johann Sebastian Bach. Arranged by Stephen Davies. Baroque. 17 pages. Stephen Davies #3465466. Published by Stephen Davies (A0.891837). Give your Baritone Sax player a frightening work-out with this busy and dramatic quartet, taken from Bach's The Musical Offering this rarely heard final Allegro really is rather exciting!! It's a real 'Bach Bluster!!' (Clarinet version available too!)
$1.99 ≈
1.86€
It Had to Be You
It Had to Be You
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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age 26 the Chicago tenor saxop
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Isham Jones
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F
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It Had to Be You
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Sweetwater Brass Press
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 2...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1416368 Composed by Isham Jones. Arranged by F. Leslie Smith. Jazz,Pop,Standards,Wedding. 28 pages. Sweetwater Brass Press #997935. Published by Sweetwater Brass Press (A0.1416368). Isham Edgar Jones certainly kept busy. By age 26 the Chicago tenor saxophonist led his own dance band, and it was one of the most popular of the 1920s. But he also found time to write melodies for a whole raft of popular songs. Twenty-one Isham Jones Orchestra recordings of his compositions peaked in the top ten most popular, and eight of those made it to the number one spot. One was It Had to Be You, with words by Gus Kahn.    Although written in 1924, It Had to Be You defies the passage of time, still sounding fresh and contemporary. It remains popular and has evolved into a jazz standard.    This brass quintet version retains the original key of G Major. It opens with a suggested tempo of 104 BPM and a nine-measure introduction that combines figures and phrases from both verse and chorus. At rehearsal letter A, Trumpet 1 begins the melody of the familiar chorus, accompanied by Tuba and Horn in F. Trumpet 2 quickly joins and the melody changes to an upper brass trio. The melody then passes to Trombone, back to the trio, to Tuba and then to Horn in F. The section winds up with the original Trumpet-Horn-Tuba combination.    The seldom-heard verse begins at rehearsal letter C and takes the form of a sort of call-and-response between upper and lower brass. As the section nears its end, tempo slows to a suggested 80 BPM and Trombone begins to take over.    Rehearsal letter D marks the beginning of the chorus’ final time through, and here it is mostly Trombone handling the melody in quasi-Dixieland fashion. The upper brass trio and Tuba both help out, but, for the most part, it is Trombone all the way to the end. (Although, a good time is had by all!)    Performance time is about three minutes, fifty seconds. All notes are within the normal playing range of each instrument with the following exceptions: (1) Trumpet 1 has one or two A-above-its-staff notes, and (2) in the wrap-up near the end, Trombone has the option of playing a short phrase either (a) within its register or (b) higher, including a G above the staff.    The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. Contact him at lessmith61@bellsouth.net. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
$12.99 ≈
12.15€
Nine Trios For Brass by J. (John) Friedheim 1836
Nine Trios For Brass by J. (John) Friedheim 1836
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J
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Jari A
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Nine Trios For Brass by J.
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JV MUSIC
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 4 - SKU: A0.722808 Composed by J. (John) Friedheim. Arranged by Jari A. Villanueva. Classical,Fol...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet - Level 4 - SKU: A0.722808 Composed by J. (John) Friedheim. Arranged by Jari A. Villanueva. Classical,Folk. Score and parts. 26 pages. JV MUSIC #6082641. Published by JV MUSIC (A0.722808). Nine Trios for brass trio is an arrangement of the Music for 2 Bugles and Trombone written in 1836 by J. (John) Friedheim.Scored for Cornet, Horn in F and Trombone parts with optional sub parts for Cornet (Horn) and Baritone TC (Trombone)The original collection consists of four pages containing three walses [sic], a march, and five quicksteps. It was originally published in 1836 by Gottlieb Graupner and may be some of the first published music for an ensemble of brass instruments. Friedheim was born at Prag in the Kingdom of Bohemia on December 7, 1792 and arrived in Boston in September 1834. John Friedheim, professor of music (as he was described in Boston city directories), is identified as the conductor of the New England Band on the cover pages of two marches-Bunker Hill Quick Step and Shamrock Quick Step.Friedheim appears to have been a competent musician (a clarinetist) who worked in the Boston area. His Series of Music for Two Bugles and Trombone enjoyed some success but its continuation was cut short by the death of the publisher, Gottlieb Graupner, in 1836.Friedheim was employed for a period of time at the National Theater (formerly the Warren Theater) and conductor of the New England Band. It was not as popular as the Boston Brigade Band and the Boston Brass Band. Friedheim was a busy musician and composer and the many facets of his activities in Boston included being a clarinet soloist, conducting the New England Band, leading the National Theater orchestra, authoring a book on playing the double bass, and composing works of incidental music for orchestra and of waltzes and marches for brass band including the work here.
$20.00 ≈
18.71€
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