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Bone Red and Thomas A
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Vous avez sélectionné:
Bone Red and Thomas A
Partitions à imprimer
272 partitions trouvées
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251
Song Of India
Song Of India
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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AVANCÉ
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Bone Red and Thomas A
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Marc Donatelle
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Song Of India
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Marc Donatelle
#
SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1415166 Composed by Bone Red and Thomas A. Dorsey. Arranged by Marc Donatelle. 20th Century...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 5 - SKU: A0.1415166 Composed by Bone Red and Thomas A. Dorsey. Arranged by Marc Donatelle. 20th Century,Classical,Jazz,Standards. 35 pages. Marc Donatelle #996897. Published by Marc Donatelle (A0.1415166). Taken from Rimsky-Korsakov's opera Sadko, big band leader Tommy Dorseypopularized the melody with his incredible trombone playing. This arrangement begins closer to the original operatic aria, with solo trombone, and segues intothe swing version from the 1930s. The trumpet is featured later with a solo first done by Bunny Beriganfrom the Dorsey band.
$20.00 ≈
18.35€
Merry Christmas, Merry Christmas (from Home Alone 2): 1st & 2nd Trombones
Merry Christmas, Merry Christmas (from Home Alone 2): 1st & 2nd Trombones
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Trombone (partie séparée)
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Noël
#
John Williams
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Recorded Acc. Available.
#
Merry Christmas, Merry Christm
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Alfred Music - Digital Sheet Music
#
SheetMusicPlus
1st & 2nd Trombones - SKU: AX.00-PC-0014960_TN12 1st & 2nd Trombones. Composed by John Williams. Arranged by Thomas Fettke and Thomas Grassi. Ins...
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1st & 2nd Trombones - SKU: AX.00-PC-0014960_TN12 1st & 2nd Trombones. Composed by John Williams. Arranged by Thomas Fettke and Thomas Grassi. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0014960_TN12. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014960_TN12). UPC: 038081398020.It's a magical, miracle, lyrical opener or closer for holiday programs of all levels. A sparking seasonal favorite from Home Alone 2.Inst. Parts Available (choral); Recorded Acc. Available.
$3.00 ≈
2.75€
Bach: Wachet auf for Trombone & Piano
Bach: Wachet auf for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
#
#
Bach: Wachet auf for Trombone
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standard...
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Piano,Trombone - Level 2 - SKU: A0.549853 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Concert,Easter,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3555091. Published by jmsgu3 (A0.549853). Wachet auf, ruft uns die Stimme (Awake, the voice is calling us) from Cantata BWV 140. Duration: ca. 4:00, Score: 6 pages, solo part 1 page, piano part: 4 pages. Program this for church services during the Easter season, weddings, or as a recital encore.Wachet auf, ruft uns die Stimme (Awake, the Voice is calling us) also known as: Sleepers Awake Bach composed his church cantata Wachet auf (BWV 140) as part of his second annual cantata cycle covering the entire annual church calendar. It is based on the hymn of the same name by Philipp Nicolai (1599). The hymn text covers the readings for the 27th Sunday after Trinity. Bach designed the cantata in seven movements, setting the stanzas in various forms. Among these forms are the chorale fantasia, the chorale prelude, and a four-part chorale. He casts the new lyrics as recitatives – in a manner similar to the opera. Fourth Movement Bach writes the fourth movement, Zion hört die Wächter singen (Zion hears the watchmen singing), in the style of a chorale prelude with the chorale phrases performed as a strict cantus firmus. The phrases seem to enter at times erratically against the famous lyrical melody. The violins play this melody in unison as a foil against the cantus phrases. The violin melody is so independent and complete that when the cantus melody appears it catches the listener at times totally off-guard. Bach later transcribed this movement for organ (BWV 645). This transcription became No. 1 of the Six Schübler Chorales. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer. Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. &n.
$24.95 ≈
22.89€
Honeysuckle Rose: 3rd Trombone
Honeysuckle Rose: 3rd Trombone
#
Trombone (partie séparée)
#
Jazz
#
Thomas Fats Waller
#
Carl Strommen
#
Honeysuckle Rose: 3rd Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016693_TN3 3rd Trombone. Composed by Thomas Fats Waller. Arranged by Carl Strommen. Jazz; Standard. Part. 2 pages....
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Jazz Ensemble - SKU: AX.00-PC-0016693_TN3 3rd Trombone. Composed by Thomas Fats Waller. Arranged by Carl Strommen. Jazz; Standard. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016693_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016693_TN3). UPC: 038081403953.A great jazz standard at a medium tempo. It is full of great jazz licks, sax solis, a modulation from E-flat to F, a shout chorus, and interesting harmonies and rhythmic patterns. Trumpet 2 and piano solos are written out and trumpet 1 range is to written G on top of the staff.
$3.00 ≈
2.75€
Honeysuckle Rose: 1st Trombone
Honeysuckle Rose: 1st Trombone
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Trombone (partie séparée)
#
Jazz
#
Thomas Fats Waller
#
Carl Strommen
#
Honeysuckle Rose: 1st Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016693_TN1 1st Trombone. Composed by Thomas Fats Waller. Arranged by Carl Strommen. Jazz; Standard. Part. 2 pages....
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Jazz Ensemble - SKU: AX.00-PC-0016693_TN1 1st Trombone. Composed by Thomas Fats Waller. Arranged by Carl Strommen. Jazz; Standard. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016693_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016693_TN1). UPC: 038081403953.A great jazz standard at a medium tempo. It is full of great jazz licks, sax solis, a modulation from E-flat to F, a shout chorus, and interesting harmonies and rhythmic patterns. Trumpet 2 and piano solos are written out and trumpet 1 range is to written G on top of the staff.
$3.00 ≈
2.75€
Honeysuckle Rose: 4th Trombone
Honeysuckle Rose: 4th Trombone
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Trombone (partie séparée)
#
Jazz
#
Thomas Fats Waller
#
Carl Strommen
#
Honeysuckle Rose: 4th Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016693_TN4 4th Trombone. Composed by Thomas Fats Waller. Arranged by Carl Strommen. Jazz; Standard. Part. 2 pages....
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Jazz Ensemble - SKU: AX.00-PC-0016693_TN4 4th Trombone. Composed by Thomas Fats Waller. Arranged by Carl Strommen. Jazz; Standard. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016693_TN4. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016693_TN4). UPC: 038081403953.A great jazz standard at a medium tempo. It is full of great jazz licks, sax solis, a modulation from E-flat to F, a shout chorus, and interesting harmonies and rhythmic patterns. Trumpet 2 and piano solos are written out and trumpet 1 range is to written G on top of the staff.
$3.00 ≈
2.75€
Honeysuckle Rose: 2nd Trombone
Honeysuckle Rose: 2nd Trombone
#
Trombone (partie séparée)
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Jazz
#
Thomas Fats Waller
#
Carl Strommen
#
Honeysuckle Rose: 2nd Trombone
#
Alfred Music - Digital Sheet Music
#
SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0016693_TN2 2nd Trombone. Composed by Thomas Fats Waller. Arranged by Carl Strommen. Jazz; Standard. Part. 2 pages....
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Jazz Ensemble - SKU: AX.00-PC-0016693_TN2 2nd Trombone. Composed by Thomas Fats Waller. Arranged by Carl Strommen. Jazz; Standard. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0016693_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0016693_TN2). UPC: 038081403953.A great jazz standard at a medium tempo. It is full of great jazz licks, sax solis, a modulation from E-flat to F, a shout chorus, and interesting harmonies and rhythmic patterns. Trumpet 2 and piano solos are written out and trumpet 1 range is to written G on top of the staff.
$3.00 ≈
2.75€
Messiah Trombone parts as arranged by Mozart
Messiah Trombone parts as arranged by Mozart
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Trombone
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AVANCÉ
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Musique Sacrée
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G
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W
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Messiah Trombone parts as arra
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 5 - SKU: A0.792797 Composed by G. F. Handel. Arranged by W. A. Mozart and edited by Mark LaFratta. Baroque,Classical,Praise & Wors...
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Trombone Solo - Level 5 - SKU: A0.792797 Composed by G. F. Handel. Arranged by W. A. Mozart and edited by Mark LaFratta. Baroque,Classical,Praise & Worship,Sacred. Individual part. 48 pages. Gordon Cherry #6563883. Published by Gordon Cherry (A0.792797). Handel's Messiah is possibly the most performed work in the classical repertoire. From its earliest beginnings in 1742, others have modified it to suit more modern-sized (larger) orchestras. From the original small baroque-sized orchestra in the early 18th Century to the Classical-sized of Mozart through to the full 20th Century version including percussion and tuba by Sir Thomas Beecham. Others have felt that if Handel had lived in their century he surely would have written his grand masterpiece for larger forces, given the passion of the work.This is Mozart's arrangement from 1789 which was subsequently first published in 1803 and has a Classical-sized orchestra including Alto, Tenor and Bass Trombone. According to Austrian custom of the time, the Trombones were to play ALL of the tutti choruses. Mark LaFratta has beautifully written out edited and transposed all of these choruses into the correct clefs for us to enjoy.This version is for Alto, Tenor and Bass Trombone, parts only ...... no score is included...the conductor has that.Trombonists.....this is your chance to be bold and insist that the Trombones perform in the next Messiah. Just do it!! Is the conductor going to argue with Mozart?This music is appropriate for advanced performers and includes the complete edition of all thirty-eight movements.
$32.50 ≈
29.82€
(What Did I Do to Be So) Black and Blue: 1st Trombone
(What Did I Do to Be So) Black and Blue: 1st Trombone
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Trombone (partie séparée)
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Jazz
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Harry Brooks and Thomas Fats W
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Victor Lopez
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(What Did I Do to Be So) Black
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017475_TN1 1st Trombone. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Part. 2 ...
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Jazz Ensemble - SKU: AX.00-PC-0017475_TN1 1st Trombone. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017475_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017475_TN1). UPC: 038081519739.(What Did I Do to Be So) Black and Blue arranged by Victor LA3pez is a beautiful ballad, and very playable by a young jazz group. The tempo is around 82 BPM with a straight-eighth ballad feel, smooth and lyrical melodic lines, modest brass range, no individual solos, and all the usual optional parts plus flute, clarinet, and vibes. (3:41).
$3.00 ≈
2.75€
(What Did I Do to Be So) Black and Blue: 3rd Trombone
(What Did I Do to Be So) Black and Blue: 3rd Trombone
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Trombone (partie séparée)
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Jazz
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Harry Brooks and Thomas Fats W
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Victor Lopez
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(What Did I Do to Be So) Black
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017475_TN3 3rd Trombone. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Part. 2 ...
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Jazz Ensemble - SKU: AX.00-PC-0017475_TN3 3rd Trombone. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017475_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017475_TN3). UPC: 038081519739.(What Did I Do to Be So) Black and Blue arranged by Victor LA3pez is a beautiful ballad, and very playable by a young jazz group. The tempo is around 82 BPM with a straight-eighth ballad feel, smooth and lyrical melodic lines, modest brass range, no individual solos, and all the usual optional parts plus flute, clarinet, and vibes. (3:41).
$3.00 ≈
2.75€
(What Did I Do to Be So) Black and Blue: 2nd Trombone
(What Did I Do to Be So) Black and Blue: 2nd Trombone
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Trombone (partie séparée)
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Jazz
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Harry Brooks and Thomas Fats W
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Victor Lopez
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(What Did I Do to Be So) Black
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017475_TN2 2nd Trombone. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Part. 2 ...
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Jazz Ensemble - SKU: AX.00-PC-0017475_TN2 2nd Trombone. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017475_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017475_TN2). UPC: 038081519739.(What Did I Do to Be So) Black and Blue arranged by Victor LA3pez is a beautiful ballad, and very playable by a young jazz group. The tempo is around 82 BPM with a straight-eighth ballad feel, smooth and lyrical melodic lines, modest brass range, no individual solos, and all the usual optional parts plus flute, clarinet, and vibes. (3:41).
$3.00 ≈
2.75€
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 1
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018903 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064741. Published by Benjamin Sajo (A0.1018903). Programme Notes: Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or dawn song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. A song for the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences, camping in Northern Canada, a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection in this case is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves--the dawn of his special genius.About the Composer:Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.21€
(What Did I Do to Be So) Black and Blue: 2nd B-flat Trumpet
(What Did I Do to Be So) Black and Blue: 2nd B-flat Trumpet
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Trombone (partie séparée)
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Jazz
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Harry Brooks and Thomas Fats W
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Victor Lopez
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(What Did I Do to Be So) Black
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Jazz Ensemble - SKU: AX.00-PC-0017475_T2 2nd B-flat Trumpet. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Par...
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Jazz Ensemble - SKU: AX.00-PC-0017475_T2 2nd B-flat Trumpet. Composed by Harry Brooks and Thomas Fats Waller. Arranged by Victor Lopez. Jazz. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017475_T2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017475_T2). UPC: 038081519739.(What Did I Do to Be So) Black and Blue arranged by Victor LA3pez is a beautiful ballad, and very playable by a young jazz group. The tempo is around 82 BPM with a straight-eighth ballad feel, smooth and lyrical melodic lines, modest brass range, no individual solos, and all the usual optional parts plus flute, clarinet, and vibes. (3:41).
$3.00 ≈
2.75€
Take My Hand, Precious Lord
Take My Hand, Precious Lord
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Quatuor de cuivres: 4 trombones
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FACILE
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Thomas A
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Nathaniel Hontz
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Take My Hand, Precious Lord
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TigerSong LLC
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SheetMusicPlus
Trombone Quartet Bass Trombone - Level 2 - SKU: A0.1177003 Composed by Thomas A. Dorsey. Arranged by Nathaniel Hontz. Blues,Jazz,Sacred,Soul,Spiritual. ...
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Trombone Quartet Bass Trombone - Level 2 - SKU: A0.1177003 Composed by Thomas A. Dorsey. Arranged by Nathaniel Hontz. Blues,Jazz,Sacred,Soul,Spiritual. 9 pages. TigerSong LLC #777024. Published by TigerSong LLC (A0.1177003). A deeply moving Gospel standard, by Thomas A. Dorsey, the father of Gospel music, arranged for trombone choir.
$12.99 ≈
11.92€
Sullivan: The Lost Chord for Trombone & Piano
Sullivan: The Lost Chord for Trombone & Piano
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Trombone et Piano
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INTERMÉDIAIRE/AVANCÉ
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Sir Arthur Seymour Sullivan
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James M
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Sullivan: The Lost Chord for T
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sa...
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Piano,Trombone - Level 4 - SKU: A0.549458 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497267. Published by jmsgu3 (A0.549458). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic opera such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883. Â
$26.95 ≈
24.73€
Bach: Bist du bei mir BWV 508 for Trombone & Piano
Bach: Bist du bei mir BWV 508 for Trombone & Piano
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Trombone et Piano
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FACILE
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Classique
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Johann Sebastian Bach
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James M
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Bach: Bist du bei mir BWV 508
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Sco...
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Piano,Trombone - Level 2 - SKU: A0.549221 Composed by Johann Sebastian Bach. Arranged by James M. Guthrie, ASCAP. Baroque,Holiday,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3468176. Published by jmsgu3 (A0.549221). J. S. Bach BWV 508. Bist du bei mir Bach adapted this aria from a lost Stölzel opera called Diomedes. He changed the original orchestral instrumentation to soprano, strings, and continuo.  He also modified the voice-leading making it sound more like a Bach composition. The work appears as BWV 508 No. 25 in the Anna Magdalena Notebook No. 2.  Source Only a few remnants of the original opera have survived. Historians speculate that Anna Magdalena got the song from the Leipzig Opera after the bankruptcy of 1720. Chances are good, though, that the tune was a favorite of everyone in Leipzig at the time.  Lyrics When thou art near, I go with joyTo death and to my rest.O how joyous would my end be,If your fair hands      Would close my faithful eyes. - Unknown Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy are the St. John Passion, and indeed the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined. Â
$32.95 ≈
30.23€
Humbly I Adore Thee (ADORO TE DEVOTE) — trombone and piano or organ
Humbly I Adore Thee (ADORO TE DEVOTE) — trombone and piano or organ
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Trombone et Piano
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INTERMÉDIAIRE
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Traditional plainchant melody
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Todd Marchand
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Humbly I Adore Thee
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Con Spirito Music
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SheetMusicPlus
Piano,Trombone - Level 3 - SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacred. Score and pa...
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Piano,Trombone - Level 3 - SKU: A0.1098129 Composed by Traditional plainchant melody. Arranged by Todd Marchand. Medieval,Religious,Sacred. Score and part. 7 pages. Con Spirito Music #702001. Published by Con Spirito Music (A0.1098129). “Humbly I Adore Thee†is a eucharistic, or communion, hymn with text by St. Thomas Aquinas (1225-1274).The origin of the melody, “Adoro te Devote,†is unclear. In some places it is simply described as a Gregorian chant; in others as a 13th-century Benedictine plainsong; in others as a French church melody published in the Paris Processionale (hymnal or liturgical manual) of 1697. Regardless, it is a lovely, flowing tune well-suited for the legato “singing†capabilities of the trombone, euphonium, or cello.In this arrangement, the soloist plays the tune through on the first verse in D major, adds a descant over the melody played by keyboard in the second verse and, following a short modulation, recapitulates the tune in the concluding key of G major.©Copyright 2022 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$6.00 ≈
5.51€
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 2
Aubade: A Pairing with Beethoven's Symphony #1 - Oboe 2
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Hautbois (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 4 - SKU: A0.1018905 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064747. Publ...
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Oboe Solo - Level 4 - SKU: A0.1018905 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6064747. Published by Benjamin Sajo (A0.1018905). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.21€
Aubade: A Pairing with Beethoven's Symphony #1 - Trumpet 2 in Bb
Aubade: A Pairing with Beethoven's Symphony #1 - Trumpet 2 in Bb
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Trompette (partie séparée)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Aubade: A Pairing with Beethov
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Benjamin Sajo
#
SheetMusicPlus
Trumpet Solo - Level 4 - SKU: A0.1018913 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064779. P...
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Trumpet Solo - Level 4 - SKU: A0.1018913 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 1 pages. Benjamin Sajo #6064779. Published by Benjamin Sajo (A0.1018913). Programme Notes: It is said that the darkest hour of the night comes just before the dawn. – Thomas Fuller Mornings are powerful and evocative moments. The chorus of birds, one species after another, unite in a wild and genuine polyphony while the dew and mist evaporate upon the rising of the sun, encouraging goosebumps and shivers from an open window, tempered or exhilarated by a cup of coffee. Have you ever actively witnessed the sun’s sultry and intense ascension from the cradle of the horizon? That is what this piece, Aubade, or Dawn Song, is about. An aubade is the twin of a night-time serenade; an aubade is a love song originating amongst the medieval Provençal troubadours, depicting the morning departure between two lovers. An aubade is a song in honor of the slow cosmic percolation of a late summer morning. On a personal level, the composer is reminded of his own experiences camping in Northern Canada as a young man–a simpler and less demanding time. This piece formally begins the series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies–his two hundred and fiftieth anniversary was this year!–though they can all stand on their own on any program. The connection, in this case, is with his first symphony; I envisioned, once my piece concludes, his beautiful drawn-out chords presenting themselves–the dawn of his special genius.About the Composer: Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.
$3.50 ≈
3.21€
Handel in the Strand: 1st Trombone
Handel in the Strand: 1st Trombone
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Orchestre d'harmonie
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Methodes
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: 1st Trom
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017051_TN1 1st Trombone. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 1 ...
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Concert Band - SKU: AX.00-PC-0017051_TN1 1st Trombone. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_TN1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_TN1). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00 ≈
2.75€
Handel in the Strand: 2nd Trombone
Handel in the Strand: 2nd Trombone
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Orchestre d'harmonie
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Methodes
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: 2nd Trom
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017051_TN2 2nd Trombone. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 1 ...
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Concert Band - SKU: AX.00-PC-0017051_TN2 2nd Trombone. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_TN2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_TN2). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00 ≈
2.75€
Handel in the Strand: 3rd Trombone
Handel in the Strand: 3rd Trombone
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Orchestre d'harmonie
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Methodes
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Percy Aldridge Grainger
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Thomas P
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Handel in the Strand: 3rd Trom
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Concert Band - SKU: AX.00-PC-0017051_TN3 3rd Trombone. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 1 ...
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Concert Band - SKU: AX.00-PC-0017051_TN3 3rd Trombone. Composed by Percy Aldridge Grainger. Arranged by Thomas P. Rohrer. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017051_TN3. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017051_TN3). UPC: 038081498232.This delightful Grainger classic was written to depict a jolly old George Friedrich Handel careening down the Strand (the theatre district of London) accompanied by the English popular music of the day. Given the original instrumentation and label as a chamber piece in Grainger's original publication, this transcription is taken directly from Grainger's four-some edition of 1912, transposed down a step from G to F major. It is scored to best depict the light (and sometimes percussive) quality of the piano along with the lyrical flow of the strings and the general character of chamber music. Ultimately, the room music quality of the original shines through in this skillful transcription while depicting the spirit of the piece in a way that Grainger might have chosen. (3:35)Concert/Contest.
$3.00 ≈
2.75€
Bach-Gounod: Ave Maria for Trombone & Piano
Bach-Gounod: Ave Maria for Trombone & Piano
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Trombone et Piano
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FACILE
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Bach-Gounod
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James M
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Bach-Gounod: Ave Maria for Tro
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and...
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Piano,Trombone - Level 2 - SKU: A0.549368 Composed by Bach-Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #3491299. Published by jmsgu3 (A0.549368). This arrangement follows the original Bach prelude and so excludes the extra measure that Schwencke introduced in 1783. If you prefer the extra measure, please see Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano - S0.662021. The convenient 1st & 2nd endings provide an option for extended performance with minimal page turns for the accompanist. The duration with repeat is about 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. Â
$32.95 ≈
30.23€
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
Bach-Gounod: Ave Maria, Schwencke version for Trombone & Piano
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Trombone et Piano
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FACILE
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J
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James M
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Bach-Gounod: Ave Maria, Schwen
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jmsgu3
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SheetMusicPlus
Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. S...
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Piano,Trombone - Level 2 - SKU: A0.550934 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888761. Published by jmsgu3 (A0.550934). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 6 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival        Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
$32.95 ≈
30.23€
Motet Jesu, meine Freude (Jesus, my joy) BWV 227 for 8-part Trombone Ensemble
Motet Jesu, meine Freude (Jesus, my joy) BWV 227 for 8-part Trombone Ensemble
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Ensemble de Trombones
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AVANCÉ
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Musique Sacrée
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Bach Johann Sebastian
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Sauer, Ralph
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Motet Jesu, meine Freude
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Gordon Cherry
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SheetMusicPlus
Large Ensemble Trombone - Level 5 - SKU: A0.792201 Composed by Bach Johann Sebastian. Arranged by Sauer, Ralph. Baroque,Classical,Praise & Worship,Sacre...
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Large Ensemble Trombone - Level 5 - SKU: A0.792201 Composed by Bach Johann Sebastian. Arranged by Sauer, Ralph. Baroque,Classical,Praise & Worship,Sacred. Score and parts. 112 pages. Gordon Cherry #4628453. Published by Gordon Cherry (A0.792201). Jesu, meine Freude was composed sometime between 1723 and 1727, most likely for the St. Thomas Church in Leipzig. It is the longest and most musically complex of Bach's six motets, originally for 5-part choir comprising eleven movements. Mr. Sauer has done a magnificent job transcribing all six of Bach's choral motets BWV 225-230 for 8-part Trombone Ensemble. This is a major undertaking. All are very worthy additions to the Trombone Ensemble repertoire. This work for 8-part Trombone ensemble of eleven movements is about 19 minutes in length. Because of its length, it is possible to divide the music into three sections and perform each section separately. This music is appropriate for advanced performers. The top two voices have parts supplied in both alto and tenor clef.
$40.00 ≈
36.70€
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