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Vous avez sélectionné:
Blue Sphere
Partitions à imprimer
13 partitions trouvées
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1
Blue Bird (For Viola and Strings)
Blue Bird (For Viola and Strings)
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Traditional
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Han-Ki Kim
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Blue Bird
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1173966 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructio...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1173966 Composed by Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Romantic Period,Standards. 21 pages. Han-Ki Kim #774123. Published by Han-Ki Kim (A0.1173966). For Solo Viola and String Ensemble. Bird, Bird, Blue Bird Op.152BFolk songs can be said to be music that contains the life and soul of our ancestors, and these days, when the desire to find our own is strong, the folk song “Blue Bird†has a very important meaning in that it is unique to Korea. Along with Arirang, the representative folk song of Korea, “Bird, Bird, Blue Bird†is also unique to us, and it is music that contains the life and soul of our ancestors, and it is a precious legacy that should be passed down to future generations.The vague themes are gradually heightened and repeated. Then, the theme is played alternately with the compositional change of the descending perfect 5th sphere for each part. Then, a short connector appears following the harmonics, which gives off an oriental taste. The bass and treble sections play the theme and melody alternately, and in the finale, a majestic harmony and tense notes show a musical uplift, ending with a witty and decisive note processing.1. It’s very suitable for Concert and for Educational material.2. Shown Bowing sign and Fingering will be very helpful to player.3. Attached Music file is recorded with Violin and Piano, just for a reference.
$15.90 ≈
14.84€
Blue Bird (For Viola and Piano)
Blue Bird (For Viola and Piano)
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Alto, Piano
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INTERMÉDIAIRE/AVANCÉ
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Korean Traditional
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Han-Ki Kim
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Blue Bird
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Han-Ki Kim
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SheetMusicPlus
Piano,Viola - Level 4 - SKU: A0.511793 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Sco...
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Piano,Viola - Level 4 - SKU: A0.511793 Composed by Korean Traditional. Arranged by Han-Ki Kim. Classical,Contemporary,Multicultural,Standards,World. Score and part. 12 pages. Han-Ki Kim #6245735. Published by Han-Ki Kim (A0.511793). Folk songs can be said to be music that contains the life and soul of our ancestors, and these days, when the desire to find our own is strong, the folk song “Blue Bird†has a very important meaning in that it is unique to Korea. Along with Arirang, the representative folk song of Korea, “Bird, Bird, Blue Bird†is also unique to us, and it is music that contains the life and soul of our ancestors, and it is a precious legacy that should be passed down to future generations.The vague themes are gradually heightened and repeated. Then, the theme is played alternately with the compositional change of the descending perfect 5th sphere for each part. Then, a short connector appears following the harmonics, which gives off an oriental taste. The bass and treble sections play the theme and melody alternately, and in the finale, a majestic harmony and tense notes show a musical uplift, ending with a witty and decisive note processing.1. It’s very suitable for Concert and for Educational material.2. Shown Bowing sign and Fingering will be very helpful to player.3. Attached Music file is recorded with Violin and Piano, just for a reference.
$5.50 ≈
5.13€
The Soul And It's Progress Throughout The Spheres
The Soul And It's Progress Throughout The Spheres
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Piano seul
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INTERMÉDIAIRE
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Jazz
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Horace Silver
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George Kaplan
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The Soul And It's Progress Thr
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George Kaplan
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SheetMusicPlus
Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1098105 Composed by Horace Silver. Arranged by George Kaplan. This edition:...
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Instrumental Solo,Piano and Keyboard - Level 3 - Interactive Download SKU: A0.1098105 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Individual part. 6 pages. Duration 333. George Kaplan #4hwJTFH53rGJtplPRyTER6. Published by George Kaplan (A0.1098105). Key: F minor.Hypnotic tune from the 1979 Blue Note album Silver 'N Strings.
$4.99 ≈
4.66€
The Soul And It's Progress Throughout The Spheres
The Soul And It's Progress Throughout The Spheres
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Jazz
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Horace Silver
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George Kaplan
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The Soul And It's Progress Thr
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George Kaplan
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SheetMusicPlus
Small Ensemble - Level 3 - Interactive Download SKU: A0.1098106 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download....
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Small Ensemble - Level 3 - Interactive Download SKU: A0.1098106 Composed by Horace Silver. Arranged by George Kaplan. This edition: Interactive Download. Jazz. Score and parts. 7 pages. Duration 132. George Kaplan #3O7M9swZK0CcysuOEBKn30. Published by George Kaplan (A0.1098106). Key: C major.Beautiful spiritual waltz from the 1979 Blue Note release Silver 'N Strings.
$9.99 ≈
9.33€
Southern Hemisphere Blues
Southern Hemisphere Blues
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Piano seul
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INTERMÉDIAIRE
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Andrew D
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Southern Hemisphere Blues
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A.D.G. Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.894121 Composed by Andrew D. Gordon. Blues,Jazz,Latin. Score. 5 pages. A.D.G. Productions #516837. Published by A.D.G. Pr...
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Piano Solo - Level 3 - SKU: A0.894121 Composed by Andrew D. Gordon. Blues,Jazz,Latin. Score. 5 pages. A.D.G. Productions #516837. Published by A.D.G. Productions (A0.894121). This song is a minor Blues with a Latin feel taken from my book Outstanding Blues & Jazz Compositions for Piano/Keyboards Intermediate-Advanced Level available from Sheet Music Plus and the publisher A.D.G. Productions www.adgproductions.com.
$3.99 ≈
3.72€
Southern Hemisphere Blues
Southern Hemisphere Blues
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Piano seul
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INTERMÉDIAIRE
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Blues
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Andrew D
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Andrew D
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Southern Hemisphere Blues
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A.D.G. Productions
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SheetMusicPlus
By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues, Instructional, Multicultural, New Age, World. Score. 4 pages. A.D.G. Pr...
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By Andrew D. Gordon. By Andrew D. Gordon. Arranged by Andrew D. Gordon. Blues, Instructional, Multicultural, New Age, World. Score. 4 pages. A.D.G. Productions #746259. Published by A.D.G. Productions
$2.99 ≈
2.79€
Blue Sphere by Thelonious Monk - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Thelonious Monk
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Blue Sphere
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Musicnotes
Performed by: Thelonious Monk: Blue Sphere Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, s...
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Performed by: Thelonious Monk: Blue Sphere Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file, scoring: Leadsheet;Instrument/Chords, instruments: Piano;C Instrument; 1 pages -- Jazz~~Blues~~Post-Bop~~Piano Jazz
$2.99 ≈
2.79€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
52.27€
Blues In The Mental Sphere - Sextet Jazz - CARBONNEAUX B.
Sextet Jazz
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Chanson Française
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Profs-edition
5.90€
Concerto for Orchestra, opus 111 (2005, rev. 2010)
Concerto for Orchestra, opus 111 (2005, rev. 2010)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Orchestra, opus 1
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 ...
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Full Orchestra - Level 4 - SKU: A0.869351 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 81 pages. Thomas Oboe Lee #15869. Published by Thomas Oboe Lee (A0.869351). Instrumentation: 3232-4331-timp-2perc-strings. When I received the invitation from Jonathan Cohler to write a Concerto for Orchestra for the Brockton Symphony, I immediately thought of all the composers who wrote works inspired by Bartok’s seminal work of the same title: Roger Sessions, Elliott Carter, Michael Tippett, Witold Lutoslawski, Joan Tower and, most recently, Jennifer Higdon. My Concerto for Orchestra, opus 111, is in five movements. It will be heard without pause between movements. I. Largo … Misterioso! II. Allegro con moto … Evidence!!! III. Adagio … Epistrophy! IV. Andante … In Walked Bud! V. Presto … Rhythm-a-ning!!! My initial idea for the Concerto was contrast - contrast between the timbres and colors that the various sections in an orchestra provide. For example, the woodwinds would provide a sharp contrast against the brass; the percussion section against the strings, etc. I also was interested in writing a work where each movement would flow into the next without pause – thus providing another form of contrast, that of tempi and mood change. A third form of contrast would be the different styles and forms of music that I would come up with. And I had a lot of fun conjuring up the many possible scenarios and orchestral tableaux. I actually started with the second movement: the Allegro con moto. I wanted something that had a nice surging quality that the whole orchestra could jump into. When I finished that, I thought perhaps it would be too intense for the opening of the work. I thought, maybe I should begin with something slower, more brooding in nature before the explosive stuff. I noticed that Carter’s Concerto began with a slow Introduction. It had a title: Misterioso. Being an avid fan of Thelonious Monk, aka Thelonious Sphere Monk, Misterioso brought to mind a Monk composition of the same title. That epiphany gave me the idea of naming each of the five movements after a Monk tune. Monk’s Misterioso is a blues with an insistent theme of 8th note patterns of rising 6ths; which has nothing to do with my first movement. My Misterioso features a solo for the bass clarinet in the midst of a shimmering atmosphere that is punctuated by accents in the bass. They are both mysterious, but divergently opposed in mood and substance. Monk’s Evidence is a tune with jabs and punches, irregularly placed within the measure – not unlike what I did in the second movement. This movement is perhaps the most Monk-ish of all. Monk’s Epistrophy is a tune constructed with a four-note pattern that is angular and twisted. I wrote a solemn brass choir movement that is an epistle in nature, a sermon of sorts. The title of Monk’s In Walked Bud refers, of course, to the amazing pianist Bud Powell. I took the word walk and translated it into an andante. What resulted was a silly, but jolly movement featuring the woodwinds. I wanted to end the work with a fast and furious finale. Inspired by the word rhythm in Monk’s Rhythm-a-ning, I began the last movement with a solo for the percussion section – timpani, tom-toms, bass drum!!! The orchestra eventually joins in the mayhem, breaking into a scherzo-like frenzy. It ends with a big bang!!! Enjoy!!!Audio link: https://thomasoboelee.bandcamp.com/album/concerto-for-orchestra-opus-111-2005
$9.99 ≈
9.33€
Three Images from the Hubble Telescope
Three Images from the Hubble Telescope
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Trompette
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AVANCÉ
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Amy Dunker
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Three Images from the Hubble T
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Amy Dunker
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SheetMusicPlus
Trumpet Solo - Level 5 - SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Published by Amy D...
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Trumpet Solo - Level 5 - SKU: A0.969866 Composed by Amy Dunker. Concert,Contemporary. Individual part. 13 pages. Amy Dunker #6083273. Published by Amy Dunker (A0.969866). Three Images from the Hubble Telescope consists of three musical meditations on pictures taken through the telescope. The work can be performed with or without projected images. I. NGC 4907 The barred spiral galaxy known as NGC 4907 shows its starry face from 270 million light-years away to anyone who can see it from the Northern Hemisphere. II. Interstellar Comet Borisov On Aug. 30, 2019, when amateur astronomer Gennady Borisov gazed upward with his homemade telescope, he spotted an object moving in an unusual direction. Now called 2I/Borisov, this runaway point of light turned out to be the first confirmed comet to enter our solar system from some unknown place beyond our Sun’s influence. III. Rose Galaxies The image shows a large spiral galaxy apparently attached to another one by a swirl of stars – a rose-like effect caused by the gravitational pull of the galaxy below it. The sprinkling of blue jewel-like points across the top of the larger galaxy is the combined light from clusters of intensely bright and hot young blue stars. These massive stars glow fiercely in ultraviolet light.Duration: 11:30
$10.00 ≈
9.34€
Don't Fear The Reaper
Don't Fear The Reaper
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Blue Oyster Cult
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Irminsul (Opusphere Music)
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Don't Fear The Reaper
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Irminsul
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SheetMusicPlus
By Blue Oyster Cult. By Donald Roeser. Arranged by Irminsul (Opusphere Music). Contemporary. Score and parts. 19 pages. Irminsul #6590591. Published b...
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By Blue Oyster Cult. By Donald Roeser. Arranged by Irminsul (Opusphere Music). Contemporary. Score and parts. 19 pages. Irminsul #6590591. Published by Irminsul
$12.99 ≈
12.13€
Land of Waking Dreams (piano solo)
Land of Waking Dreams (piano solo)
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Piano seul
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AVANCÉ
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Juhi Bansal
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Land of Waking Dreams
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LLPE
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1404769 Composed by Juhi Bansal. 20th Century,21st Century,Chamber. Score. 22 pages. LLPE #987833. Published by LLPE (A0....
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Piano Solo - Level 5 - SKU: A0.1404769 Composed by Juhi Bansal. 20th Century,21st Century,Chamber. Score. 22 pages. LLPE #987833. Published by LLPE (A0.1404769). (Duration – 9 minutes, for solo piano)Inspired by the night sky seen from the desert backcountry, Land of Waking Dreams borrows the shapes, gestures and colors of a murmuring nightscape. Pointillistic stars and murky clouds against a carpet of shifting blues. Whistling wind across open plateaus, silence and a deep resonance.Land of Waking Dreams was commissioned by Piano Spheres, and written for pianist Nic Gerpe.
$19.99 ≈
18.66€
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Blue Sphere
