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Vous avez sélectionné:
Beer Heir
Partitions à imprimer
19 partitions trouvées
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1
Škoda lásky (Rosamunde, Beer Barrel Polka)
Škoda lásky (Rosamunde, Beer Barrel Polka)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
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INTERMÉDIAIRE
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Jaromir Vejvoda
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F
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Škoda lásky
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Sco...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1033890 Composed by Jaromir Vejvoda. Arranged by F. Leslie Smith. Holiday,Pop,Wedding. Score and parts. 41 pages. Sweetwater Brass Press #639202. Published by Sweetwater Brass Press (A0.1033890). Jaromir Vejvoda, born in 1902 in the Czech city of Zbraslav, was a fiddler and flugelhorn player. As a young man, he began writing music while working as a bartender. In 1927 he composed a particularly rollicking, toe-tapping tune. He persuaded the Czech-American composer Eduard Ingriš to write an arrangement for the piece, and the result was titled "ModÅ™anská polka" (ModÅ™any being the Prague suburb in which it was first performed). In 1934 Václav Zeman added lyrics, and the title changed to "Škoda lásky," Czech for “Wasted Love.” It also became known as “Rosamunde.” The public loved it. It was so successful that Vejvoda was able to quit tending bar and turn full time to music. The polka soon spread to other countries. Lew Brown and Wladimir Timm added English lyrics, and when the Andrews Sisters recorded it in 1939 as “Beer Barrel Polka,” it became one of their biggest hits. During World War II it was the favorite song of the Western Allies and has since been played and recorded by literally dozens of artists. Suggested tempo for this brass quintet “Škoda lásky” is 120 BPM. It opens in C major, changes to F major, then back to C. All five instruments get a chance to shine. There are no really tricky rhythmic patterns, and the notes are, for the most part, within the normal playing range of each instrument. Some possible exceptions: Trombone’s highest notes are F above the staff; it’s lowest, G at the bottom; Tuba’s highest notes are F in the staff; Trumpet 2’s highest are its G at the top of its staff. Completed in 2022, performance time runs about 3 minutes. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would also like to receive your suggestions, comments, corrections and criticisms. Contact him directly at lessmith61@bellsouth.net. For more arrangements by Les, enter "Sweetwater Brass Press" (without the quotation marks) in the search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.)
$7.95 ≈
7.44€
German Medley #2 Polkas
German Medley #2 Polkas
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Ensemble de cuivres
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INTERMÉDIAIRE
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Traditional
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Bill Carmody
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Beer Heir
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German Medley #2 Polkas
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Bill Carmody
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.748825 Composed by Traditional. Arranged by Bill Carmody. Folk,Patriotic,World. Score and parts. 22 pages. Bill Carmo...
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Brass Ensemble - Level 3 - SKU: A0.748825 Composed by Traditional. Arranged by Bill Carmody. Folk,Patriotic,World. Score and parts. 22 pages. Bill Carmody #3070969. Published by Bill Carmody (A0.748825). This is upbeat (after all, they are polkas!). The tunes (Barbara; Beer Heir; Unita; Lendenau; Martha) are all popular German polkas written in a very playable style with fun for each instrument. Not tiring on the chops with rests and comfortable ranges. October fest material. Flexible trio instrumentation.
$9.99 ≈
9.35€
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
Tipplers Revel (XCIX Utres Cervisiae in Muro and other bacchanalian airs)
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Ensemble de cuivres
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INTERMÉDIAIRE/AVANCÉ
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F
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Tipplers Revel
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Sweetwater Brass Press
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697...
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Brass Ensemble - Level 4 - SKU: A0.1093770 Composed by F. Leslie Smith. Folk,Holiday,Traditional. Score and parts. 57 pages. Sweetwater Brass Press #697853. Published by Sweetwater Brass Press (A0.1093770).     The dictionary defines revel as “a time or instance of carefree fun.†The verb tipple refers to the imbibing of spirits. A tippler is one who drinks beer, wine, whiskey or other such spirituous liquids. So a tipplers revel would be a gathering of folks who, in the words of Dolly Parton’s “Two Doors Down,†are “laughing and drinking and having a party.†    This Tipplers Revel is a compilation of traditional drinking songs. It begins and ends with that bane of school trips, faculty sponsors, bus drivers and chaperones, “99 Bottles of Beer on the Wall.†And between those two bookends come “Rye Whiskey,†“Little Brown Jug,†“Landlord, Fill the Flowing Bowl,†“Jimmy Crack Corn,†“Beer, Beer, Beer (An Ode to Charlie Mops, The Man Who Invented Beer),†“Hot Time in the Old Town Tonight,†“Wein, Weib und Gesang [Wine, Woman, and Song],†“Drink to Me Only with Thine Eyes,†“There Is a Tavern in the Town,†“Good Night, Ladies,†“How Dry I Am,†and brief quotes from about a half dozen other melodies associated with quaffing.     For the most part, this arrangement’s time signature is 4/4 and should be played at about 120 BPM. There are, however, two sections of 3/4 time, one of which is marked “tempo di valse,†and the opening and ending few measures should be played rather slowly.     The music should be well within the normal range of the group. Possible exceptions: trumpets play their A above the staff a couple of times.     There are quite a few 16th notes in the allegro sections. (And one could make the argument that at least two sections ought to have been written in 6/8 time. But they weren’t.)     Completed in 2022, performance time runs about 6 minutes, 43 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.) Â
$7.95 ≈
7.44€
Gaúcho - Corta Jaca (Brazilian Music)
Gaúcho - Corta Jaca (Brazilian Music)
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Quatuor à cordes: 2 violons, alto, violoncelle
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Chiquinha Gonzaga
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Renato Esteves
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Gaúcho - Corta Jaca
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Renato Esteves
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SheetMusicPlus
String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages...
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String Quartet String Quartet - SKU: A0.508952 Composed by Chiquinha Gonzaga. Arranged by Renato Esteves. Multicultural,World. Score and parts. 16 pages. Published by Renato Esteves (A0.508952). The famous Corta-jaca, the name with which the Gaucho tango became popular, is one of the most recorded and known songs by Chiquinha Gonzaga, alongside Ó abre alas, Lua Branca and Atraente. He was born on the stages of musical theaters, where he was danced in the final scene of the burlesque operetta of national customs Zizinha Maxixe, imitated from French by an anonymous author, performed at Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa ), anonymous author of the play, ended up putting verses in Corta-jaca's music, helping to popularize it, especially after its version was recorded on disk by the duo Os Geraldos. Throughout history, Corta-jaca attended other stages and repertoires: coffee-singers, beer-beauties, choro circles… But it was at the Palácio do Catete, in 1914, that it reached its glory. Performed on the guitar by First Lady Nair de Teffé, it caused political scandal and ended up calling the administration Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa delivered from the gallery. When inquiring what the cut-jaca that he had heard so much about is, he concludes: “The lowest, the most foul, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions, the cut-jaca is performed with all the honors of Wagner's music, and we don't want the conscience of this country to revolt, our faces redden and the youth to laugh!†Never before in the history of Brazil has eminently popular music been performed in the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca became a classic of the great repertoire of Brazilian instrumental music, deserving recordings, among others, by Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, TurÃbio Santos, numerous bands and some sung versions. It was also written by the conductor for singing and piano and for a small orchestra: oboe, viola, timpani, horns (fá), bassoon. Edinha Diniz, 2011.
$20.00 ≈
18.72€
The Peacock Polka - Lead Sheet
The Peacock Polka - Lead Sheet
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Piano seul
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INTERMÉDIAIRE
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Sarah Houle
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The Peacock Polka - Lead Sheet
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SARAH L HOULE
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SheetMusicPlus
Piano - Level 3 - SKU: A0.1423936 Composed by Sarah Houle. Classical,Historic,Multicultural,Standards,Traditional,World. Score (Chords/Lyrics). 5 pages....
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Piano - Level 3 - SKU: A0.1423936 Composed by Sarah Houle. Classical,Historic,Multicultural,Standards,Traditional,World. Score (Chords/Lyrics). 5 pages. SARAH L HOULE #1005144. Published by SARAH L HOULE (A0.1423936). The Peacock Polka Lead Sheet by Sarah Houle, 2023/2024.What a delightfully happy polka! This cute polka frolics in the biergarten just as the peacocks do!For all that know and all that have seen, one of our local breweries has a beautiful biergarten, abundant with flowers and large shady trees. It is a lovely place to sit and listen to live music while enjoying their German craft beer. Sometimes, if one is lucky, their peacocks will wander through the landscaping. They are so fun to see, especially when they have chicks in tow.Enjoy this piano Lead Sheet version of The Peacock Polka, which features melody, bass line and chords!
$5.00 ≈
4.68€
The Peacock Polka
The Peacock Polka
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Sarah Houle
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The Peacock Polka
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SARAH L HOULE
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SheetMusicPlus
Clarinet,Drum Set,Euphonium,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1421317 Composed by Sarah Houle. Classical,Contemporary,Contest,Festival,Folk,Mult...
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Clarinet,Drum Set,Euphonium,Trombone,Trumpet,Tuba - Level 4 - SKU: A0.1421317 Composed by Sarah Houle. Classical,Contemporary,Contest,Festival,Folk,Multicultural,World. 25 pages. SARAH L HOULE #1002710. Published by SARAH L HOULE (A0.1421317). The Peacock Polka for Circus Band (2 Clarinets, 3 Trumpets, 2 Trombones, Baritone TC or BC, Tuba, and Drums), by Sarah Houle, 2023/2024. What a delightfully happy polka! For all that know and all that have seen, one of our local breweries has a beautiful biergarten, abundant with flowers and large shady trees. It is a lovely place to sit and listen to live music while enjoying their German craft beer. Sometimes, if one is lucky, their peacocks will wander through the landscaping. They are so fun to see, especially when they have chicks in tow. I have decided to write this polka in more typical fashion with a trio section. The trumpets get to play the part of the peacocks, trumpeting out a modified peacock 'meow' call. Eventually, the trumpets do get a chance at the melody. Over all, I am quite pleased with this orchestration of the piece. Originally, I had done this for brass quartet, but this is expanded for the circus band. Enjoy The Peacock Polka! www.euphoniousmusic.com.
$20.00 ≈
18.72€
In The Mood
In The Mood
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Guitare notes et tablatures
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INTERMÉDIAIRE
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Rush
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Dan Chernow
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In The Mood
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Dan Chernow
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SheetMusicPlus
Guitar - Level 3 - SKU: A0.1117266 By Rush. By Geddy Lee Weinrib. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 11 pages. Dan...
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Guitar - Level 3 - SKU: A0.1117266 By Rush. By Geddy Lee Weinrib. Arranged by Dan Chernow. 20th Century,Contemporary,Pop,Rock. Guitar Tab. 11 pages. Dan Chernow #718848. Published by Dan Chernow (A0.1117266). Meticulous note-for-note guitar transcription of the classic song by Rush. This is a wholly new and original transcription, done solely by Berklee graduate and guitar instructor Dan Chernow, and has never before been available until now. By far the most famous of Rush's early boogie-rock songs, they played this song in their live set for many decades. Alex shows great feel for the style, with many variations of his rhythm parts, varying the chords and riff patterns with the ease of a seasoned master even at age 21. His solo is a mini-composition unto itself, featuring tons of tricky double stop bends and surprisingly very little flash. Any bar band would have been proud if this was their only famous tune, yet we know that MUCH more was in store for Rush. Enjoy it here in all it's beer-soaked glory, with all the details you could ever want. SEE and HEAR this on YouTube! (link to full video included near bottom of pdf).
$5.49 ≈
5.14€
Gloucestershire Wassail (sort of)
Gloucestershire Wassail (sort of)
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Chorale SATB
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INTERMÉDIAIRE
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traditional pre-18th century E
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Scott S
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Gloucestershire Wassail
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Scott S. Stewart
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1307911 Composed by traditional pre-18th century English Christmas carol. Arranged by Scott S. Stewart. C...
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Choral Choir,Choral (SATB) - Level 3 - SKU: A0.1307911 Composed by traditional pre-18th century English Christmas carol. Arranged by Scott S. Stewart. Celtic,Christmas,Folk,Irish,Standards. 23 pages. Scott S. Stewart #897170. Published by Scott S. Stewart (A0.1307911). “Gloucestershire Wassailâ€, is an old song, sung around the Feast of Yule, by parties who go about dressed with boughs and ribbons, carrying a bowl, which they expect to be filled with beer or cider, and a toast put therein.  It is still customary in many parts of England to hand round the wassail, or health-bowl, on New Year’s Eve. The tune of this song is traditional popular music of the day – a universal favourite (tune) in Gloucestershire.  This arrangement of “Gloucestershire Wassailâ€, traditionally strophic in structure, has been changed to a rondo form with the original popular tune serving as the refrain or chorus and the text of the many verses serving as just that – a verse, giving emphasis to the text as sung by carousing, rural merry-makers to their feudal lords.  It is scored for a 4-part SATB ensemble with piano accompaniment.  Performance time: 4:55+-.
$2.99 ≈
2.80€
The Story of a Leader
The Story of a Leader
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Chorale SATB
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AVANCÉ
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Classique
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Igor Korneitchouk
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The Story of a Leader
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Studio at the Post
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04 ≈
14.07€
Don't Worry, Be Happy
Don't Worry, Be Happy
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Ensemble de Percussions
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INTERMÉDIAIRE
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Jazz
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Bobby McFerrin
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Ricardo Matosinhos
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Don't Worry, Be Happy
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Ricardo Matosinhos
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SheetMusicPlus
Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ri...
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Percussion Ensemble - Level 3 - SKU: A0.899162 By Bobby McFerrin. By Bobby McFerrin. Arranged by Ricardo Matosinhos. Jazz. Score and parts. 32 pages. Ricardo Matosinhos #5723941. Published by Ricardo Matosinhos (A0.899162). This is a well known piece by Bobby McFerrin. Here presented on a music arrangement for unconventional music instruments. The arrangement allows flexibility, so this piece can be performed using tuned bottles (25cl, 33cl and 75cl), lip whistle, finger snaps, complemented with xylophones and optionally with voices to sing the lyrics too. This arrangement was made during the 2020 quarantine, when the world was shutdown due to a world virus pandemic. Some of the music students didn’t have their music instruments at home, so this arrangement came up to fill that gap and it is perfect to keep doing music with the available option of instruments.On each rehearsal letter, you can play optional improvisations, while keeping the voices 5-8. These improvisations can be easily done using the C major pentatonic scale or the note ranges presented on the right, that even include Eâ™ and Bâ™. If played using lip whistle, bendings will be possible too. This arrangement presents 8 voices and an alternative solution for voice 8, that makes it easier to be performed as it is the place where bottles are divided between the players. There is also an optional bass line to complement voice eight one octave bellow. In order to keep it simple, neither dynamics or articulations were included and the notes were represented always in the middle octave in G clef. The correct pitch ranges are presented in the performance notes.The amount of water will change the pitch differently depending if you are blowing or doing percussion on a bottle. When blowing, the more water you use, the higher the pitch will be, but while doing percussions more water means lower pitch. A good option, in order to save time during rehearsals, is to fill the bottles with water, marking the level with a pen, and then filling the bottle with the desired amount of hot wax instead of water. This way, when the wax cools down you can have a tuned bottle without requiring to tune it again every single rehearsal. Please note that the bottles should be made of glass and that different aspects change the performance. For percussion, straight bottles are better to tune as the curves in the bottles tend to produce unstable pitches. The extreme notes of the range might not be available in every single bottle, so you might need to try some alternatives. For example the high A is available in some beer bottles, while the low G is available in larger 75cl bottles of champaign. Last but not least, this piece should always be played according to Bobby’s motto: dont worry, be happy!I had lots of fun while doing this arrangement, now it’s your time to have fun while performing it!Ricardo Matosinhoshttp://www.ricardomatosinhos.com
$14.99 ≈
14.03€
Crazy Little Thing Called Love
Crazy Little Thing Called Love
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Dwight Yoakam
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Kevin P Holdgate
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Crazy Little Thing Called Love
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.1350018 By Dwight Yoakam. By Freddie Mercury. Arranged by Kevin P Hold...
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Brass Ensemble E-Flat Tuba TC,Euphonium,Horn,Trombone,Trumpet - Level 3 - SKU: A0.1350018 By Dwight Yoakam. By Freddie Mercury. Arranged by Kevin P Holdgate. 20th Century,Broadway,Musical/Show,Pop,Standards,Wedding. 21 pages. Kevin P Holdgate #934794. Published by Kevin P Holdgate (A0.1350018). This arrangement is for brass sextet (2 Trumpets, F Horn, 2 Trombones, Tuba & Drum Kit) with additional parts for Horn in Eb, Trombone in treble clef, Euphonium in treble clef and Eb Tuba. Arranged in a 'beer keller' style it has been regularly featured by my own Ockoberfest group 'The Lagermeisters'. Suitable for any competent Intermediate group of players this is a great song to get the party up and dancing.Crazy Little Thing Called Love is a song by the British rock band Queen. Written by Freddie Mercury in 1979, the track is included on their 1980 album The Game, and also appears on the band's compilation album Greatest Hits in 1981. The song peaked at number two in the UK Singles Chart in 1979, becoming the group's first number-one single on the Billboard Hot 100 in the US in 1980, remaining there for four consecutive weeks. It topped the Australian ARIA Charts for seven weeks. It was the band's final single release of the 1970s.Having composed Crazy Little Thing Called Love on guitar, Mercury played rhythm guitar while performing the song live, which was the first time he played guitar in concert with Queen. Queen played the song live between 1979 and 1986, and a live performance of the song is recorded in the albums Queen Rock Montreal, Queen on Fire – Live at the Bowl, Live at Wembley '86 and Hungarian Rhapsody: Queen Live in Budapest. Since its release, the song has been covered by a number of artists. The song was played live on 20 April 1992 during The Freddie Mercury Tribute Concert, performed by Robert Plant with Queen. The style of the song was described by author Karl Coryat as rockabilly in his 1999 book titled The Bass Player Book.
$15.99 ≈
14.96€
Oom-pah-pah
Oom-pah-pah
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Ensemble de cuivres
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INTERMÉDIAIRE
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Contemporain
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Lionel Bart
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Kevin P Holdgate
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Oom-pah-pah
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.790937 Composed by Lionel Bart. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 13 pages. Kevin P Holdga...
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Brass Ensemble - Level 3 - SKU: A0.790937 Composed by Lionel Bart. Arranged by Kevin P Holdgate. Contemporary. Score and parts. 13 pages. Kevin P Holdgate #4320249. Published by Kevin P Holdgate (A0.790937). The Versatile Brass Sextet CollectionSuitable for players of all levels (Includes treble clef parts for trombone and Eb bass plus Eb Horn)Suitable as a light concert item, singalong or as part of a Beer Keller SetOom-Pah-Pah is a lively and somewhat risqué show tune with music and lyrics by Lionel Bart and appearing in the musical Oliver!, when it is sung by Nancy and the crowd at the Three Cripples tavern. The word oom-pah-pah is seemingly used euphemistically to refer to both intoxication and fornication; however, as the song points out, the word's meaning is only as dirty as the listener interprets it. Although not an original music hall song, it recalls that genre well and, in terms of both its tempo and suggestiveness, shares characteristics with such late 19th century songs as Ta-ra-ra Boom-de-ay.In the stage musical, the song opens Act II and does not contribute to the storyline. For the 1968 film version, it was moved to near the end and given a dramatic purpose. Sikes has refused to let Nancy take Oliver out of the pub and, unknown to him, to Mr Brownlow and rescue. He orders Bullseye to guard Oliver while he immerses himself in discussion with Fagin. So Nancy starts the song and gradually works the pub crowd into a raucous singalong, hoping their noise will drown out Bullseye's barking long enough for her to get Oliver away.
$12.99 ≈
12.16€
Call Me
Call Me
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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Blondie
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Kevin P Holdgate
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Call Me
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351202 By Blondie. By Deborah Harry and Giorgio Moroder. Arranged by Kevin P Ho...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351202 By Blondie. By Deborah Harry and Giorgio Moroder. Arranged by Kevin P Holdgate. 20th Century,Film/TV,Pop,Standards,Wedding. 29 pages. Kevin P Holdgate #936036. Published by Kevin P Holdgate (A0.1351202). This arrangement is for brass sextet (2 Trumpets, F Horn, 2 Trombones, Tuba & Drum Kit) with additional parts for Horn in Eb, Trombone in treble clef, Euphonium in treble clef and Eb Tuba. Arranged in a 'beer keller' style it has been regularly featured by my own Ockoberfest group 'The Lagermeisters'. Suitable for any competent Intermediate group of players this is a great song to get the party up and dancing.Call Me is a song by the American new wave band Blondie and the theme to the 1980 film American Gigolo. Produced and composed by Italian musician Giorgio Moroder, with lyrics by Blondie singer Debbie Harry, the song appeared in the film and was released in the United States in early 1980 as a single. Call Me was No. 1 for six consecutive weeks on the Billboard Hot 100 chart, where it became the band's biggest single and second No. 1. It also hit No. 1 in the UK and Canada, where it became their fourth and second chart-topper, respectively. In the year-end chart of 1980, it was Billboard's No. 1 single and RPM magazine's No. 3 in Canada.
$15.99 ≈
14.96€
Dill Pickles Brass Quintet
Dill Pickles Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
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Charles Johnson
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Dr
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Dill Pickles Brass Quintet
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All Brass Radio Publishing
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SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.927013 Composed by Charles Johnson. Arranged by Dr. Jim Fox, ASCAP. 20th Century,Traditional. Score and parts. 25 pag...
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Brass Ensemble - Level 4 - SKU: A0.927013 Composed by Charles Johnson. Arranged by Dr. Jim Fox, ASCAP. 20th Century,Traditional. Score and parts. 25 pages. All Brass Radio Publishing #3050619. Published by All Brass Radio Publishing (A0.927013). In the early 20th century, the rag was king. Charles Johnson wrote this wonder of a Two-Step Rag and called it Dill Pickles. Like almost rags, it is lively and fun. People would enjoy listening to rag music while drinking Kellogs Cheerios Beer!This arrangement uses two trumpets, a french horn, a trombone (which several glissandos) and a tuba that occasionally has the melody. The melody is passed from part to part, it has a false ending and a false key change. It sounds like it is ending but, no, it is going on. The false key change has bars that move to different keys but when done ends up in the same key.This is kind of handy as once each part has the fingerings for their part down, they can just keep on going. It keeps the audience alive and is a fun addition for any quintet.
$2.99 ≈
2.80€
Dancing Queen
Dancing Queen
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Flûte, Hautbois, Clarinette, Basson
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INTERMÉDIAIRE
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ABBA
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Kevin P Holdgate
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Dancing Queen
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Kevin P Holdgate
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SheetMusicPlus
Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351820 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged ...
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Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1351820 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Kevin P Holdgate. 20th Century,Disco,Film/TV,Pop,Standards. 18 pages. Kevin P Holdgate #936645. Published by Kevin P Holdgate (A0.1351820). This arrangement is for brass sextet (2 Trumpets, F Horn, 2 Trombones, Tuba & Drum Kit) with additional parts for Horn in Eb, Trombone in treble clef, Euphonium in treble clef and Eb Tuba. Arranged in a 'beer keller' style it has been regularly featured by my own Ockoberfest group 'The Lagermeisters'. Suitable for any competent Intermediate group of players this is a great song to get the party up and dancing.Dancing Queen is a Europop and disco song by the Swedish group ABBA, released as the lead single from their fourth studio album, Arrival (1976). It was written by Benny Andersson, Björn Ulvaeus and Stig Anderson. Andersson and Ulvaeus also produced the song. Dancing Queen was released as a single in Sweden on 16 August 1976, followed by a UK release and the rest of Europe a few days later. It was a worldwide hit. It became ABBA's only number one hit in the United States, and topped the charts in Australia, Canada, Denmark, the Netherlands, Belgium, Czechoslovakia, Ireland, Mexico, New Zealand, Norway, South Africa, Spain, Sweden, the United Kingdom, West Germany and the Soviet Union. Dancing Queen also reached the top five in many other countries.Famously used in the hit movie 'Mamma Mia' this song never fails to get audiences singing along.
$15.99 ≈
14.96€
A Little Bit Here and A Little Bit There (instrumental) from "The Kings" - ACT 1:Song 2
A Little Bit Here and A Little Bit There (instrumental) from "The Kings" - ACT 1:Song 2
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Tuba et Piano
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INTERMÉDIAIRE
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McCorkle, Dennis F
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A Little Bit Here and A Little
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DF McCorkle Music and eBook Publications
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SheetMusicPlus
Instrumental Duet Instrumental Duet,Piano,Tuba - Level 3 - SKU: A0.784815 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. S...
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Instrumental Duet Instrumental Duet,Piano,Tuba - Level 3 - SKU: A0.784815 Composed by McCorkle, Dennis F. Broadway,Christian,Jewish,Musical/Show,Rock. Score and parts. 21 pages. DF McCorkle Music and eBook Publications #11633. Published by DF McCorkle Music and eBook Publications (A0.784815). ACT ONE: Song 2. The King, by Dennis McCorkle, is a contemporary pop-rock musical of the first two kings of Israel, Saul ben Kish and David ben Jesse and explores the contrasting lives and outcome of each man’s choices in life. [1 Samuel 8:1-3 - And it came to pass, when Samuel was old, that he made his sons judges over Israel. 2 Now the name of his firstborn was Joel; and the name of his second, Abijah: they were judges in Beersheba. 3 And his sons did not walk in his ways, but turned aside after lucre, and took bribes, and perverted judgment.] [Prologue] The curtain rises on the main room of the King’s palace in Jerusalem where the funeral service for King DAVID is being held. The eulogy recounts the life of David and his kingship over Israel that had begun over eighty years prior. A time when there were no kings in Israel except for their God, a time when the Judges governed the people and a time when SAMUEL, an elderly Prophet of God and last Judge, turned his position as Judge over to his two sons. Self-serving and motivated by greed and self-importance, his sons choose paths that were contrary to their father. [A Little Bit Here and a Little Bit There]. Also included with your order is our new 20 page catalog of over 150 titles at no additional charge.
$2.99 ≈
2.80€
Wenn es das Licht ist
Wenn es das Licht ist
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Chorale SATB
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INTERMÉDIAIRE
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Andreas Pieper
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Wenn es das Licht ist
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Schott Music - Digital
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SheetMusicPlus
Mixed choir a cappella - intermediate - SKU: S9.Q20184 Sieben Chorsätze nach Gedichten von Sigrid Nordmar-Bellebaum. Composed by Andreas Piepe...
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Mixed choir a cappella - intermediate - SKU: S9.Q20184 Sieben Chorsätze nach Gedichten von Sigrid Nordmar-Bellebaum. Composed by Andreas Pieper. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q20184. Published by Schott Music - Digital (S9.Q20184). German.Andreas Pieper's secular cycle Wenn es das Licht ist for four-part mixed a-cappella choir (SATB) consists of seven choral settings based on poems by Sigrid Nordmar-Bellebaum. Apart from the eponymous last choral piece, the organist and choirmaster of the parish of Our Lady in Duisburg set to music the following poems by the anthroposophist born in Gdansk in 1941: Weiße Brombeerblüten, Birkenstille, Ruhelos, Farnblätter, Wenn der Regen die Rosen schlägt, and Sonne. In reply to the question what, to him, makes up the charm of these poetic gems, the award-winning (choral) composer said: 'The poems which were set to music in the 1980s fascinated me with their mysterious look at a world behind things. This is the space in which I have always wanted to move musically. The music is mainly atmospheric, linear and freely tonal.'.
$7.99 ≈
7.48€
Oane moan i pack i no
Oane moan i pack i no
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Accordéon
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Contemporain
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Oane moan i pack i no
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Roba Music Verlag
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SheetMusicPlus
Accordion/vocal/winds, drum - Partitur von Oansno. Composed by Michael Kolios. New folk music. With Language: German. Published by Roba Music Verlag...
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Accordion/vocal/winds, drum - Partitur von Oansno. Composed by Michael Kolios. New folk music. With Language: German. Published by Roba Music Verlag
ISBN 978-3-7378-0580-3.
Reggae, Dreigsang, Balkan or Techno - that doesn't matter at Oansno. The 4 Munchner inner city musicians cross the border between folk music and the party scene. With their traditional line-up (helicon, trumpet, accordion and beer wagons) they create powerful, very danceable beats with which they bring the mood to a boil in taverns as well as at pop festivals. Her music and lyrics are shaped by Bavarian beer bliss and the cultural diversity of Munich, the compositions are straightforward, cheeky and direct. With "Oane moan i pack i no" they deliver a modern version of the classic "Oane gehd no" and for the first listeners of this composition it was immediately clear that this song belongs to the Oktoberfest, at the Oiden Wiesn there are Oansno in everyone Case to hear for yourself. In its first year on the stage, Oansno won two coveted prizes, including the Fraunhofer Folk Music Prize sponsored by the city of Munich. For their first EP, the sworn live and full throttle musicians from Oansno dared the unfamiliar route from the stage to the studio and recorded five "delicacies". They did an excellent job of transporting the energy and pressure of their live performances into the studio production.
$11.19 ≈
10.47€
Watermelon Man for Clarinet Quintet & Opt. Drumset
Watermelon Man for Clarinet Quintet & Opt. Drumset
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Quintette de Clarinettes: 5 clarinettes
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INTERMÉDIAIRE
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Jazz
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Herbie Hancock
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Keith Terrett
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Watermelon Man for Clarinet Qu
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Music for all Occasions
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SheetMusicPlus
By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions ...
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By Herbie Hancock. Arranged by Keith Terrett. Score, Set of Parts. 22 pages. Published by Music for all Occasions
Arranged for Clarinet Quintet & optional drumset, "Watermelon Man" is a jazz standard written by Herbie Hancock, first released on his debut album, Takin' Off (1962), in a grooving hard bop version that featured improvisations by Freddie Hubbard and Dexter Gordon.
A single of the tune reached the Top 100 of the pop charts. Cuban percussionist Mongo Santamara released the tune as a latin pop single the next year on Battle Records, where it became a surprise hit, reaching #10 on the pop charts. Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock's first version was released as a grooving hard bop record, and featured improvisations by Freddie Hubbard and Dexter Gordon. A single reached the Top 100 of the pop chart. Cuban percussionist Mongo Santamara released the tune as a Latin pop single and it became a surprise hit, reaching No. 10 on the pop chart.[2] Santamara's recording was inducted into the Grammy Hall of Fame in 1998. Hancock radically re-worked the tune, combining elements of funk, for the album Head Hunters (1973).
Hancock wrote the piece to help sell his debut album as a leader, Takin' Off (1962), on Blue Note Records; it was the first piece of music he had ever composed with a commercial goal in mind. The popularity of the piece, due primarily to Mongo Santamara, paid Hancock's bills for five or six years. Hancock did not feel the composition was a sellout however, describing that structurally, it was one of his strongest pieces due to its almost mathematical balance.
The form is a sixteen bar blues. Recalling the piece, Hancock said, "I remember the cry of the watermelon man making the rounds through the back streets and alleys of Chicago. The wheels of his wagon beat out the rhythm on the cobblestones." The tune, based on a bluesy piano riff, drew on elements of R&B, soul jazz and bebop, all combined into a pop hook. Hancock joined bassist Butch Warren and drummer Billy Higgins in the rhythm section, with Freddie Hubbard on trumpet and Dexter Gordon on tenor saxophone. Hancock's chordal work draws from the gospel tradition, while he builds his solo on repeated riffs and trilled figures.
Hancock filled in for pianist Chick Corea in Mongo Santamara's band one weekend at a nightclub in The Bronx when Corea gave notice that he was leaving. Hancock played the tune for Santamara at friend Donald Byrd's urging. Santamara started accompanying him on his congas, then his band joined in, and the small audience slowly got up from their tables and started dancing, laughing and having a great time. Santamara later asked Hancock if he could record the tune. On December 17, 1962, Mongo Santamara recorded a three-minute version, suitable for radio, where he joined timbalero Francisco "Kako" Baster in a cha-cha beat, while drummer Ray Lucas performed a backbeat. Santamara included the track on his album Watermelon Man (1962). Santamara's recording is sometimes considered the beginning of Latin boogaloo, a fusion of Afro-Cuban rhythms with those of R&B
Hancock re-recorded the tune for Head Hunters (1973), combining synthesizers with a Sly Stone and James Brown funk influence, adding an eight-bar section. Hancock described his composition "Chameleon", also from Head Hunters, to Down Beat magazine in 1979: "In the popular forms of funk, which I've been trying to get into, the attention is on the rhythmic interplay between different instruments. The part the Clavinet plays has to fit with the part the drums play and the line the bass plays and the line that the guitar plays. It's almost like African drummers where seven drummers play different parts"; "Watermelon Man" shares a similar construction. A live version was released on the double LP Flood (1975), recorded in Japan.
On the intro and outro of the tune, percussionist Bill Summers blows into beer bottles imitating hindewhu, a style of singing/whistle-playing found in Pygmy music of Central Africa. Hancock and Summers were struck by the sound, which they heard on the ethnomusicology LP, The Music of the Ba-Benzl Pygmies (1966), by Simha Arom and Genevive Taurelle.
This version was often featured on The Weather Channel's Local on the 8s segments.
The tune is a jazz standard and has been recorded over two hundred times. Hancock's recording has been sampled in "1-900-LL-Cool-J" from Walking with a Panther (1989) by LL Cool J, "Open Your Eyes" from Organized Konfusion (1991) by Organized Konfusion, "Smoke Some Kill" from Smoke Some Kill (1988) by Schoolly D, and "Pocket Full of Furl" from Uptown 4 Life (1996) by U.N.L.V. In 2003, pianist David Benoit covered the song from his album Right Here, Right Now.
A live and funky performance at the 1999 Montreux Jazz Festival Casino Lights '99 featured Fourplay, George Duke, Boney James and Kirk Whalum trading choruses, and Rick Braun.
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