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At the Crossing: Instrumental Score and Parts
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Vous avez sélectionné:
At the Crossing: Instrumental Score and Parts
Partitions à imprimer
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At the Crossing: Instrumental Score and Parts
At the Crossing: Instrumental Score and Parts
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Musique Sacrée
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Richard H
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Lyndell Leatherman
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At the Crossing: Instrumental
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Leatherman Music Services
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SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.1193933 Composed by Richard H. Neiderhiser. Arranged by Lyndell Leatherman. Christian,Religious,Sacred...
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String Quartet String Quartet - Level 3 - SKU: A0.1193933 Composed by Richard H. Neiderhiser. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. 31 pages. Leatherman Music Services #793403. Published by Leatherman Music Services (A0.1193933). Rev. Richard (Dick) Neiderhiser composed this basic tune years ago as a setting for an Advent hymn text. With his permission I later arranged the tune as a piano solo, adding a John Field theme as the basis for the introduction. Years later, after being stricken with cancer, Dick wrote this text to fit the piano arrangement. I then arranged the piece for SATB choir (opt. mixed quartet) and added this orchestration: string quartet /ensemble and flute or oboe.Sadly we had to say goodbye to Dick in 2022 as he made the crossing that he had so eloquently anticipated in this text.The demo mp3 is computer-generated, and thus lacks some of the nuance which you would–of course–include in live performance!The choral octavo (SATB and Piano with Flute or Oboe obbligato) is posted separately.
$19.99 ≈
18.70€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
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Vistas (score - vln, vla, cel)
Vistas (score - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861811 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 24 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861811 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 24 pages. Mark O'Connor Musik International #6202301. Published by Mark O'Connor Musik International (A0.861811). Vistas (score – vln, vla, cel) MO143AScore (parts available)Music by Mark O’Connor20 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony ClassicalCatalogue Number MO143ACopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50 ≈
7.02€
Two Scarlatti Sonatas in B minor K.27 and K.87
Two Scarlatti Sonatas in B minor K.27 and K.87
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Alessandro Scarlatti
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Michael Bomier
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Two Scarlatti Sonatas in B min
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Michael Butkus-Bomier
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.862645 Composed by Alessandro Scarlatti. Arranged by Michael Bomier. Baroque,S...
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 4 - SKU: A0.862645 Composed by Alessandro Scarlatti. Arranged by Michael Bomier. Baroque,Sacred,Standards. Score and parts. 7 pages. Michael Butkus-Bomier #3543635. Published by Michael Butkus-Bomier (A0.862645). The first sonata is faster-paced and has hand-crossing throughout. It was used as a showpiece early in the career of Arturo Benedetti Michaelangeli. Video of him playing this piece is on YT. The slower one was a favorite of Horowitz at the end of his career. Audio sample here is the fast one. Video of Horowitz is also up on YT. Both pieces were pedaled by these masters, and I use it as well!Our editions favor the utmost in visual clarity, not for voices as in much counterpoint, but in simultaneous notes, such that the intervals are solid and not delineated as to each voice. The hand-crossings and clearly labeled, with NO clef changes, as some editions have. If your LH is UP, it's in the Treble Clef, along with the RH. Ideal pageturns ro ease of practise and performance. MBB/GateWay
$4.50 ≈
4.21€
Appalachia Waltz (score - three violins)
Appalachia Waltz (score - three violins)
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 4 - SKU: A0.861768 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark...
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String Ensemble,String Trio Violin - Level 4 - SKU: A0.861768 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6200709. Published by Mark O'Connor Musik International (A0.861768). Appalachia Waltz MO104AAppalachia Waltz adapted for three violins by Mark O’ConnorScore (parts available)Music by Mark O’Connor8 pages - 5:40 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O’Connor adapts the instrumentation for three violins. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony ClassicalCatalogue Number MO104ACopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50 ≈
7.02€
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
JOURNEY OF THE MAGI ("We Three Kings") - young concert band, easy - score, parts & license to copy)
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Orchestre d'harmonie
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DÉBUTANT
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Traditional
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Brian Harris
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Clarinets remain below break
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JOURNEY OF THE MAGI
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HMS Music
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages...
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Concert Band - Level 1 - SKU: A0.1431754 Composed by Traditional. Arranged by Brian Harris. Christmas,Holiday,Instructional,Sacred,Traditional. 34 pages. HMS Music #1012229. Published by HMS Music (A0.1431754). _______________________JOURNEY OF THE MAGI is a tasteful, restrained, and plaintive arrangement of We Three Kings in A-A-B form. Simple harmonization, limited ranges, and basic rhythms ensure success and enjoyment for both the musicians and the audience.The work creates a musical picture of a slow-moving camel caravan crossing a desert. This is a work you will continue to use for years to come. And with the license to copy all the parts you ever need, you can let the students keep their parts as souvenirs and just print new ones the next time!LEVEL: Appropriate for 2nd-/3rd-year players or advanced beginners. (BcP-YB) PROGRAMMING:Winter/Christmas concertModerately slow tempo provides nice contrast with faster works. FEATURES:Melody distributed through all wind parts.Simple but effective percussion parts.Programmatic nature of the work allows students to begin learning expressiveness. CHALLENGES:Dynamics (long crescendo and decrescendo challenges young players to support the tone and intonation)Legato playingBalanceSolos (Two solos, each consisting of 2 quarter-notes, are optionally doubled with other instruments)Multi-percussion playing KEY and RANGES: C minor and E-flat majorStandard 1st-year ranges: Flute to B-flat above staff; Clarinets remain below break; Trumpet to third-space C; Horn from 2nd-line G to low G; Trombone to B-flat on top of staff; Tuba to C below staff. Clarinet is divided into separate 1st and 2nd parts; all others (except percussion) are undivided. MINIMUM INSTRUMENTATION REQUIREMENTS: Flute, Clarinet, Trumpet, Bass Line*, and 3 Percussion (easy rhythms) *At least one of the following: Bassoon, Bass Clarinet, Horn, Trombone, Baritone, or Tuba PERCUSSION: Utilizes three separate multi-percussion set-ups:Percussion 1 = Bells, Finger Cymbals, Tom-tomPercussion 2 = Tambourine, Suspended Cymbal 1, Bass DrumPercussion 3 = Triangle, Suspended Cymbal 2, Bass Drum (can share same bass drum with Perc. 2). These percussion parts are simple, using only quarter-, half-, and dotted-half notes (slow eighth-notes in the Tambourine), and provide the rhythmic ostinato upon which the work progresses. The parts can easily be divided to provide playing opportunities for up to 8 percussionists. Or use three sets of finger cymbals (sounds even better) and accommodate up to 10 players!- - - - - - - - - - - - - - - -COMPOSER/ARRANGER: Now retired, Brian Harris holds the Ph.D. in Music Education from the Florida State University and was a public school and college band director for over 30 years. ___________________________Click here to view other Winter / Christmas Concert works from Bandroom.com Publications:Joy to the King (for beginners; super easy)Jingle Those Bells! (for beginners; super easy with flexible advanced parts)HouseTop March (easy; for advanced beginners or 2nd-year players)Ukrainian Bell Carol (for advanced beginners or 2nd-year players)Tidings of Joy (for advanced beginners or 2nd-year players)Journey of the Magi (for 2nd- or 3rd-year players)Also, please consider Latin Lullaby for your Spring Concert (for beginners)______________________
$31.99 ≈
29.93€
Appalachia Waltz (score - two violins)
Appalachia Waltz (score - two violins)
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2 Violons (duo)
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Duet - Advanced Intermediate - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Folk, Am...
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String Duet - Advanced Intermediate - Digital Download Composed by Mark O'Connor. Contemporary Classical, Post- Romantic, Neo-Classical, Folk, Americana. Score. 10 pages. Published by Mark O'Connor Musik International
Appalachia Waltz MO103A
Appalachia Waltz adapted for two violins by Mark O?Connor
Score (parts available)
Music by Mark O?Connor
6 pages - 6:30 minutes in length
Appalachia Waltz by Mark O?Connor is the title track from the album featuring O?Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine?s Classical music chart. O?Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O?Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O?Connor adapts the instrumentation for two violins. ?Appalachia Waltz? might well be one of Mark O?Connor?s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels.
Original music printed from the composer?s manuscripts.
Music editing, copying and engraving by Mark O?Connor
using ?Finale? on Apple Macintosh 1993
Composed By Mark O?Connor
Originally released on ?Appalachia Waltz? featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical
Can be heard on ?Duo? OMAC Records
https://omacrecords.com/omac-21-duo
Other versions can be heard on Mark O'Connor's "Crossing Bridges" OMAC Records and ?The Essential Mark O?Connor? Sony Classical
$7.50 ≈
7.02€
On Jordan's Stormy Banks - Flex Orchestra
On Jordan's Stormy Banks - Flex Orchestra
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Orchestre à Cordes
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DÉBUTANT
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having one or more instruments
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From Southern Harmony
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Kristin Campbell
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On Jordan's Stormy Banks - Fle
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Horsehair Music
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SheetMusicPlus
String Orchestra - Level 1 - SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Hor...
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String Orchestra - Level 1 - SKU: A0.596378 Composed by From Southern Harmony. Arranged by Kristin Campbell. Folk,Sacred. Score and parts. 30 pages. Horsehair Music #4274707. Published by Horsehair Music (A0.596378). The Flex Orchestra Series are arrangements that can flex to the instrumentation that is available in your context. This series was born out of a desire to have beginning players participate in worship and play along side more experienced players. These arrangements are written with a melody part in each instrument's clef. The melody part is the same from instrument to instrument with slight variations in register. Along with the melody part is a harmony part or ensemble part. Unlike the melody parts, each ensemble part is unique to that instrument. The piano accompaniment is the glue that holds it all together. This arrangement to be played as a solo with accompaniment, or any combination duet, trio, quartet or quintet with piano accompaniment. By having one or more instruments play the melody part, and then add any other instrument on their ensemble part. The melody part is overall the easiest or simplest part. The ensemble parts can be a little more techincal. These techniques would include harder string crossings, and some position work. This scoring flexiblity allows less-experienced players of any stringed instrument to play the melody part, and the more-experienced string players to play their instrument's ensemble part. This allows all levels of string players to play together any combination. On Jordan's Stormy Banks, the American hymn tune, PROMISED LAND, dates back to the early 1800's. It is originally found in a hymnal that was used in the singing schools that were prevalent throughout the southern United States. This arrangement has a fiddle-tune like flavor and uses some open string double stops in an opening motif, hinting at its roots in the folk song tradition. The melody part is can be played in first position entirely. Your players are sure to have fun with the double-stops, finger slides, sounded glissandos and rhythmic patterns that are sure to have you tapping your toe.
$9.99 ≈
9.35€
Anne-Louise Brillon de Jouy: Sonata no. 2 in Bb Major for piano or harpsichord
Anne-Louise Brillon de Jouy: Sonata no. 2 in Bb Major for piano or harpsichord
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Piano seul
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INTERMÉDIAIRE
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Anne-Louise Brillon de Jouy
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Anne-Louise Brillon de Jouy: S
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.534705 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Standar...
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Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - SKU: A0.534705 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Standards. Score and parts. 20 pages. Musik Fabrik Music Publishing #6342051. Published by Musik Fabrik Music Publishing (A0.534705). The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia. The Sonata no. 2 in Bb major is in two movements: Allegro malto moderato and Rondo with variations. Both of these movements utilse many passages with hand-crossings.
$10.35 ≈
9.68€
Vistas (viola part - vln, vla, cel)
Vistas (viola part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861809 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861809 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6202313. Published by Mark O'Connor Musik International (A0.861809). Vistas (viola – vln, vla, cel) MO143CViola Part (score and parts available)Music by Mark O’Connor7 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical Vistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony Classical Catalogue Number MO143CCopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Vistas (violin part - vln, vla, cel)
Vistas (violin part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861810 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861810 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 10 pages. Mark O'Connor Musik International #6202307. Published by Mark O'Connor Musik International (A0.861810). Vistas (violin part – vln, vla, cel) MO143BViolin Part (score and parts available)Music by Mark O’Connor6 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony Classical Catalogue Number MO143BCopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Vistas (cello part - vln, vla, cel)
Vistas (cello part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Vistas
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861812 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861812 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6202317. Published by Mark O'Connor Musik International (A0.861812). Vistas (cello – vln, vla, cel) MO143DCello Part (score and parts available)Music by Mark O’Connor8 pages - 10:20 minutes in length Vistas for violin, viola and cello (1999), was composed by Mark O’Connor and is featured on the Appalachian Journey album, recorded with Yo-Yo Ma and Edgar Meyer. In describing Vistas, Mark O’Connor explains the works initial inspiration came from his home studio in Vista, California. From his studio he has three magnificent views. In composing the piece he contemplated the three different views of the musicians, their three personalities and how they come together to speak the same language to say the same thing. In his liner notes for the album, respected classical producer and author John Schaefer describes the work as sprawling, almost narrative. A very small theme is explored separately by all three instruments, each arriving at the same melodic conclusion but at different points. Put together in almost a symphonic form, Vistas suggests a journey beneath big skies and far-off horizons, and finally, a return home. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed By Mark O’ConnorOriginally released on Appalachian Journey featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalVistas can be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesAlso on The Essential Mark O’Connor Sony ClassicalCatalogue Number MO143DCopyright © 1999 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Back On Track
Back On Track
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Orchestre d'harmonie
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DÉBUTANT
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Contemporain
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Martin Dhamen
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Joshua Capri
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Back On Track
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Mini Mountain Publishing
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SheetMusicPlus
Concert Band - Level 1 - SKU: A0.946002 By Martin Dhamen. By Martijn Heijmans. Arranged by Joshua Capri. Contemporary. Score and parts. 40 pages. Mini M...
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Concert Band - Level 1 - SKU: A0.946002 By Martin Dhamen. By Martijn Heijmans. Arranged by Joshua Capri. Contemporary. Score and parts. 40 pages. Mini Mountain Publishing #6094783. Published by Mini Mountain Publishing (A0.946002). Back on Track is a composition by DJVI and one of the many level theme songs from the popular video game Geometry Dash. Play along video recordings for this arrangement's score and each individual part can be found on YouTube by seaching for Back on Track Little Mountain Publishing.This arrangement is in Bb major and uses the first 6 notes for all instruments so it is ideal for any beginning band. The Clarinet part splits the C's so students who are looking for a challenge, can work on crossing the break.This piece also provides melody to all sections and features the low brass / woodwinds at measure 49 with cues in trumpet and alto saxophone.
$53.66 ≈
50.21€
Appalachia Waltz (violin part - vln, vla, cel)
Appalachia Waltz (violin part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 4 - SKU: A0.861758 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark ...
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String Ensemble,String Trio Violin - Level 4 - SKU: A0.861758 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6200473. Published by Mark O'Connor Musik International (A0.861758). Appalachia Waltz MO101BAppalachia Waltz adapted for Violin, Viola and Cello by Mark O’ConnorViolin Part (score and parts available)Music by Mark O’Connor3 pages - 7:20 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O’Connor adapts the instrumentation for violin, viola and cello for improved playability. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCan be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesOther versions can be heard on Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO101BCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Appalachia Waltz (viola part - vln, vla, cel)
Appalachia Waltz (viola part - vln, vla, cel)
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Viola - Level 4 - SKU: A0.861756 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O...
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String Ensemble,String Trio Viola - Level 4 - SKU: A0.861756 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6200485. Published by Mark O'Connor Musik International (A0.861756). Appalachia Waltz MO101CAppalachia Waltz adapted for Violin, Viola and Cello by Mark O’ConnorViola Part (score and parts available)Music by Mark O’Connor2 pages - 7:20 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O’Connor adapts the instrumentation for violin, viola and cello for improved playability. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCan be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesOther versions can be heard on Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO101CCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Appalachia Waltz (cello part - vln, vla, cel)
Appalachia Waltz (cello part - vln, vla, cel)
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 4 - SKU: A0.861759 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O...
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String Ensemble,String Trio Cello - Level 4 - SKU: A0.861759 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6200491. Published by Mark O'Connor Musik International (A0.861759). Appalachia Waltz MO101DAppalachia Waltz adapted for Violin, Viola and Cello by Mark O’ConnorCello Part (score and parts available)Music by Mark O’Connor2 pages - 7:20 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O’Connor adapts the instrumentation for violin, viola and cello for improved playability. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalCan be heard on Mark O'Connor's Crossing Bridges OMAC Recordshttps://omacrecords.com/omac-7-crossing-bridgesOther versions can be heard on Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO101DCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Appalachia Waltz (violin 2 part - three violins)
Appalachia Waltz (violin 2 part - three violins)
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 4 - SKU: A0.861766 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark ...
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String Ensemble,String Trio Violin - Level 4 - SKU: A0.861766 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6200721. Published by Mark O'Connor Musik International (A0.861766). Appalachia Waltz MO104CAppalachia Waltz adapted for three violins by Mark O’ConnorViolin Part 2 (score and parts available)Music by Mark O’Connor2 pages - 5:40 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O’Connor adapts the instrumentation for three violins. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical Other versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony ClassicalCatalogue Number MO104CCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Appalachia Waltz (violin 1 part - three violins)
Appalachia Waltz (violin 1 part - three violins)
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 4 - SKU: A0.861767 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark ...
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String Ensemble,String Trio Violin - Level 4 - SKU: A0.861767 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6200715. Published by Mark O'Connor Musik International (A0.861767). Appalachia Waltz MO104BAppalachia Waltz adapted for three violins by Mark O’ConnorViolin 1 Part (score and parts available)Music by Mark O’Connor3 pages - 5:40 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O’Connor adapts the instrumentation for three violins. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony ClassicalCatalogue Number MO104BCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Appalachia Waltz (violin 3 part - three violins)
Appalachia Waltz (violin 3 part - three violins)
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Violin - Level 4 - SKU: A0.861765 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark ...
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String Ensemble,String Trio Violin - Level 4 - SKU: A0.861765 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6200723. Published by Mark O'Connor Musik International (A0.861765). Appalachia Waltz MO104DAppalachia Waltz adapted for three violins by Mark O’ConnorViolin 3 Part (score and parts available)Music by Mark O’Connor2 pages - 5:40 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. As it currently appears in this manuscript, O’Connor adapts the instrumentation for three violins. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical Other versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony ClassicalCatalogue Number MO104DCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Appalachia Waltz (cello part - vln, cel, bs)
Appalachia Waltz (cello part - vln, cel, bs)
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Trio à Cordes: 3 violoncelles
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INTERMÉDIAIRE/AVANCÉ
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Cello - Level 4 - SKU: A0.861761 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O...
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String Ensemble,String Trio Cello - Level 4 - SKU: A0.861761 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 6 pages. Mark O'Connor Musik International #6200543. Published by Mark O'Connor Musik International (A0.861761). Appalachia Waltz MO102AAppalachia Waltz for Violin, Cello and Double Bass by Mark O’ConnorCello Part (Score for vln, vla, cel is available for reference MO101A)Music by Mark O’Connor2 pages - 5:40 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. O’Connor adapted for the instrumentation f violin, viola and cello as well. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony ClassicalCatalogue Number MO102ACopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Appalachia Waltz (double bass part - vln, cel, bs)
Appalachia Waltz (double bass part - vln, cel, bs)
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Mark O’Connor
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Mark O'Connor
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Appalachia Waltz
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio Double Bass - Level 4 - SKU: A0.861762 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. ...
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String Ensemble,String Trio Double Bass - Level 4 - SKU: A0.861762 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6200553. Published by Mark O'Connor Musik International (A0.861762). Appalachia Waltz MO102BAppalachia Waltz for Violin, Cello and Double Bass by Mark O’ConnorDouble Bass Part (Score for vln, vla, cel is available for reference MO102B)Music by Mark O’Connor2 pages - 5:40 minutes in length Appalachia Waltz by Mark O’Connor is the title track from the album featuring O’Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release debuted and then stayed for several months at the No.1 position on Billboard Magazine’s Classical music chart. O’Connor originally composed the piece as a solo for unaccompanied violin in 1993. For the recording with Ma in 1996, O’Connor and Meyer re-arranged the waltz for violin, cello and doublebass. O’Connor adapted for the instrumentation f violin, viola and cello as well. Appalachia Waltz might well be one of Mark O’Connor’s most-loved compositions. It utilizes musical inspiration from Scandinavian and Appalachian folk fiddling, while crafted into a classical music setting. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1993 Composed By Mark O’ConnorOriginally released on Appalachia Waltz featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions can be heard on Mark O'Connor's Crossing Bridges, Duo by Mark and Maggie O’Connor OMAC Records and The Essential Mark O’Connor Sony ClassicalCatalogue Number MO102BCopyright © 1993 by Mark O’Connor Music InternationalFor more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
4.21€
Pacer No. 2
Pacer No. 2
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Piano seul
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Contemporain
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Paul Burnell
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Pacer No. 2
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Paul Burnell
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SheetMusicPlus
Piano Solo - SKU: A0.835726 Composed by Paul Burnell. Contemporary. Score. 7 pages. Paul Burnell #58889. Published by Paul Burnell (A0.835726).
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Piano Solo - SKU: A0.835726 Composed by Paul Burnell. Contemporary. Score. 7 pages. Paul Burnell #58889. Published by Paul Burnell (A0.835726). Composed 2015 For keyboard and/or other instruments in four parts. Duration 3:15 approx. The keyboard may be a piano, or any other keyboard instrument such as harpsichord, toy piano, electric piano etc. adapting the playing style to interpret dynamics or note durations where these are otherwise not possible to achieve. The sotto markings in the keyboard part indicate the right hand crossing under the left hand. Programme note: There are several definitions of 'pacer' including a horse bred or trained to pace, used in some types of racing, and a fast bowler in cricket. Each of the three 'Pacers' composed by Paul Burnell are at a single insistent tempo - or pace - the second being Allegro (a quick, lively tempo).
$1.99 ≈
1.86€
All Night Long (all Night)
All Night Long (all Night)
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Chorale SATB
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INTERMÉDIAIRE
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Lionel Richie
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Maxime Mion
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All Night Long
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Maxime Mion
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1016927 By Lionel Richie. By Lionel Richie. Arranged by Maxime Mion. Contemporary,Rock. Octavo. 93 pages. Maxime...
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Choral Choir (SATB) - Level 3 - SKU: A0.1016927 By Lionel Richie. By Lionel Richie. Arranged by Maxime Mion. Contemporary,Rock. Octavo. 93 pages. Maxime Mion #5981545. Published by Maxime Mion (A0.1016927). This arrangement consists of the listed instruments and includes a big, as well as a small conductor's score.String crossings in the 2nd violin parts aren't easy at times but manageable none the less.All in all the arrangement is at an intermediate level, it has already been performed once with an ensemble at my school.
$29.00 ≈
27.13€
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