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As the Stag

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3651

Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series)

Montenegrin National Anthem for Symphony Orchestra (Kt Olympic Anthem Series) #Orchestre #INTERMÉDIAIRE #Patriotique #Montenegrin folk song #Keith Terrett #Montenegrin National Anthem fo #Keith Terrett #SheetMusicPlus

Full Orchestra - Level 3 - SKU: A0.746971 Composed by Montenegrin folk song. Arranged by Keith Terrett. 20th Century,Multicultural,Patriotic,Praise & Wo...(+)

$36.00 ≈ 33.60€

As the Stag (Sicut Cervus Disderat)

As the Stag (Sicut Cervus Disderat) #2 Euphoniums et 2 Tubas #FACILE #Giovanni Pierluigi da Palestri #Tim Olt #As the Stag #Olt Music #SheetMusicPlus

Tuba Quartet Euphonium,Tuba - Level 2 - SKU: A0.1342516 Composed by Giovanni Pierluigi da Palestrina. Arranged by Tim Olt. Chamber,Renaissance. 7 pages....(+)

$10.00 ≈ 9.33€

The Stag Leap. Polka Redowa

The Stag Leap. Polka Redowa #Piano seul #Johann Munck #The Stag Leap. Polka Redowa #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Piano - SKU: LV.9718 Composed by Johann Munck. Forests, Deer. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Librari...(+)

$5.99 ≈ 5.59€

Finnish National Anthem for Brass Quintet

Finnish National Anthem for Brass Quintet #Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba #INTERMÉDIAIRE #Patriotique #Keith Terrett #Keith Terrett #Finnish National Anthem for Br #Keith Terrett #SheetMusicPlus

Brass Quintet Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1215110 By Keith Terrett. By Fredrik Pacius(1809-1891). Arranged by Keith Terrett...(+)

$8.99 ≈ 8.39€

Anthem for Sacred Youth Choir - "Go Make A Difference"

Anthem for Sacred Youth Choir - "Go Make A Difference" #Chorale 3 parties #FACILE #Steve Angrisano and Tom Tomasz #Kenneth Martin #Anthem for Sacred Youth Choir #Martin Music Editions #SheetMusicPlus

Choral Choir,Choral,SAB Chorus - Level 2 - SKU: A0.1412590 By Steve Angrisano and Tom Tomaszek. By Steve Angrisano and Tom Tomaszek. Arranged by Kenneth...(+)

$2.10 ≈ 1.96€

GRACE DARLING an original stage musical

GRACE DARLING an original stage musical #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Dennis A #GRACE DARLING an original stag #Tyne Music #SheetMusicPlus

Choral Choir (SATB) - Level 4 - SKU: A0.999344 Composed by Dennis A. Westgate. 20th Century,Contemporary,Graduation,World. Octavo. 130 pages. Tyne Music...(+)

$75.00 ≈ 70.00€

LILLY'S DANCE (THE TUMBLER)

LILLY'S DANCE (THE TUMBLER) #Saxophone Tenor et Piano #INTERMÉDIAIRE/AVANCÉ #Joe Procopio #the vocalist/bassist I #LILLY'S DANCE #JoeCopio Music LLC #SheetMusicPlus

Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - SKU: A0.876447 Composed by Joe Proco...(+)

$4.99 ≈ 4.66€

Under The Sea

Under The Sea #Piano Facile #DÉBUTANT #Alan Menken and Howard Ashman #Catherine Wilson #Under The Sea #Catherine Wilson #SheetMusicPlus

Easy Piano - Level 1 - SKU: A0.1349167 Composed by Alan Menken and Howard Ashman. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/TV,I...(+)

$4.99 ≈ 4.66€

Just Around The Riverbend

Just Around The Riverbend #Piano Facile #DÉBUTANT #Alan Menken and Stephen Schwar #Catherine Wilson #Just Around The Riverbend #Catherine Wilson #SheetMusicPlus

Easy Piano - Level 1 - SKU: A0.1349152 Composed by Alan Menken and Stephen Schwartz. Arranged by Catherine Wilson. 20th Century,Broadway,Children,Film/T...(+)

$4.99 ≈ 4.66€

Go The Distance

Go The Distance #Piano Facile #DÉBUTANT #Michael Bolton #Catherine Wilson #Go The Distance #Catherine Wilson #SheetMusicPlus

Easy Piano - Level 1 - SKU: A0.1349151 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Catherine Wilson. 20th Century,Broadway,Film/TV,I...(+)

$4.99 ≈ 4.66€

Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de

Robert Orledge: A Night in the House of Usher for organ, based on themes from Debussy's "La Chute de #Orgue #AVANCÉ #Classique #Claude Debussy/Robert Orledge #Robert Orledge: A Night in the #Musik Fabrik Music Publishing #SheetMusicPlus

Organ - Level 5 - SKU: A0.534661 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Halloween. Score. 16 pages. Musik Fabrik Music Publishi...(+)

$12.95 ≈ 12.09€

One Second to the Future - Guitar Orchestra

One Second to the Future - Guitar Orchestra #Brent C Robitaille #One Second to the Future - Gui #Brent C Robitaille #SheetMusicPlus

Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...(+)

$75.00 ≈ 70.00€

The End Of The World

The End Of The World #Piano seul #INTERMÉDIAIRE/AVANCÉ #Skeeter Davis #Timothy Stapay #The End Of The World #Timothy Stapay #SheetMusicPlus

Piano Solo - Level 4 - SKU: A0.1200229 By Skeeter Davis. By Arthur Kent and Sylvia Dee. Arranged by Timothy Stapay. Broadway,Film/TV,Musical/Show,Pop,Ro...(+)

$6.99 ≈ 6.52€

BROKEN DOLL an original all-girl stage musical

BROKEN DOLL an original all-girl stage musical #Chorale 2 parties #INTERMÉDIAIRE/AVANCÉ #Dennis A # #BROKEN DOLL an original all-gi #Tyne Music #SheetMusicPlus

Choral Choir (SA) - Level 4 - SKU: A0.999343 Composed by Dennis A. Westgate. Christian,Musical/Show,Pop,R & B,World. Octavo. 83 pages. Tyne Music #58691...(+)

Choral Choir (SA) - Level 4 - SKU: A0.999343 Composed by Dennis A. Westgate. Christian,Musical/Show,Pop,R & B,World. Octavo. 83 pages. Tyne Music #5869115. Published by Tyne Music (A0.999343). BROKEN DOLL: A full length family play in the TYNE ONSTAGE series of original musicals. With Drama, Comedy and Song . This is an educational piece for Directors or Drama Teachers in education or the Performing Arts. Set in Heaven, Broken Doll tells the story of a group of recently deceased young women looking down on a teenage girl who is contemplating suicide. They are not told why and the role of the group is to persuade the girl's Spirit, to return to its host. There are a wide range of characters within the piece and although they all have one thing in common, (they are all female), their outlooks and life experiences are naturally all very different and each has an opinion on the cause of the young girl's demeanour and to come up with with a proposition on how to save the girlâ€™s life. This is presented through the music and dialogue. Vocally the cast will have different capabilities and timbres.This diversity of styles in characters and the memorable musical content should appeal to teenagers as well as family members. The stage set is very basic, making the overall cost much lower, allowing it to be performed anywhere with a suitable space. It also has the potential to be filmed and the subsequent DVD could then be made available to anyone working with young people. All the necessary advice, information and useful contacts, should be provided in the programme notes. The album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/broken-dollP.S. There are also a set of band parts available on request from the composer.SONG TITLES 1) Look to the Stars 2) Sad Reflections 3) Three Little Words 4) Morning Mist (ballet sequence) 6) Pills & Potions 7) Men! 8) Donâ€™t Talk to Me 9) Poor Sister10) Grains of Sand11) Some Say12) Broken Doll

$50.00 ≈ 46.66€

PLANET ORIGAMI (an original, futuristic comedy stage musical)
PLANET ORIGAMI (an original, futuristic comedy stage musical) #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Dennis A # #PLANET ORIGAMI #Tyne Music #SheetMusicPlus

Choral Choir (Mixed) - Level 4 - SKU: A0.999349 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Octavo. 73 pages. Tyne Music #...(+)

Choral Choir (Mixed) - Level 4 - SKU: A0.999349 Composed by Dennis A. Westgate. Children,Contemporary,Musical/Show,World. Octavo. 73 pages. Tyne Music #5888377. Published by Tyne Music (A0.999349). PLANET ORIGAMI : Is my latest play in the TYNE ONSTAGE series of family orientated musicals and takes the audience â€˜Out of this Worldâ€™ to a strange little planet in a far distant galaxy on a small barren rocky planet called BEEZEDON. This is a place entirely inhabited by a race of androids, who after some catastrophic event, were the only machines immune from the ensuing radiation which destroyed every living life form and fauna. Before leaving for a safer haven, the emigrating intelligencia built a new colony of these â€˜droids and programmed them to make their planet beautiful again by carpeting it with new flowers, when it was deemed â€˜safe.â€™ The droids had carried out this programme diligently for the next thousand years. However no one had thought through the consequence of instigating such a rigid programme and when their preliminary attempts ended in failure and the fauna died,these clever machines found a perfect solution by refering to their data banks and manufacturing replicas from synthesised plastic. Once the programme was completed and with no more space left, the â€˜droids instantly â€˜restored' themselves and began creating their world all over again. This is where my story begins:- â€˜Melody Mayflowerâ€™, Is a newly appointed Earthâ€™s Ambassador and a representative of the Commission for Harmony and Concilliation, an organisation which has been extending its borders throughout the Milky Way Galaxy. Our own star system has become a recent member and Melody is one of their many Goodwill Ambassadors. Although she doesnâ€™t know it, she has been selected for the onerous task of convincing the Droid Nation that their programme is now obselete, as Beezedon is now free of contamination, therefore ready for re-planting with organic material.

$37.00 ≈ 34.53€

In the Forest Wild
In the Forest Wild #Piano, Voix #E #E #In the Forest Wild #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Piano and voice - SKU: LV.17273 Composed by E. H. Osborn. Hunting, Hunting dogs, Deer, Horseback riding, Fences, Courage, Courtship & love. Lester S. Le...(+)

Piano and voice - SKU: LV.17273 Composed by E. H. Osborn. Hunting, Hunting dogs, Deer, Horseback riding, Fences, Courage, Courtship & love. Lester S. Levy Collection. 4 pages. Published by Johns Hopkins University Sheridan Libraries (LV.17273). In the Forest Wild. By E.H. Osborn. Published [n.d.] by Henry McCaffrey in Baltimore. Composition of strophic with refrain with piano and voice instrumentation. Subject headings for this piece include Hunting, Hunting dogs, Deer, Horseback riding, Fences, Courage, Courtship & love. First line reads In the forest wild I shoot the stag, or the roebuck bounding free First line of refrain And felt the pow'r of love.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

$5.99 ≈ 5.59€

Songs We Hear on the Stage. A Descriptive Satire
Songs We Hear on the Stage. A Descriptive Satire #Piano, Voix #John W #Songs We Hear on the Stage. A #Johns Hopkins University Sheridan Libraries #SheetMusicPlus

Piano and voice - SKU: LV.5761 Composed by John W. Bratton. Portraits, Rescues, Poor persons, Mothers & children, Accidents, Fathers & children, Philant...(+)

Piano and voice - SKU: LV.5761 Composed by John W. Bratton. Portraits, Rescues, Poor persons, Mothers & children, Accidents, Fathers & children, Philanthropy, Love, Satire, Entertainment. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.5761). Songs We Hear on the Stage. A Descriptive Satire. Words by Walter H. Ford. Music by John W. Bratton. Published 1895 by M. Witmark & Sons, 51 West 28th Street in New York. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Portraits, Rescues, Poor persons, Mothers & children, Accidents, Fathers & children, Philanthropy, Love, Satire, Entertainment. First line reads Men have won a nation's praise, sometimes they deserve it.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

$5.99 ≈ 5.59€

Abraham’s Daughter: March from the Civil War
Abraham’s Daughter: March from the Civil War #Orchestre d'harmonie #INTERMÉDIAIRE #Folklorique/Traditionel #Stephen R Dalrymple #Abraham’s Daughter: Marc #Stephen R Dalrymple #SheetMusicPlus

Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and...(+)

Concert Band - Level 3 - SKU: A0.818257 By Stephen R Dalrymple. By Septimus Winter. Arranged by Stephen R Dalrymple (Dalrymple Designs). Folk. Score and parts. 54 pages. Stephen R Dalrymple #3566019. Published by Stephen R Dalrymple (A0.818257). Abrahamâ€™s Daughter: March from the Civil War â™« by Septimus Winter (1861) â™« with When Johnny Comes Marching Home by Patrick Gilmore a.k.a. Louis Lambert (1863). â™« arranged for concert band by Stephen R Dalrymple â™« After a family trip to Gettysburg, Antietam, Harperâ€™s Ferry, and Ford Theater, I created a concert band arrangement to solidify the trip in my mind using a popular Civil War song from the North, â€œAbrahamâ€™s Daughter,â€ and a song used by both North and South, â€œJohnny Comes Marching Home.â€ â™« Music was a means for soldiers to release the tensions of war. By December 1861 the Union army had 28,000 musicians in 618 bands, not counting soldiers who travelled with violins and other musical instruments. Soldiers often sang as they marched by day and at night in camp. Musical duels were not uncommon between Union and Confederate bands. This idea inspired the last section of the arranger where the 2 songs are played against each other. â™« Septimus Winner wrote â€œAbrahamâ€™s Daughterâ€ in 1861 for the Minstrel stage. â€œAbrahamâ€™s Daughterâ€ pictures a fresh recruit that is on his way to Washington DC to be processed and trained for future battles. â™« Given the unpublished verses we have, Abrahamâ€™s Daughter was undoubtedly sung and embellished by Union soldiers as they travelled from battlefield to battlefield. â™« Winner is also known for writing â€œTen Little Injunsâ€ â€œListen to the Mockingbirdâ€ and â€œWhere, Oh Where Has My Little Dog Gone?â€ â™« Abraham Lincoln had 4 sons, Robert Todd, Edward Baker, William Wallace, and Thomas (Tad); but no daughters. So, who is Abrahamâ€™s daughter? â™« Oh! Should you ask me who she am, Columbia is her name, sir; She is the child of Abraham, Or Uncle Sam, the same, sir. Now if I fight, why ain't I right? And don't you think I oughter. The volunteers are a-pouring in From every loyal quarter, And I'm goin' down to Washington To fight for Abraham's daughter. â™« At the beginning of the war, the majority of soldiers, North and South, were fighting to uphold their view of government, each side justifying its position by quoting the Constitution. Southern States saw each State as a sovereign, independent nation. Abraham Lincoln insisted that the United States were one nation. For Abraham Lincoln, the purpose of the war was to preserve the Union. The undivided union was Lincolnâ€™s daughter. â™« arrangement Â© 2000, 2013 Stephen R Dalrymple â™« recording â„— 2021 Stephen R Dalrymple â™« presentation Â© 2021 Stephen R Dalrymple â™« sequenced by the arranger â™« Purchase price includes permission to make photocopies of parts and additional scores for a medium size school band. â™« This .pdf file includes 1) Condensed Conductorâ€™s Score 2) Individual parts for: Instrumentation: Flute, Oboe, Clarinet 1, Clarinet 2, Alto Clarinet, Bass Clarinet, Alto Sax, Tenor Sax, Baritone Sax, Bassoon, Trumpet 1, Trumpet 2, F Horn, Trombone, Treble Clef Baritone, Tuba, Electric Bass, Snare and Bass Drums, Cymbals, and Bells. 3) Condensed Conductorâ€™s Score in a smaller format for use in a 10 inch tablet 4) The same parts formatted for a 10 inch tablet. â™« The YouTube video contains a full recording.

$19.00 ≈ 17.73€

CLOSED CIRCUIT an original & modern 'digital' stage musical
CLOSED CIRCUIT an original & modern 'digital' stage musical #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Dennis A #CLOSED CIRCUIT an original &am #Tyne Music #SheetMusicPlus

Choral Choir (Mixed) - Level 4 - SKU: A0.999347 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 69 pages. Tyne Music #58717...(+)

Choral Choir (Mixed) - Level 4 - SKU: A0.999347 Composed by Dennis A. Westgate. Contemporary,Musical/Show,Pop,World. Octavo. 69 pages. Tyne Music #5871739. Published by Tyne Music (A0.999347). CLOSED CIRCUIT: A modern play in the TYNE ONSTAGE series of family orientated musicals. This 10th album in the series of book, music & lyrics and is set inside the working of a computer. The main characters are some of the common modules found in every business computer and the story follows them as they go about their individual programmes.Act 1.Begins in the â€˜Mail Roomâ€™ where all of the incoming mail is scanned by grandpa Macspammer before passing the safe material to Ariel the filing clerk whoâ€™s very fond of reading the â€˜loveâ€™ messages passed between two of te office workers. Weâ€™re then introduced to (Mike Rowchip) â€˜Chipperâ€™ the â€˜Waste Disposal module on his daily round and always tends to spend a little more time than is necessary in the mailroom. The story developes with the computer going 'offline' for temporary repairs, allowing Ariel to take advantage of this free time by coersing Chipper to take her on a tour of the circuit board with dire consequences when a computer virus 'Medussa' breaks into the C.P.U. This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/closed-circuitP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords so you would have to add your own instrumentation However this is reflected in the price.

$50.00 ≈ 46.66€

High Hopes - String Quartet - Panic! At The Disco arr. Cellobat -- Recording Available!
High Hopes - String Quartet - Panic! At The Disco arr. Cellobat -- Recording Available! #Quatuor à cordes: 2 violons, alto, violoncelle #INTERMÉDIAIRE #Rock #Panic! At the Disco #Sarah Cellobat Chaffee #High Hopes - String Quartet - #Sarah Chaffee #SheetMusicPlus

String Quartet - Intermediate - By Panic! At the Disco. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 21 pages. Published by Sarah Chaffe...(+)

String Quartet - Intermediate - By Panic! At the Disco. Arranged by Sarah Cellobat Chaffee. Score, Set of Parts. 21 pages. Published by Sarah Chaffee
"High Hopes" was released by Panic! At The Disco in 2018 as a single from their sixth studio album, "Pray For The Wicked." This upbeat, catchy song soon became a smash hit, reaching number 4 on the Billboard charts and becoming their highest-charting single of all time. This arrangement for string quartet has the exuberant energy, rich harmonic layers, driving beat, and dynamic impact of the original, and it's absolutely as much fun to play as it is to listen to! Great for parties, corporate events, solo & ensemble contests, or even weddings and receptions, it's a guaranteed crowd pleaser and you're sure to get your audience singing along. This arrangement is dedicated to a good friend of mine who was in P!ATD's string section on their "Pray For The Wicked" tour -- Kiara, it was so much fun watching you play this song with them! Rated intermediate, this chart will be playable for students and easily sightreadable for professionals. There is nothing above first position in the V2, viola, and cello parts, and only a few notes higher than that in V1. There are a few tied rhythms in but nothing too complicated.

Why choose Cellobat Charts arrangements? For any musician who knows what they're doing, the answer is easy: just listen to them. Every freelance musician has thrown hard-earned money away on questionable, error-filled charts by unknown arrangers from weird corners of the Internet. But watch out -- inferior arrangements not only make gigs less enjoyable to play, but they also make your group sound bad to your client and audience, no matter how great your players really are. That's why Cellobat Charts is here: to provide students and working string players alike with high-quality versions of highly requested music. My arrangements are guaranteed to be energetic, fun to play, and enjoyable to listen to, whether or not you're familiar with the original songs. Hear the difference for yourself! Full videos of many Cellobat Charts arrangements are available on YouTube so you know exactly what you're getting. Click "Watch" near the item details at the top of the page for full video of "High Hopes." Crowd pleasing guaranteed.

Sarah "Cellobat" Chaffee earned her bachelor's degree in cello performance from the Cleveland Institute of Music and is now based in Las Vegas. She currently performs with Aerosmith in their "Deuces Are Wild" residency at The Park MGM Theater on the Las Vegas Strip. Sarah is also the principal cellist in David Perrico's Pop Strings Orchestra, a 14-piece band that performs every Friday and Saturday at Caesars Palace, and she plays regularly for Premiere Wedding Music and Bella Electric Strings. Sarah has performed and recorded with many other artists including Halsey, Disturbed, M�tley Cr�e, Celine Dion, Kygo, Ricky Martin, Sarah Brightman, Il Divo, and Lady Antebellum. She can be found at:
http://www.cellobat.com
http://www.instagram.com/cellobat
http://www.youtube.com/c/SarahCellobatChaffee

$16.99 ≈ 15.86€

THE CHRISTMAS CAROL MUSICAL (a new version of this classic story)
THE CHRISTMAS CAROL MUSICAL (a new version of this classic story) #Chorale SATB #INTERMÉDIAIRE/AVANCÉ #Noël #Dennis A #THE CHRISTMAS CAROL MUSICAL #Tyne Music #SheetMusicPlus

Choral Choir (SATB) - Level 4 - SKU: A0.999351 Composed by Dennis A. Westgate. Christmas,Contemporary,Musical/Show,World. Octavo. 79 pages. Tyne Music #...(+)

Choral Choir (SATB) - Level 4 - SKU: A0.999351 Composed by Dennis A. Westgate. Christmas,Contemporary,Musical/Show,World. Octavo. 79 pages. Tyne Music #5889575. Published by Tyne Music (A0.999351). THE CHRISTMAS CAROL MUSICAL:- Who better to write the libretto for this classical Christmas story, than the author?Taking the the actual dialogue from the Charles Dickens novel Iâ€™ve added an original score. This musical play is another in the TYNEONSTAGE series of family orientated stage musicals and will be ideal for any senior school or college looking for something different to add to their festive programme. There are ten original descriptive songs for both solo artists and choristers. Even though this story has been adapted and presented in many different ways, I would like to add this, my own version, as a tribute to one of the giants of the literary world. This album includes the Piano & Vocal Score along with the full Libretto.For full information please see my website:- https://www.tynemusic.com/the-christmas-carol-musicalP.S. Owing to the high cost in orchestration The music is only available as a piano score with lyrics and chords. However this is reflected in the price. You would have to add your own instrumentation.SONG TITLES 1) Bah Humbug! 2) Hey Ding a Dong 3) Marleyâ€™s Lament 4) Today is Born a King 5) The Christmas {olka 6) Without Love 7) An Old Fashioned Christmas 8) My Father 9) A Winterâ€™s Morning10) Thoughts of Christmas

$55.00 ≈ 51.33€

with their absences we mourn
with their absences we mourn #Orchestre #INTERMÉDIAIRE #Contemporain #Nathan Grocholski #with their absences we mourn #Nathan Grocholski #SheetMusicPlus

Full Orchestra - Level 3 - SKU: A0.1074986 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 115 pages. Nathan Grocholski #679248....(+)

Full Orchestra - Level 3 - SKU: A0.1074986 Composed by Nathan Grocholski. Classical,Contemporary. Score and parts. 115 pages. Nathan Grocholski #679248. Published by Nathan Grocholski (A0.1074986). The past year has been filled with collective grief throughout the entire world. In some way or another, the global pandemic of 2020-21 has affected each one of us in our own way. In this piece, I illustrate the five stages of grief; denial, anger, bargaining, depression, and acceptance. The entire piece is harmonically based on two pitches, E and G-sharp. In the denial and anger stage of this work, this is characterized by a C augmented chord. Once the music finally makes sense of this loss, each of the instruments begin to play off each other; as part of the bargaining. About two-thirds of the way into the entire composition, the piece dramatically slows down and the E and G-sharp chord returns, only this time with C-sharp to represent a minor chord. The texture is heavy to represent depression. At measure 201, the flute enters with a melody that gradually grows, symbolic of accepting the loss as the texture increases. The final phrase of this piece ends with the true acceptance of this loss, but the grief has not completely dissipated. It shrinks, but still remains. The opening sectionâ€™s E and G# are retained in the final chord of the composition to show that grief remains. But they are now part of an E major triad, suggesting acceptance and moving forward.

$5.00 ≈ 4.67€

Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1 #Piano seul #INTERMÉDIAIRE/AVANCÉ #Classique #Claude Debussy/Robert Orledg #Debussy Inconnu: Album of work #Musik Fabrik Music Publishing #SheetMusicPlus

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. ...(+)

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septi�me regrettent!!!, Petite Valse,F�tes galantes, and Pr�lude � ?L?Histoire de Tristan?

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pell�as et M�lisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orph�e-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint S�bastien and La Bo�te � joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr� Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr� Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

$38.95 ≈ 36.35€

Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 2 #Piano seul #INTERMÉDIAIRE/AVANCÉ #Classique #Claude Debussy/Robert Orledg #Debussy Inconnu: Album of work #Musik Fabrik Music Publishing #SheetMusicPlus

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76...(+)

Piano Solo - Advanced Intermediate - Digital Download Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire. Score. 76 pages. Published by Musik Fabrik Music Publishing
Contains Le Roi Lear: Pr�lude,Premi�re Fanfare, and La Mort de Cord�lia,Toomai des �l�phants, Rodrigue et Chim�ne: Pr�lude � l?acte 1p. Le Martyre de Saint S�bastien: La Passion , and No-ja-li ou Le Palais du Silence

From Robert Orledge's notes:

My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pell�as et M�lisande in 1893?1902 and the ballet Jeux for Diaghilev?s Ballets Russes in 1912?13). Of the rest, many were never started musically (like Siddartha and Orph�e-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902?03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908?17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912?13; or Le Martyre de Saint S�bastien and La Bo�te � joujoux by his ?angel of corrections? [?l?ange des Corrections?] Andr� Caplet in 1911 and 1919 respectively).

For it has to be admitted that what some scholars call Debussy?s ?compulsive achievement? could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure?s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.

It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ?write a ballet for him that he would sign? on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with Andr� Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.

So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy?s lost potential masterpieces from his existing sketches and drafts?then orchestrating them in Debussy?s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.

$38.95 ≈ 36.35€

Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano
Carson Cooman: Rossini in the Kitchen (2005) for tenor and piano #Voix Tenor #INTERMÉDIAIRE/AVANCÉ #Carson Cooman #Carson Cooman: Rossini in the #Musik Fabrik Music Publishing #SheetMusicPlus

Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishi...(+)

Tenor Voice,Vocal Solo - Level 4 - SKU: A0.533605 Composed by Carson Cooman. Concert,Contemporary,Opera,Standards. 17 pages. Musik Fabrik Music Publishing #3030523. Published by Musik Fabrik Music Publishing (A0.533605). Rossini in the Kitchen (2005) is a comic staged monodrama for tenor and piano. It wascomposed for and is dedicated to Frank Napolitano.The work imagines the Italian composer Gioacchino Rossini (1792-1868) in his later years inParis. After his rather young retirement at age 37, Rossini wrote no more opera and insteadled a life of leisure and luxury, pursuing his great love of gourmet cooking.Although Rossini was from the northernmost regions of Italy, known for their elegant Frenchinfluencedcuisine, the recipes in this work are familiar Tuscan style Italian fare. It isassumed that Rossini would perhaps have enjoyed these dishes as well and made them as anod to his native country, whose national musical style he had so impacted with hiscompositional work.The musical language of this work is ecletic, drawing upon the common practice language ofRossini's time, distorted and amplified through more contemporary sounds and textures.Some of the contemporary sounds and textures are derived from popular music traditions ofthe second half of the 20th century. Since, like more modern popular music, Rossini's ownwork was some of the most popular and widely known music of its time. His tunes werewhistled by people in the streets, in the same way that today's pop songs are.Thus, the musical language of the work sometimes switches abruptly or transforms from onestyle into another. There are numerous allusions to Rossini's own music as well as that ofother later opera composers who were indebted to him.

$25.95 ≈ 24.22€

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