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Around the World in One Concert: String Bass
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Vous avez sélectionné:
Around the World in One Concert: String Bass
Partitions à imprimer
14 partitions trouvées
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1
Around the World in One Concert: String Bass
Around the World in One Concert: String Bass
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Orchestre à Cordes
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Methodes
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Elena Roussanova Lucas
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Douglas E
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Around the World in One Concer
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
String Orchestra - SKU: AX.00-PC-0014603_SB String Bass. Composed by Elena Roussanova Lucas. Arranged by Douglas E. Wagner and Michael Story. Ins...
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String Orchestra - SKU: AX.00-PC-0014603_SB String Bass. Composed by Elena Roussanova Lucas. Arranged by Douglas E. Wagner and Michael Story. Instructional. Part. 4 pages. Alfred Music - Digital Sheet Music #00-PC-0014603_SB. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0014603_SB). UPC: 038081376011.Stretch your performance music budget further with a collection of pieces for the price of one! The Alfred and Belwin Signature Performance Series combine several best-selling pieces by our popular composers and arrangers into one set of score and parts. Made for young bands and orchestras, each set contains full-length pieces that can be used together in one concert or separately, with themes such as classic popular Christmas, movies, international, pop, and Classics appropriate for Contest. Also available for choir and handbell choir. Enjoy quality music at a great value price! This title includes British, Japanese, and Russian songs. Titles: O Waly, Waly (The Water Is Wide) * Sakura (Cherry Blossoms) * Russian Polka.Concert/Contest.
$5.99 ≈
5.57€
Concerto for Oboe and Bassoon in C minor.
Concerto for Oboe and Bassoon in C minor.
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto for Oboe and Bassoon
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Arte Nova Music Lab
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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String Orchestra - Level 4 - SKU: A0.742492 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 57 pages. Arte Nova Music Lab #5041947. Published by Arte Nova Music Lab (A0.742492). Around the year 1726, John Walsh, a London music publisher, created a wonderful forgery in order to run around the copyright laws of the day: he pretended to pirate an edition supposedly published by the House of Roger in Amsterdam. This forgery included 12 Sonatas for solo instrument and continuo which had been composed by one George Frideric Handel (1685-1759). Around 1793 the House of Arnold published the same set, omitting two of the original 12 and replacing them with two others by Handel. So at this point there were a total of 14 solo sonatas available to the public.In the year 1879 Friedrich Chrysander issued these 14 works and several others in volume 27 of the German Handel Society’s Gesamtausgabe of Handel’s works. Since then they have been edited from this scholarly work many times, and afflicted by all sorts of permutations which reflect the various styles of performance in vogue over the years. One finds editions stripped of ornamentation but loaded with articulation and dynamic markings at one end of the spectrum, and editions with modest stenographic and florid ornamentation at the other. The Sonata in C Minor (London: 1712) is a pure example of the middle phase of the solo sonata da chiesa [church sonata]. The first three movements are indicative of the style found in sonatas derived from the disruptive canzona of the early 17th century. An initial slow movement with walking bass is followed by an imitative movement (in this case, a fugue with a chromatic subject), which in turn leads to an Adagio. This latter movement in the relative major is a ricercare containing several imitative entrances. The finale is a spirited binary-form Bourrée angloise, an item taken over from the French ordre or dance suite. The extraordinarily short length of this movement seems to indicate that a trio is missing here; therefore, I have added the bourrée from the Royal Fireworks Music of 1749 to act as a trio, but players are certainly free to omit it. Adding a series of variations based on the chord changes of the Bourrée angloise would be an alternative way to lend weight to this final movement.Taken from https://www.idrs.org/scores/Lehrer/DRArch/69HandelSonataCm.html
$30.00 ≈
27.91€
New World Symphony (Orchestra/ Concert Band Flexible Instrumentation)
New World Symphony (Orchestra/ Concert Band Flexible Instrumentation)
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Orchestre d'harmonie
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FACILE
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Classique
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Antonin Dvorak
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Frank Chow
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New World Symphony
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Frank Chow
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.902749 Composed by Antonin Dvorak. Arranged by Frank Chow. Instructional,Romantic Period. Score and parts. 33 pages. Fr...
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Concert Band - Level 2 - SKU: A0.902749 Composed by Antonin Dvorak. Arranged by Frank Chow. Instructional,Romantic Period. Score and parts. 33 pages. Frank Chow #6859663. Published by Frank Chow (A0.902749). New World Symphony is the ninth symphony written by AntonÃn Dvořák in 1893. The E minor symphony has been described as one of the most popular of all symphonies. This arrangement is an excerpt of the iconic finale. The flexible instrumentation enables a mixture of instruments, from small ensemble to orchestra. Essential fingerings and bowings are provided in the string parts. For instruments of Part 1and 2, the range is within one octave, which makes the music suitable for junior players who played the instrument for around 1 year.InstrumentationPart 1: Violin, Flute, Oboe, Clarinet, Alto Saxophone, TrumpetPart 2: Violin, Flute, Clarinet, Alto Saxophone, TrumpetPart 3: Viola, Violin(Viola T.C.), Tenor Saxophone, Bassoon, Horn, Trombone, EuphoniumPart 4: Cello, Double Bass, Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, TubaPercussion: Timpani, Snare Drum, Bass Drum, Cymbal, Mallet PercussionCondense Score & Full ScoreContactEmail:walter1994430@gmail.comWebsite: https://walter1994430.wixsite.com/frankchow.
$30.00 ≈
27.91€
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
Silent Night (Bb) (String Octet - 3 Violins, 2 Violas, 2 Cellos, 1 Bass)
#
Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813994 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Mult...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813994 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636651. Published by Regis Bookshar (A0.813994). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 2 Violas, 2 Violoncellos and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
7.44€
Silent Night (Bb) (String Octet - 3 Violins, 1 Viola, 3 Cellos, 1 Bass)
Silent Night (Bb) (String Octet - 3 Violins, 1 Viola, 3 Cellos, 1 Bass)
#
Noël
#
the 1840's, the song was well
#
Franz Xaver Gruber
#
Regis Bookshar
#
Silent Night
#
Regis Bookshar
#
SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813992 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instruct...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.813992 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,Multicultural,World. Score and parts. 12 pages. Regis Bookshar #6636649. Published by Regis Bookshar (A0.813992). String Octet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (12 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Octet, consisting of 3 Violins, 1 Viola, 3 Violoncellos and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$8.00 ≈
7.44€
Silent Night (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
Silent Night (Bb) (String Quintet - 2 Violins, 1 Viola, 1 Cello, 1 Bass)
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Noël
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the 1840's, the song was well
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Franz Xaver Gruber
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Regis Bookshar
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Silent Night
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Regis Bookshar
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SheetMusicPlus
String Ensemble,String Quintet - Level 3 - SKU: A0.813970 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,World. Sco...
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String Ensemble,String Quintet - Level 3 - SKU: A0.813970 Composed by Franz Xaver Gruber. Arranged by Regis Bookshar. Christmas,Instructional,World. Score and parts. 7 pages. Regis Bookshar #6635863. Published by Regis Bookshar (A0.813970). String Quintet - Intermediate - . This arrangement of Silent Night, or in German, Stille Nacht, would be a wonderful addition to any music library and could be performed for Christmas concerts, recitals, and, especially, church services. It is equally suitable for junior and senior high school students and even older musicians. Depending on their ability, younger musicians would also enjoy playing this selection. Included are a score and a complete set of parts (7 pages). This selection is one of the many arrangements from The Regis Bookshar Trumpet Ensemble's extensive music library which are being made available for the first time.Silent Night is probably the most popular Christmas carol ever written. It was composed in 1818 by Franz Xaver Gruber to lyrics by Joseph Mohr and was first performed on Christmas Eve at St. Nicholas parish church in Oberndorf, a small village in present-day Austria. A young Catholic priest, Father Joseph Mohr, had written the poem, Stille Nacht, in 1816 and had gone to Oberndorf in 1817. The melody was composed by Franz Xaver Gruber, schoolmaster and organist in the nearby village of Arnsdorf. On Christmas Eve, 1818, Mohr brought the words to Gruber and asked him to compose a melody and guitar accompaniment for that night's mass, after river flooding had possibly damaged the church organ. The church was eventually destroyed by repeated flooding and has since been replaced with the Silent-Night-Chapel.According to Gruber, Karl Mauracher, an organ builder who serviced the instrument at the Oberndorf church, was enamored with the song, and took the composition home with him to the Ziller Valley in Tyrol, Austria. From there, two traveling families of folk singers, the Strassers and the Rainers, included the tune in their shows. The Rainers were already singing it around Christmas, 1819, and once performed it for an audience that included Franz I of Austria and Alexander I of Russia. They also gave the first performance of the song in the United States in New York City in 1839. By the 1840's, the song was well known and was reported to be a favorite of Frederick William IV of Prussia. During this period, the melody changed slightly to become the version that is commonly heard today. The version of the melody that is generally used today is a slow, meditative lullaby, or pastoral, differing slightly from Gruber's original which has a moderate tempo. The song has been translated into about 140 languages and has been recorded by many singers across many music genres. The version sung by Bing Crosby in 1935, has sold over 10 million copies as a single.In this arrangement of Silent Night, Regis Bookshar has kept the basic form of this familiar Christmas carol, but has also included a descant during the third verse. Also, in addition to this version for a String Quintet, consisting of 2 Violins, 1 Viola, 1 Violoncello and 1 Double Bass, there are other arrangements of Silent Night available for a variety of instrumental ensembles. There are Quintets and Octets readily available for purchase. Please take the time to look for other versions of this composition. You may find something else that might also suit your needs.I would also encourage you to search for other arrangements by Regis Bookshar, as well, as there are numerous arrangements in a wide variety of styles, also available for purchase. You may find something else which might interest you. Please continue to check periodically because new arrangements are being added as often as possible. I'm certain that this wonderful arrangement of Silent Night will continue to entertain both performers and audiences alike for years to come.
$5.00 ≈
4.65€
Gettin' Bluesy for Concert/Wind Band
Gettin' Bluesy for Concert/Wind Band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Keith Terrett
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Gettin' Bluesy for Concert/Win
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Keith Terrett
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.746389 Composed by Keith Terrett. 20th Century,Blues,Jazz,Pop,World. 34 pages. Keith Terrett #1920371. Published by Kei...
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Concert Band - Level 3 - SKU: A0.746389 Composed by Keith Terrett. 20th Century,Blues,Jazz,Pop,World. 34 pages. Keith Terrett #1920371. Published by Keith Terrett (A0.746389). An original work of mine entitled ''Gettin' Bluesy'' written for young concert band. Composed in a bluesy style with flattened 3rds & 7ths evident in the melody, this is a lovely piece with which to calm the atmosphere; and an excellent way to introduce a bluesy piece to your band members. The mood is melancholy, I did compose this after my cat sadly passed away when I was living in Norway. The melody is passed around the ensemble, akin to the conversational style one can observe in a Haydn string quartet. The brass have the opportunity for some transparent and soft muted work behind the melody scored in the woodwind. The bass guitar can be replaced with a double bass if desired. Your percussionists get the opportunity to play kit and also the vibes are used, a great work out all round! For more of my original music, great arrangements and all the national anthems of the world, check out my two on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk.
$24.99 ≈
23.25€
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
Tempest-Concerto for Flute and Orchestra (Piano Reduction)
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Flûte traversière et Piano
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AVANCÉ
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Contemporain
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Douglas Knehans
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Tempest-Concerto for Flute and
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Armadillo Edition
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SheetMusicPlus
Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Ar...
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Flute,Piano - Level 5 - SKU: A0.1025532 Composed by Douglas Knehans. Contemporary. Score and part. 68 pages. Armadillo Edition #4823081. Published by Armadillo Edition (A0.1025532). **** ...wonderfully orchestrated... dynamic and endlessly evolving...-BBC Music MagazineTempest is a flute concerto and takes its idea from the movement of the wind around the world, and the 'deeper aspects of the human condition, the human experience, thought, reflection, psychology and emotion'. The turbulent opening is immediately arresting. and one can imagine the swirling wind flowing around powerfully. Pulsing rhythms and captivating brass lines reinforce this sense of power, before the mood breaks into a more gentle duo moment for flute and harp. Knehans' orchestration is imaginative and full of colour, making effective use of different timbral combinations and creating a transparency of texture through the use of solo lines from around the orchestra. The flute part is dazzling and takes centre stage with a sense of charismatic virtuosity. Challenging and exhilarating throughout, the first movement has the sort of energy one might associate with the opening movement of the lbert concerto, but intensified and developed to reflect the 21st century flute and the modem world. The second movement has a greater sense of stillness, and the flute line weaves around relatively static strings, low woodwind. Despite the stillness, an underlying intensity gives the music a brooding feel; this is music that deals with profound ideas, and as such, it is vital that the music, too, has depth. Knehans has achieved this convincingly; this is a piece which demands attention and holds you in its spell. The final movement is full of rhythmic punchiness and fantastic orchestral energy. The scoring is once again highly imaginative, making use of bassoons and low brass in pounding rhythms punctuated by the strings. Over all of this, (flutist) Gareth Davies astonishes and dazzles; displaying not only a phenomenal technique but also a magnetic energy and charisma which is spellbinding . I would not be exaggerating to say that this is one of the best flute recordings I have heard for a long time.An impressively vibrant compositional voice. Unmissable.Carla Rees-Pan The Official Journal of the British Flute Society
$35.00 ≈
32.56€
Moon Over The Rising Sun
Moon Over The Rising Sun
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Luis Anjos Teixeira
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Moon Over The Rising Sun
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contem...
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Large Ensemble Clarinet,Flute,Harp,Horn,Multi-Percussion,Timpani,Viola,Violin - Level 3 - SKU: A0.889417 Composed by Luis Anjos Teixeira. Concert,Contemporary,Standards. Score and parts. 32 pages. Luis Anjos Teixeira #3490179. Published by Luis Anjos Teixeira (A0.889417). for the 2018 Chamber Music Contest Entry,Moon Over The Rising Sun was written very early in the morning while the night fades away giving birth to a sun rise. Conceived for a mixed ensemble of nine to 10 performers. 2 Flutes, Clarinet, Horn, guitar, Harp, Violin, Viola, 1 Timpanist, 1 or 2 Percussionists. The piece has an intime atmosphere very common in chamber music. Very easy to perform and very flexible, it is ideal for schools or when various kinds of mixed ensembles are taking place. With very few effort from the players, it has a large effect on the audience. As I said the piece is very flexible, for exemple the shakuhachi flute can be replaced by a soprano recorder or any other kind of flute with a similar register. A piano could eventually replace the harp. Due to a certain Tutti caracter on the string section, more violins, violas and cellos would easily join the group. One Cello or Double Bass „Pizzicato could reenforce the left hand on the harp part. Other wise and when possible, it should be performed as written. I also have added some interpretation symbols like fortes and pianos but only as a personal suggestion for an interpretation. Of course the artists must decide how they prefer to perform the piece and should have the last word on their performances. The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus or anywhere else! This piece was inspired by some aspects of western, eastern, African and american cultures. The list of inspiring human phenomena and achievement within art and music never find an end. There is so much to learn! For now let the World play music. Music is the ultimate Universal language. Imagine we all playing music with each other. The World full of music schools and instruments instead of military camps and weapons. Millions of beautiful people with music instruments in their hands playing music with each other all around the World. Our war lords would start opening music shops for a change. And we would live much happier!!! Music Can Save The World Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. True Love Forever. Thank you very much for taking your time to read this text and to listen to the file.I hope you have a lot of fun and enjoy the music.Love ForeverSheers! Luis Anjos Teixeira
$25.00 ≈
23.26€
A Windy Christmas for Woodwind Quintet
A Windy Christmas for Woodwind Quintet
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Handel, Traditional
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Stephanie Daige
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A Windy Christmas for Woodwind
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Stephanie Daige
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796856 Composed by Handel, Traditional. Arranged by Stephanie Daige. Christian,Christmas,Sacred,T...
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Woodwind Ensemble,Woodwind Quintet - Level 4 - SKU: A0.796856 Composed by Handel, Traditional. Arranged by Stephanie Daige. Christian,Christmas,Sacred,Traditional. 23 pages. Stephanie Daige #3243821. Published by Stephanie Daige (A0.796856). 2017 Holiday Contest EntryThis arrangement of seven traditional Christmas favorites will make your heart joyful as you prepare for the Christmas season! The melody moves around from instrument to instrument in a conversation-like way, with rich harmonies and beautiful descants enhancing the melodies. The medley begins triumphantly in the key of concert F Major, moves soulfully to the parallel minor, then finishes brightly back in F Major. Christmas carols featured are:· Joy to the World· Good King Wenceslas· We Wish You a Merry Christmas· Deck the Halls· God Rest Ye Merry Gentlemen· What Child is This?· Ding Dong Merrily on HighI hope you will enjoy performing this medley as much as I have enjoyed arranging it! Audiences are sure to love it. This would work well in a variety of venues during the Christmas season: school concert, church, shopping mall background music, chamber music concert, prelude to a choral performance/ carol sing-along, etc. It’s perfect for anywhere you want to lift people’s spirits with beautiful, familiar seasonal music. There are also versions of this medley (with different titles) available for string quartet, flute choir, clarinet choir, brass quintet, saxophone quartet, and piano.
$17.99 ≈
16.74€
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
THREE ANIMAL SAYINGS 3--A FLEA CAN TROUBLE A LION--orchestra
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Alan Edgar
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THREE ANIMAL SAYINGS 3--A FLEA
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Alan Edgar Ted Moon
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Publis...
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Full Orchestra - Level 4 - SKU: A0.903755 Composed by Alan Edgar. 20th Century,Children. Score and parts. 25 pages. Alan Edgar Ted Moon #3054461. Published by Alan Edgar Ted Moon (A0.903755). Third of a set of musical tellings of sayings and proverbs from around the world. Good for a children's concert. This very short piece opens by depicting the open savanna and the roar of Lion. A fanfare welcomes him, then we hear his confident march and another roar. However, he is plagued by many fleas, who perform a jazz waltz between bites and jumps. At the end, helpless Lion staggers away, cheeky fleas still biting. First performance was by York Guildhall Orchestra under Simon Wright. The children in the audience could be invited to state the moral of this Kenyan saying: A flea can trouble a lion more than the lion can harm a flea. The movement uses flute doubling on referee's whistle, piccolo, 2 oboes (one doubling on swanee whistle), 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, untuned percussion, harp and strings. Duration: 2minutes.
$11.00 ≈
10.23€
Pastorale D'ete
Pastorale D'ete
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Orchestre d'harmonie
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AVANCÉ
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Arthur Oscar Honegger
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John Ivor Holland
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Pastorale D'ete
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John Ivor Holland
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SheetMusicPlus
Concert Band - Level 5 - SKU: A0.1296692 Composed by Arthur Oscar Honegger. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. S...
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Concert Band - Level 5 - SKU: A0.1296692 Composed by Arthur Oscar Honegger. Arranged by John Ivor Holland. 20th Century,Classical,Multicultural,World. Score and Parts. 86 pages. John Ivor Holland #886856. Published by John Ivor Holland (A0.1296692). Inspired by a vacation in the Swiss Alps above Bern in 1920, this short piece was composed by Arthur Honegger for chamber orchestra and given its first performance in February 1921 in Paris, winning an audience prize for the best work performed that night; the first British performance was given 6 months later in London. A member of Les Six (a collective of composers based in Paris at the turn of the 20th century), Honegger would go on to write many symphonies, concertos and other large works, so this more intimate work has been performed many times over the years by orchestras around the world where situations call for a smaller ensemble. This arrangement for concert band includes important string bass and contrabass clarinet parts to bring the necessary sustained resonance required.
$79.99 ≈
74.42€
Arirang (For Violin, Cello and S.Orchestra)
Arirang (For Violin, Cello and S.Orchestra)
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Han-Ki Kim
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Han-Ki Kim
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Arirang
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Han-Ki Kim
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SheetMusicPlus
String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1200264 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Inst...
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String Ensemble Cello,Double Bass,Viola,Violin - Level 5 - SKU: A0.1200264 By Han-Ki Kim. By Traditional. Arranged by Han-Ki Kim. Chamber,Classical,Instructional,Standards,Traditional. 26 pages. Han-Ki Kim #799067. Published by Han-Ki Kim (A0.1200264). Arirang for Violin, Cello and String Orchestra “Arirang†is a representative folk song of Korea and a famous song widely known around the world. This concerto was composed to give value as an artistic literature to such a familiar theme. In this concerto “Arirangâ€, I want both the performers and the audience to feel “musical sympathyâ€.Following the short and fast introduction in 3/4 time, it is connected in the form of 5 variations in 6/8 time. Each variation expresses a different musical atmosphere, performance speed, or change in composition. In general, the main melody is mainly played by the first violin, but as far as the main melody is concerned, in this music, high-pitched instruments and low-pitched instruments intersect and cycle in equal positions, not in a melodicline relationship. After the fourth variation, a virtuosic solo of the movement alone is connected, and after the finale with a broad and majestic atmosphere, it ends with a short and lively coda with the same character as the beginning. Attached file is played by S.Orchestra just for a reference.
$15.90 ≈
14.79€
New Tango No. 1: Movement
New Tango No. 1: Movement
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Ensemble Jazz
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AVANCÉ
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Roger Aldridge
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New Tango No. 1: Movement
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Roger Aldridge
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #1...
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Jazz Ensemble Jazz Ensemble - Level 5 - SKU: A0.979627 Composed by Roger Aldridge. Contemporary,Jazz,World. Score and parts. 11 pages. Roger Aldridge #119381. Published by Roger Aldridge (A0.979627). New Tango No. 1: Movement (for jazz soloist, 5 wind instruments, and rhythm section) is an abstract piece. Inspired by the tango, it invokes dance movement as well as explores movement in and out of time in the music. The soloist's part is entirely improvised. The rhythm section goes between time and free-time. The soloist cues the rhythm section on when to make time and harmonic changes. The background ensemble is in free-time with each note conducted. During solos the background ensemble can improvise interactions with the soloist. This piece is highly dependent upon the soloist and ensemble to bring the music to life and take the audience on a journey. Space and understatement are important features of this music. The open, floating free-time melody and the space between its phrases enable the rhythm section to have a prominent role in playing layers of lines, textures, and colors. Using accordion and guitar (along with piano, bass, and drums) is highly recommended. A string instrument(s) such as violin or cello can improvise additional layers with the rhythm section. One of my essential concepts in this piece is for the ensemble to have the sound of a tango band (as closely as possible); however, the music has a great amount of freedom. The score was originally conceived for woodwind quintet (with alto flute). Alternate parts are provided for an assortment of commonly-used wind instruments. In this way, the piece can be performed by various combinations of instruments. As another possibility, two (or more) musicians can be used on each wind instrument part. This option of having doubled parts -- with either same or different instruments on a part -- is an easy way for larger ensembles to perform this music. PARTS: The set of parts is available at NEW TANGO NO. 1: MOVEMENT PARTS (S0.84827). CONTACT: http://www.rogeraldridge.com/contact.html PRO: BMI WEBSITE: http://www.rogeraldridge.com/ DURATION: around 5:00 YEAR OF RELEASE: 2011 PERFORMANCE: The score is concert pitch and uses flexible instrumentation. ENSEMBLE CONCEPTS: http://www.rogeraldridge.com/mid-size-ensemble.html.
$10.00 ≈
9.30€
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Around the World in One Concert: String Bass
