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Any Old Iron
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Vous avez sélectionné:
Any Old Iron
Partitions à imprimer
38 partitions trouvées
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1
26
Any Old Iron
Any Old Iron
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Accordéon
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FACILE
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Neil Baker
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Neil Baker
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Any Old Iron
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Neil A. Baker
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SheetMusicPlus
Accordion - Level 2 - SKU: A0.1372462 By Neil Baker. By Charles Collins. Arranged by Neil Baker. Broadway,Folk,Musical/Show,Traditional. Score. 1 pages....
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Accordion - Level 2 - SKU: A0.1372462 By Neil Baker. By Charles Collins. Arranged by Neil Baker. Broadway,Folk,Musical/Show,Traditional. Score. 1 pages. Neil A. Baker #956769. Published by Neil A. Baker (A0.1372462). My new series of good old British Pub songs arranged for the Accordion. I have tried to keep it as simple as possible. Join my FaceBook page The Swedish Accordion to access the full Mp3 demo(for free).This number will also be available in the British Pub Accordion Music Book 1 with 10 other numbers AND all the lyrics at the back.I hope you will like this one.
$1.99 ≈
1.85€
Any Old Sunday
Any Old Sunday
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Basse electrique
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INTERMÉDIAIRE
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Chaka Khan
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Accubass
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Any Old Sunday
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Accubass
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SheetMusicPlus
Bass Guitar - Level 3 - SKU: A0.838670 By Chaka Khan. By Alfred McCrary, Andy Fraser, Danny Ironstone, Linda Mccrary, and Patrick Henderson. Arranged by...
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Bass Guitar - Level 3 - SKU: A0.838670 By Chaka Khan. By Alfred McCrary, Andy Fraser, Danny Ironstone, Linda Mccrary, and Patrick Henderson. Arranged by Accubass. R & B. Score. 10 pages. Accubass #6462279. Published by Accubass (A0.838670). Anthony Jackson's complete bass part.
$4.99 ≈
4.63€
When You Are Old (Downloadable)
When You Are Old (Downloadable)
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Scott Perkins
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When You Are Old
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
SATB/SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8714-E Composed by Scott Perkins. 10 pages. Duration 3 minutes, 30 seconds. E. C. Schirme...
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SATB/SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8714-E Composed by Scott Perkins. 10 pages. Duration 3 minutes, 30 seconds. E. C. Schirmer Music Company - Digital #8714-E. Published by E. C. Schirmer Music Company - Digital (MQ.8714-E). English.For double chorus unaccompanied. This three-stanza text centers on a person reflecting on a lost love from late in life, and is set to three textures: a soft chant, a gentle melody, and rich, sustained chords. In the final verse, all of voices come together to bring an extra degree of tenderness to the intimate text. The work was first performed in 2009 by Apeiron, a vocal ensemble based in Rochester, New York. Duration: 3:30.
$2.65 ≈
2.46€
Iron Balconies and Lilies for soprano, piano and chamber ensemble
Iron Balconies and Lilies for soprano, piano and chamber ensemble
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Contemporain
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The Sea II
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Robert M
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Iron Balconies and Lilies for
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Robert M. Greenberg
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SheetMusicPlus
Large Ensemble Cello,Clarinet,Flute,High Voice,Oboe,Piano,Viola,Violin - Level 5 - SKU: A0.987859 Composed by Robert M. Greenberg. 20th Century. Score a...
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Large Ensemble Cello,Clarinet,Flute,High Voice,Oboe,Piano,Viola,Violin - Level 5 - SKU: A0.987859 Composed by Robert M. Greenberg. 20th Century. Score and parts. 264 pages. Robert M. Greenberg #115607. Published by Robert M. Greenberg (A0.987859). Preferred Contact Information: RMonteverdi@comcast.net Performing Rights Organization: BMI Website: robertgreenbergmusic.com Facebook Band Page: facebook.com/RobertGreenbergMusic Duration: ca. 35 minutes Year of composition: 1992 Program Note: I. A City By The Sea II. Hay Mowing III. When Grandma, May She Rest In Peace, Died IV. Longing V. Ancient Murderess Night VI. Lullaby VII. Toys VIII. Old Age IX. Rest IRON BALCONIES AND LILIES was written between December 1991 and November 1992. The nine poems of the cycle, originally in Yiddish and by various poets, speak of a woman's life at various stages, from extreme old age to youth, and back to old age. The poetry is magnificent and direct: at turns quiet, passionate, gentle, ferocious, erotic, agonized and violent. In setting these poems, I have particularly sought to capture the many images and metaphors that unite them. For example, the music representing the violent, life-giving blades (scythes) of No. 2 evoke agonized, ritualized grief in No. 3, a ghastly (and comic) celebration of death in No. 5, and ultimately, a wondrous and benign angel of death in No. 9. Over the course of the cycle, the power and singular clarity of childhood memory gives way to the quiet complexity and blurred edge of adult memory. All poems used by permission.
$44.00 ≈
40.80€
Any Old Iron
Any Old Iron
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Piano, Voix et Guitare
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FACILE
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Contemporain
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David Jones
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F Turnbull
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Any Old Iron
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Musicaliti Publishing
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.954209 By David Jones. By C. Collins, E. A. Sheppard, and Fred Terry. Arranged by F Turnbull. Contemporary....
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.954209 By David Jones. By C. Collins, E. A. Sheppard, and Fred Terry. Arranged by F Turnbull. Contemporary. Score. 2 pages. Musicaliti Publishing #6563509. Published by Musicaliti Publishing (A0.954209). Group sing a long for guitar accompaniment, with rhythm indicated in rests.
$4.99 ≈
4.63€
John Hartford's Old-Time Fiddle Favorites
John Hartford's Old-Time Fiddle Favorites
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Austin Gregory
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Intermediate
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John Hartford's Old-Time Fiddl
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Fiddle - Beginning; Intermediate; Advanced - SKU: M0.30529EB For Fiddle and Mandolin. Composed by Austin Gregory. Edited by Austin Gregory. Mando...
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Fiddle - Beginning; Intermediate; Advanced - SKU: M0.30529EB For Fiddle and Mandolin. Composed by Austin Gregory. Edited by Austin Gregory. Mandolin. Strings. E-book. Mel Bay Publications - Digital Sheet Music #30529EB. Published by Mel Bay Publications - Digital Sheet Music (M0.30529EB). ISBN 9781619116603. 8.75x11.75 inches.John Hartford was known for his quirky song writing and tap-dancing while he played the banjo, but he also possessed an encyclopedic knowledge of old-time fiddle tunes. Included in this collection are all 22 fiddle tunes from John's Hamilton Ironworks album. Each tune is presented in standard notation and in mandolin tab. Also included are many of John's variations, suggested chords, and information about the origins and insights on how to approach each tune. This collection of fiddle tunes played by John Hartford is to provide fiddle players with an accurate source so as to incorporate these great tunes into their repertoire. Difficulty ranges from relatively basic fiddling to solos that employ a range of techniques such as slides, alternate tunings and playing on up the fingerboard. This collection is a must have for any fan of John Hartford's music and for all old-time musicians.
$17.99 ≈
16.68€
Adirondack Sketches
Adirondack Sketches
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Contemporain
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Richard E Brown
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Adirondack Sketches
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Dacker Music
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.814737 Composed by Richard E Brown. Contemporary. Score and parts. 149 pages. Dacker Music #3029427. Published by Dacke...
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Concert Band - Level 3 - SKU: A0.814737 Composed by Richard E Brown. Contemporary. Score and parts. 149 pages. Dacker Music #3029427. Published by Dacker Music (A0.814737). Adirondack Sketches was commissioned by the Town of Lake Pleasant, which is located in the southern Adirondack Mountains of upstate New York, to celebrate its bicentennial. Written for the local community band (named A Pretty Good Band, Amy Winnie, director), it consists of four short movements, descriptive of my memories of places in and around my home town: 1. Sunrise over Lake Pleasant A gradual expansion of sound based on the horn call at m. 3 brings the lakeshore from predawn darkness to brilliant sunlight. 2. School Picnic at Moffit Beach A march/scherzo expresses the end-of-school exuberance of the school children. 3. Canoeing on Kunjamuck Creek A gently flowing passacaglia, with hints of arch form, depicts the calm, wooded creek. 4. Hiking up Hamilton Mountain An insistent ostinato bass suggests plodding footsteps as a fugue unfolds above, taking a group of excited hikers up the trail to the lookout atop the mountain. The price includes license to make as many copies of each part as necessary.Grade 3 - Duration 9:00
$50.00 ≈
46.36€
Pryor's Gridiron March
Pryor's Gridiron March
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Fanfare
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INTERMÉDIAIRE
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Contemporain
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Arthur Willard Pryor
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George Willson
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Pryor's Gridiron March
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George Willson
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SheetMusicPlus
Marching Band - Level 3 - SKU: A0.927170 Composed by Arthur Willard Pryor. Arranged by George Willson. 20th Century,Contemporary. Score and parts. 45 pa...
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Marching Band - Level 3 - SKU: A0.927170 Composed by Arthur Willard Pryor. Arranged by George Willson. 20th Century,Contemporary. Score and parts. 45 pages. George Willson #4408726. Published by George Willson (A0.927170). One of many marches penned by John Philip Sousa's principal trombonist and virtuoso, Arthur Pryor, this arrangement revises the original 1906 version heavily for the modern concert band. This simple piece follows the most basic march form with four repeated sixteen bar strains: two before and two after the key change trio. The Db Piccolo is transposed and expanded to the modern piccolo and two flutes. five clarinet parts (including the Eb) are reduced to the standard three. Eb altos are transposed for F Horn and given a bit of melody in the third strain. Many other changes scattered throughout the piece update it for the modern band while staying true to the original and breathe some new life into an old and forgotten march.George Willson has been an performer, composer, and conductor for thirty years in various mediums and ensembles.Mp3 provided is a midi extracted from the composition program.
$20.00 ≈
18.55€
Humboldt Suite - for Flute, Clarinet, Bassoon and Piano
Humboldt Suite - for Flute, Clarinet, Bassoon and Piano
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Contemporain
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GLENN C
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Humboldt Suite - for Flute, Cl
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GLENN C JONES
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bassoon,Flute,Piano - Level 5 - SKU: A0.612829 Composed by GLENN C. JONES. 20th Century,Classical. Score and parts. 75 pa...
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Small Ensemble B-Flat Clarinet,Bassoon,Flute,Piano - Level 5 - SKU: A0.612829 Composed by GLENN C. JONES. 20th Century,Classical. Score and parts. 75 pages. GLENN C JONES #222025. Published by GLENN C JONES (A0.612829). This piece was written after a recent visit to the area around Eureka, California. It is in three movements. The first movement, Cathedral, is meant to suggest a person arising in the morning and being grateful to live in such a beautiful environ. It is based on the hymn tune Come Thou Fount of Every Blessing. The second movement is meant to suggest a walk in the redwoods that abound in California's North Coast. The final movement suggests a walk along the many beautiful beaches of the area on a bright sunny day. Parts are included. The performance time for all three movements is approximately 10 minutes or less.
$19.99 ≈
18.54€
Any Old Iron by Charles Collins - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Charles Collins
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Any Old Iron
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Musicnotes
Charles Collins - Any Old Iron Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangem...
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Charles Collins - Any Old Iron Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- British~~Nostalgia~~Traditional Pop
$5.50 ≈
5.10€
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Intermediate
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Cape Breton & Prince Edwar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Mus...
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Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List
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Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On & Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light & Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange & Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver & Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, & Yet
$24.99 ≈
23.17€
Extinction
Extinction
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Chorale SATB
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Extinction
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Adrienne Inglis
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 4 - SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienn...
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Choral Choir (SATB divisi) - Level 4 - SKU: A0.1215070 Composed by Adrienne Inglis (ASCAP). 20th Century,A Cappella,Classical. Octavo. 30 pages. Adrienne Inglis (ASCAP) #811933. Published by Adrienne Inglis (ASCAP) (A0.1215070). Help fight the extinction crisis! Here's an important work for our times that's perfect for your nature/environmental program. It's an SATB (some divisi) a cappella choral piece with option soundscape, but stands alone with the singers making some nature sounds.Extinction by Adrienne Inglis (ASCAP)Soundscapes arranged by Seylon Stills in the audio sampleText : An Extinction by Kim Stafford (https://www.kimstaffordpoet.com) The poem “An Extinction†© 2022 Kim Stafford is unpublished and used with permission. An Extinction by Kim Stafford Not just the creature gone, not just the tattered feathers, dry leaf pressed thin. Not just the rendering from memory, not just the lost-list growing longer, a shape and hue from the field guide fled, not just a name that meant a life, a syllable that once was teeming glory, one bright flurry shimmering the sun. No. No. No. It’s one name gone from our happiness, one breath lost from our respiration, one thread frayed from our salvation, one plank gone from the ark that carried us. Be the songbird now and testify. Be the butterfly hinge of gold. Be the one with open hands these wonders to behold. Don’t let them fly. Be the songbird now and testify. Program note — Commissioned by Inversion Ensemble for its February 2023 Planet Home concert, Extinction sets the poem “An Extinction†(2022) by Kim Stafford for SATB mixed chorus. The three stanzas of the poem get distinct musical treatment: the first some text-painting and dissonance, the second rhythmic parts underpinning canonic melodic lines, the third a rich chorale. During my work on this piece, I happened to be traveling by train. The pitches of the train whistle snuck their way into the score as a dissonant chord. A nature soundscape may sometimes accompany this piece, although the tongue click sounds create a bit of their own aural ecosystem. Drawing attention to the unfolding catastrophe of mass extinction, Extinction hopes to inspire humans to action to prevent further loss of species biodiversity.
$1.99 ≈
1.85€
A Whitman Triptych: II. What Is the Grass? (Downloadable)
A Whitman Triptych: II. What Is the Grass? (Downloadable)
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David Conte
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A Whitman Triptych: II. What I
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, ...
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Tenor voice solo, SATB choir unaccompanied - Moderately Difficult - SKU: MQ.8322-E Composed by David Conte. Advanced/Collegiate. Secular, 21st Century, Americana, Children, Creation/Nature, Hope/Assurance. Instrument part. 15 pages. Duration 5 minutes, 42 seconds. E. C. Schirmer Music Company - Digital #8322-E. Published by E. C. Schirmer Music Company - Digital (MQ.8322-E). UPC: 600313483226. English. The three a cappella choral pieces that comprise “A Whitman Triptych†were composed between 2012 and 2014. O Setting Sun was commissioned by the Madison Chamber Choir, Madison, Wisconsin, Anthony Cao, conductor, and was premiered on April 20th, 2012. “What is the Grass†was composed for Cappella SF, Ragnar Bohlin, conductor, and is being premiered on tonight’s concert. Facing West was commissioned in celebration of the 75th anniversary of the Golden Gate Bridge by the International Orange Chorale, Zane Fiala, conductor, and was premiered on May 27th, 2012. I first set Whitman to music in 1986,when I adapted part of “When Lilacs Last in the Dooryard Bloomed†as the basis for my composition “Invocation and Dance.†I went on to set “Good-Bye, My Fancy†for Male Chorus and Soprano Saxophone in 1992, and “Song of the Open Road†for Mixed Chorus and Piano in 2004. Like so many composers, I have found the visionary quality of Whitman’s verse inspiring; the vigor and intensity of the poetry seem naturally to draw out music. “What is the Grass?†is also an adaptation of a much longer poem, one of Whitman’s deepest, and most mysterious. The poem begins as a child-like meditation on grass; as hope, as an embodiment of new life and new growth in the plant world. Then suddenly there is a somber turn with the line “And now it seems to me the beautiful uncut hair of graves.†Here Whitman enters an extended mediation on how grass connects life and death, informed by his experiences in the Civil War. Hope returns with the line: “They are alive and well somewhere,†leading to the mysterious final line: “And to die is different from what anyone supposed, and luckier…†Here Whitman affirms that death can be an initiation into a broader participation of existence. In the words of poet Ivan M. Granger, Whitman offers a “Zen-like riddle that doesn’t offer an answer so much as a pathway of questioning.†My musical setting follows Whitman’s exploration, first taking a child’s point of view, expressed with lilting melodies set in a lively compound meter. The entry of the tenor soloist indicates a change of mood to the serious. The first mood returns, leading to a climax on the words “And led forward life…â€, set in 9-part harmony. The mood turns reverent, as the tenor soloist intones: “All goes onward and outward; nothing collapses.†The piece ends with a tone of gentle, slightly ironic questioning. -David ConteDuration: 5:42
$2.85 ≈
2.64€
Four Favorite Hymns from the Movie - "Stars In My Crown"
Four Favorite Hymns from the Movie - "Stars In My Crown"
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Musique Sacrée
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John R
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Ginny Saltzman
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Four Favorite Hymns from the M
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Ginny's House of Music
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SheetMusicPlus
Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robi...
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Instrumental Duet,Piano B-Flat Clarinet,Flute,Instrumental Duet,Piano - Level 2 - SKU: A0.1180477 Composed by John R. Sweeny, Robert Lowery, Robert Robinson, John Wyeth. Arranged by Ginny Saltzman. 19th Century,Christian,Praise & Worship,Religious. 12 pages. Ginny's House of Music #780380. Published by Ginny's House of Music (A0.1180477). These are the 4 hymns in the colorized movie Stars in My Crown.(1) Will There Be Any Stars in My Crown? - An old favorite simplified hymn arrangement on Late Elementary-Early Intermediate Level, in the Key of G, with lyrics and Guitar chords included. From the scriptures Daniel 12:3 And they that be wise shall shine as the brightness of the firmament; and they that turn many to righteousness as the stars for ever and ever. 1 Peter 5:4 And when the chief Shepherd shall appear, ye shall receive a crown of glory that fadeth not away. 1 Thessalonians 2:19-20 For what is our hope, or joy, or crown of rejoicing? Are not even ye in the presence of our Lord Jesus Christ at his coming? For ye are our glory and joy.(2) Shall We Gather At The River? - An old favorite hymn with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and Guitar chords. Very special arrangement with duet notation using the Violin and Flute. From the scriptures Revelation 22: 1 And he shewed me a pure river of water of life, clear as crystal, proceeding out of the throne of God and of the Lamb. 2 In the midst of the street of it, and on either side of the river, was there the tree of life, which bare twelve manner of fruits, and yielded her fruit every month: and the leaves of the tree were for the healing of the nations.(3) Beulah Land - An old favorite hymn with simplified Late Elementary - Early Intermediate Level Piano Accompaniment, Lyrics, in the Key of G. From the scriptures Deuteronomy 8: 7 For the Lord thy God bringeth thee into a good land, a land of brooks of water, of fountains and depths that spring out of valleys and hills; 8 A land of wheat, and barley, and vines, and fig trees, and pomegranates; a land of oil olive, and honey; 9 A land wherein thou shalt eat bread without scarceness, thou shalt not lack any thing in it; a land whose stones are iron, and out of whose hills thou mayest dig brass. 10 ¶ When thou hast eaten and art full, then thou shalt bless the Lord thy God for the good land which he hath given thee. Isaiah 33:17 Thine eyes shall see the king in his beauty: they shall behold the land that is very far off.(4) Come Thou Fount of Every Blessing - An old favorite hymn in the Key of C, with simplified Early Intermediate Level Piano Accompaniment, Lyrics, and additional melody with the Bb Clarinet. From the scriptures 1 Corinthians 15:10 But by the grace of God I am what I am: and his grace which was bestowed upon me was not in vain; but I laboured more abundantly than they all: yet not I, but the grace of God which was with me.1 Samuel 7 :12 Then Samuel took a stone, and set it between Mizpeh and Shen, and called the name of it Eben-ezer, saying, Hitherto hath the Lord helped us.
$7.99 ≈
7.41€
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and part...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
23.18€
Any Old Iron
Any Old Iron
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Piano, Voix et Guitare
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Folklorique/Traditionel
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Traditional
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Any Old Iron
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Traditional. For piano, voice, and guitar (chords only). Traditional. 4 pages. Published by Hal Leonard - Digital Sheet Music...
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By Traditional. For piano, voice, and guitar (chords only). Traditional. 4 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.63€
Fred Terry: Any Old Iron for voice, piano and guitar
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Fred Terry
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Virtualsheetmusic
Instantly printable sheet music by Charles Collins for voice, piano or guitar of MEDIUM skill level. / traditional
Instantly printable sheet music by Charles Collins for voice, piano or guitar of MEDIUM skill level. / traditional
$5.97 ≈
5.54€
L'alchimista
L'alchimista
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Piano seul
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Contemporain
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Monica Bergo
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L'alchimista
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Monica Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873).
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Piano Solo - SKU: A0.976873 Composed by Monica Bergo. Contemporary. Score. 9 pages. Monica Bergo #3243715. Published by Monica Bergo (A0.976873). 2017 Holiday Contest EntryThe alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world We like vampires , breath broken by sighs , arms forward, off eyes alchemist turn off my complaints You like a zombie , ready to sink your teeth ,that fascinates me and scares alchemist dissolve my torments .. but you can not .. and I stay here I'm looking for the courage to live It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$3.99 ≈
3.70€
ALCHEMIST
ALCHEMIST
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Piano seul
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Contemporain
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Monica Bergo
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ALCHEMIST
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Moni Bergo
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SheetMusicPlus
Piano Solo - SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). ...
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Piano Solo - SKU: A0.1012717 Composed by Monica Bergo. Contemporary. Score. 11 pages. Moni Bergo #5743015. Published by Moni Bergo (A0.1012717). Music and song composed by me The alchemist Flames in the dark sparkle voice whispering echoes They say about you Sell useless dreams they say about me that I’m too much frail You are shutting down the day of this city the lights switch on of different realities and time dilates , begins another life It is tacit ritual of a sad tribes You firefly who shine can you tell me where he is? I seek the alchemist , you see yourself from my eyes rimmed on the nothing wide open they are full of fears and resemble your And here it is your circus , you wait me already not much has changed from a lifetime ago you do not, you are not aged a Peter Pan sick , who deduct his sins in the lives of others clown you always have so many , acrobats tired poised always between dream and reality and as a cat, I also see in the dark and over the waste to me slowly and then die the crises, then anxiety , that imperfect woman I do not stand me anymore I who have never been a daughter , your promise of another family and this need for love, that torture and kill me While you brush my long hair , from your hands give off crystals bright lights exploding inside as if by magic now I belong to you snakes tattooed lean on your hips we float in the sea of time how does I exist? always or yesterday I do not remember but only mysteries You adult man and I young girl abracadabra, as all before I tired and old and you still a child us travelers in a bogus time and while I explore the emptiness I have inside Nothing is sweeter than this torment You prepare the potion , the right proportion , the antidote and poison but you put more passion , My animal instinct and add a little 'of gall for those who have hurt me Mix all right , only you know what to do you seals good my heart , can not serve me evil plots to good , with fumes and vapors , ampoules almost full ,please ... let me drink ... But you can not , and I stay here , prisoner of your invisible world It is being born on the day of this city Milano colored yourself with its activities shorten the shadows , the sun shines and a veil hiding now all his vices and my pace is tired , my face a bit 'more haggard ,emptiness inside me and where are you? I run always and do not know where I go I look back , I stumble and then I fall Slow walk among the tired souls alive but in a state of apparent death rips in the soul and on my clothes I have no tattoos, scars only and as the salt do on the wounds I burn at the memory of bad choices Iron bars are closed . echoes of voices deafen They say about you that you no longer have a tear they say about me that I’m free woman ... Monica Bergo
$5.00 ≈
4.64€
The Public Transportation Rag
The Public Transportation Rag
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Piano, Voix
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INTERMÉDIAIRE
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Music: David Alpher
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The Public Transportation Rag
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Kripplebush Publishing Company
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SheetMusicPlus
Piano,Vocal,Voice - Level 3 - SKU: A0.976479 Composed by Music: David Alpher. Lyrics: Jennie Litt. Ragtime,Traditional. Score. 7 pages. Kripplebush Publ...
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Piano,Vocal,Voice - Level 3 - SKU: A0.976479 Composed by Music: David Alpher. Lyrics: Jennie Litt. Ragtime,Traditional. Score. 7 pages. Kripplebush Publishing Company #1989521. Published by Kripplebush Publishing Company (A0.976479). This uptempo green anthem is a tribute to the environmental benefits of public transportation, composed, with tongue firmly in cheek, in an old-time ragtime idiom. Scored for voice and piano. ASCAP. Check out more contemporary cabaret songs by Alpher & Litt at www.litt-and-alpher.com or at YouTube channel Jennie Litt & David Alpher.
$5.50 ≈
5.10€
The Edmund Fitzgerald - Concerto for Piano and Strings
The Edmund Fitzgerald - Concerto for Piano and Strings
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Orchestre à Cordes
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AVANCÉ
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Contemporain
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Geoffrey Peterson
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The Edmund Fitzgerald - Concer
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Geoffrey Peterson
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SheetMusicPlus
String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Publishe...
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String Orchestra - Level 5 - SKU: A0.942953 Composed by Geoffrey Peterson. Contemporary. Score and parts. 43 pages. Geoffrey Peterson #4267231. Published by Geoffrey Peterson (A0.942953). Link to complete recording: https://soundcloud.com/geoffrey-peterson/sets/the-edmund-fitzgerald-concerto On November 9th, 1975, the S.S. Edmund Fitzgerald left port in Superior, Wisconsin. The 729-foot-long iron ore carrier, loaded with 26 thousand tons of taconite pellets for the auto industry, was bound for Detroit. Earlier that day, the weather service had issued a gale warning. This was not unusual, considering that gale storms are typical during November on Lake Superior. The Fitzgerald’s Captain, Ernest McSorley, and her 29-member crew headed northeast unaware of the maelstrom they would soon encounter. At around 2 a.m., Bernie Cooper, captain of the Arthur M. Andersen, another freighter which was following a few miles behind the Fitzgerald, radioed Captain McSorley to consult with him about the worsening storm. They had both decided to take a more northerly route along the Canadian shore, which they hoped would provide some shelter from the violent gale winds and waves. The Fitzgerald’s long-range radar stopped working the following day and was needed in order to avoid Six-Fathom Shoal, a shallow area of Lake Superior that could rupture the ship’s hull. McSorley soon radioed the Anderson to report that the Fitzgerald had sustained some topside damage...a fence rail down, two vents lost or damaged, and a starboard list. A list meant that the Fitzgerald was taking on too much water and was causing it to lean to one side. The short-range radar also stopped working, and the radio direction beacon from nearby Whitefish Point vanished. This would make it impossible for the Fitzgerald to reach the lee waters of Whitefish Bay and escape the 80 mph winds churning 20 to 30-foot waves. At 7:10 p.m. that night, First Mate Morgan Clark of the Andersen radioed the Fitzgerald to see how they were doing. Captain McSorley replied, We’re holding our own. This was the last contact anyone would have with the Fitzgerald. Shortly thereafter, the Edmund Fitzgerald disappeared from the Anderson’s radar screen. All 29 of her crew were lost on November 10th, 1975. The Edmund Fitzgerald chronicles the tragic final voyage of the well-known shipwreck in 4 movements; Embarkment, The Gales, Six-Fathom Shoal (We’re holding our own.) and Entombment-Dirge. The concerto makes use of several musical quotes. The first is Spanish Ladies, an English sea chantey, which appears in both the 1st and 3rd movements. The second is the funeral march theme from the 2nd movement of Beethoven’s 3rd Symphony which is heard in the 4th movement of the concerto. In addition, a chime is rung 29 times during the final bars of the concerto to memorialize the men who lost their lives. The Crew of the S.S. Edmund Fitzgerald: Michael E. Armagost, Frederick J. Beetcher, Thomas D. Bentsen, Edward F. Bindon, Thomas D. Borgeson, Oliver J. Champeau, Nolan S. Church, Ransom E. Cundy, Thomas E. Edwards, Russell G. Haskell, George J. Holl, Bruce L. Hudson, Allen G. Kalmon, Gordon F. MacLellan, Joseph W. Mazes, John H. McCarthy, Ernest M. McSorley, Eugene W. O'Brien, Karl A. Peckol, John J. Poviach, James A. Pratt, Robert C. Rafferty, Paul M. Riippa, John D. Simmons, William J. Spengler, Mark A. Thomas, Ralph G. Walton, David E. Weiss, Blaine H. Wilhelm.
$9.99 ≈
9.26€
Listen to the Spirit for SATB Choir
Listen to the Spirit for SATB Choir
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Piano, Voix
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DÉBUTANT
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Musique Sacrée
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KATHLEEN HOLYOAK
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Listen to the Spirit for SATB
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Kathleen Holyoak
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1198476 Composed by KATHLEEN HOLYOAK. Christian,Praise & Worship,Religious,Sacred. Score. 5 pages. Kathleen...
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Guitar,Piano,Vocal,Voice - Level 1 - SKU: A0.1198476 Composed by KATHLEEN HOLYOAK. Christian,Praise & Worship,Religious,Sacred. Score. 5 pages. Kathleen Holyoak #797592. Published by Kathleen Holyoak (A0.1198476). Listen to the Spirit, an original SATB title appropriate for church or any sacred devotional. Follow words by gifted and award-winning lyricist, Gary Croxall:Open your ears that ye may hearand your heart to understand.Open your eyes and turn to God,for ye shall see His hand.He will not leave you comfortless,His precious Son divineAsks God to shed the Spirit's lighton meek, enquiring minds.  Come now and learnof Christ the Lord;find access to God's pow'r.Search scriptures pure revealed to man;pray daily and each hour.The Spirit testifies of truthinstilling peace sublime.He will protect and guide the soulswho seek eternal life.Listen to the Spirit.The things He speaks are true.The messenger of Godunfolds deep mysteries to view.Like a fire burning,He dwells within the heart.From faithful souls who heed His voice,He never shall depart.He guides us to the iron rodand leads our souls to God, to God.
$2.49 ≈
2.31€
Southern Man
Southern Man
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Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
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INTERMÉDIAIRE
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Neil Young
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Jason Sullivann
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Southern Man
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Green Bicycle Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1408410 By Neil Young. By Neil Young. Arranged by Jason Sullivan...
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Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - SKU: A0.1408410 By Neil Young. By Neil Young. Arranged by Jason Sullivann. Chamber,Folk,Historic,Multicultural,Rock,World. 22 pages. Green Bicycle Music #990996. Published by Green Bicycle Music (A0.1408410). Https://en.wikipedia.org/wiki/Southern_Man_(song)https://en.wikipedia.org/wiki/Slavery_in_the_United_StatesThis is a setting of Neil Young's SOUTHERN MAN (from the album AFTER THE GOLD RUSH) for woodwind quintet and optional percussion.The song is chosen by the arranger as a reponse to recent confisions surrounding the poisonouslegacy of Slavery, and various questionable debates regarding its history in America.Ironically, the arranger was originally ready to mention the song written as a response to thissong by the band Lynyrd Skynyrd, but found interesting information on Wikipedia (the links areprovided). Apparently the song by Young that spurred Lynyrd Skynyrd to write SWEET HOME ALABAMAwas the one titled simply ALABAMA, which is on the album HARVEST. Also interesting was the information that the bands and composers did get along, even showing this by wearing each other'st-shirts when performing.This arrangement is advanced grade 3 or grade 4, with no extreme playing in the outer registers,or meter changes, etc.. The optional percussion can be added to create a more solemn-march feel.The socio-political element is not varied or diffused in any way. If possible, the complete lyricsshould be contained in program notes. This piece offers a serious contemplation of the history andhorror of Slavery in America.
$14.99 ≈
13.90€
King Priam
King Priam
Opera
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Opera
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Sir Michael Tippett
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King Priam
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Schott Music - Digital
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SheetMusicPlus
SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott...
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SKU: S9.Q6264 Opera in three acts. Composed by Sir Michael Tippett. This edition: study score. Downloadable, Study score. Duration 125' 0. Schott Music - Digital #Q6264. Published by Schott Music - Digital (S9.Q6264). English â?¢ German.Music of iron and bronze, appropriate to its Trojan War settingâ??of fanfares and percussion tattoos, but with plangent windows of orchestral and vocal beautyâ??Tippettâ??s second opera is unlike his first in every respect except that of the immediacy and fullness with which it portrays the feelings and predicaments of a variety of characters. We understand the warmth and anxiety of Andromache, the majestic command of Hecuba and the erotic charge that runs through Helenâ??the Trojan women who come together at the start of the third act, and who double as the goddesses among whom Paris has to choose at the end of the first. We understand, too, the varieties of blindness and determination inside the male characters who dominate the central act, set on the Trojan plain. Chief among them are Achilles, singing with the vehemence but also the tenderness of a hero, and the troubled Priam, whose tragedy this essentially is, a tragedy multiplied many times over, because it brings about those of so many others.That central, determining tragedy results from Priamâ??s decision to sacrifice his young son Paris and thereby go against his instincts, a decision he takes to forestall a prophesy that Paris will bring about his death. Everything that takes place thereafter unfolds on this battleground between necessity and desire, a battleground on which there can be no conquerors, only casualties.(Paul Griffiths)2 Flutes (doubling 2 piccolos), Oboe, Cor Anglais, Clarinet, Clarinet in Eb, Bass Clarinet, Bassoon, Contrabassoon, 4 Horns in F, 4 Trumpets, 2 Trombones, Tuba, Timpani, Percussion (3 players): Snare Drum, Bass Drum, Cymbal, Wood Block, Tambourine, Triangle, Tam-tam, Xylophone; Harp, PIano (doubling Celesta), Guitar, Strings (6.0.4.4.2 minimum).
$83.99 ≈
77.88€
Klezmer Concerto - for clarinet, strings, harp, and percussion (full score)
Klezmer Concerto - for clarinet, strings, harp, and percussion (full score)
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Orchestre à Cordes
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INTERMÉDIAIRE/AVANCÉ
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Klezmer
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Ofer Ben-Amots
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Klezmer Concerto - for clarine
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The Composer's Own Press
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SheetMusicPlus
String Orchestra - Level 4 - SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #46098...
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String Orchestra - Level 4 - SKU: A0.944031 Composed by Ofer Ben-Amots. Contemporary,Jewish. Score and parts. 132 pages. The Composer's Own Press #4609863. Published by The Composer's Own Press (A0.944031). THE KLEZMER CONCERTO The concerto opens with a slow but intense movement titled Pastoral Doyna.  A Doyna is a lament-like melody -- both declamatory and melancholic -- of Eastern-European origin, most likely Rumanian, Gypsy, or Jewish. The opening by the string ensemble is reminiscent of the awakening sound of nature. On top of the busy accompaniment the clarinet enters with occasional shouts, echoes, and cry-like gestures. The second movement is a sort of a wedding-waltz, titled: Dance of the Seven Circles. The name goes back to the old Jewish tradition according to which a bride must circle seven times around the bridegroom before the actual start of the marriage ceremony. Its nature of this movement is a mixture of irony and passion, humor and pain. At the end of the waltz the clarinetist is invited to play a free cadenza and improvise on previous motives and melodic patterns. The movement ends with a return to the orchestra, with a soulful lament and quiet murmuring of the soloist. The third and last movement of the concerto is titled Halleluya. It is inspired by the textual content, vibrant rhythms and many musical instruments suggested in the 150th Psalm. Toward the end of this movement, there is a second solo cadenza in a perpetual motion style, where upon the players of the orchestra join in and add their voices to the pandemonium with a song of praise: Halleluya! Parts available through rental only! For performance materials, demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00 ≈
50.07€
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