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Always Thinking of You
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Vous avez sélectionné:
Always Thinking of You
Partitions à imprimer
20 partitions trouvées
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1
Always Thinking of You
Always Thinking of You
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Michelle Kraak
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Always Thinking of You
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Michelle Kraak
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SheetMusicPlus
B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - SKU: A0.1012600 Composed by Michelle Kraak. Contemporary,Pop,Rock,Standards....
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B-Flat Trumpet,Drum Set,Euphonium,Flugelhorn,Flute,Guitar,Piano - Level 3 - SKU: A0.1012600 Composed by Michelle Kraak. Contemporary,Pop,Rock,Standards. 44 pages. Michelle Kraak #6102861. Published by Michelle Kraak (A0.1012600). Instrumentation: flute, horn, flugelhorn, Bb trumpet 1, Bb trumpet 2, euphonium, amplified guitar, drum set, piano and voice (mezzo soprano)Always Thinking of You is a fusion of a few different styles, including aspects of pop and rock as well as hints to the brass chorale style. It has a unique combination of instruments. Amplification is recommended to get the best group balance. I originally wrote the lyrics as a poem and then set the poem to music. The piece should be sung in a pop-like style, as opposed to an operatic style. It could be programmed in a recital or ensemble concert. The piece has a unique instrumentation, which can be helpful for groupsthat don't have the standard instrumentations. It would work nicely for students or to showcase a vocalist.4 minutes 57 secondsashevilletrumpet.comhttps://www.facebook.com/kraakmichellehttps://www.instagram.com/kraakmichelle/https://www.linkedin.com/in/michelle-kraak-71b0258a/ Lyrics:I don't know what to do,Every step brings me closer to you.Every touch of your hand,This is not what I had planned. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you. Love come and gone.Like a snowflake that melts in the spring.My heart will grieve.So for you this song I'll sing. Forever and ever,You will always be here,Never forgotten,So painfully near.Each morning I wake,Each breath that I take,I'll always be thinking of you,Always be thinking of you.
$32.95 ≈
29.63€
Jesus is thinking of you
Jesus is thinking of you
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Chorale SATB
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INTERMÉDIAIRE
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Focus Solomon
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Focus Solomon
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Debby Universal Concept.
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Jesus is thinking of you
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Focus Solomon
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.1279506 By Focus Solomon. By Focus Solomon. Arranged by Focus Solomon. Christian,Sacred,Soul,Spiritual,Standards...
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Choral Choir (SATB) - Level 3 - SKU: A0.1279506 By Focus Solomon. By Focus Solomon. Arranged by Focus Solomon. Christian,Sacred,Soul,Spiritual,Standards. Octavo. 2 pages. Focus Solomon #870989. Published by Focus Solomon (A0.1279506). Jesus is thinking of you is a sacred song that reveals to you that in whatever circumstances you may be, realize that Jesus Christ is always thinking of you. This song was composed under the influence of the holy spirit and it is fully gospel. It is brought to you through Focus on Music Consult which is a subsidiary of Focus & Debby Universal Concept.
$5.99 ≈
5.39€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Chorale TTBB
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FACILE
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo &am
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.59€
Reflections of Home
Reflections of Home
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Piano seul
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INTERMÉDIAIRE
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Michael Mills
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Reflections of Home
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Tom's Creek Publishing
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.902533 Composed by Michael Mills. Concert,Contemporary. Score. 134 pages. Tom's Creek Publishing #6169717. Published by T...
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Piano Solo - Level 3 - SKU: A0.902533 Composed by Michael Mills. Concert,Contemporary. Score. 134 pages. Tom's Creek Publishing #6169717. Published by Tom's Creek Publishing (A0.902533). Reflections of Home is an homage to the first works I composed: the music that initially compelled me to pursue my dream. While much of what I write today seems worlds apart from these original pieces, there are strong connections between all of my music, even when it is not readily apparent. Half of the music in this collection are revised and expanded versions of a few of my very first compositions. The other half of this album are pieces I composed in honor of these musical roots. Reflections of Home is, in many ways, a literal title. It is impossible for me to compose, play, or hear this music without thinking of my youth, my childhood house, or my family’s piano. In fact, the music itself feels like a compositional home. These works are the origins of everything I create today, and no matter how far from these beginnings myself or my artistic interests travel, this music will always be my home.
$19.99 ≈
17.98€
Thinking Out Loud
Thinking Out Loud
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
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Pop musique
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Ed Sheeran
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Sherry Lewis
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Thinking Out Loud
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Sherry Lewis Publishing
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SheetMusicPlus
String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521717 By Ed Sheeran. By Amy Wadge and Ed Sheeran. Arranged by Sherry Lewis. Pop. 20 p...
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String Quintet Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.521717 By Ed Sheeran. By Amy Wadge and Ed Sheeran. Arranged by Sherry Lewis. Pop. 20 pages. Sherry Lewis Publishing #6402735. Published by Sherry Lewis Publishing (A0.521717). THINKING OUT LOUD, String Orchestra for 2 violins, viola, cello and string bass chords eg. C, Em, etc. Intermediate Level Score: 8 pages Parts: 9 pages Time: 4'30DEMO NOTE: This demo begins after the beginning to get to the main tune as we're allowed 30 seconds of recording. MY QUARTET VERSIONS, in short notice work fine for solo, two parts and three parts however I also offer individual versions for one, two and three parts that are more detailed for these ensembles. Please visit https://www.sheetmusicplus.com/search?Ntt=sherry+lewis+publishing for all of the titles I offer. If you can’t find a title then contact me through www.baysbest.com/smp-arrangeme/ and I’ll give you the link back to Sheet Music Plus’s listing. VERSATILE Titles that include four parts are written with the idea that they can be performed with 1, 2, 3 or 4 musicians. Most of the contemporary/popular titles include a chord chart for a bass instrument. PRACTICE needs would vary according to the level of the performers but my goal is to be sight-readable for most performers and groups. AUDIO SAMPLE The 30 second mp3 is frequently shortened and may not start at the introduction to get to the reprise. The actual introduction will be in the sheet music. LISTENABILITY I have performed thousands of weddings and special events. I make it a goal for the music to carry as well as possible through loud and large space situations. ARRANGEMENTS usually follow the original version. There is an mp3 where you can hear 30 seconds and get a feeling of the originality of the work. EXCELLENT for corporate events, weddings, social gatherings and recitals. APPROPRIATE for students and schools. CHURCH REPERTOIRE I’m always adding more titles. Sherry Lewis is a professional arranger and musician residing in Northern California. Thank you for your purchase!
$12.99 ≈
11.68€
Music always round me (for SATB choir and piano)
Music always round me (for SATB choir and piano)
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Chorale SATB
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INTERMÉDIAIRE
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Alan Bullard
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Music always round me
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Colne Edition / BullardMusic
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SheetMusicPlus
Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1277925 Composed by Alan Bullard. 21st Century,Classical. 11 pages. Colne Edition / BullardMusic #...
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Choral Choir,Choral (SATB divisi) - Level 3 - SKU: A0.1277925 Composed by Alan Bullard. 21st Century,Classical. 11 pages. Colne Edition / BullardMusic #869628. Published by Colne Edition / BullardMusic (A0.1277925). Written for SATB choir and piano (or strings), and based on lines from a poem by Walt Whitman, Music always round me is a lively celebration of the joy of communal music-making, focussing on the character of each of the individual choral voices, and on the excitement of working together, breathing together, and thinking together in harmony.The mp3 is a live recording with strings, and the YouTube link is a digital recording with piano. Music always round me is a movement from Alan Bullard’s cantata Endless Song, for SATB choir and strings (quartet, quintet, or orchestra), or piano, also available from this site.COLNE EDITION CE130  www.colneedition.co.ukAlan Bullard’s choral music is performed and broadcast world-wide, and is in the repertoire of many choirs. He has a reputation for music that choirs enjoy performing, and which speaks directly to audiences. www.alanbullard.co.uk
$1.99 ≈
1.79€
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
CURVE, Between the Octaves - A Piano Duo Suite (Movement 4 of 7)
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dislocation I mean a degree of
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Jenni Roditi
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CURVE, Between the Octaves - A
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Jenni Roditi
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SheetMusicPlus
Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published b...
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Instrumental Duet,Keyboard - SKU: A0.1497852 Composed by Jenni Roditi. 21st Century,Classical,Contemporary. 17 pages. Jenni Roditi #1074264. Published by Jenni Roditi (A0.1497852). Piano Duo 2 pianos/4 hands. Curve, Between the Octaves points to a fugal past, where lines enter and build in stately flow. It invites lines to intermingle, without assuming they will all arrive somewhere, or at the same time. A certain intensity builds, then scales, both up and down, free themselves from the discussion of the interleaving lines. The chromaticism suggests curving between harmonies, and is nearly always ambivalent. An assertive chordal climax intervenes to shake off the tensions, yet this peels away into further curvatures that twist and twirl, until a final resting point agrees to present itself. Names of all the movements in the suite Between the Octaves in the right order are Initiate, Surrender, Thread, Curve, Encircle, Ritualise, Ignite. The whole suite follows a long line from movement 1 to movement 7. However, individual pieces are well suited to be played alone too. Piano Duo is ideally two Steinway grands, otherwise, whatever is available. An enjoyment of the tensions and relationships generated between the two instruments: grand-upright, upright-electronic keyboard is to be explored as a positive. Each piece creates its own world in the suite and can be part of smaller subgroups taken from the suite, in any combination, but the order of the pieces needs to be maintained if more than one is played. Here is a taste of the background to the musical world of this 53 minute compositional suite. During a reflective time I read the following: The whole philosophy of dharma art (Buddhist art) is that you don't try to be artistic, but you just approach objects as they are, and the message comes through automatically. (Chogyam Trungpa Rinpoche, from 'True Perception The Path of Dharma Art.' Shambhala 2008, p.133.) The 'objects as they are' became the 'octaves as they are'. As the pieces were composed the octaves had a centring and clarifying role that allowed other material to circulate around or play against them. They acted as pivots, repetitions, drones, ostinati, pointillist nodes, pedals, melodic features, struts, harmonic turnpikes, breathing spaces, bass lines: musical imperatives. The octaves called the musical shots most of the time. When the music pulled a semitone up or down and away from the octaves (as it did quite often) it was especially telling in the context of the ringing spaces the octaves were creating. I became interested in the subtle dislocation that two pianos could provide. By dislocation I mean a degree of tension between the natural acoustics of the two instruments in the room and the players idiosyncrasies as musicians. The whole point of this work was to examine the nature of my syntax, grammar, and compositional thinking. The title demanded one thing above all: what notes am I going to use between these octaves?? My choice of notes was derived in most instances from the tempo, pitch, and rhythm of the initial octaves at the beginning of each piece alongside the individual word titles that I set out to explore as musical images. The audio was developed from Sibelius software, via MIDI to Logic samples of a Steinway grand piano.
$20.00 ≈
17.99€
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
Tropical Cafe - at the Resort for Sxophone Quartet (optional Piano & Percussion)
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Quatuor de Saxophones: 4 saxophones
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INTERMÉDIAIRE
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Mari Miura
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Katsuo Mizushina
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Tropical Cafe - at the Resort
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FOSTERMUSIC.JP Digital Publishing
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SheetMusicPlus
Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miu...
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Saxophone Quartet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - SKU: A0.1477423 Composed by Mari Miura. Arranged by Katsuo Mizushina. Classical,Contest,Festival. 79 pages. FOSTERMUSIC.JP Digital Publishing #1054001. Published by FOSTERMUSIC.JP Digital Publishing (A0.1477423). Tropical Cafe - at the Resort This piece is originally in a flute duet and piano version, arranged by Katsuo Mizushina for saxophone quartet.The suite is inspired by a story in a café at a resort, but can also be performed as excerpts.We would also be happy if the performers could freely enjoy the piece by adding piano and percussion instruments for optional parts and ad-libbing.Please imagine your favorite café and play it. (Mari Miura)Click here for piano accompaniment sound files.A clear blue sky.Reflected in a sea of sapphire.Waves lapping on the dazzling white of the beach glimmer in the sunlight.The Tropical Cafe, a charming building full of tourists on the shore.It has a mysterious power that transports you into the world of whatever you order.Word of its power soon spread, and now business is booming.But who will visit today? I.Bossa Nova on the Beach Today’s first customers are a group of girls who came to the beach for a holiday.“We need something to match our excitement!”“What could capture the radiance of the sun reflecting on the beach?”They’re having the time of their lives as they decide what to order.“This would be perfect!”One of the girls points out the Beach Bossa Nova. II.Anniversary Waltz At high noon, an elderly couple walks in.“Today is our wedding anniversary.”“We always talked about returning to this beach after we got married here, but we never got round to it.”“Until today!”The sun shining. Seagulls soaring across the sky. Waves gently lapping the shoreline.It was exactly as they’d remembered.Just like the waltz they danced at their wedding, they order the Anniversary Waltz. III.Songs of Nostalgia As the sun begins to set in the west, a customer dressed in unfamiliar clothes enters the cafe.“I wonder where this sea leads to.”The sun shines on half of his face, casting a long shadow.Thinking of his hometown, he gazes at the menu. His eyes tinged with sorrow, he comes across the Song of Nostalgia. IV.Happy Samba Flaming torches are lit as the sun falls beyond the horizon.When you feel a little lonesome as an exciting day draws to a close, treat yourself to the cafe’s most uplifting item.The Happy Samba!May tomorrow be filled with happiness.Click here for other works by Mari Miura.
$49.99 ≈
44.96€
Better Me ft. Prophet AJ bell
Better Me ft. Prophet AJ bell
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Jehdi JXL
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Juuchstudio
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Better Me ft. Prophet AJ bell
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Juuchstudio
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SheetMusicPlus
12-String Guitar,Acoustic Guitar,Bass Voice,Drums - Level 3 - SKU: A0.1136455 By Jehdi JXL. By Jehdi JXL. Arranged by Juuchstudio. Broadway,Christian,Hi...
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12-String Guitar,Acoustic Guitar,Bass Voice,Drums - Level 3 - SKU: A0.1136455 By Jehdi JXL. By Jehdi JXL. Arranged by Juuchstudio. Broadway,Christian,Hip-Hop,Musical/Show,Praise & Worship,R & B,Religious. Full Performance. Duration 279. Juuchstudio #736454. Published by Juuchstudio (A0.1136455). Thinking of a better life, we know that there is hope waiting for us. But don't make some actions that will take them far from you. God will always make a way where there seems to be problems and issues. Stream Jehdi JXL on audiomack, SoundCloud, bandlab, YouTube @ Jehdi JXL.
$1.99 ≈
1.79€
Piano Sonata in F Minor - III. Funeral March
Piano Sonata in F Minor - III. Funeral March
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Gabriel Lagos
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Gabriel Lagos
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Piano Sonata in F Minor - III.
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Lagos Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Scor...
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Piano Solo - Level 4 - SKU: A0.1254257 By Gabriel Lagos. By Gabriel Lagos. Arranged by Gabriel Lagos. 19th Century,Classical,March,Romantic Period. Score. 5 pages. Lagos Music #847828. Published by Lagos Music (A0.1254257). The third movement is done! Plenty of crunchy diminished and augmented fifth intervals in this work to give it some darkness. I also chose to keep the register fairly low. The feeling I'm trying to capture: despair; knowing that everyone's fate is to fade into the wind and there's nothing anyone can do about it. There's nothing wrong with that; I've come to a place where I no longer fear death, but it's a reality of life that, at times, is impossible to ignore. There is a positive side, though. For one, the contrasting section is in A flat major and picks up tempo briefly! Before inevitably falling back into F minor... Also, on a funny note, the entire main theme is based off of an old song I wrote for my high school rock band (in like, 2004-ish?), using a commonly used chord progression: I, VI, iv, V7. This was when I was first learning to write music but I remember always thinking it would sound good as a funeral march. The song was called One More Life and the lyrics were about shedding the old, beginning anew, asking the universe for one more life. It feels good to finally have written this movement, though. I hope you enjoy it :)Thank you,Gabe.
$4.99 ≈
4.49€
Diamante del tiempo (Diamond in the Rough), Celtic Song by Gustavo Fuentes
Diamante del tiempo (Diamond in the Rough), Celtic Song by Gustavo Fuentes
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Gustavo Fuentes
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Gustavo Fuentes
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the beginning and the end
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Diamante del tiempo
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Gustavo Fuentes
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SheetMusicPlus
Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holi...
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Small Ensemble Cello,Flute,Soprano Recorder,Violin - Level 3 - SKU: A0.900405 Composed by Gustavo Fuentes. Arranged by Gustavo Fuentes. Celtic,Folk,Holiday,New Age,World. Score and parts. 3 pages. Gustavo Fuentes #3637525. Published by Gustavo Fuentes (A0.900405). Diamond in the Rough. Celtic music song composed by Gustavo Fuentes, arranged for two voices. Two melody instruments, such as tin whistle, low whistle, flute, recorder, piano or violin, with chords for piano or guitar. The audio is from to the Gustavo Fuentes CD Almas en vuelo that you can listen to on Spotify. The most important symbol of Celtic art is the triskelion. It is made up of three curved legs representing the past, the present and the future. It can also symbolize the balance between mind, body and spirit; the beginning and the end; or constant learning versus eternal evolution.Life is a timeline. Memories from the past can sometimes evoke pleasant images and beautiful experiences in our minds, but they can also fill us with sadness and nostalgia. Thinking of the future can give us hope, but it can also awaken anxiety. The only time when we can truly be, make decisions, and effect change is the present. Today is a gift, a diamond in the rough that we can cut and polish to our liking. Quoting the wise words of Irish author Oscar Wilde in The Picture of Dorian Grey: Life is a moment. There is no hereafter. So make it burn always with the hardest flame. Canción de música celta compuesta por Gustavo Fuentes, arreglada para dos voces agudas como tin-whistle, low whistle, flauta traversa, flauta dulce, piano o violÃn, con cifrado de acordes para piano o guitarra. El audio pertenece al CD de Gustavo Fuentes Almas en vuelo, que se puede escuchar completo en Spotify. El sÃmbolo más importante del arte celta es el trisquel. Formado por tres brazos en espiral representan el pasado, el presente y el futuro, y simboliza el equilibrio entre cuerpo, mente y espÃritu, el principio y el fin, el aprendizaje perpetuo y la eterna evolución.Nuestra vida está construida en el tiempo. A veces el pasado nos trae recuerdos gratos y experiencias hermosas; en otros momentos, nos llena de melancolÃa y añoranza. El futuro puede generarnos esperanza, pero también ansiedad. El único momento donde podemos ser, donde podemos elegir, donde podemos cambiar, es el presente. DeberÃamos considerar el ahora como una verdadera joya, como un diamante que podemos tallar y lustrar para que tenga la forma y el brillo que merecemos. Y estarÃa bien recordar las palabras que el escritor irlandés Oscar Wilde nos dejó en El retrato de Dorian Grey: La vida es el presente, el futuro no existe. Haz que la vida arda siempre con la llama más intensa.
$4.99 ≈
4.49€
Everybody Wants To Rule The World
Everybody Wants To Rule The World
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Chorale 3 parties
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FACILE
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Tears For Fears
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Curtis Lavender
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Everybody Wants To Rule The Wo
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Curtis Lavender
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SheetMusicPlus
Choral Choir (SAB) - Level 2 - SKU: A0.1204136 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orzabal. Arranged by Curtis Lavender. ...
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Choral Choir (SAB) - Level 2 - SKU: A0.1204136 By Tears For Fears. By Christopher Hughes, Ian Stanley, and Roland Orzabal. Arranged by Curtis Lavender. Contemporary,Pop. Octavo. 7 pages. Curtis Lavender #802673. Published by Curtis Lavender (A0.1204136). A classic song of the 80s, this arrangement adds tasteful decoration to an already fantastic song for use within choirs. Done as an SAB arrangement, the B is more Baritone than Bass, so bare that in mind when thinking of using this for your choir. All parts start off in unison and then splits into harmony from 2nd verse onwards, where Soprano and Alto share the main melody and are always complimented by the surrounding harmonies. Purely written as a vocals with chord symbols for comping with instrument of choice (e.g. piano or guitar), this is a flexible arrangement that can be a great contemporary addition to choir repertoire lists.
$1.99 ≈
1.79€
Finding Hope
Finding Hope
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Piano seul
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Musique Sacrée
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Faith Angelina
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Finding Hope
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Faith Angelina Music
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SheetMusicPlus
Piano Solo - SKU: A0.1003947 Composed by Faith Angelina. Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Faith Angelina Music #3141419. ...
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Piano Solo - SKU: A0.1003947 Composed by Faith Angelina. Contemporary,Praise & Worship,Sacred,Spiritual. Score. 3 pages. Faith Angelina Music #3141419. Published by Faith Angelina Music (A0.1003947). From twelve year old composer Faith Angelina off her debut album Reaching 12 (available at FaithAngelina.com). This song was a turning point for me as I looked for help from my destructive feelings and found the love and support that was always within my reach. - Faith Angelina It was August 8th, 2016, when Faith’s mother found the suicide note left on her minivan. It was a heart stopping moment. The type that slows down time and changes all priorities and perspectives. On the front side of the paper it said, PLEASE READ in big letters. On the back was the following… Dear Mom, I am writing this to inform you about something I didn’t have the strength to tell you in person. I have depression. I know you think that we all go through a stage where we are sad it’s true, but this is not the case. I thought that I just had a sad time too until I realized I had been thinking about killing myself many times. I know that this is hard to hear but I felt it was important to tell you something I had been holding back for 5 years. I hope you can think of me the same after this note, and know that me thinking about killing myself is NOT your fault. Love, Faith After an immediate trip to the doctor, it was discovered that Faith didn’t have clinical depression but that she suffered from a hormonal imbalance in her body. She had been waking up in the middle of the night over half of her young life and wandering around while the rest of the family slept. With a small prescription, and lots of love, Faith headed off to start middle school and a magical year that would follow. Shortly after this experience, Faith composed a new song called Finding Hope and finished up on three others she had been working on.
$3.50 ≈
3.15€
Anew
Anew
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Jonathan P
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Anew
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Jonathan Kochik Music, LLC
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SheetMusicPlus
Euphonium,Low Brass Quartet,Tuba - Level 3 - SKU: A0.1451869 Composed by Jonathan P. Kochik (ASCAP). Chamber. 29 pages. Jonathan Kochik Music, LLC #1031...
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Euphonium,Low Brass Quartet,Tuba - Level 3 - SKU: A0.1451869 Composed by Jonathan P. Kochik (ASCAP). Chamber. 29 pages. Jonathan Kochik Music, LLC #1031179. Published by Jonathan Kochik Music, LLC (A0.1451869). Times of change are not always easy to go through in life. Maybe you have become comfortable with the way things are or, perhaps, you are so scared of change that just thinking about it gives you anxiety, but not all change is bad change. If we take a moment to observe the natural occurrences that take place around us every day – sunrises and sunsets, tides coming in and going out, the transformation of winter to spring – we can begin to see that change is a necessary part of growing and developing into who we. However, these moments in your life are not always easy ones. Anew explores the journey of someone experiencing a moment of great change in their life. What sort of emotions are they feeling? What thoughts are going through their head? As someone who has gone through a big shift in my career path, I wanted to compose a piece to help me process my emotions and organize the thoughts in my head on why I felt this change needed to happen. Having the motto “words fail music speaks,” I was inspired as a composer by way of ostinato rhythms, melodic extension, and juxtaposed musical styles to help unpack what words simply could not quantify.
$50.00 ≈
44.97€
Treasure Chest (a chocolate song)
Treasure Chest (a chocolate song)
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Chorale 2 parties
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FACILE
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Sally Whitwell
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Treasure Chest
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Sally Whitwell
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.873031 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 7 pages. Sally Whitwell #3869011. Published by ...
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Choral Choir (SA) - Level 2 - SKU: A0.873031 Composed by Sally Whitwell. Contemporary,Standards. Octavo. 7 pages. Sally Whitwell #3869011. Published by Sally Whitwell (A0.873031). Composer’s Note - Treasure ChestI w​as commissioned by the Canberra International Music Festival in 2016 to write a work for children’s chorus. The concert was a Mothers’ Day event, sponsored by a couple of local boutique chocolatiers, so the works on the program were all chocolate and coffee themed, including J S Bach’s Coffee Cantata and a bunch of songs from Charlie and the Chocolate Factory. The festival’s Artistic Director Roland Peelman asked me if I could write a new piece on this theme.So I got thinking about chocolate and about Mothers’ Day and about how when you’re a little kid and have no earnings, you still give your mum a present for her special day (that is, your dad pays for it and you sign the card!). And if it’s chocolate, you might give her ​your​ favourite chocolate instead of ​hers,​ and all you are really waiting for is for her to offer you one. When I was a child, I always used to think of chocolate boxes as treasure chests, full of shining precious things only consumed on very special occasions. Because they were such a rarity, you really had to savour each sweet taste and gooey texture. I​ ’m sure from this song, you’ll be able to tell that I am a big sweet tooth!-- Sally Whitwell
$1.99 ≈
1.79€
The Christmas Song (chestnuts Roasting On An Open Fire)
The Christmas Song (chestnuts Roasting On An Open Fire)
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Piano seul
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INTERMÉDIAIRE
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Noël
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Nat Cole With N
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Thomas Gunther
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The Christmas Song
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Thomas Gunther Music Productions
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1325497 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Thomas Gunther. Christmas,Holiday,Jaz...
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Piano Solo - Level 3 - SKU: A0.1325497 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Thomas Gunther. Christmas,Holiday,Jazz. Score. 4 pages. Thomas Gunther Music Productions #913724. Published by Thomas Gunther Music Productions (A0.1325497). Solo Piano Arrangement By Thomas GuntherThe Christmas Song is maybe the most popular Christmas Song in the USA. Some know it as Chestnuts Roasted On An Open Fire or Merry Christmas to You. The melody is absolutely beautiful, and the chord changes super interesting. I especially like Nat King Cole's version, which is in Db major. To make it easier for intermediate piano players I wrote my piano solo arrangement in C major instead. It is still challenging  enough.The sheet music will be available for purchase at 2pm Chicago time on Nov 27.About The ArrangementThe arrangement is written in jazz ballade style. It doesn't swing. I includes a fun double time improvisation section though which I made up on the spot during the second B section when I recorded the song. It is in latin style. The arrangement can be performed with or without improvisation. Should you be a jazz pianist you could use the included chord symbols to make up your own improvisation.About The Sheet MusicThe sheet music is the exact transcription of my recording, including the improvisation part. (You can listen to it and see me perform in the video below.)The sheet music contains jazz chord symbols and plentiful of articulations as well as some dynamic markings. How This Arrangement Came AboutMay arrangement is heavily based on the Nat King Cole version. I love the ballade feel and the beautiful chord substitutions he uses in the orchestration. First I simply played along with his version in Db major. This helped me to figure out the harmony. Next I start thinking about the accompaniment. Now it is time to practice it. Once I have the arrangement figured out I start recording it a few times, listen to each version, iron out the edges. Now it is time to record the entire thing. Recommendations For Learning The SongI recommend that you first listen to my performance while reading along in the sheet music. I always think about fingering and sustain pedal use at the same time when learning a song. Smart use of the sustain pedal can really make it much easier to play.Is This Arrangement For You?This solo piano arrangement is for every pianist who loves The Christmas Song. It doesn't matter would kind of pianist you are. The arrangement is certainly for intermediate pianists and up. It is also beneficial when you don't have very small hands. Some chords in the left hand require a hand span of a 10th. However, there are ways to get around that by simply rolling the notes with the help of the sustain pedal.
$5.99 ≈
5.39€
Valentine's Day Choral Activity/Game Sight Singing
Valentine's Day Choral Activity/Game Sight Singing
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Chorale SATB
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INTERMÉDIAIRE
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J
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Valentine's Day Choral Activit
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J. Gallagher
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.978029 Composed by J.C. Baker, Fermata Nowhere. Instructional,Standards. Octavo. 1 pages. J. Gallagher #5034151....
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Choral Choir (SATB) - Level 3 - SKU: A0.978029 Composed by J.C. Baker, Fermata Nowhere. Instructional,Standards. Octavo. 1 pages. J. Gallagher #5034151. Published by J. Gallagher (A0.978029). For a whole week of Valentine's Day have your students use this fun and engaging sight reading practice with love songs THEY WILL KNOW! I use it as a warm up/ do now at the start of band and choral classes for the first 5-10 minutes or so.These are quick 2, 4, and 8 measure examples totaling 10 songs for the students to practice sight reading using solfege.There are some tricky syncopated rhythms involved as well as key changes (C, G, F, D, Bb).The songs included in the 10 examples are, in order:1. Can't Help Falling In Love - Elvis2. Thinking Out Loud - Ed Sheeran3. We Found Love - Rhianna4. Just The Way You Are - Bruno Mars5. She Loves You - The Beatles6. I Will Always Love You - Whitney Houston7. Shallow - A Star Is Born8. All Of Me - John Legend9. Can You Feel The Love Tonight - Elton John/Lion King10. Love Is An Open Door - FrozenThis is a great warm up exercise at the start of class or rehearsal to get the students focused and their brains warmed up for singing, sight singing, reading, and learning new music.Typically students can take either the whole sheet down in one day and we spend a good majority of a day on it OR spread it out over the week and do 1 or 2 a day.Structure it as best you see fit.The students love competing with each other to see who can figure out the solfege and the song first!Bonus points if they can name the song, artist, and the correct lyrics!
$1.99 ≈
1.79€
River Music
River Music
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Contemporain
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Sarah Hersh
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River Music
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Burbury Lane Music
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SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. ...
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Small Ensemble B-Flat Clarinet,Bass Clarinet - Level 4 - SKU: A0.1028052 Composed by Sarah Hersh. 20th Century,Contemporary. Score and parts. 59 pages. Burbury Lane Music #3368591. Published by Burbury Lane Music (A0.1028052). River Music is a fun and accessible piece that has received much positive feedback in the clarinet world and has been performed many times, including at the International Clarinet Association's ClarinetFest. It is an approximately 8 minute piece for two Bb clarinets and bass clarinet that would be equally at home on an environmental-themed concert or any other type of program. It is a relatively advanced piece but has been performed by high school students. River Music was written for Clarinets for Conservation.Program Note: River Music was inspired by my time one summer spent on the Chattahoochee River and at the Chattahoochee Nature Center near Atlanta, Georgia. I have always had a connection to bodies of water, having spent many summers and weekends at the lake by my grandparents’ house in New York. While sometimes I feel like an outsider as a New Yorker living in the South, as soon as I got on the river, canoeing down the Chattahoochee, I felt at home again. Something about the river reminds me of my childhood on Lake Peekskill, and River Music was partially inspired by that connection.Once I started writing the piece, it took on a life of its own, as water and nature (and composing) often does. One reason I’ve always felt strongly about environmentalism and protecting our natural environment is that all of it – the trees, the earth, the rivers, the lakes – has been here long before we came along and started messing it up, and it will (hopefully) be here long after we’re gone, as long as we make sure to protect these natural spaces and wilderness areas. I often think about how much trees have seen, and as I wrote this piece I started thinking about how much the river has seen too. I hear stories in River Music, and to me it’s the river telling us some, though certainly nowhere near all, of its stories.Perhaps River Music will take you, the listener, on a journey down the river-not just through space, but through time. You might hear some of the same stories I hear. Or you may not. Part of the beauty of writing a piece inspired by a river is that I hope you hear in it whatever the river means to you.Note: The sheet music includes a score, regular set of parts, and a bonus set of parts that include a partial score underneath the main part.The composer is a member of ASCAP and may be reached at www.sarahhersh.com or sarahhershcomposer@gmail.com.
$15.99 ≈
14.38€
We See the Mountains Lifted High Before Us
We See the Mountains Lifted High Before Us
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Musique Sacrée
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Hal H Hopson
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We See the Mountains Lifted Hi
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Chorister's Guild - Digital
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SheetMusicPlus
Two-part mixed chorus - SKU: C7.CGA1291 Composed by Hal H Hopson. General, Lent. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1291. P...
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Two-part mixed chorus - SKU: C7.CGA1291 Composed by Hal H Hopson. General, Lent. Sacred Anthem. Octavo. 8 pages. Chorister's Guild - Digital #CGA1291. Published by Chorister's Guild - Digital (C7.CGA1291). UPC: 749193017487.Every mixed choir can always use a masterfully arranged two-part piece, and Hal Hopson delivers with this gorgeous arrangement of the LONDONDERRY AIR tune with the text of Psalm 121. The composer has written the voices in a way that sounds rich, and fools the ear in to thinking that more than two parts are being sung. Use this piece anytime, but especially when you have limited rehearsal time.
$1.95 ≈
1.75€
Regret Not Me
Regret Not Me
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Chorale SATB
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AVANCÉ
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Nicholas White
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Regret Not Me
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Nicholas White Music
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 5 - SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo. 12 pages. Nich...
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Choral Choir (SATB divisi) - Level 5 - SKU: A0.1256872 Composed by Nicholas White. 21st Century,A Cappella,Classical,Traditional. Octavo. 12 pages. Nicholas White Music #850259. Published by Nicholas White Music (A0.1256872). A challenging, unaccompanied, pastoral setting of Thomas Hardy's poem, scored for SATB divisi featuring a high soprano!Regret not me;   Beneath the sunny treeI lie uncaring slumbering peacefully.    Swift as the light   I flew my faery flight;Ecstatically I moved, and feared no night.    I did not know   That heydays fade and go,But deemed that what was would be always so.    I skipped at morn   Between the yellowing corn,Thinking it good and glorious to be born.    I ran at eves   Among the piled-up sheaves,Dreaming, 'I grieve not, therefore nothing grieves.'    Now soon will come   The apple, pear, and plumAnd hinds will sing, and autumn insects hum.    Again you will fare   To cider-makings rare,And junketings; but I shall not be there.    Yet gaily sing   Until the pewter ringThose songs we sang when we went gipsying.    And lightly dance   Some triple-timed romanceIn coupled figures, and forget mischance;    And mourn not me   Beneath the yellowing tree;For I shall mind not, slumbering peacefully.
$2.00 ≈
1.80€
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Always Thinking of You
