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Almost Summer
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• 5 Seconds Of Summer
• Summer, Donna
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Vous avez sélectionné:
Almost Summer
Partitions à imprimer
61 partitions trouvées
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Almost Summer
Almost Summer
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Quatuor de Cuivres: 2 trompettes, Cor, trombone
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FACILE
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Contemporain
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Blake P
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Almost Summer
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Blake P. McCabe
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet - Level 2 - SKU: A0.1023360 Composed by Blake P. McCabe. Contemporary. Score and parts. 5 pages. Blake P. McCabe #6...
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Brass Ensemble Horn,Trombone,Trumpet - Level 2 - SKU: A0.1023360 Composed by Blake P. McCabe. Contemporary. Score and parts. 5 pages. Blake P. McCabe #6491383. Published by Blake P. McCabe (A0.1023360). This is a piece for small brass ensemble. It is meant to show the bright energy with the excitement of the coming summer. It draws on the staggered breathing technique used in choral singing to create a flowing sound throughout the piece.
$3.99 ≈
3.57€
A Summer Tale
A Summer Tale
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Orchestre
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FACILE
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Fredrik Lundquist
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Fredrik Lundquist
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A Summer Tale
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Fredrik Lundquist
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SheetMusicPlus
Full Orchestra - Level 2 - SKU: A0.1012911 Composed by Fredrik Lundquist. Arranged by Fredrik Lundquist. Contemporary,World. Score and parts. 24 pages. ...
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Full Orchestra - Level 2 - SKU: A0.1012911 Composed by Fredrik Lundquist. Arranged by Fredrik Lundquist. Contemporary,World. Score and parts. 24 pages. Fredrik Lundquist #5868615. Published by Fredrik Lundquist (A0.1012911). Easy play entertainment music, suitable for almost every ocassion, A waltz written and inspired by the sweet season of summer landscape, green meadows , blue skies etc.The instrumentation in this version futures an almost full orchestra, if the ensemble should have more instruments than feautured in the score, they can double on other parts suitable. The piano part is optional.
$20.00 ≈
17.91€
Morango ... almost a tango, full score
Morango ... almost a tango, full score
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Tango
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Thomas Oboe Lee
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Morango ... almost a tango, fu
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Thomas Oboe Lee
#
SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. T...
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String Quartet String Quartet - Level 4 - SKU: A0.869118 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin. Score and parts. 16 pages. Thomas Oboe Lee #1914305. Published by Thomas Oboe Lee (A0.869118). Morango ... almost a tango (1983) is the most popular piece of music from my portfolio of over 150 works!!! It is amazing that the work was conceived thirty years ago!!! Originally, it was just a 32-bar jazz tune I performed every Sunday night with the Moon Unit at the 1369 Jazz Club in Cambridge, Massachusetts, 1980-1984. The string quartet version, although written for the Kronos Quartet, was premiered at Concert X by the Composers in Red Sneakers in Sanders Theater, Cambridge, Massachusetts, on July 21, 1983. The Red Sneakers String Quartet comprised of Thal Aylward, Melissa Howe, Frank Grimes and Sandy Kiefer. Richard Buell reported in the Boston Globe a few days later that the doleful Morango ... almost a tango got a lot of mileage out of a stubborn, almost unchanging cello line and the elaborations above it. The original program note read, Last summer in Vermont I met Gustavo Moretto, an Argentine composer, who taught me the finer and more beautiful aspects of the Tango. In my modest way, as someone looking in from the outside, I created Morango ... almost a tango - a bastardized version of the 'real thing.' Morango ... is also intrinsically connected to Kate Moran, a sometimes painter ... to whom it is dedicated. The work is played con sordino throughout. I hope the sirens next door don't intrude too much. But then again, John Cage would be delighted. Eventually, the Kronos got around to performing it on tour in Europe in 1986. When they played it as an encore in Italy at the American Academy in Rome, Mya Tannenbaum of the Corriere Della Sera wrote, Non sono mancati i bis. Un richiamo al sex appeal del vecchio tango da parte di un giovane «premio Roma», Tom Lee. Soon after, back in the States, the Kronos performed it at the Brooklyn Academy of Music in New York. John Rockwell wrote in the New York Times, ... a soulfully beautiful score by Thomas Oboe Lee. Three months later the Kronos recorded it on their Nonesuch CD, White Man Sleeps. Many other string quartets, both here and abroad, have since added the work to their repertory. The Lydian String Quartet, especially, have taken the work on their concert tours in the United States, Europe and the former Soviet Union. It appears on a CD recorded by the Lyds in Moscow on MCA Classics. As interest in the work grew, other ensembles have requested arrangements of Morango ... There are now three other versions of the work: one for big band jazz ensemble by Ken Schaphorst, another for string orchestra commissioned by Aram Gharabekian and Sinfonova, and the third for violin and piano commissioned by the Paul Chou-Paul Salerni Duo. Of the string orchestra version, Richard Dyer of the Boston Globe wrote, Lee's piece, Morango ... almost a tango, is a transcription of atmospheric and elegant music originally composed for string quartet; it is as sultry as Faith Domergue in a film noir, and it steams. Audio link: https://thomasoboelee.bandcamp.com/album/morango-almost-a-tango-1983Video link: https://youtu.be/Ksd9mDtRSBU
$9.99 ≈
8.95€
One Summer's Day
One Summer's Day
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Quintette de Clarinettes: 5 clarinettes
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FACILE
#
Joe Hisaishi
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Sean Sullivan
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One Summer's Day
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Sean Sullivan
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SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1239461 Composed by Joe Hisaishi. Arranged by Sean Sullivan. 20th C...
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Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 2 - SKU: A0.1239461 Composed by Joe Hisaishi. Arranged by Sean Sullivan. 20th Century,Film/TV. 20 pages. Sean Sullivan #834854. Published by Sean Sullivan (A0.1239461). Summer is almost here, and what better way to welcome the season than with a beautiful and enchanting clarinet quintet arrangement of One Summer's Day by Joe Hisaishi. Perfect for any occasion, whether it's an intimate gathering with friends and family or a public performance, this arrangement is sure to captivate and delight any audience. Â Featuring four clarinets and one bass clarinet with an optional part for alto clarinet, this arrangement is beautifully arranged and written for easy access to any clarinet quintet. The mellow and soothing tones of the clarinets blend effortlessly together, creating a wonderfully harmonious and relaxing sound that will transport listeners to a serene summer's day. Â With its hauntingly beautiful melody and intricate harmonies, One Summer's Day is a timeless classic that has captured the hearts of music lovers all over the world. And now, with this new arrangement, you can experience the magic of this beloved piece in a whole new way.
$13.99 ≈
12.53€
Summer Of '69
Summer Of '69
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Bryan Adams
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Rita Arendz
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Summer Of '69
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Rita Arendz
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1300815 By Bryan Adams. By Bryan Adams and Jim Vallance. Arranged by Rita Arendz. 20th Century,Contemporary,Pop,Rock. Brass Band. 63 pages. Rita Arendz #890513. Published by Rita Arendz (A0.1300815). In the words of Canadian artist Bryan Adams, Songs can have a life of their own, regardless of the promotion. Â And Summer of 69 has done just that. Â Almost 30 years after its initial release in 1984, this rock/pop rock chart is still reaching top-10 positions on all format types in various countries outside North America, such as Portugal, Sweden, and the UK.This arrangement for Brass Band blends the up-tempo style with the nostalgic feel of its lyrics. Â Many sections of the band get a chance to express themselves, and even converse with each other, with some solo opportunities as well.This is a great crowd-pleaser and sure to be a hit, especially for those summer park concerts!Duration ~3:40 Â 63 pages.
$61.99 ≈
55.52€
Summer Breeze for Brass Quartet
Summer Breeze for Brass Quartet
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Ensemble de cuivres
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INTERMÉDIAIRE
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Graham Boag
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Graham Boag
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Summer Breeze for Brass Quarte
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Graham Boag
#
SheetMusicPlus
Brass Ensemble - Level 3 - SKU: A0.780059 Composed by Graham Boag. Arranged by Graham Boag. Contemporary,Jazz,Standards. Score and parts. 18 pages. Grah...
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Brass Ensemble - Level 3 - SKU: A0.780059 Composed by Graham Boag. Arranged by Graham Boag. Contemporary,Jazz,Standards. Score and parts. 18 pages. Graham Boag #5867673. Published by Graham Boag (A0.780059). Summer Breeze is a gentle Bossa Nova style piece in which you can almost feel that warm air blow in your face. It was written on a particularly warm day and it gives your 2nd Cornet a moment to 'star', taking the melodic lead during the piece.
$12.99 ≈
11.63€
Summer Breeze for String Quartet
Summer Breeze for String Quartet
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE
#
Graham Boag
#
Summer Breeze for String Quart
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Graham Boag
#
SheetMusicPlus
String Quartet String Quartet - Level 3 - SKU: A0.780002 Composed by Graham Boag. Concert,Latin. Score and parts. 17 pages. Graham Boag #3859819. Publis...
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String Quartet String Quartet - Level 3 - SKU: A0.780002 Composed by Graham Boag. Concert,Latin. Score and parts. 17 pages. Graham Boag #3859819. Published by Graham Boag (A0.780002). Summer Breeze is a gentle Bossa Nova style piece in which you can almost feel that warm air blow in your face. It was written on a particularly warm day and it gives your 2nd Violin a moment to 'star', taking the melodic lead during the piece. .
$7.95 ≈
7.12€
Vivaldi - Four Seasons - Summer for Piano Trio (score & parts)
Vivaldi - Four Seasons - Summer for Piano Trio (score & parts)
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Antonio Vivaldi
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Neil Crossland
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Vivaldi - Four Seasons - Summe
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Neil Crossland
#
SheetMusicPlus
Piano Trio,String Ensemble - SKU: A0.1501207 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 43 pages. Neil Crossland #10771...
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Piano Trio,String Ensemble - SKU: A0.1501207 Composed by Antonio Vivaldi. Arranged by Neil Crossland. Baroque,Classical. 43 pages. Neil Crossland #1077165. Published by Neil Crossland (A0.1501207). My arrangement of Vivaldi's Spring Concerto from The Four Seasons breathes new life into this timeless masterpiece. I aimed to capture the vibrant energy and delicate nuances that define Vivaldi's original composition while introducing fresh elements to engage modern listeners. The arrangement opens with the familiar, lively Allegro, where I've emphasized the interplay between the strings, creating a dynamic conversation that mirrors the awakening of nature in spring.In the second movement, the Largo, I've highlighted the pastoral serenity through a delicate balance of the melody, allowing the solo violin to sing with a gentle yet expressive tone, underscored by a rich harmonic texture in the accompaniment. This movement evokes a peaceful landscape, where the listener can almost feel the warmth of the sun and the gentle breeze.The final Allegro portrays the exuberant dance of spring. I've infused this section with rhythmic vitality and a playful spirit, enhancing the contrast between the soloist and the ensemble. My arrangement pays homage to Vivaldi’s genius while offering a contemporary perspective that invites the audience to experience Spring with renewed appreciation and joy.
$19.99 ≈
17.90€
One Summer's Day
One Summer's Day
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Joe Hisaishi
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Richard Charlton
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One Summer's Day
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Richard Charlton
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SheetMusicPlus
Guitar Ensemble - Level 4 - SKU: A0.1486120 Composed by Joe Hisaishi. Arranged by Richard Charlton. 21st Century,Classical,Contemporary,Film/TV,Instruct...
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Guitar Ensemble - Level 4 - SKU: A0.1486120 Composed by Joe Hisaishi. Arranged by Richard Charlton. 21st Century,Classical,Contemporary,Film/TV,Instructional. Score and Parts. 13 pages. Richard Charlton #1063178. Published by Richard Charlton (A0.1486120). Joe Hisashi's iconic theme from the Studio Ghibli film Spirited Away.This arrangement has some very high positions for 1st guitars - (as the tempo is slow it could be an opportunity for players to learn new notes?)Gu2 & 3 are intermediate level but there are some flats that may be unfamiliar to players. A Gu4 part (in the D tuning) is included to use with a smaller ensemble if desired. The opening should be very free - almost ad-lib.
$19.99 ≈
17.90€
The Summer of Mars, Harp Duet
The Summer of Mars, Harp Duet
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2 Harpes (duo)
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INTERMÉDIAIRE
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New Age
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Contemporain
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Cindy Blevins
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The Summer of Mars, Harp Duet
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Cindy Blevins
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SheetMusicPlus
Harp,Instrumental Duet - Level 3 - SKU: A0.540823 Composed by Cindy Blevins. Contemporary,New Age. 9 pages. Cindy Blevins #3077219. Published by Cindy B...
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Harp,Instrumental Duet - Level 3 - SKU: A0.540823 Composed by Cindy Blevins. Contemporary,New Age. 9 pages. Cindy Blevins #3077219. Published by Cindy Blevins (A0.540823). This download includes the score, Harp I and Harp II. The harp parts are two pages each. My harp duets are consistent in their configuration. Harp I part is the most difficult, and can be played on lever or pedal harp. Harp II part is generally easier, and lap harp friendly. So this duet is suitable for student/teacher duet practice, and for almost any combination of two harp players. Or even an ensemble with several playing each part. My website: https://www.blevinsmusic.com
$4.99 ≈
4.47€
Summer Aire, Harp Duet
Summer Aire, Harp Duet
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2 Harpes (duo)
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INTERMÉDIAIRE
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New Age
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Contemporain
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Cindy Blevins
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Summer Aire, Harp Duet
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Cindy Blevins
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SheetMusicPlus
Harp,Instrumental Duet - Level 3 - SKU: A0.543102 Composed by Cindy Blevins. Contemporary,New Age. 9 pages. Cindy Blevins #3432587. Published by Cindy B...
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Harp,Instrumental Duet - Level 3 - SKU: A0.543102 Composed by Cindy Blevins. Contemporary,New Age. 9 pages. Cindy Blevins #3432587. Published by Cindy Blevins (A0.543102). This download includes the score, Harp I and Harp II. Harp I part is the most difficult, and can be played on lever or pedal harp. Harp II part is generally easier, and lap harp friendly. So this duet is suitable for student/teacher duet practice, and for almost any combination of two harp players. Or even an ensemble with several playing each part. My website: https://www.blevinsmusic.com
$4.99 ≈
4.47€
Summer Solstice, Harp Duet
Summer Solstice, Harp Duet
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2 Harpes (duo)
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INTERMÉDIAIRE
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New Age
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Contemporain
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Cindy Blevins
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Summer Solstice, Harp Duet
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Cindy Blevins
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SheetMusicPlus
Harp,Instrumental Duet - Level 3 - SKU: A0.543100 Composed by Cindy Blevins. Contemporary,New Age. 9 pages. Cindy Blevins #3432583. Published by Cindy B...
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Harp,Instrumental Duet - Level 3 - SKU: A0.543100 Composed by Cindy Blevins. Contemporary,New Age. 9 pages. Cindy Blevins #3432583. Published by Cindy Blevins (A0.543100). This download includes the score, Harp I and Harp II. Harp I part is the most difficult, and can be played on lever or pedal harp. Harp II part is generally easier, and lap harp friendly. So this duet is suitable for student/teacher duet practice, and for almost any combination of two harp players. Or even an ensemble with several playing each part. My website: https://www.blevinsmusic.com
$4.99 ≈
4.47€
Summer Dreams, Passing By
Summer Dreams, Passing By
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Summer Dreams, Passing By
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.573776 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. Sc...
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Piano Solo - Level 3 - SKU: A0.573776 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Contemporary,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #6020947. Published by James M Stevens Music ASCAP (A0.573776). Written August 18, 2020, this is an original piano composition in a gentle and nostalgic style with almost the feel of a lullaby in the key of C major. James Michael Stevens is a prolific composer residing in Nashville, TN and serves as the Music Department Chairman of Welch College.
$4.99 ≈
4.47€
Summer's Almost Here
Summer's Almost Here
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Chorale Unison
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DÉBUTANT
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Jack Siegel
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Summer's Almost Here
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Jack Siegel
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SheetMusicPlus
Choral Choir (Unison) - Level 1 - SKU: A0.947772 Composed by Jack Siegel. Children,Instructional. Octavo. 2 pages. Jack Siegel #2098295. Published by Ja...
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Choral Choir (Unison) - Level 1 - SKU: A0.947772 Composed by Jack Siegel. Children,Instructional. Octavo. 2 pages. Jack Siegel #2098295. Published by Jack Siegel (A0.947772). A lively little song for unison elementary voices about the end of the school year. The middle section goes into a snappy samba with an optional second voice. The accompaniment mp3 is available at no charge at
$3.99 ≈
3.57€
Summer's Almost Gone
Summer's Almost Gone
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Paroles et Accords
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Rock
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The Doors
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Summer's Almost Gone
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Hal Leonard - Digital
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SheetMusicPlus
SKU: HX.170918 By The Doors. Pop,Rock. Guitar Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.170918). ...
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SKU: HX.170918 By The Doors. Pop,Rock. Guitar Chords/Lyrics. 2 pages. Published by Hal Leonard - Digital (HX.170918).
$1.99 ≈
1.78€
Summer Countdown Song
Summer Countdown Song
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Piano, Voix
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DÉBUTANT
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Laura G Cole
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Summer Countdown Song
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Laura G. Cole
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SheetMusicPlus
Piano,Vocal,Voice - Level 1 - SKU: A0.1428953 Composed by Laura G Cole. Children,Traditional. Score. 7 pages. Laura G. Cole #998889. Published by Laura ...
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Piano,Vocal,Voice - Level 1 - SKU: A0.1428953 Composed by Laura G Cole. Children,Traditional. Score. 7 pages. Laura G. Cole #998889. Published by Laura G. Cole (A0.1428953). I wrote this song for my elementary school students in the spring of 2022. We were so happy to have made it through a successfully (almost) normal year coming out of COVID. We were all ready for a relaxing, fun summer.This song is dedicated to the second grade class at Gouge Elementary School that sang it so sweetly that year. I hope your students enjoy counting down summertime with this song.*The number twenty-one can be replaced by whatever number of days you have left in the school year. I used that number because that’s how many days were left when I wrote it!
$2.99 ≈
2.68€
It's Almost Summer by Billy Thorpe & The Aztecs - Piano/Vocal/Guitar
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Piano, Voix et Guitare
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Billy Thorpe & The Aztecs
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It's Almost Summer
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Musicnotes
Performed by: Billy Thorpe & The Aztecs: It's Almost Summer Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrange...
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Performed by: Billy Thorpe & The Aztecs: It's Almost Summer Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 5 pages -- Hard Rock~~Pop Rock~~Australian
$5.50 ≈
4.93€
It's Almost Summer by Billy Thorpe - Leadsheet
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Ligne De Mélodie, (Paroles) et Accords
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Billy Thorpe
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It's Almost Summer
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Musicnotes
Performed by: Billy Thorpe: It's Almost Summer Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains com...
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Performed by: Billy Thorpe: It's Almost Summer Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice;C Instrument; 2 pages -- Pop Rock~~Australian
$2.95 ≈
2.64€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 2 La soirée dans
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484977...
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Full Orchestra - SKU: A0.1008374 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849775. Published by Arkady Leytush (A0.1008374). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
22.39€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush No. 1 Pagodes (Pagodas
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #484976...
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Full Orchestra - SKU: A0.1008372 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 24 pages. Arkady Leytush #4849769. Published by Arkady Leytush (A0.1008372). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree. Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. Th.
$25.00 ≈
22.39€
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
Claude Debussy ‒ Estampes, Orchestra Suite, Orchestrated by Arkady Leytush, No. 3 Jardins sous la
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Orchestre
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Classique
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Claude Debussy
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Arkady Leytush
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Claude Debussy ‒ Estamp
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Arkady Leytush
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SheetMusicPlus
Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #488544...
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Full Orchestra - SKU: A0.1008375 Composed by Claude Debussy. Arranged by Arkady Leytush. 20th Century. Score and parts. 39 pages. Arkady Leytush #4885449. Published by Arkady Leytush (A0.1008375). Estampes (Engravings) is the title of the triptych of three pieces which Debussy put together in 1903. The first complete performance was given on 9 January 1904 in the Salle Erard, Paris, by the young Spanish pianist Ricardo Viñes, who was already emerging as the prime interpreter of the new French music of Debussy and Ravel. The first two pieces were completed in 1903, but the third derives from an earlier group of pieces from 1894, collectively titled Images, which remained unpublished until 60 years after Debussy’s death, when they were printed as Images (oubliées). Estampes marks an expansion of Debussy’s keyboard style: he was apparently spurred to fuse neo-Lisztian technique with a sensitive, impressionistic pictorial impulse under the impact of discovering Ravel’s Jeux d’eau, published in 1902. The opening movement, ‘Pagodes’, is Debussy’s first pianistic evocation of the Orient and is essentially a fixed contemplation of its object, as in a Chinese print. This static impression is partly caused by Debussy’s use of long pedal-points, partly by his almost constant preoccupation with pentatonic melodies which subvert the sense of harmonic movement. He uses such pentatonic fragments in many different ways: in delicate arabesques, in two-part counterpoint, in canon, harmonized in fourths and fifths and as an underpinning for pattering, gamelan-like ostinato writing. Altogether the piece reflects the decisive impression made on him by hearing Javanese and Cambodian musicians at the 1889 Paris Exposition, which he had striven for years to incorporate effectively in music. In its final bars the music begins to dissolve into elaborate filigree.Just as ‘Pagodes’ was his first Oriental piece, so ‘La soirée dans Grenade’ was the first of Debussy’s evocations of Spain-that preternatural embodiment of an ‘imaginary Andalusia’ which would inspire Manuel de Falla, the native Spaniard, to go back to his country and create a true modern Spanish music based on Debussyan principles. Debussy’s personal acquaintance with Spain was virtually non-existent (he had spent a day just over the border at San Sebastian) and it is possible that one model for the piece was Ravel’s Habanera. Yet he wrote of this piece (to his friend Pierre Louÿs, to whom it was dedicated), ‘if this isn’t the music they play in Granada, so much the worse for Granada!’-and there is no debate about the absolute authenticity of Debussy’s use of Spanish idioms here. Falla himself pronounced it ‘characteristically Spanish in every detail’. ‘La soirée dans Grenade’ is founded on an ostinato that echoes the rhythm of the habanera and is present almost throughout. Beginning and ending in almost complete silence, this dark nocturne of warm summer nights builds powerfully to its climaxes. The melodic material ranges from a doleful Moorish chant with a distinctly oriental character to a stamping, vivacious dance-measure, taking in brief suggestions of guitar strumming and perfumed Impressionist haze. There is even a hint of castanets near the end. The piece fades out in a coda that seems to distil all the melancholy of the Moorish theme and a last few distant chords of the guitar. ‘Jardins sous la pluie’ is based on the children’s song ‘Nous n’rons plus au bois’ (We shan’t go to the woods): its original 1894 form was in fact entitled Quelques aspects de ‘Nous n’rons plus au bois’. The two versions are really two distinct treatments of the same set of ideas, but in ‘Jardins sous la pluie’ Estampes the earlier piece has been entirely rethought. The whole conception is more impressionistic, and subtilized. The teeming semiquaver motion is more all-pervasive, the tunes (for Debussy has added a second children’s song for treatment, ‘Do, do, l’enfant do’) more elusive and tinged sometimes with melancholy or nostalgia. The ending of the piece is entirely new. What it loses, perha.
$25.00 ≈
22.39€
The Saddest Noise
The Saddest Noise
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separation’s sorceryÂ
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Christopher Tin and Emily Dick
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Lisa Ochoco
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The Saddest Noise
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Lisa L Ochoco
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SheetMusicPlus
Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1171219 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contempora...
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Woodwind Ensemble Alto Flute,Bass Flute - Level 3 - SKU: A0.1171219 Composed by Christopher Tin and Emily Dickinson. Arranged by Lisa Ochoco. Contemporary,Film/TV. 21 pages. Lisa L Ochoco #771557. Published by Lisa L Ochoco (A0.1171219). Christopher Tin is a contemporary composer who is best known for his choral piece called Baba Yetu.  With an impressive educational background in music composition, English literature, and art history, his compositions come to life with like nothing that I've experienced before. It is simply some of the most beautiful and expressive music I have ever heard.  The Lost Birds is a musical memorial to bird species driven to extinction by humans.  Tin’s soundtrack is a fantastic work of art, with its soaring musical phrases that make you feel like you’re flying. The Saddest Noise is a choral piece, with its lyrics taken from Emily Dickinson’s poem, “The Saddest Noise, the Sweetest Noise,†which talks of the relationship between beauty and grief. The saddest noise, the sweetest noise, The maddest noise that grows, The birds, they make it in the spring, At night’s delicious close.   Between the March and April line That magical frontier Beyond which summer hesitates, Almost too heavenly near.   It makes us think of all the dead That sauntered with us here, By separation’s sorcery Made cruelly more dear.   It makes us think of what we had, And what we now deplore. We almost wish those siren throats Would go and sing no more.   An ear can break a human heart As quickly as a spear, We wish the ear had not a heart So dangerously near.   The Lost Birds soundtrack was sung by the choral group, Voces8, who made the music and poetry come to life in a way that not many other groups could.  It is simply beautiful. This arrangement is scored for flute choir – 4 C, alto, bass, and contrabass.  There is an optional cello part that doubles the contrabass.  This is not a strict transcription - I added moving parts and changed/added notes to make it of more interest as an instrumental piece.  I hope you like it. Duration: 3.5 minutes.
$16.00 ≈
14.33€
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Almost Summer
