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Advanced Rhythm Exercise Etude 2
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Vous avez sélectionné:
Advanced Rhythm Exercise Etude 2
Partitions à imprimer
23 partitions trouvées
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Advanced Rhythm Exercise / Etude 2
Advanced Rhythm Exercise / Etude 2
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Batterie
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INTERMÉDIAIRE/AVANCÉ
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Brandyn Metzko
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Advanced Rhythm Exercise / Etu
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Brandon Joseph Metzko
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SheetMusicPlus
Drums - Level 4 - SKU: A0.877729 Composed by Brandyn Metzko (ASCAP). Instructional. Score. 1 pages. Brandon Joseph Metzko #5317257. Published by Brandon...
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Drums - Level 4 - SKU: A0.877729 Composed by Brandyn Metzko (ASCAP). Instructional. Score. 1 pages. Brandon Joseph Metzko #5317257. Published by Brandon Joseph Metzko (A0.877729). Advanced Rhythm etude/exercise. Playable on snare drum, or any instrument.
$2.99 ≈
2.80€
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duo)
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FACILE
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.71€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.71€
School for Trombone - Volumes 1, 2 and 3 complete
School for Trombone - Volumes 1, 2 and 3 complete
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Trombone
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INTERMÉDIAIRE
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Mueller, Robert
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Cherry, Gordon
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School for Trombone - Volumes
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Gordon Cherry
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.810972 Composed by Mueller, Robert. Arranged by Cherry, Gordon. Instructional. Individual part. 208 pages. Gordon Cher...
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Trombone Solo - Level 3 - SKU: A0.810972 Composed by Mueller, Robert. Arranged by Cherry, Gordon. Instructional. Individual part. 208 pages. Gordon Cherry #4309377. Published by Gordon Cherry (A0.810972). Albert Robert Mueller (Müller) was a German trombonist born in 1849. He initially received violin lessons and discovered his talent for trombone playing at the age of twelve. He eventually settled in Leipzig and became a member of the Leipzig Gewandhaus Orchestra as well as a teacher at the Royal Conservatory of Music. He wrote the School for Trombone in 1902. (Wikipedia) The School for Trombone (part of our Vintage Brass Series, not to be confused with the Technical Etudes) is a very detailed and comprehensive book in three volumes totalling 208 pages, the text being divided into German, English and Russian languages. • Volume I includes detailed lessons on music theory including all scales and keys, rhythm, time signatures, rests, accents, accidentals, explanations of tempo markings, dynamics, posture, tone, a table of positions and notes. The lessons go through different keys starting very slowly and methodically with short exercises....not going too fast for the beginning student. Along the way Mueller inserts easy duets to perform with teacher and student, including many Bach chorales, etc. to get tuning and tone solidified. • Volume II for the intermediate level student, begins with the first studies of slurs and legato. He introduces simple songs and famous melodies including more duets. The exercises get progressively more difficult and include the entire collection of ornaments. • Volume III, for the more advanced student, introduces tenor and alto clefs in scales and studies including more duets. Compiled by Gordon Cherry
$30.00 ≈
28.07€
Polka Russe-Czerny-Bb Clarinet Solo
Polka Russe-Czerny-Bb Clarinet Solo
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Clarinette
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Bb Clarinet
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Phil Beaman
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SheetMusicPlus
B-Flat Clarinet Solo - Level 3 - SKU: A0.844580 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pa...
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B-Flat Clarinet Solo - Level 3 - SKU: A0.844580 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925305. Published by Phil Beaman (A0.844580). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Piccolo Solo
Polka Russe-Czerny-Piccolo Solo
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Piccolo
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Piccolo Sol
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Phil Beaman
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SheetMusicPlus
Instrumental Solo,Piccolo - Level 3 - SKU: A0.844579 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part....
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Instrumental Solo,Piccolo - Level 3 - SKU: A0.844579 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925289. Published by Phil Beaman (A0.844579). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Trumpet Solo
Polka Russe-Czerny-Trumpet Solo
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Trompette
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Trumpet Sol
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Phil Beaman
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SheetMusicPlus
Trumpet Solo - Level 3 - SKU: A0.844586 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phi...
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Trumpet Solo - Level 3 - SKU: A0.844586 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925353. Published by Phil Beaman (A0.844586). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-French Horn Solo
Polka Russe-Czerny-French Horn Solo
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Cor
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-French Horn
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Phil Beaman
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SheetMusicPlus
French Horn Solo - Level 3 - SKU: A0.844584 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages....
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French Horn Solo - Level 3 - SKU: A0.844584 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925343. Published by Phil Beaman (A0.844584). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Alto Clarinet Solo
Polka Russe-Czerny-Alto Clarinet Solo
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Clarinette
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Alto Clarin
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Phil Beaman
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SheetMusicPlus
E-Flat Clarinet Solo - Level 3 - SKU: A0.844581 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pa...
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E-Flat Clarinet Solo - Level 3 - SKU: A0.844581 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925311. Published by Phil Beaman (A0.844581). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Alto Flute Solo
Polka Russe-Czerny-Alto Flute Solo
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Alto Flute
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Phil Beaman
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SheetMusicPlus
Alto Flute,Instrumental Solo - Level 3 - SKU: A0.844583 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual pa...
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Alto Flute,Instrumental Solo - Level 3 - SKU: A0.844583 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925321. Published by Phil Beaman (A0.844583). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Bassoon Solo
Polka Russe-Czerny-Bassoon Solo
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Basson
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Bassoon Sol
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Phil Beaman
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SheetMusicPlus
Bassoon Solo - Level 3 - SKU: A0.844589 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phi...
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Bassoon Solo - Level 3 - SKU: A0.844589 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3928119. Published by Phil Beaman (A0.844589). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary piano recording of instrument part
$3.99 ≈
3.73€
Polka Russe-Czerny-Trombone Solo
Polka Russe-Czerny-Trombone Solo
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Trombone
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Trombone So
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Phil Beaman
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SheetMusicPlus
Trombone Solo - Level 3 - SKU: A0.844588 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Ph...
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Trombone Solo - Level 3 - SKU: A0.844588 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3928113. Published by Phil Beaman (A0.844588). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary piano recording of instrument part
$3.99 ≈
3.73€
Polka Russe-Czerny-Bass Clarinet Solo
Polka Russe-Czerny-Bass Clarinet Solo
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Bass Clarin
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Phil Beaman
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SheetMusicPlus
Full Orchestra Bass Clarinet Solo - Level 3 - SKU: A0.844582 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individu...
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Full Orchestra Bass Clarinet Solo - Level 3 - SKU: A0.844582 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925317. Published by Phil Beaman (A0.844582). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Flute Solo
Polka Russe-Czerny-Flute Solo
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Flûte traversière
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Flute Solo
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Phil Beaman
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SheetMusicPlus
Flute Solo - Level 3 - SKU: A0.844578 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil ...
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Flute Solo - Level 3 - SKU: A0.844578 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925285. Published by Phil Beaman (A0.844578). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Baritone Horn/Euphonium Solo
Polka Russe-Czerny-Baritone Horn/Euphonium Solo
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Baritone Ho
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Phil Beaman
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SheetMusicPlus
Baritone Horn TC Solo - Level 3 - SKU: A0.844587 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 6 p...
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Baritone Horn TC Solo - Level 3 - SKU: A0.844587 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 6 pages. Phil Beaman #3928109. Published by Phil Beaman (A0.844587). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.
$3.99 ≈
3.73€
Polka Russe-Czerny-Viola Solo
Polka Russe-Czerny-Viola Solo
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Alto seul
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Viola Solo
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Phil Beaman
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SheetMusicPlus
Viola Solo - Level 3 - SKU: A0.844592 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil ...
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Viola Solo - Level 3 - SKU: A0.844592 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3928143. Published by Phil Beaman (A0.844592). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. Â It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments. Has double stops in the intro and coda. 3 pages, 1:45 minutesTemporary piano recording of instrument part
$3.99 ≈
3.73€
Polka Russe-Czerny-Tenor Saxophone Solo
Polka Russe-Czerny-Tenor Saxophone Solo
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Tenor Saxop
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Phil Beaman
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SheetMusicPlus
Tenor Saxophone Solo - Level 3 - SKU: A0.844576 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pa...
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Tenor Saxophone Solo - Level 3 - SKU: A0.844576 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925273. Published by Phil Beaman (A0.844576). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Alto Saxophone Solo
Polka Russe-Czerny-Alto Saxophone Solo
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Saxophone Alto
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Alto Saxoph
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Phil Beaman
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SheetMusicPlus
Alto Saxophone Solo - Level 3 - SKU: A0.844575 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pag...
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Alto Saxophone Solo - Level 3 - SKU: A0.844575 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925271. Published by Phil Beaman (A0.844575). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Baritone Saxophone Solo
Polka Russe-Czerny-Baritone Saxophone Solo
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Baritone Sa
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Phil Beaman
#
SheetMusicPlus
Baritone Saxophone Solo - Level 3 - SKU: A0.844577 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3...
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Baritone Saxophone Solo - Level 3 - SKU: A0.844577 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925277. Published by Phil Beaman (A0.844577). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Soprano Saxophone Solo
Polka Russe-Czerny-Soprano Saxophone Solo
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Saxophone (partie séparée)
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Soprano Sax
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Phil Beaman
#
SheetMusicPlus
Soprano Saxophone Solo - Level 3 - SKU: A0.844574 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 ...
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Soprano Saxophone Solo - Level 3 - SKU: A0.844574 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925269. Published by Phil Beaman (A0.844574). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Cello Solo
Polka Russe-Czerny-Cello Solo
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Violoncelle (partie séparée)
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Cello Solo
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Phil Beaman
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SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.844590 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil ...
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Cello Solo - Level 3 - SKU: A0.844590 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3928129. Published by Phil Beaman (A0.844590). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. Â It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments. Has double stops in the intro and coda.3 pages, 1:45 minutesTemporary piano recording of instrument part
$3.99 ≈
3.73€
Polka Russe-Czerny-Oboe Solo
Polka Russe-Czerny-Oboe Solo
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Hautbois (partie séparée)
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Oboe Solo
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Phil Beaman
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SheetMusicPlus
Oboe Solo - Level 3 - SKU: A0.844585 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil B...
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Oboe Solo - Level 3 - SKU: A0.844585 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. Individual part. 3 pages. Phil Beaman #3925329. Published by Phil Beaman (A0.844585). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments.3 pages, 1:45 minutesTemporary recording of piano playing instrument part.
$3.99 ≈
3.73€
Polka Russe-Czerny-Violin Solo
Polka Russe-Czerny-Violin Solo
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Violon
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INTERMÉDIAIRE
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Charles Czerny
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Phil Beaman
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Polka Russe-Czerny-Violin Solo
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Phil Beaman
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.844591 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 3 pages. Phil Beaman #3928137....
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Violin Solo - Level 3 - SKU: A0.844591 Composed by Charles Czerny. Arranged by Phil Beaman. Classical,Folk,Instructional. 3 pages. Phil Beaman #3928137. Published by Phil Beaman (A0.844591). This fun piece is loosely based on a popular Russian folk polka. In 1853 Charles Czerny took this polka tune and created a piano etude as part of his set Amusement des Juenes Amateurs. I have taken some of his themes and adapted and arranged them for instrumental solo. I have assembled them into a Rondo form: Intro-A-B-A-C-A-D-A-Coda. Â It is an etude (study) to sharpen your playing of scales, arpeggios, melodic interval leaps, and various articulations. But it doesn't at all sound like an exercise because of the playful nature of the polka. This dramatic piece shows your technical accomplishments while delivering a crowd pleasing tune with great flourish.I have marked it as Intermediate in difficulty as a general average. The notes and rhythms are Easy, the quick Tempo makes it Early Intermediate, and the range which is a half step beyond a full 2 octaves makes it Advanced Intermediate for some instruments. Has double stops in the intro and coda.3 pages, 1:45 minutesTemporary piano recording of instrument part
$3.99 ≈
3.73€
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Advanced Rhythm Exercise Etude 2
