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ARIA from L'Orfeo ed Euridice (Gluck) for Brass Quintet (Horn in F solo)
ARIA from L'Orfeo ed Euridice (Gluck) for Brass Quintet (Horn in F solo)
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Quatuor de Cuivres : 2 trompettes, trombone, tuba
#
INTERMÉDIAIRE
#
Christoph Willibald Von Gluck
#
Kenneth Martin
#
ARIA from L'Orfeo ed Euridice
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Martin Music Editions
#
SheetMusicPlus
Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.839015 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Co...
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Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.839015 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concert. Score and parts. 11 pages. Martin Music Editions #5214105. Published by Martin Music Editions (A0.839015). Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot-the underground rescue-mission in which the hero must control, or conceal, his emotions-can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.
$5.99 ≈
5.59€
ARIA from L'Orfeo ed Euridice (Gluck) for Wind Quintet (Horn in F solo)
ARIA from L'Orfeo ed Euridice (Gluck) for Wind Quintet (Horn in F solo)
#
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
#
Christoph Willibald Von Gluck
#
Kenneth Martin
#
ARIA from L'Orfeo ed Euridice
#
Martin Music Editions
#
SheetMusicPlus
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.839017 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concer...
(+)
Small Ensemble Bassoon,Clarinet,Flute,Horn,Oboe - SKU: A0.839017 Composed by Christoph Willibald Von Gluck. Arranged by Kenneth Martin. Classical,Concert. Score and parts. 15 pages. Martin Music Editions #5214107. Published by Martin Music Editions (A0.839017). Orfeo ed Euridice (French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi. It belongs to the genre of the azione teatrale, meaning an opera on a mythological subject with choruses and dancing. The piece was first performed at the Burgtheater in Vienna on 5 October 1762, in the presence of Empress Maria Theresa. Orfeo ed Euridice is the first of Gluck's reform operas, in which he attempted to replace the abstruse plots and overly complex music of opera seria with a noble simplicity in both the music and the drama. The opera is the most popular of Gluck's works, and was one of the most influential on subsequent German operas. Variations on its plot-the underground rescue-mission in which the hero must control, or conceal, his emotions-can be found in Mozart's The Magic Flute, Beethoven's Fidelio, and Wagner's Das Rheingold. Though originally set to an Italian libretto, Orfeo ed Euridice owes much to the genre of French opera, particularly in its use of accompanied recitative and a general absence of vocal virtuosity. Indeed, twelve years after the 1762 premiere, Gluck re-adapted the opera to suit the tastes of a Parisian audience at the Académie Royale de Musique with a libretto by Pierre-Louis Moline. This reworking was given the title Orphée et Eurydice, and several alterations were made in vocal casting and orchestration to suit French tastes.
$5.99 ≈
5.59€
Only Love (l'amour En Heritage)
Only Love (l'amour En Heritage)
#
Norman Gimbel, Pierre Delano,
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Paul Johnson
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Only Love
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John Paulson
#
SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - SKU: A0.1253089 Composed by Norman Gimbel, Pierre Delano, and Vladimir Cosma. Arranged by Paul Johnson. 20th Century,Film/TV. Brass Band. 25 pages. John Paulson #846599. Published by John Paulson (A0.1253089). Only Love was the Main Theme to Mistral's Daughter a 1984 mini-series,adapted from Judith Crantz's 1982 blockbuster novel of the same name.In 1925, Jewish atrists model Maggy Lunel arrives in Paris and overcomes her shyness by posing nude for struggling artist Julien Mistral. She enrages the reigning artists model queen Kiki by replacing her Montmartre's newest sensation. Paintings of her become an overnight success, and Mistral signs a contract with art dealer Adrien Avigdor. His business is arranged by American heiress Kate Browning, who is in love with him. At an art gallery, Mistrel sells a portrait of Maggy that he promised to her, prompting Maggy to leave him.This haunting melody has been arranged for full brass band and features Tenor Horn/Baritone and Flugelhorn solos throughout the piece, it was originally sang by Nana Mouskouri.
$32.28 ≈
30.13€
HABANERA from "Carmen" - L'amour est un oiseau rebelle
HABANERA from "Carmen" - L'amour est un oiseau rebelle
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Orchestre
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INTERMÉDIAIRE
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Opera
#
Classique
#
Georges Bizet
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Marc GARETTO
#
HABANERA from "Carmen&quo
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Marc GARETTO - Harmonie Editions
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.1041955 Composed by Georges Bizet. Arranged by Marc GARETTO. Classical,Folk,Opera,Romantic Period. Score and parts. 4...
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Full Orchestra - Level 3 - SKU: A0.1041955 Composed by Georges Bizet. Arranged by Marc GARETTO. Classical,Folk,Opera,Romantic Period. Score and parts. 48 pages. Marc GARETTO - Harmonie Editions #646743. Published by Marc GARETTO - Harmonie Editions (A0.1041955). HABANERA from the world famous Opera : Carmen Adapted for modern Full Orchestra (instrumental version) Instrumentation : Flute 1 / Flute 2 / Oboe 1+2 / Clarinet 1 / Clarinet 2 / Alto Sax / Bassoon / Bass Clarinet Horn / Trumpet 1 / Trumpet 2 / Trombone 1+2 / Tuba Triangle / Tambourine / Piano (opt.) Violin 1 / Violin 2 / Viola / Cello / Contrabass Free additionnal world parts on request by e-mail Parties supplémentaires gratuites, demande par e-mail contact@harmonie-editions.com Arranged for Modern Full Orchestra Durée / Duration : 3'50'' Niveau / Grade : 2,5/5 Tonalité / Key : Ré mineur puis Majeur / D minor then major.
$80.00 ≈
74.66€
Three Selections from the Third Book of Songs II for Flute Quartet
Three Selections from the Third Book of Songs II for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Renaissance
#
John Dowland
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Lisa Ochoco
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Three Selections from the Thir
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559788 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 11 pages. Lisa L Ochoco...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559788 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 11 pages. Lisa L Ochoco #4790647. Published by Lisa L Ochoco (A0.559788). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs VI for Flute Quartet
Three Selections from the Third Book of Songs VI for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
#
Renaissance
#
John Dowland
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Lisa Ochoco
#
Three Selections from the Thir
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Lisa L Ochoco
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559792 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 12 pages. Lisa L Ochoco...
(+)
Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559792 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 12 pages. Lisa L Ochoco #4790655. Published by Lisa L Ochoco (A0.559792). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs V for Flute Quartet
Three Selections from the Third Book of Songs V for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Renaissance
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John Dowland
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Lisa Ochoco
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Three Selections from the Thir
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559791 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 12 pages. Lisa L Ochoco...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559791 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 12 pages. Lisa L Ochoco #4790653. Published by Lisa L Ochoco (A0.559791). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs for Flute Quartet
Three Selections from the Third Book of Songs for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Renaissance
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John Dowland
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Lisa Ochoco
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Three Selections from the Thir
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559787 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 10 pages. Lisa L Ochoco...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559787 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 10 pages. Lisa L Ochoco #4790643. Published by Lisa L Ochoco (A0.559787). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs IV for Flute Quartet
Three Selections from the Third Book of Songs IV for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Renaissance
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John Dowland
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Lisa Ochoco
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Three Selections from the Thir
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Lisa L Ochoco
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SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559790 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 11 pages. Lisa L Ochoco...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559790 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 11 pages. Lisa L Ochoco #4790651. Published by Lisa L Ochoco (A0.559790). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs III for Flute Quartet
Three Selections from the Third Book of Songs III for Flute Quartet
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Quatuor de Flûtes : 4 flûtes
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INTERMÉDIAIRE
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Renaissance
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John Dowland
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Lisa Ochoco
#
Three Selections from the Thir
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Lisa L Ochoco
#
SheetMusicPlus
Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559789 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 13 pages. Lisa L Ochoco...
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Flute Quartet,Woodwind Ensemble Flute - Level 3 - SKU: A0.559789 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 13 pages. Lisa L Ochoco #4790649. Published by Lisa L Ochoco (A0.559789). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs II for Clarinet Quartet
Three Selections from the Third Book of Songs II for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Renaissance
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John Dowland
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Lisa Ochoco
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Three Selections from the Thir
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Lisa L Ochoco
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SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559798 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 11 pages. Lisa L ...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559798 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 11 pages. Lisa L Ochoco #4790905. Published by Lisa L Ochoco (A0.559798). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs V for Clarinet Quartet
Three Selections from the Third Book of Songs V for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Renaissance
#
John Dowland
#
Lisa Ochoco
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Three Selections from the Thir
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Lisa L Ochoco
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559801 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 12 pages. Lisa L ...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559801 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 12 pages. Lisa L Ochoco #4790929. Published by Lisa L Ochoco (A0.559801). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs VI for Clarinet Quartet
Three Selections from the Third Book of Songs VI for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
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Renaissance
#
John Dowland
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Lisa Ochoco
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Three Selections from the Thir
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Lisa L Ochoco
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559802 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 12 pages. Lisa L ...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559802 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 12 pages. Lisa L Ochoco #4790931. Published by Lisa L Ochoco (A0.559802). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs for Clarinet Quartet
Three Selections from the Third Book of Songs for Clarinet Quartet
#
Quatuor de Clarinettes: 4 clarinettes
#
INTERMÉDIAIRE
#
Renaissance
#
John Dowland
#
Lisa Ochoco
#
Three Selections from the Thir
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Lisa L Ochoco
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559797 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 10 pages. Lisa L ...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559797 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 10 pages. Lisa L Ochoco #4790903. Published by Lisa L Ochoco (A0.559797). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs III for Clarinet Quartet
Three Selections from the Third Book of Songs III for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
#
Renaissance
#
John Dowland
#
Lisa Ochoco
#
Three Selections from the Thir
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559799 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 13 pages. Lisa L ...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559799 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 13 pages. Lisa L Ochoco #4790907. Published by Lisa L Ochoco (A0.559799). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Three Selections from the Third Book of Songs IV for Clarinet Quartet
Three Selections from the Third Book of Songs IV for Clarinet Quartet
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Quatuor de Clarinettes: 4 clarinettes
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INTERMÉDIAIRE
#
Renaissance
#
John Dowland
#
Lisa Ochoco
#
Three Selections from the Thir
#
Lisa L Ochoco
#
SheetMusicPlus
Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559800 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 11 pages. Lisa L ...
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Clarinet Quartet,Woodwind Ensemble Clarinet - Level 3 - SKU: A0.559800 Composed by John Dowland. Arranged by Lisa Ochoco. Renaissance. 11 pages. Lisa L Ochoco #4790927. Published by Lisa L Ochoco (A0.559800). John Dowland (1562 – 1626) was a lutenist and singer in the Renaissance Period. The lute was a stringed instrument, most closely related to our guitar. He wrote quite a lot of music that is still played and sung by guitarists and singers today. Although his music was written for stringed instruments in general, many arrangers have adapted his works for wind instruments.
$5.00 ≈
4.67€
Behind the Maestro's Mask (from the musical "The Maestro's Mask: The Untold Story of the Opera Ghost
Behind the Maestro's Mask (from the musical "The Maestro's Mask: The Untold Story of the Opera Ghost
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Voix duo
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INTERMÉDIAIRE/AVANCÉ
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K
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Behind the Maestro's Mask
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Kristopher James Murdock
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SheetMusicPlus
Voice Duet Voice - Level 4 - SKU: A0.893704 Composed by K.J. Murdock, based on F. Chopin. Contemporary,Instructional,Musical/Show,Romantic Period,Standa...
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Voice Duet Voice - Level 4 - SKU: A0.893704 Composed by K.J. Murdock, based on F. Chopin. Contemporary,Instructional,Musical/Show,Romantic Period,Standards. 11 pages. Kristopher James Murdock #3097989. Published by Kristopher James Murdock (A0.893704). Music teachers -- piano, vocal, or music theatre! Are you wondering how to pique the interest of your students (and their recital audiences) in the heightened and ever shifting musical emotionalism of the Romantic style, while staying relevant to today by using a timeless story that arrests their attention? Do you need an expressive recital piece that will demonstrate your students' abilities in a wide range of expression? The solution to both of these problems is this dramatic piano-vocal arrangement of Behind The Maestro's Mask, from Revelation & Restoration's musical The Maestro's Mask: The Untold Story of the Opera Ghost.The song allows intermediate singers to moderately challenge their vocal emotional expression, and you may wish to accompany them yourself on the piano, yet it's also useful as an instrumental solo piece for a piano student. With music based on the A-C sections of Chopin's Polonaise, Op. 26, No. 1 in C# minor and Db major, but transposed and adapted in the easier keys of G minor and G major, this piece will act as a step up for your moderately advanced piano student, preparing for Chopin's work. (There are significant differences between this song and Chopin's Polonaise, particularly on pages 1 and 8-11.)Disclaimer: This piece quotes from Frédéric Chopin's public domain work, Polonaise, Op. 26, No. 1 and is part of Revelation & Restoration's musical The Maestro's Mask: The Untold Story of the Opera Ghost, which is based on a sequel to Gaston LeRoux's public domain novel Le Fantôme de l'Opéra. The musical is not a sequel to Andrew Lloyd Webber's musical version of The Phantom of the Opera. Revelation & Restoration is not affiliated with Andrew Lloyd Webber or The Really Useful Group.
$2.25 ≈
2.10€
Toccata from Suite Gothique, Op. 25 (duet)
Toccata from Suite Gothique, Op. 25 (duet)
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Cloches
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AVANCÉ
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Léon Boëllmann
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Richard Giszczak
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Toccata from Suite Gothique, O
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Singing Winds Music Company
#
SheetMusicPlus
Carillon,Instrumental Solo - Level 5 - SKU: A0.823782 Composed by Léon Boëllmann (1862-1897). Arranged by Richard Giszczak. Holiday,Romantic Perio...
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Carillon,Instrumental Solo - Level 5 - SKU: A0.823782 Composed by Léon Boëllmann (1862-1897). Arranged by Richard Giszczak. Holiday,Romantic Period. Individual part. 10 pages. Singing Winds Music Company #6513385. Published by Singing Winds Music Company (A0.823782). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is the fourth movement from Suite Gothique, Op. 25. It is written as a carillon duet.
$3.00 ≈
2.80€
Ode To Joy (from Symphony No. 9) (Orchestra/Concert Band Flexible Instrumentation)
Ode To Joy (from Symphony No. 9) (Orchestra/Concert Band Flexible Instrumentation)
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Orchestre d'harmonie
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FACILE
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Classique
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Ludwig van Beethoven
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Frank Chow
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Ode To Joy
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Frank Chow
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SheetMusicPlus
Concert Band - Level 2 - SKU: A0.902754 Composed by Ludwig van Beethoven. Arranged by Frank Chow. Children,Instructional,Romantic Period. Score and part...
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Concert Band - Level 2 - SKU: A0.902754 Composed by Ludwig van Beethoven. Arranged by Frank Chow. Children,Instructional,Romantic Period. Score and parts. 32 pages. Frank Chow #6876081. Published by Frank Chow (A0.902754). Ode To Joy is an ode originally written by German poet Friedrich Schiller in 1785. Later in 1824, L. Van Beethoven adapted the ode in the finale of his ninth symphony by introducing a few new sections, which is the most well known usage of the poem. The flexible instrumentation enables a mixture of instruments, from small ensemble to orchestra. Essential fingerings and bowings are provided in the string parts. This arrangement is suitable for amateur players who have played the instrument for around 1 year. The range of all instruments is within one octave.InstrumentationPart 1: Violin, Flute, Oboe, Clarinet, Alto Saxophone, TrumpetPart 2: Violin, Flute, Clarinet, Alto Saxophone, TrumpetPart 3: Viola, Violin(Viola T.C.), Alto Saxophone, Tenor Saxophone, Bassoon, Horn, Trombone, EuphoniumPart 4: Cello, Double Bass, Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, TubaPercussion: Timpani, Snare Drum, Bass Drum, Cymbal, Tambourine, Mallet PercussionCondense Score & Full ScoreContactEmail:walter1994430@gmail.comWebsite: https://walter1994430.wixsite.com/frankchow.
$30.00 ≈
28.00€
TWV 55: C1 - L'Indignation
TWV 55: C1 - L'Indignation
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Georg Philipp Telemann
#
Richard Giszczak
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TWV 55: C1 - L'Indignation
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Singing Winds Music Company
#
SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1443963 Composed by Georg Philipp Telemann (1681–1767). Arranged by Richard Giszczak. Baroque,Chamber,M...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1443963 Composed by Georg Philipp Telemann (1681–1767). Arranged by Richard Giszczak. Baroque,Chamber,Multicultural,World. Individual part. 2 pages. Singing Winds Music Company #1023923. Published by Singing Winds Music Company (A0.1443963). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is arranged from an Overture Suite for strings by Georg Philipp Telemann.
$2.00 ≈
1.87€
L'Harmonie des Anges
L'Harmonie des Anges
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Friedrich Burgmüller
#
Richard Giszczak
#
L'Harmonie des Anges
#
Singing Winds Music Company
#
SheetMusicPlus
Carillon,Instrumental Solo - Level 3 - SKU: A0.1443993 Composed by Friedrich Burgmüller (1806–1874). Arranged by Richard Giszczak. 19th Century,Multi...
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Carillon,Instrumental Solo - Level 3 - SKU: A0.1443993 Composed by Friedrich Burgmüller (1806–1874). Arranged by Richard Giszczak. 19th Century,Multicultural,Romantic Period,World. Individual part. 2 pages. Singing Winds Music Company #1023952. Published by Singing Winds Music Company (A0.1443993). This arrangement is set for Carillon, however it may also be played on piano, organ, or electronic keyboard or adapted to other instruments. It is arranged from a piano piece by Friedrich Burgmüller.
$2.00 ≈
1.87€
Telemann - Gigue à l'Angloise (Partia a cembalo solo) in G Major - Easy
Telemann - Gigue à l'Angloise (Partia a cembalo solo) in G Major - Easy
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Piano seul
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DÉBUTANT
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Georg Philipp Telemann
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Piacere Music Sheets
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Telemann - Gigue à l'An
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Piacere Music Sheets
#
SheetMusicPlus
Piano Solo - Level 1 - SKU: A0.1188609 Composed by Georg Philipp Telemann. Arranged by Piacere Music Sheets. Baroque,Chamber,Children,Instructional,Stan...
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Piano Solo - Level 1 - SKU: A0.1188609 Composed by Georg Philipp Telemann. Arranged by Piacere Music Sheets. Baroque,Chamber,Children,Instructional,Standards. Score. 2 pages. Piacere Music Sheets #788220. Published by Piacere Music Sheets (A0.1188609). Opus/Catalog Number: TWV 32:1, movement 5Key/Tone: G MajorMovements/Sections:  GigueYear/Date of Composition: 1728Difficulty: Grade 3/12 (Easy)Obs.: This piece is the fifth and last movement from Partia a Cembalo Solo.It was first published in Hamburg in 1728-1729 in Der getreue Music-Meister.This Gigue has a simple A-A-B-B musical form, and should be played in a lively tempo.This score contains suggestions for adding trills, mordents and embellishments in accordance with the performance practice of the Baroque period.These suggestions should be adapted to the player's taste and ability.
$2.95 ≈
2.75€
Ode To Joy (The Hymn Of Joy) A Cappella SSA
Ode To Joy (The Hymn Of Joy) A Cappella SSA
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Chorale 3 parties
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INTERMÉDIAIRE
#
Adapted from L
#
Andrew Emmet
#
Ode To Joy
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Andrew J Emmet
#
SheetMusicPlus
Choral Choir,Choral (SSA) - Level 3 - SKU: A0.805149 Composed by Adapted from L. V. Beethoven (1770 - 1827) Symphony No. 9. Arranged by Andrew Emmet. A ...
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Choral Choir,Choral (SSA) - Level 3 - SKU: A0.805149 Composed by Adapted from L. V. Beethoven (1770 - 1827) Symphony No. 9. Arranged by Andrew Emmet. A Cappella,Christian,Classical,Sacred,Spiritual. 2 pages. Andrew J Emmet #412193. Published by Andrew J Emmet (A0.805149). SSA A Cappella arrangement.
$4.00 ≈
3.73€
Ode To Joy (The Hymn Of Joy) A Cappella TTBB
Ode To Joy (The Hymn Of Joy) A Cappella TTBB
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Chorale TTBB
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INTERMÉDIAIRE
#
Adapted from L
#
Andrew Emmet
#
Ode To Joy
#
Andrew J Emmet
#
SheetMusicPlus
Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1292225 Composed by Adapted from L. V. Beethoven (1770 - 1827) Symphony No. 9. Arranged by Andrew Emmet. ...
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Choral Choir,Choral (TTBB) - Level 3 - SKU: A0.1292225 Composed by Adapted from L. V. Beethoven (1770 - 1827) Symphony No. 9. Arranged by Andrew Emmet. A Cappella,Christian,Classical,Religious,Sacred. 3 pages. Andrew J Emmet #882836. Published by Andrew J Emmet (A0.1292225). TTBB A Cappella arrangement.
$4.00 ≈
3.73€
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1
26
51
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151
Adapted from L
