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Adagio No. 11 in B Flat Major
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Vous avez sélectionné:
Adagio No. 11 in B Flat Major
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7 partitions trouvées
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Adagio No. 11 in B Flat Major
Adagio No. 11 in B Flat Major
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Piano seul
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James Michael Stevens
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James Michael Stevens
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Adagio No. 11 in B Flat Major
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano - SKU: A0.1063010 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Jazz,New Age,Sacred,Wedding. Full Performance...
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Piano - SKU: A0.1063010 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Jazz,New Age,Sacred,Wedding. Full Performance. Duration 183. James M Stevens Music ASCAP #6383339. Published by James M Stevens Music ASCAP (A0.1063010). This is the piano demonstration performance of Stevens' Adagio No. 11 in B Flat Major.
$1.99 ≈
1.78€
Adagio No. 11 in B Flat Major
Adagio No. 11 in B Flat Major
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Piano seul
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INTERMÉDIAIRE
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James Michael Stevens
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James Michael Stevens
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Adagio No. 11 in B Flat Major
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James M Stevens Music ASCAP
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.574275 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Jazz,New Age,Sacred,Wedding. Sc...
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Piano Solo - Level 3 - SKU: A0.574275 Composed by James Michael Stevens. Arranged by James Michael Stevens. 20th Century,Jazz,New Age,Sacred,Wedding. Score. 4 pages. James M Stevens Music ASCAP #6383425. Published by James M Stevens Music ASCAP (A0.574275). Written May 2, 2021, this is an original piano composition in a relaxing and romantic style with some smooth jazz undertones.
$4.99 ≈
4.47€
Beethoven : Sonate pour piano n° 11 en si bémol majeur, Op. 22 - II. Adagio con molto espressione
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Piano seul
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INTERMÉDIAIRE
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Classique
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Beethoven
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Sonate pour piano n° 11 en si
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Tomplay
Telechargez la partition Piano Sonate pour piano n° 11 en si bemol majeur, Op. 22 - II. Adagio con molto espressione de Beethoven. Partition pour Piano seul...
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Telechargez la partition Piano Sonate pour piano n° 11 en si bemol majeur, Op. 22 - II. Adagio con molto espressione de Beethoven. Partition pour Piano seul -- Classique
3.99€
Haydn - Symphony No.11 in E flat major, Hob.I:11
Haydn - Symphony No.11 in E flat major, Hob.I:11
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Orchestre
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Classique
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Franz Joseph Haydn
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J
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Haydn - Symphony No.11 in E fl
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J.G. Cuco Barber
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SheetMusicPlus
Full Orchestra - SKU: A0.819604 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 54 pages. J.G. Cuco Barber ...
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Full Orchestra - SKU: A0.819604 Composed by Franz Joseph Haydn. Arranged by J.G. Cucó Barber. Classical. Score and parts. 54 pages. J.G. Cuco Barber #5987027. Published by J.G. Cuco Barber (A0.819604). Composer Haydn, JosephOpus/Catalogue Number Hob.I:11Key E-flat majorMovements/Sections 4 movements:Adagio cantabile (E♠major, 81 bars)Allegro (E♠major, 162 bars)Minuet (E♠major, 36 bars) - Trio (B♠major, 24 bars)Finale. Presto (E♠major, 119 bars)Year/Date of Composition 1761First Publication 1772Average Duration 22 minutesComposer Time Period ClassicalPiece Style ClassicalInstrumentation: OrchestraOboe 1Oboe 2BassoonHorn in Eb 1 original & F transposedHorn in Eb 2 original & F transposedViolin IViolin IIViolaVioloncello & Contrabass
$28.00 ≈
25.08€
Serenade No. 11
Serenade No. 11
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Stephen Levintow
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Serenade No. 11
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Cypress Publishing
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SheetMusicPlus
String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cy...
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String Quintet Cello,Viola,Violin - Level 4 - SKU: A0.1447120 Composed by Wolfgang Amadeus Mozart. Arranged by Stephen Levintow. Classical. 69 pages. Cypress Publishing #1026899. Published by Cypress Publishing (A0.1447120). Soon after moving to Vienna in 1781, Mozart wrote what turned out to be his last, and finest, three serenades for wind ensemble. He himself arranged the one in c minor, Köchel 388, for string quintet (2 violins, 2 violas and cello), and that version is known as K. 406. Most of the serenade in B-Flat Major, K 361, sometimes called Gran Partita or Serenade for 13 Instruments, was also arranged for the same quintet combination, apparently by someone else, with the movements divided up between Quintets No. 6 and 7 in the second volume of the standard Peters Edition set of parts for Mozart’s string quintets. The remaining serenade, K. 375, is appearing in a string quintet arrangement for the first time that I know of. While it does not have the dramatic intensity of K. 388/406 or the grand sweep of K. 361, it is a worthy companion to the other two works. He composed it “carefully”, as he explained in a letter to his father, and the piece is full of striking details that show this. In the first movement, the second subject is surprisingly in a dark minor key, and the development is based on it. But it does not appear in the recapitulation, replaced instead by a new major key theme. The first of the two minuets also has a brooding trio in minor. The heart of the work is the Adagio, one of Mozart’s great slow movements, and it should be better known. The long-spun overlapping melodies work particularly well for strings. The finale starts as a conventional Rondo, but breaks off into an extended fugal section (again starting in a minor key!) that gives the movement weight and power beyond a typical formula rondo. This arrangement transposes the original E-Flat Major to D Major, to take advantage of string sonority while making some of the passage work lie better for the instruments. Score and parts follow the current convention of listing the composer’s middle name as Amadeus, even though he did not favor it: His only recorded use was a letter he signed Wolfgangus Amadeus Mozartus, clearly intended as a joke. He preferred the Italian or French versions, Amadeo or Amadé, of his German given name Gottlieb (which he also rarely if ever used). CYPRESS PUBLISHING is pleased to be the imprint for arrangements for string ensemble by Stephen Levintow. He is a free lance professional violist and violinist specializing in chamber music, who began making string quartet and trio arrangements for wedding, party and corporate events, to expand the repertory or to improve on existing versions. Selections include unusual pieces by both familiar and lesser-known composers, plus standard classical and popular favorites.The goal is to produce high-quality, musically satisfying arrangements faithful to the composer’s original material, yet sight-readable in most cases by working professionals or intermediate to advanced students. The full range of normal string technique is employed, while avoiding unnecessary technical complexity. Melodic material is distributed throughout the four voices where appropriate, to maintain listener and performer interest. All parts and scores are set in Sibelius© software format, with careful attention to legibility and page turns.
$15.00 ≈
13.43€
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
Brahms: Serenade No. 2 in A Op.16 Mvt. II Scherzo - symphonic wind dectet
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Johannes Brahms
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Ray Thompson
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in C for movement II
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Brahms: Serenade No. 2 in A Op
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RayThompsonMusic
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SheetMusicPlus
Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Pe...
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Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - SKU: A0.1488743 Composed by Johannes Brahms. Arranged by Ray Thompson. 19th Century,Romantic Period. 20 pages. RayThompsonMusic #1065594. Published by RayThompsonMusic (A0.1488743). The two Serenades, Op. 11 and 16, represent early efforts by Johannes Brahms to write orchestral music. They both date from after the 1856 death of Robert Schumann when Brahms was residing in Detmold and had access to an orchestra.Brahms had a goal of reaching Ludwig van Beethoven's level in writing symphonies, and worked long and hard on his first symphony, completing it only in 1876 when he was 43 years old. As preliminary steps in composing for orchestra, he chose early on to write some lighter orchestral pieces, these Serenades.The second serenade was first sent to Clara Schumann, who was delighted by it. It was written in 1859 and dedicated to her.The first public performance, reportedly for full orchestra (version lost?), was in Hamburg on 10 February 1860.Brahms himself reworked the piece for piano 4 hands in 1875.The same year he revisited the orchestral version, this time for a small chamber orchestra.The new scoring was for :piccolo,2 flutes,2 oboes,2 clarinets (in A for movements I, IV, V; in C for movement II; and in B flat for movement III),2 bassoons, 2 horns, violas, cellos, and double basses.(omitting violins, brass, and percussion)The five movements take approximately thirty minutes to perform.Allegro moderato (A major)Scherzo. Vivace (C major) – Trio (F major) (This arrangement)Adagio non troppo (A minor, ends in A major with a Picardy third)Quasi menuetto (D major) – Trio (F♯ minor)Rondo. Allegro (A major)Arranged wind dectet/decet/double wind quintet and bass.Horns in C basso ( as in original) but alternative Horn in F parts provided.My clarinet parts are for Bb clarinets.
$14.95 ≈
13.39€
Piano Sonata No. 29 in Bb Major, "Hammerklavier": III. Adagio sostenuto by Ludwig Van Beethoven - Piano Solo
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Piano seul
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Classique
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Ludwig Van Beethoven
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Piano Sonata No. 29 in Bb Majo
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Musicnotes
Ludwig Van Beethoven - Piano Sonata No. 29 in B flat Major Digital Sheet Music, scoring: Instrumental Solo, instruments: Piano; 11 pages -- Classical~~Romantic~...
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Ludwig Van Beethoven - Piano Sonata No. 29 in B flat Major Digital Sheet Music, scoring: Instrumental Solo, instruments: Piano; 11 pages -- Classical~~Romantic~~19th-Century
$6.25 ≈
5.60€
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Adagio No. 11 in B Flat Major
