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AM: a work for solo oboe
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AM: a work for solo oboe
Partitions à imprimer
24 partitions trouvées
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AM: a work for solo oboe
AM: a work for solo oboe
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Dylan Dukat
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AM: a work for solo oboe
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D. Dukat
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1015753 Composed by Dylan Dukat. Contemporary. Individual part. 5 pages. D. Dukat #6431599. Published by D. Dukat (A0.1015...
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Oboe Solo - Level 5 - SKU: A0.1015753 Composed by Dylan Dukat. Contemporary. Individual part. 5 pages. D. Dukat #6431599. Published by D. Dukat (A0.1015753). AM has won, simply ...he has taken his revenge ...I have no mouth.And I must scream.- Harlan EllisonInspired by the short story I Have No Mouth and I Must Scream by Harlan Ellison, AM: a work for solo oboe is a sonic exploration of a populous world devoid of individual voices. Multiple interweaving motives, laced with multiphonic pleas, are constantly met by silence as if the world is screaming in pain into a vacuum.
$10.00 ≈
9.34€
Tokuno Toccata (2010) for solo piano
Tokuno Toccata (2010) for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Thomas Oboe Lee
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Tokuno Toccata
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.869117 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio â...
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Piano Solo - Level 4 - SKU: A0.869117 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio … molto cantabile! 3). 18 pages. Thomas Oboe Lee #3871. Published by Thomas Oboe Lee (A0.869117). Program note: I met Mana Tokuno last spring at a concert in Montpelier, Vermont. The Montpelier Chamber Orchestra, under the direction of Victor Rosenbaum, did the Beethoven Piano Concerto No. 3 with Mana as soloist. My work, Seven Steps To Heaven, for string orchestra was also on the program. After the concert we all went to a local restaurant for a bite to eat, and Mana asked me if I would be interested in writing her a piano piece. I said, Sure!!! For years I have been a fan of Glenn Gould’s recordings of the music by J.S. Bach. I am also a fan of the keyboard sonatas of Bach’s son, Carl Philipp Emanuel Bach. To prepare myself for this work for Mana, I delved into the scores and recordings of these two awe-inspiring musicians/composers, in particular the Toccatas and Partitas of J.S. Bach. I wrote the entire work during a three-week stay at the American Academy in Rome, 2009-10. Tokuno Toccata is in five sections. 1) Prelude … Fantasia!!! 2) Adagio … molto cantabile! 3) Allegro molto … 4) Largo … molto cantabile!!! 5) Allegro … Fuga a tre voci. Enjoy!!!Audio link. Copy and paste the URL link to your browser.https://thomasoboelee.bandcamp.com/album/tokuno-toccata-2010Video link: https://youtu.be/avzu0m_4bqs
$9.99 ≈
9.33€
Tokuno Toccata (2010) for solo piano
Tokuno Toccata (2010) for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Thomas Oboe Lee
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Tokuno Toccata
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.869205 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio â...
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Piano Solo - Level 4 - SKU: A0.869205 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score. With Adagio … molto cantabile! 3). 18 pages. Thomas Oboe Lee #3903. Published by Thomas Oboe Lee (A0.869205). Program note: I met Mana Tokuno last spring at a concert in Montpelier, Vermont. The Montpelier Chamber Orchestra, under the direction of Victor Rosenbaum, did the Beethoven Piano Concerto No. 3 with Mana as soloist. My work, Seven Steps To Heaven, for string orchestra was also on the program. After the concert we all went to a local restaurant for a bite to eat, and Mana asked me if I would be interested in writing her a piano piece. I said, Sure!!! For years I have been a fan of Glenn Gould’s recordings of the music by J.S. Bach. I am also a fan of the keyboard sonatas of Bach’s son, Carl Philipp Emanuel Bach. To prepare myself for this work for Mana, I delved into the scores and recordings of these two awe-inspiring musicians/composers, in particular the Toccatas and Partitas of J.S. Bach. I wrote the entire work during a three-week stay at the American Academy in Rome, 2009-10. Tokuno Toccata is in five sections. 1) Prelude … Fantasia!!! 2) Adagio … molto cantabile! 3) Allegro molto … 4) Largo … molto cantabile!!! 5) Allegro … Fuga a tre voci. Enjoy!!!Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/tokuno-toccata-2010Video link: https://youtu.be/avzu0m_4bqs
$9.99 ≈
9.33€
Andersen Viana: Fantasieta for oboe
Andersen Viana: Fantasieta for oboe
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Hautbois (partie séparée)
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AVANCÉ
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Andersen Viana
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Andersen Viana: Fantasieta for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.533543 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Mus...
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Oboe Solo - Level 5 - SKU: A0.533543 Composed by Andersen Viana. 20th Century,Concert,Contemporary,Standards. Individual part. 5 pages. Musik Fabrik Music Publishing #3017633. Published by Musik Fabrik Music Publishing (A0.533543). Part of a series of fantasies for solo instrument, this lyrical monologue for oboe is in a modernist style: Born in Belo Horizonte, Minas Gerais, he has a Ph.D. in Music Composition from the Federal University of Bahia. He began composing at the age of thirteen and became a professor at the age of nineteen. He has studied in courses and seminars about music and film in several official institutions with Ennio Morricone, Ettore Scolla, Giussepe Tornatore, E. Polizzi, Radamés Gnatalli, Max Rostal, Oilliam Lanna, S. Vianna (Accademia Chigiana di Siena, Reale Accademia Filarmonica di Bologna, Arts Academy of Rome, Royal University College of Music Stockholm, UFMG, UFBA), among others. He currently works as a composer-conductor and cultural producer, as well as a professor at the Clóvis Salgado Foundation, Palácio das Artes, in Belo Horizonte, Brazil, in addition to offering lectures and workshops in various institutions both in Brazil and abroad. His first teacher wa his father, Sebastião Vianna (assistant and reviser for the Brazilian composer, Heitor Villa-Lobos), and most recently furthered his studies in other institutions in Brazil, Italy, and Sweden. He has also published over forty articles both in Brazil and Europe. Viana has received 25 awards in Argentina, Brazil, Europe and the USA, including the Prix de Composition at the First Composition Competition Festin Choral 2013 in the city of Billère (France), first prize at the Susanville Symphony Composition Competition 2012 (USA), first prize in the international composition contest of Lys Music Orchestra 2001 in Belgium, first prize and the audience prize in the Lambersart 2006 International Contest of Composition in France. To date, he has composed 315 musical pieces for voices, chamber, symphonic as well as electronic instruments. Viana has also composed film scores for the following films: A Cartomante, Retalhos do Taquaril, Bem Próximo do Mal (Next Evil), Jogando para o Amanhã, O Próximo Passo, Gun’s Speech, Trem Fantasma, 3:00:AM, Corações Ardentes, Filhos de Adão, Perdidos em Abbey Road, Vivalma, Manuelzão e Bananeira, Ofélia, Opostos, Minas Portuguesa, O Homem da Cabeça de Papelão, Convict, Ser Humano (Human Being), Um Dia Qualquer, Nego, Reenactment, Desafios and Oswaldo França Júnior.
$9.10 ≈
8.50€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.40€
Choralvorspiele ... Homage an Busoni-Reger-Bach (2021) for solo piano
Choralvorspiele ... Homage an Busoni-Reger-Bach (2021) for solo piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Thomas Oboe Lee
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Choralvorspiele ... Homage an
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Thomas Oboe Lee
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.869870 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score. 29 pages. Thomas Oboe Lee #6633069. Published by Th...
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Piano Solo - Level 4 - SKU: A0.869870 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score. 29 pages. Thomas Oboe Lee #6633069. Published by Thomas Oboe Lee (A0.869870). I was very taken by Ferruccio Busoni’s transcription of J.S. Bach’s Chorale Preludes for organ. I am not familiar with the original version mainly because I don’t enjoy listening to organ music; except when it is in a jazz context, like Jimmy Smith and Joey DeFrancesco.Using Busoni’s version as a model I re-did all nine of his Bach Chorale Preludes in my fashion and then I realized that I needed three more to make a nice simple dozen. So I looked at Max Reger’s transcriptions of the Bach Chorale Preludes and found three that would fit into my twelve-movement work.I. Andante … Komm, Gott Schöpfer, heiliger GeistII. Adagio … Wachet aufm ruft uns die StimmeIII. Andante … Nun komm’ der Heiden HeilandIV. Presto … Nun freut euch, lieben Christen, g’meinV. Largo … Ich ruf’ zu dir, Herr Jesu ChristVI. Moderato … Herr Gott, nun schleuß den Himmel aufVII. Largo … Durch Adams Fall ist ganz verderbtVIII. Allegro … In dir ist FreudeIX. Adagio … Jesus Christus, unser HeilandX. Moderato … O Mensch, bewein’ dein’ Sünde großXI. Presto … Ach wie nichtig, ach wie flüchtigXII. Largo … Christ lag in TodesbandenEnjoy!!!
$9.99 ≈
9.33€
Concerto for Trumpet and Orchestra (2014)
Concerto for Trumpet and Orchestra (2014)
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Orchestre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Concerto for Trumpet and Orche
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 ...
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Full Orchestra - Level 4 - SKU: A0.869350 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 82 pages. Thomas Oboe Lee #14827. Published by Thomas Oboe Lee (A0.869350). Instrumentation: trumpet solo and 2222-4231-timp-2perc-strings. Over the years I have written at least ten orchestral works for Max Hobart including three symphonies and four concertos for saxophone, violin, oboe and cello, respectively. So I was thrilled when Max asked me to write a concerto for trumpet virtuoso Stephen Burns and the Boston Civic Symphony Orchestra. I am familiar with Stephen Burns’ work as a piccolo trumpet player doing concertos from the baroque period. The color of his sound was already in my head. Stephen and I got together in the spring of 2104 and we discussed the project in some detail. We immediately agreed that the work would be in three movements. Each movement would feature a different trumpet: the trumpet in C for the first, the flugelhorn for the second and the piccolo for the last. I began work on the concerto at the end of August and finished it three months later. The work as mentioned earlier is in three movements: 1. Heraldic Beast … Allegro. 2. Bossa Nova in 7/4 … Adagio. 3. Perpetuo Moto … Presto! Enjoy!!!
$9.99 ≈
9.33€
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
Music for Four Volume 2, Score (for String Quartet or Mixed Quartet) 70299 - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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AVANCÉ
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Various
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Daniel Kelley
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Music for Four Volume 2, Score
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Last Resort Music Publishing
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SheetMusicPlus
Level 5 - SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pages. Last Resort ...
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Level 5 - SKU: A0.1341863 Composed by Various. Arranged by Daniel Kelley. 19th Century,Baroque,Classical,Romantic Period,Wedding. 83 pages. Last Resort Music Publishing #927370. Published by Last Resort Music Publishing (A0.1341863). Score #70299 from Music for Four, Volume 2Baroque Classical and Romantic Favorites Works by Bach, Beethoven, Chopin, Franck, Purcell, Mendelssohn and more!  An incredible collection of 25 arrangements for strings, woodwinds, French horn & piano – these mix and match quartets allow the performer to pick the instrumentation. Perfect for String Quartet, Wind Quartet, Piano Quartet, Sax Quartet, & More! The keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet can play with a pianist - as long as Part 1 is being played.Table of ContentsArioso from Cantata #156 (Bach) Allegro, Adagio & Finale from Brandenburg Concerto #6 in Bb Major (Bach) My Heart Ever Faithful from Cantata #68 (Bach) Sheep May Safely Graze from Cantata #208 (Bach) Adagio from Piano Sonata #8, Op. 13 Pathetique (Beethoven) Ode to Joy from Symphony #9 (Beethoven) Nocturne from String Quartet #2 in D Major (Borodin) Prelude from Op. 28, #4 & #15 (Chopin) Pavane from Op. 50 (Faure) Panis Angelicus from Messe Solonnelle, Op. 12 (Franck) La Rejouissance from The Fireworks Music (Handel) Andante from String Quartet in F Major, Op. 3, #15 (Haydn) Wedding March from A Midsummer Night's Dream (Mendelssohn) Rondeau from Sinfonies de Fanfares (Mouret) Andante from K. 316 for Flute and Orchestra (Mozart) Crisantemi (Puccini) Trumpet Tune (Purcell) Ave Maria (Schubert) Am Camin  & Traumerei from Kinderscenen (Schumann) Romeo and Juliet Love Theme from Overture-Fantasy (Tschaikovsky) Allegro from Violin Concerto in E Major, Op. 8 #1 - Spring (Vivaldi) Parts Available for purchase separately 70211  Part 1 Flute or Oboe or Violin 70213  Part 1 Clarinet in Bb 70221  Part 2 Flute or Oboe or Violin70223  Part 2 Clarinet in Bb 70231  Part 3 Viola70236  Part 3 Violin in C  70232  Part 3 French Horn or English Horn in F70233  Part 3 Clarinet in Bb 70241  Part 4 Cello or Bassoon70243  Part 4 Bass Clarinet in Bb 70250  Keyboard or Guitar 70299  Score (Parts 1-4 in C) from Last Resort Music Publishing
$40.00 ≈
37.34€
Piano Trio No. 4 ... Le Gondole Lugubri (2022) for violin, cello and piano
Piano Trio No. 4 ... Le Gondole Lugubri (2022) for violin, cello and piano
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Piano Trio: piano, violon, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Piano Trio No. 4 ... Le Gondol
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Thomas Oboe Lee
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SheetMusicPlus
Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.1033515 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Peri...
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Piano Trio,String Ensemble Cello,Piano,Violin - Level 4 - SKU: A0.1033515 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 48 pages. Thomas Oboe Lee #638822. Published by Thomas Oboe Lee (A0.1033515). Full score. Program note: I am a huge fan of Veronique Gens. On her album Nuits there is a cello and piano duo called La Lugubre Gondola. It is a beautiful work that Franz Liszt wrote on the occasion of Wagner's death in 1833 in Venice. The original version was for piano solo. Liszt subsequently made versions for the cello and the violin. I am a frequent visitor to the city of Venice, especially in the summer during the Biennale. I thought the Franz Liszt work would be a fertile seed for a trio of violin, cello and piano. I will make each movement a musical portrait of an expatriate who had an indelible connection to the city of Venice. Piano Trio No. 4 … Le Gondole Lugubri (2022) 1. Richard Wagner, d. 1883 2. Franz Liszt, d. 1886 3. Henry James, d. 1916 4. Serge Diaghilev, d. 1929 5. Thomas Mann, d. 1955 6. Igor Stravinsky, d. 1971 7. Ezra Pound, d. 1972 8. Peggy Guggenheim, d. 1979.
$9.99 ≈
9.33€
Fanfare: "Grit" - Oboe 1
Fanfare: "Grit" - Oboe 1
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ob
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018963 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086597. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018963 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086597. Published by Benjamin Sajo (A0.1018963). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50 ≈
3.27€
Fanfare: "Grit" - Oboe 2
Fanfare: "Grit" - Oboe 2
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Hautbois (partie séparée)
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AVANCÉ
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Contemporain
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Benjamin Harry Sajo
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Fanfare: "Grit" - Ob
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Benjamin Sajo
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SheetMusicPlus
Oboe Solo - Level 5 - SKU: A0.1018962 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086599. Publ...
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Oboe Solo - Level 5 - SKU: A0.1018962 Composed by Benjamin Harry Sajo. 20th Century,Contemporary. Individual part. 2 pages. Benjamin Sajo #6086599. Published by Benjamin Sajo (A0.1018962). Programme Notes: Fanfare: Grit evokes the brassy and rousing tropes of adventure movie soundtracks and Saturday morning cartoons, such as those written by John Williams, Shirley Walker, among others. Writing this piece was an escapade to my own musical roots for this was the first type of music I had been exposed to as a child: incidental music accompanying perilous quests, hairbreadth escapes, and other trials blocking the hero’s path to victory and redemption. I wanted to compose a piece that harkens back to the music that I first fell in love with, that opened up the gates of a legacy--symphonic classical music--that’s always been my solace in trying times. What is grit? Grit is the dirt between smiles and between barefoot toes. Grit is a hard-boiled detective. Grit is tilling the tough soil for the possibility of a beautiful blossoming of flowers. Grit is saying, See you soon, and making sure it happens. Grit is helping others when it’s hard to help yourself. Grit isn’t easy bravery, but the kind of courage you need to build up brick by brick. The obligatory synonyms: courage, bravery, pluck, mettle, and spirit. Finally, this composition, the fourth of my so-called Beethoven Episodes, was written to accompany Ludwig van Beethoven’s 4th Symphony. This work was written on his 250th anniversary, coincidentally during the Covid-19 Pandemic of 2020, and is the sum of my feelings wrought from that experience. Yet this work was completed on Canadian Thanksgiving, and is also an expression of all that I am grateful for, from the bottom of my heart.
$3.50 ≈
3.27€
SQ18 ... Hommage à Darius Milhaud (2023) - Score Only
SQ18 ... Hommage à Darius Milhaud (2023) - Score Only
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Quatuor à cordes: 2 violons, alto, violoncelle
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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SQ18 ... Hommage à Dari
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Thomas Oboe Lee
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SheetMusicPlus
String Quartet String Quartet - Level 4 - SKU: A0.1211524 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 37 p...
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String Quartet String Quartet - Level 4 - SKU: A0.1211524 Composed by Thomas Oboe Lee. 20th Century,Chamber,Classical,Contemporary,Romantic Period. 37 pages. Thomas Oboe Lee #809135. Published by Thomas Oboe Lee (A0.1211524). In 2021 I dedicated SQ15 to Dmitri Shostakovich because ... he wrote fifteen string quartets.  Then I dedicated SQ17 to Heitor Villa-Lobos because he wrote seventeen.  What happened to SQ16?  We all know that Beethoven wrote sixteen string quartets.  But, I am not a fan of his work in general, and I did not find anything inspiring among his string quartets.  So, instead I dedicated SQ16 ... Música Callada (2022) to Federico Mompou.  His music I love!In my search for a string quartet inspiration I discovered that Darius Milhaud wrote eighteen string quartets.  I knew he spent a few years in Brazil as a diplomat, and I have always admired the Brazilian influences in his own music, like the twelve-movement work for solo piano, Saudades do Brasil.† So it became obvious that SQ18 is dedicated in memoriam to Darius Milhaud.SQ18 ... Hommage à Darius Milhaud (2023) is in six movements.I.  Très lent ... Vif, très rythmé  TRIOII.  LentIII.  Très animé  TRIOIV.  FunèbreV.  Très vifVI.  Très lent   TRIO.
$9.99 ≈
9.33€
Kindertodtenlieder (2020) for soprano and piano
Kindertodtenlieder (2020) for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Kindertodtenlieder
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Thomas Oboe Lee
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5...
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Soprano voice,Vocal Solo - Level 4 - SKU: A0.869653 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Romantic Period. 68 pages. Thomas Oboe Lee #5751651. Published by Thomas Oboe Lee (A0.869653). I am not a huge fan of Mahler's music but his Kindertotenlieder is a cultural gem! I inadvertently discovered that the poet Friedrich Rückert who penned Kindertodtenlieder (yes, with a d ... LOL!) wrote 400-plus of these KTL poems after his two youngest children died of scarlet fever. I bought the book @ Amazon. After plowing through 442 of them, I winnowed it down to ten poems for my song cycle. It is scored for soprano and piano. NB: I cannot afford an orchestra, and it would be too much unnecessary work. LOL!!! The entire song cycle has a duration of ca. 35 minutes. It ends like a mechanical music box while the soprano sings a lullaby. Sleep is of course a perfect metaphor for being dead. Enjoy!!!https://thomasoboelee.bandcamp.com/album/kindertodtenlieder-2020
$9.99 ≈
9.33€
Cooleys' Reel (Irish Traditional) - Lead sheet (key of Am)
Cooleys' Reel (Irish Traditional) - Lead sheet (key of Am)
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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Fionán de Barra
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Cooleys' Reel
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859028 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Folk,Holiday. Score and parts. 3 pages. Stephen Bulat Publishing #6295657. Published by Stephen Bulat Publishing (A0.859028). This traditional Irish jig goes by several titles including Cooleys, Joe Cooley, Joe Cooley’s, Joe Cooley’s Fancy, Joe Cooleys, Luttrell’s Pass, Put The Cake In The Dresser, Put The Cake On The Dresser, Reaping The Rye, RÃl Na Tulaà and The Tulla.It has been recorded and performed by many recording artists which includes The Dubliners, Sharon Corp, Irish Melody Band, John Specker and Éamonn & Fionán de Barra.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99 ≈
2.79€
The Rakes of Kildare (Irish Traditional) - Lead sheet in original key of Am
The Rakes of Kildare (Irish Traditional) - Lead sheet in original key of Am
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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The Rakes of Kildare
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859285 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Folk,Holiday. Score and parts. 3 pages. Stephen Bulat Publishing #6694693. Published by Stephen Bulat Publishing (A0.859285). This traditional Irish jig goes by several titles including The Barn Door, The Barndoor, Cum Y çhenn Oanrey çheh, Cum Yn Çhenn Oanrey Çheh, Cum Yn Shenn Oanrey Cheh, Fagamaoid Súd Mar Atá Sé, Get Up Early, Jim McBride’s, Leave That As It Is, Let Us Leave That As It Is, McBride’s, The Old Barn Door, The Old Barndoor, The Race Of Kildare, The Rake Of Kildare and The Rakes Of Kildare Retreat March.It has been recorded and performed by many recording artists including Natalie MacMaster, The Bushwhackers Band, John Macdonald, Maura O’Connor, Vincent Blin & Gilles Poutoux, Éanna Ó CróinÃn, Wendy MacIsaac, Ewen Baker, Kirsty And Katie Lawrence, Cordoba Celtica, Black Sheep and The Corrs.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.Celtic & Fiddle Fake Book (C Instruments): https://www.sheetmusicplus.com/title/21991268 - Item Number: S0.1000715
$3.49 ≈
3.26€
The Foggy Dew (Sinead O'Connor, The Chieftains) - Lead sheet (key of Am)
The Foggy Dew (Sinead O'Connor, The Chieftains) - Lead sheet (key of Am)
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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The Foggy Dew
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859054 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Folk,Holiday. Score and parts. 3 pages. Stephen Bulat Publishing #6302389. Published by Stephen Bulat Publishing (A0.859054). This traditional Irish folk song is also known as An T-Óglach, The Foggy Dew March, The Foggy Dew, When I Was Young And In My Prime.It has been recorded and performed by many recording artists which include The Chieftains (with Sinead O'Connor), The Dubliners, The McNulty Family, Burle Ives and The Wolfe Tones.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential music notes, musical cues and rehearsal markings throughout. Arrangement is in lead sheet format (melody, lyrics & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99 ≈
2.79€
Swallowtail Jig (Irish Traditional) - Lead sheet (key of Am)
Swallowtail Jig (Irish Traditional) - Lead sheet (key of Am)
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Celtique/Irlandais
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Folklorique/Traditionel
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Irish Traditional
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Stephen Bulat
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Swallowtail Jig
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Stephen Bulat Publishing
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SheetMusicPlus
Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Ten...
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Large Ensemble Alto Recorder,Alto Saxophone,Banjo,Bassoon,Clarinet,English Horn,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Soprano Recorder,Soprano Saxophone,Tenor Recorder,Tenor Saxophone,Trumpet,Ukulele,Viola,Violin,Voice - SKU: A0.859002 Composed by Irish Traditional. Arranged by Stephen Bulat. Celtic,Folk,Holiday. Score and parts. 3 pages. Stephen Bulat Publishing #6287631. Published by Stephen Bulat Publishing (A0.859002). This traditional Irish jig goes by several titles including The Custom House, The Dancing Master, The Dancingmaster, Drioball Na Fáinleoige, From The New Country, From The New World, From The Next Country, Gigue De Barnabé, The Swallow Tail, Swallow-tail, The Swallow’s Nest, The Swallow’s Tail and Swallows Tail. It has been recorded and performed by many recording artists including The Petersons, Turkey Creek String Band, The Broadside Band, Skip Healy, Josephine Marsh, Tionol, Dave Swarbrick and The Elftones.A Celtic and Irish Songbook must-have, this arrangement has been gig-tested and has a very easy to follow roadmap with all essential musical cues throughout. Arrangement is in lead sheet format (melody & chords) with the layout in a larger style font than lead sheets in a typical fakebook. This format can be used for guitar sheet music, for piano sheet music, as instrumental sheet music, vocal sheet music or as accompaniment to a soloist (violin, flute, singer)The perfect addition to the working musician's gig book. Please click on the publisher to view this song in other keys as well as to purchase it in the Celtic Fiddle Fake Book.SMPPress publisher page: https://www.sheetmusicplus.com/publishers/stephen-bulat-sheet-music/3007289Online: http://stephenbulat.com
$2.99 ≈
2.79€
Grand Duo, opus 151 (2012) full score
Grand Duo, opus 151 (2012) full score
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Grand Duo, opus 151
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Thomas Oboe Lee
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.869204 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Andante ââ‚...
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Piano,Violin - Level 4 - SKU: A0.869204 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. With Andante … 3. 2 pages. Thomas Oboe Lee #3901. Published by Thomas Oboe Lee (A0.869204). Program note: This is the third duo for violin and piano in my portfolio. The first one was written back when I was a student at the New England Conservatory of Music. It was my opus 3, The Sensuous Gargoyle (1975). My next one was a four-movement work entitled Tunesmith … An American Beauty Pageant (1993). It was commissioned by the Music Department at Lehigh University and premiered by two of its faculty members, Paul Chou and Paul Salerni. The violin has always been my favorite instrument. I have written twelve string quartets. For the violinist extraordinaire Irina Muresanu I wrote a big violin concerto in 2009, and a Partita for solo violin in 2011. I am slated to write another concerto, albeit a chamber one, for the Boston Classical Orchestra and violinist Sharon Roffman for a premiere in the fall of 2013. Last year I decided to write a third duo for violin and piano. I wanted to do something substantial and grandiose, hence the title Grand Duo, opus 151. Both Schubert and Lou Harrison have written works with the same title. So I thought, why not? The work is in five movements. 1. Misterioso … 2. Andante … 3. Allegro … Trio! 4. Largo … 5. Allegro … Enjoy! Audio link. Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/grand-duo-opus-151-2012Video link: https://youtu.be/xThob_BQkDE
$9.99 ≈
9.33€
Nothing Compares (Anthem) - Orchestration
Nothing Compares (Anthem) - Orchestration
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Musique Sacrée
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Gospel Spirituel
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Christopher R
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Nothing Compares
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Christopher Brown
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SheetMusicPlus
Large Ensemble Choir - Level 3 - SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. C...
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Large Ensemble Choir - Level 3 - SKU: A0.747194 Composed by Christopher R. Brown. Christian,Gospel,Praise & Worship,Sacred. Score and parts. 92 pages. Christopher Brown #4601913. Published by Christopher Brown (A0.747194). About the song: This anthem begins by compelling the listener and the performer to consider the parable of the hidden treasure and the pearl. The second verse reflects on David's superlative description of God's Word in Ps. 19. In his letter to the Philippians, Paul speaks of the surpassing worth of knowing Christ when compared to everything else in this life. The lyrics of this song are intended to echo these Truths, encourage the believer, and testify to the incomparable gift of entering into the Kingdom of God, understanding His Word, and being strengthened and set free to do the good works that He prepared in advance for us to do.Can be performed with piano accompaniment only, OR with additional band members (rhythm chart included), OR with full orchestra.Please Note:You can purchase individual copies of the choral score separately on Sheet Music Plus. Performance of this piece requires the purchase of one choral score per singer.Included in your Purchase:Full ScoreChoral Score (SATB with Solo)Piano AccompanimentRhythm ChartDrumsetFlute 1, 2Oboe (opt. Soprano Sax doubles)Clarinet 1, 2Horn 1, 2 (opt. Alto Sax doubles)Trumpet 1, 2Trumpet 3Trombone 1, 2 (opt. Tenor Sax doubles)Trombone 3/ Tuba (opt. Bari Sax doubles)Percussion 1, 2HarpViolin 1, 2ViolaCelloString Bass (opt. Bass Clarinet/ Bassoon doubles)Lyrics:Verse 1Like a treasure in a field,Is the matchless worth of Christ.For the kingdom of heaven, I give my life.Like a pearl of great value,Perfect and pure.I leave it all behind ‘cause of this I’m sure.Chorus 1He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Verse 2More precious than gold,Is the Word of the Lord.Greater and higher than anything this world affords,It is sweeter than honey,Straight from the comb.My delight is in Jesus, I no longer walk alone.Chorus 2He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my crossAnd I count it all as lossNothing compares to what I have in the Lord.Bridge (x2)In the Lord I find strength for every day, In the Lord every fear is washed away.In the Lord hope and peace are here to stay,Whatever comes my way, I will lift my voice and say.Key ChangeChorus 3He called out my name,And broke ev’ry chain,Love so amazing, so divine!He rescued my soul,And made my heart whole,Now I am His and He is mine!I’m taking up my cross,And I count it all as loss.Nothing compares to what I have in the Lord.Nothing compares to what I have in the Lord.Nothing compares to what i have in the Lord.
$49.99 ≈
46.67€
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