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A circle in the sand
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Vous avez sélectionné:
A circle in the sand
Partitions à imprimer
20 partitions trouvées
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1
A circle in the sand
A circle in the sand
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Thierry Pecou
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A circle in the sand
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Schott Music - Digital
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SheetMusicPlus
Violin (or flute) and Doppelchoir (SATB) - difficult - SKU: S9.Q558278 For solo violin or flute and double mixed choir. Composed by Thierry Pecou...
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Violin (or flute) and Doppelchoir (SATB) - difficult - SKU: S9.Q558278 For solo violin or flute and double mixed choir. Composed by Thierry Pecou. Downloadable, Choral score. Duration 12 minutes. Schott Music - Digital #Q558278. Published by Schott Music - Digital (S9.Q558278). English.Die großen Entdeckungen und territorialen Eroberungen, die das 16. und 17. Jahrhundert prägten, finden in Shakespeares Der Sturm ein grundlegendes Echo. Die Ureinwohner werden mit den Zivilisierten konfrontiert, wobei Shakespeares Weitsicht die gängigen Vorstellungen seiner Zeit stört, indem er andeutet, dass der sogenannte „Wilde vielleicht nicht der ist, für den man ihn hält. Ich habe mir vorgestellt, dass zwei Texte in zwei verschiedenen Sprachen aufeinandertreffen wie ein Echo der unmöglichen Begegnungen zwischen Menschen aus Europa, die nach Gold und materiellem Reichtum dürsten, und einheimischen Kulturen, die sich ganz der wissenschaftlichen Beobachtung der Gestirne und der Anbetung ihrer Götter hingeben. So werden einige Repliken aus Shakespeares Der Sturm auf Englisch gesungen: Dabei handelt es sich um eine Replik Calibans, der seine ganze Menschlichkeit offenbart, wenn er den Geräuschen der Insel lauscht, sowie die wenigen vorausgehenden spöttischen Repliken der Narren. Die Worte in der Sprache der Maya bezeichnen die Tage des Maya-Kalenders. Sie werden wie Zaubersprüche ausgesprochen, die von Prospero selbst rezitiert sein könnten und nähren diese Mischung aus okkulten und magischen Kräften, die den Sinn des Seins und dessen Beziehung zum Anderen hinterfragt. Die Solovioline und das Publikum werden vom Doppelchor eingerahmt, der damit sowohl die Grenzen der Insel als auch Prosperos‘ magischen Kreis absteckt. Die Solovioline ist der Katalysator für alle Geräusche der Insel, die Caliban erfreuen oder beunruhigen. (Thierry Pécou).
$11.99 ≈
10.71€
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
Guitar Chord Progression Generators for Common Scales ~ 12 Pages
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Guitare
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FACILE
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Brian Streckfus
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Guitar Chord Progression Gener
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Brian Streckfus
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SheetMusicPlus
Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #7...
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Solo Guitar - Level 2 - SKU: A0.1139670 Composed by Brian Streckfus. Instructional,Jazz,Singer/Songwriter. Individual part. 12 pages. Brian Streckfus #739941. Published by Brian Streckfus (A0.1139670). This is a 12-page PDF showing 7 guitar chords on each page. Rather than selling each PDF seperately (which is a bit overpriced and too much of a hassle), I decided to combine them and offer a great deal! Learn how to compose chord progressions like a pro while having fun and playing!Objective:Teach yourself the seven chords that belong to each type of scale. Rather than bombard you with a thousand guitar chords (which is easy to happen when browsing the internet or playing random songs), I'd rather show how a select few chords are working well together in common contexts. The hope is that you would then be able to see this happening in all 12 keys. What Scales/Modes are being harmonized? C Major (+jazz version) A (natural) minor (+jazz version) A harmonic minor (+jazz version) B Locrian D Dorian E Phyrigian F Lydian G Mixolydian Features: Slowly increases in physical and theoritcal difficulty at the same time. Many music theory books seem abstract and impractical whereas these chord charts show music theory applied to guitar. These chord progressions are a great composition aid. Guitar chord diagrams Traditional notation with letter names on the note heads Roman numerals color coded Modes included. The Beatles and jazz musicians use modal chord progressions to give their music uniqueness. It's almost as if one note is wrong intentionally. Practicality and flow on guitar is emphasized more then music theory conciseness. Letter names are not in a perfect order (as that is sometimes impossible for the guitar to do). Sometimes a more complex chord is opted for because it's actually easier to play physically. Tips: Order = Blue, Yellow, Red, Blue for stereotypical classical style chord progressions. Rock and blues often do more of a chord succession; red going to yellow happens often, even though it is breaking a rule. The professional names for blue, yellow, red: tonic, predominant, dominant respectively. I did not invent this theoretical concept, but I am probably one of the few musician's to color code the categories regularly. The colors explain the situation elegantly; the professional words seem like abstract PhD education, whereas saying blue is relaxing and red is uncomfortable is something a child can understand quickly. One fantastic tip I hardly hear anyone say: it doesn't so much matter that you play the same chord as the other musician in your ensemble (unless you are getting paid to do exactly that). It matters more that you simply play the same color as them. You will have a deeper understanding of how music works if you think like this, and mistakes will no longer be seen as mistakes. What happens when a C Major and A minor chord are played at the same time? Hardly anything! It's just a Am7! Big whoop! It isn't a horrendous sounding mistake. Circle a key on the circle of fifths. Now circle the two keys next to it (-1b, +1#). This leads to six chords that belong diatonically to the first key you circled! Memorizing these will allow you to better predict what composers are about to do, especially if you know ahead of time that the song does not change key. Get away from the echo chamber of common are arugably bad cowboy chords and be able to build your own.
$1.99 ≈
1.78€
Will the Circle Be Unbroken?
Will the Circle Be Unbroken?
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Piano seul
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INTERMÉDIAIRE
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Musique Sacrée
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Charles H
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Sandy McIntire
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Will the Circle Be Unbroken?
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Sandy McIntire
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.697608 Composed by Charles H. Gabriel. Arranged by Sandy McIntire. Country,Instructional,Praise & Worship,Sacred,Traditio...
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Piano Solo - Level 3 - SKU: A0.697608 Composed by Charles H. Gabriel. Arranged by Sandy McIntire. Country,Instructional,Praise & Worship,Sacred,Traditional. Score. 5 pages. Sandy McIntire #6038941. Published by Sandy McIntire (A0.697608). Will the Circle Be Unbroken? is a hymn composed by Charles Gabriel in 1907. It was popularized by the Carter family's recording in 1935, followed by recordings by Bill and Charlie Monroe, The Doors, and The Nitty Gritty Dirt Band. This arrangement in A major for intermediate players begins with Gabriel's original melody then moves on to more popularized versions. It is included in McIntire's series, Gospel Piano Classics. Other hymns in the series are: Whispering Hope, The Church in the Wildwood, and He Keeps Me Singing.
$4.99 ≈
4.46€
Blessings from the Children: 2. The Circle of Days (Downloadable Piano/Choral Score)
Blessings from the Children: 2. The Circle of Days (Downloadable Piano/Choral Score)
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Chorale 2 parties
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FACILE
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Gwyneth W
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Blessings from the Children: 2
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
2-part treble voices, full orchestra or optional piano - Moderately Easy - SKU: MQ.7762-E Composed by Gwyneth W. Walker. Thanksgiving, Children's Sabbat...
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2-part treble voices, full orchestra or optional piano - Moderately Easy - SKU: MQ.7762-E Composed by Gwyneth W. Walker. Thanksgiving, Children's Sabbath/Emphasis. 13 pages. E. C. Schirmer Music Company - Digital #7762-E. Published by E. C. Schirmer Music Company - Digital (MQ.7762-E). English.The texts for Blessings from the Children are found in the collection In Every Tiny Grain of Sand - A Child's Book of Prayer and Praise by Reeve Lindbergh. For the first song, The Blessing of Light, the lyrics are taken from a traditional Scottish blessing and adapted by the composer. The second and third songs use familiar sacred texts as adapted by Reeve Lindbergh.
$2.65 ≈
2.37€
Higher Ground ("I'm pressing on the upward way") — brass quintet
Higher Ground ("I'm pressing on the upward way") — brass quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE
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Musique Sacrée
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Charles H
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Todd Marchand
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Higher Ground
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Con Spirito Music
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SheetMusicPlus
Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,S...
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Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - SKU: A0.1172085 Composed by Charles H. Gabriel. Arranged by Todd Marchand. 19th Century,Christian,Sacred,Traditional. 16 pages. Con Spirito Music #772348. Published by Con Spirito Music (A0.1172085). Higher Ground (I'm pressing on the upward way) is a 19th-century American gospel song with lyrics by Johnson Oatman, Jr. (1856-1922) and music by Charles Hutchinson Gabriel (1856-1932).Both Oatman and Gabriel were prolific writers. Oatman, an ordained Methodist Episcopal minister employed primarily in retail and insurance work, is said to have written over 5,000 hymns and songs in the latter 30-some years of his life.  Although not a talented singer nor recognized as an outstanding preacher, he was acknowledged to have ministered to countless souls through the words of his hymns and songs.Gabriel, a Methodist Episcopal church music director and editor of gospel song books, anthem collections, music instruction manuals, and more, is said to have written between seven and eight thousand texts and/or tunes under his own name and several pseudonyms. In addition to the music for Higher Ground, he composed the music for such well-known gospel songs as His Eye is on the Sparrow and Will the Circle Be Unbroken? The opening line of Oatman’s text (I'm pressing on the upward way) draws especially from Philippians 3:13-14: “Forgetting what lies behind and straining forward to what lies ahead, I press on toward the goal for the prize of the upward call of God in Christ Jesus.†Other sources include passages from the prophets Isaiah and Micah and the Psalms of Ascent (120-134). Gabriel's music cleverly evokes the upward vision of the text with an ascending arpeggio spanning an octave on the first words of the refrain (Lord, lift me up) and the matching of the highest notes of the tune to the words a higher plane.This arrangement for brass quintet expands the meter of the tune from 3/4 to 4/4 to allow for some countermelodic call-and-response by various voices in the ensemble. Every member will enjoy a lyrical part to play in this arrangement, which is fitting as a prelude, offertory, or special musical selection in worship, and ideal as a lyrical selection on recitals. ©Copyright 2023 Todd Marchand / Con Spirito Music (ASCAP). All rights reserved. Visit www.conspiritomusic.com
$15.00 ≈
13.40€
Life Is Like a Mountain Railroad
Life Is Like a Mountain Railroad
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Ligne De Mélodie, (Paroles) et Accords
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DÉBUTANT
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Charlie D
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Sandy McIntire
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Life Is Like a Mountain Railro
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Sandy McIntire
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SheetMusicPlus
Small Ensemble C Instrument - Level 1 - SKU: A0.698923 Composed by Charlie D. Tillman. Arranged by Sandy McIntire. Contest,Country,Festival,Folk,Multicu...
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Small Ensemble C Instrument - Level 1 - SKU: A0.698923 Composed by Charlie D. Tillman. Arranged by Sandy McIntire. Contest,Country,Festival,Folk,Multicultural,Traditional,World. Lead Sheet / Fake Book. 3 pages. Sandy McIntire #6684091. Published by Sandy McIntire (A0.698923). Life is like a mountain railroad was composed in 1890 and continues in popularity with those who love gospel music. It has been recorded through the years by artists like Boxcar Willie, the Carter Family, Bill Monroe, the Chuck Wagon Gang, The Oak Ridge Boys, Tennessee Ernie Ford, Merle Haggard, Johnny Cash, and Brad Paisley. Tillman's tune here is in 3/4 time, but a 4/4 version became popular when Patsy Cline recorded it in 1959. Willie Nelson later dubbed his voice into that version as a duet. In 2010, Western Writers of America chose this tune as one of the Top 100 Western Songs of all time. This arrangement for Easy Fiddle, Violin, or Mandolin contains chords, bow markings and lyrics. It is also included in McIntire's Mountain Momma Fiddle Tunes. Other tunes in the series include Will the Circle Be Unbroken, Ragtime Annie, and Alabama Jubilee.
$4.99 ≈
4.46€
The Messenger (Romance for Voice And Orchestra) - Score And Parts
The Messenger (Romance for Voice And Orchestra) - Score And Parts
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Dmitry Klevansky
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Stefan Kristinkov
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The Messenger
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Ce...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420568 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1002001. Published by Heemrec (A0.1420568). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00 ≈
125.07€
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
The Messenger (Romance for Voice And Orchestra) - Full Score Only - Score Only
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Dmitry Klevansky
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Stefan Kristinkov
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The Messenger
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Heemrec
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SheetMusicPlus
Level 5 - SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Hee...
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Level 5 - SKU: A0.1420570 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 14 pages. Heemrec #1002003. Published by Heemrec (A0.1420570). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00 ≈
116.13€
Hold Back The River
Hold Back The River
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Folklorique/Traditionel
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James Bay
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K Davies
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Hold Back The River
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Bandmusic.co.uk
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SheetMusicPlus
Small Ensemble Drum Set,Vibraphone - Level 3 - SKU: A0.867424 By James Bay. By Iain Archer and James Bay. Arranged by K Davies. Folk. Score and parts. 3...
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Small Ensemble Drum Set,Vibraphone - Level 3 - SKU: A0.867424 By James Bay. By Iain Archer and James Bay. Arranged by K Davies. Folk. Score and parts. 35 pages. Bandmusic.co.uk #2929221. Published by Bandmusic.co.uk (A0.867424). This is a fantastic arrangement of a moving song which is perhaps not so well known in brass band circles. The original structure is retained with the climax in the middle sandwiched between a more subdued beginning and quieter ending.
$45.00 ≈
40.20€
Will the Circle Be Unbroken?
Will the Circle Be Unbroken?
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Mandoline
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FACILE
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Charles H
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Sandy McIntire
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Will the Circle Be Unbroken?
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Sandy McIntire
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SheetMusicPlus
Fiddle,Instrumental Solo,Mandolin - Level 2 - SKU: A0.697607 Composed by Charles H. Gabriel. Arranged by Sandy McIntire. Contemporary,Country,Folk,Instr...
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Fiddle,Instrumental Solo,Mandolin - Level 2 - SKU: A0.697607 Composed by Charles H. Gabriel. Arranged by Sandy McIntire. Contemporary,Country,Folk,Instructional,Traditional. Individual part. 4 pages. Sandy McIntire #6039503. Published by Sandy McIntire (A0.697607). Will the Circle Be Unbroken is a gospel hymn composed by Charles Gabriel in 1907. It has since become a popular hymn and has passed into the music genres of folk, bluegrass, country, and old-time music. This arrangement is for early intermediate fiddle, violin or mandolin. Chords are also provided. Along with the original and popular versions of the tune, this file provides more information about the recording history of this hymn.Other titles in McIntire's Mountain Momma Fiddle Tunes include Whiskey Before Breakfast, Ragtime Annie, and West Fork Gals.
$3.99 ≈
3.56€
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Full Score Only
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Dmitry Klevansky
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Stefan Kristinkov
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Проводн
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classic...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420554 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. Classical,Contemporary. 14 pages. Heemrec #1001987. Published by Heemrec (A0.1420554). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$130.00 ≈
116.13€
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
Проводник / Conductor (Ð Ð¾Ð¼Ð°Ð½Ñ Ð´Ð»Ñ Ð³Ð¾Ð»Ð¾Ñа Ñ Ð¾Ñ€ÐºÐµÑтром) - Score And Parts
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Dmitry Klevansky
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Stefan Kristinkov
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Проводн
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Heemrec
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SheetMusicPlus
Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Ce...
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Strings Clarinet,Glockenspiel,Harp,Voice - Level 5 - SKU: A0.1420561 By Dmitry Klevansky. By Galina Vasilevskaya. Arranged by Stefan Kristinkov. 21st Century,Classical,Contemporary. 52 pages. Heemrec #1001994. Published by Heemrec (A0.1420561). Romance “Проводник (Conductor)†explores themes of cyclicity, immortality of a soul, and realization that without true love, everything else is meaningless. The eternal wandering of a soul does not necessarily mean running in circles, but rather reaching new levels in awareness of love. Love kindles a flame in the hearts, “bringing it out of the shadowsâ€, beyond the boundaries of time and space. This is why we feel alive and gain a sense of lightness. The vibration of truth helps us awaken love within. It is not limited to what you look like, who you are, where you are, or who you are with. The chorus begins with “I know...â€, implying inner knowledge, revealing that everything in this world is not accidental, especially meetings. Some people are perceived as kindred spirits by us, and meeting them can be either inspiring or frustrating, depending on your willingness to acknowledge your own mirrored qualities. The flame of love, originally given to humanity by God, called to lead like a beacon among the darkness and winds.Unfinished sketches of the romance were found by Galina Vasilevskaya in papers, left behind by her father, a well known composer, after his passing. With the help of her friends, Galina was able to finish the song. The deep and thoughtful poetic text, written by Aleksandr Popov Mikhaylov seamlessly matches the overall idea expressed in music, elevating the song to a level of a rare aesthetic enjoyment. Expressive arrangement by Stefan Kristinkov masterfully paints the profound ideas of the song, leaving a listener with a sense of peace and integrity.Composer: Galina VasilevskayaLyricist: Aleksandr Popov Mikhaylov Arranger/Orchestrator: Stefan Kristinkov Listen Here
$140.00 ≈
125.07€
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
Scriabin: Prelude Op. 11 No. 2 for Cello & Piano
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Violoncelle, Piano
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INTERMÉDIAIRE
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Aleksandr Scriabin
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James M
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Scriabin: Prelude Op. 11 No. 2
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jmsgu3
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SheetMusicPlus
Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,...
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Cello,Piano - Level 3 - SKU: A0.549463 Composed by Aleksandr Scriabin (1871 - 1915). Arranged by James M. Guthrie. Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499715. Published by jmsgu3 (A0.549463). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores. Background First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors.  Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen.
$26.95 ≈
24.08€
Gaze Into Thine Own Heart
Gaze Into Thine Own Heart
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Chorale SATB
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FACILE
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Karen Beaumont
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Gaze Into Thine Own Heart
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Karen Beaumont
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SheetMusicPlus
Choral Choir (SATB) - Level 2 - SKU: A0.1167678 Composed by Karen Beaumont. A Cappella,Contemporary. Octavo. 4 pages. Karen Beaumont #767282. Published ...
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Choral Choir (SATB) - Level 2 - SKU: A0.1167678 Composed by Karen Beaumont. A Cappella,Contemporary. Octavo. 4 pages. Karen Beaumont #767282. Published by Karen Beaumont (A0.1167678). Four part a capella work with text from W. B. Yeats poem The Two TreesText:BELOVED, gaze in thine own heart,The holy tree is growing there;From joy the holy branches start,And all the trembling flowers they bear.The changing colours of its fruitHave dowered the stars with merry light;The surety of its hidden rootHas planted quiet in the night;The shaking of its leafy headHas given the waves their melody,And made my lips and music wed,Murmuring a wizard song for thee.There the Loves a circle go,The flaming circle of our days,Gyring, spiring to and froIn those great ignorant leafy ways;Remembering all that shaken hairAnd how the wingèd sandals dart,Thine eyes grow full of tender care:Beloved, gaze in thine own heart.
$1.99 ≈
1.78€
Requiem
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99 ≈
50.02€
Partituras - 50 Melodias com cifra - Livro 1
Partituras - 50 Melodias com cifra - Livro 1
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Israel Pessoa
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Israel Pessoa
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Partituras - 50 Melodias com c
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Israel Pessoa
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SheetMusicPlus
Acoustic Guitar,Alto Flute,C Instrument,Digital Keyboard,Electric Violin,Instrumental Solo,Piano - Level 2 - SKU: A0.1150803 By Israel Pessoa. By Divers...
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Acoustic Guitar,Alto Flute,C Instrument,Digital Keyboard,Electric Violin,Instrumental Solo,Piano - Level 2 - SKU: A0.1150803 By Israel Pessoa. By Diversos. Arranged by Israel Pessoa. 20th Century,Broadway,Country,Film/TV,Folk,Musical/Show. Score and individual part. 60 pages. Israel Pessoa #750986. Published by Israel Pessoa (A0.1150803). Livro com 50 partituras. Melodias com cifra das principais musicas tocadas nos eventos em geral. Para você que quer começar ou expandir seu repertório. Todas as partituras foram escritas e revisadas com extremo cuidado para que você possar baixar e tocar. 1. 93 Millions Miles - Jason Mraz 2. A Million Dreams - The Greatest Showman Cast 3. A Thousand Years - Christina Perri 4. A Whole New World - Aladin 5. Ain't No Mountain High Enough - Marvin Gaye 6. All of me - John Legend 7. Baby Shark 8. Bela História - Vocal Livre 9. Braveheart - Coração Valente 10. Can You Feel The Love Tonight - Elton John 11. Can't help falling in love - Elvis Presley 12. Can't Stop The Feeling! - Justin Timberlake 13. Ciclo - Jorge Vercillo 14. Circle of life - Elton John 15. Desde o primeiro sim - Bruna Karla 16. Do Seu Lado - Jota Quest 17. Eu o Espero Voltar - DiscÃpulos 18. Every Breath You Take - The Police 19. Glória Aleluia! Sinto Jesus - Nayara Yamamoto 20. Hallelujah - Leonard Cohen 21. Happier - Marsmello 22. Happy - Pharrell Williams 23. Heaven - Bryan Adams 24. Herdeiros do Futuro - Toquinho 25. Home - Gabrielle Aplin 26. Hope - Grand Chase 27. I Smile - Kirk Franklin 28. I'll be there for you - Friends 29. InesquecÃvel - Sandy & Junior 30. Lugar Secreto - Gabriela Rocha 31. MaiS Perto, Meu Deus, de TI! - Lawell Manson 32. Make You Feel My Love - Adele 33. Marcha Nupcial - Mendelssohn 34. Nada é por acaso - Sandy e Junior 35. Não Te Largo, Não Te Troco - Melim 36. Nossa Senhora - Roberto Carlos 37. Obrigado Deus - Henrique e Juliano 38. Perfect - Ed. Sheeran 39. Photograph - Ed Sheeran 40. Santo EspÃrito - Laura Souguellis 41. Seremos um - Mariana Aguiar 42. Tà ESCRITO - Grupo Revelação 43. Thank tou for loving Me - Bon Jovi 44. Theme Of Prontera - Ragnarok 45. Um Presente de Deus - Sérgio SAAS 46. Você - Elaine Martins 47. Way Maker - Paul McClure 48. Xo - John Mayer 49. You'll Be In My Heart - Phil Collins 50. Your Song - Elton John.
$10.00 ≈
8.93€
Drawing Shapes
Drawing Shapes
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Contemporain
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Jonathan Maywood
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Drawing Shapes
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Jonathan Maywood
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SheetMusicPlus
Small Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1008031 Composed by Jonathan Maywood. Contemporary. Score and parts. 8 pages. Jonathan...
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Small Ensemble Cello,Double Bass,Viola,Violin - Level 3 - SKU: A0.1008031 Composed by Jonathan Maywood. Contemporary. Score and parts. 8 pages. Jonathan Maywood #4615661. Published by Jonathan Maywood (A0.1008031). Drawing Shapes, consists of 3 parts, Square, Circle, and Triangle. Each part is a musical representation of drawing that shape on a piece of paper. The music is made up with a set of rules for each shape, making the piece abstract, but its not without musicality. Square is rigid, going from one note to another, while Circle uses glissando to mimic the smooth curve of a drawn circle, and Triangle having slopes has more melodic passages going up and down. In the end the piece has a lot of textures and colors of tonality, enjoy! This can be played in contemporary classical music concerts. .
$6.50 ≈
5.81€
Frolic
Frolic
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Chorale 2 parties
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FACILE
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Jeffrey Kaufman
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Frolic
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KEM Enterprises, Inc.
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.985950 Composed by Jeffrey Kaufman. 20th Century,Children. Octavo. 9 pages. KEM Enterprises, Inc. #3003123. Publis...
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Choral Choir (SA) - Level 2 - SKU: A0.985950 Composed by Jeffrey Kaufman. 20th Century,Children. Octavo. 9 pages. KEM Enterprises, Inc. #3003123. Published by KEM Enterprises, Inc. (A0.985950). FROLIC is an upbeat and bouyant work for 2 part SA or Young Voices with piano accompaniment. The children were shouting together and racing along the sands, a glimmer of dancing shadows, a dove like flutter of hands. The stars were shouting in heaven, the sun was chasing the moon, the game was the same as the children, they danced to the self same tune. The whole of the world was merry, one joy from the vale to the height, where blue woods of twilight encircled the lovely lawns of the light. .
$1.99 ≈
1.78€
DO NOT STAND ON MY GRAVE. Version for soprano and piano
DO NOT STAND ON MY GRAVE. Version for soprano and piano
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Voix Soprano, Piano
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INTERMÉDIAIRE
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Contemporain
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Gabriel Ruiz-Bernal
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DO NOT STAND ON MY GRAVE. Vers
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Gabriel Ruiz-Bernal
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SheetMusicPlus
High Voice,Vocal Solo - Level 3 - SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabr...
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High Voice,Vocal Solo - Level 3 - SKU: A0.893972 Composed by Gabriel Ruiz-Bernal. Contemporary. 9 pages. Gabriel Ruiz-Bernal #6331885. Published by Gabriel Ruiz-Bernal (A0.893972). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeSung at the demo by Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$4.50 ≈
4.02€
DO NOT STAND ON MY GRAVE. Version for soprano solo and choir SATB with piano accompaniment
DO NOT STAND ON MY GRAVE. Version for soprano solo and choir SATB with piano accompaniment
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Chorale SATB
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INTERMÉDIAIRE
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Gabriel Ruiz-Bernal
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DO NOT STAND ON MY GRAVE. Vers
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.893974 Composed by Gabriel Ruiz-Bernal. Contemporary. Octavo. 9 pages. Gabriel Ruiz-Bernal #6331887. Published b...
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Choral Choir (SATB) - Level 3 - SKU: A0.893974 Composed by Gabriel Ruiz-Bernal. Contemporary. Octavo. 9 pages. Gabriel Ruiz-Bernal #6331887. Published by Gabriel Ruiz-Bernal (A0.893974). Music by Gabriel Ruiz-Bernal. Text by Mary Elizabeth FryeDemo recording featuring Allison Hughes, soprano. Gabriel Ruiz-Bernal, piano.POEM:Do not stand at my grave and weepI am not there.I do not sleep.I am a thousand winds that blow.I am the diamond glints on snow.I am the sunlight on ripened grain.I am the gentle autumn rain.When you awaken in the morning's hushI am the swift uplifting rushof quiet birds in circled flight.I am the soft starlight at night.Do not stand at my grave and cry;I am not there.I did not die.
$2.00 ≈
1.79€
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A circle in the sand
