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A Trip to South America
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Vous avez sélectionné:
A Trip to South America
Partitions à imprimer
25 partitions trouvées
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1
A Trip to South America
A Trip to South America
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Flûte traversière et Piano
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INTERMÉDIAIRE/AVANCÉ
#
Latin/Musique du monde
#
Fiona Alice Hickie, Daniel Alo
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Fiona Alice Hickie
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A Trip to South America
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Fiona Alice Hickie
#
SheetMusicPlus
Flute,Piano - Level 4 - SKU: A0.1138273 Composed by Fiona Alice Hickie, Daniel AlomÃa Robles, Zequinha de Abreu, Traditional. Arranged by Fiona Alice...
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Flute,Piano - Level 4 - SKU: A0.1138273 Composed by Fiona Alice Hickie, Daniel AlomÃa Robles, Zequinha de Abreu, Traditional. Arranged by Fiona Alice Hickie. Latin. Score and part. 29 pages. Fiona Alice Hickie #738505. Published by Fiona Alice Hickie (A0.1138273). Take a trip to South America with these 4 pieces. It includes: Tico-Tico no Fubá: Zequinha de Abreu El Cóndor Pasa: Daniel AlomÃa Robles The Sneaky Piranha: Fiona Hickie Samba Lele: Traditional.
$12.99 ≈
11.95€
A Trip to South America
A Trip to South America
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Clarinette et Piano
#
INTERMÉDIAIRE
#
Fiona Alice Hickie
#
Fiona Alice Hickie
#
A Trip to South America
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Fiona Alice Hickie
#
SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1430850 By Fiona Alice Hickie. By Fiona Alice Hickie, Daniel Alomía Robles, Zequinha de Abreu, Traditional. A...
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B-Flat Clarinet,Piano - Level 3 - SKU: A0.1430850 By Fiona Alice Hickie. By Fiona Alice Hickie, Daniel Alomía Robles, Zequinha de Abreu, Traditional. Arranged by Fiona Alice Hickie. Latin,Pop,Traditional. Score and part. 25 pages. Fiona Alice Hickie #1011353. Published by Fiona Alice Hickie (A0.1430850). Take a trip to South America with these 4 pieces. It includes: Tico-Tico no Fubá: Zequinha de Abreu El Cóndor Pasa: Daniel Alomía Robles The Sneaky Piranha: Fiona Hickie Samba Lele: Traditional.
$12.99 ≈
11.95€
South American Suite
South American Suite
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Heinz Geese
#
Rolf Granderath
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Singstimme ad lib
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South American Suite
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Schott Music - Digital
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SheetMusicPlus
(2 Fl, 2 Ob [ad lib.], 2 Fag [ad lib.], Klar-es, 3 Klar-b, 2 A-Sax-es [ad lib.], 2 T-Sax-b [ad lib.], Bar-Sax-es [ad lib.], 4 Hn-es [3., 4. ad lib.], Trp-b, 3 P...
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(2 Fl, 2 Ob [ad lib.], 2 Fag [ad lib.], Klar-es, 3 Klar-b, 2 A-Sax-es [ad lib.], 2 T-Sax-b [ad lib.], Bar-Sax-es [ad lib.], 4 Hn-es [3., 4. ad lib.], Trp-b, 3 Pos, 2 Flg-Hn-b, 3 T-Hn-b [3. ad lib.], Bar, 2 Tb, Pk, Schlgz); Singstimme ad lib. Voice - SKU: S9.Q5961 Aus Seefahrt nach Rio. Composed by Heinz Geese. Arranged by Rolf Granderath. This edition: separate part. Schott Harmony Series. Downloadable, Individual part. Schott Music - Digital #Q5961. Published by Schott Music - Digital (S9.Q5961). Rolf Granderath has put together a sequence of the most spirited tunes and stirring Latin American rhythms from Heinz Geese’s popular children’s musical “the boat trip to Rio†(ED 6585 / ED 6586) and arranged them for (youth) wind band. (Children’s) voices may be added ad libitum.
$2.99 ≈
2.75€
South American Suite
South American Suite
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Orchestre d'harmonie
#
Heinz Geese
#
Rolf Granderath
#
Singstimme ad lib
#
South American Suite
#
Schott Music - Digital
#
SheetMusicPlus
(2 Fl, 2 Ob [ad lib.], 2 Fag [ad lib.], Klar-es, 3 Klar-b, 2 A-Sax-es [ad lib.], 2 T-Sax-b [ad lib.], Bar-Sax-es [ad lib.], 4 Hn-es [3., 4. ad lib.], Trp-b, 3 P...
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(2 Fl, 2 Ob [ad lib.], 2 Fag [ad lib.], Klar-es, 3 Klar-b, 2 A-Sax-es [ad lib.], 2 T-Sax-b [ad lib.], Bar-Sax-es [ad lib.], 4 Hn-es [3., 4. ad lib.], Trp-b, 3 Pos, 2 Flg-Hn-b, 3 T-Hn-b [3. ad lib.], Bar, 2 Tb, Pk, Schlgz); Singstimme ad lib. wind band - SKU: S9.Q5960 Aus Seefahrt nach Rio. Composed by Heinz Geese. Arranged by Rolf Granderath. This edition: condensed score. Schott Harmony Series. Downloadable, Conductor reduction. Schott Music - Digital #Q5960. Published by Schott Music - Digital (S9.Q5960). Rolf Granderath has put together a sequence of the most spirited tunes and stirring Latin American rhythms from Heinz Geese’s popular children’s musical “the boat trip to Rio†(ED 6585 / ED 6586) and arranged them for (youth) wind band. (Children’s) voices may be added ad libitum.
$15.99 ≈
14.71€
South American Suite
South American Suite
#
Heinz Geese
#
Rolf Granderath
#
Singstimme ad lib
#
South American Suite
#
Schott Music - Digital
#
SheetMusicPlus
(2 Fl, 2 Ob [ad lib.], 2 Fag [ad lib.], Klar-es, 3 Klar-b, 2 A-Sax-es [ad lib.], 2 T-Sax-b [ad lib.], Bar-Sax-es [ad lib.], 4 Hn-es [3., 4. ad lib.], Trp-b, 3 P...
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(2 Fl, 2 Ob [ad lib.], 2 Fag [ad lib.], Klar-es, 3 Klar-b, 2 A-Sax-es [ad lib.], 2 T-Sax-b [ad lib.], Bar-Sax-es [ad lib.], 4 Hn-es [3., 4. ad lib.], Trp-b, 3 Pos, 2 Flg-Hn-b, 3 T-Hn-b [3. ad lib.], Bar, 2 Tb, Pk, Schlgz); Singstimme ad lib. wind band - SKU: S9.Q5962 Aus Seefahrt nach Rio. Composed by Heinz Geese. Arranged by Rolf Granderath. This edition: set of parts. Schott Harmony Series. Downloadable, Set of parts. Schott Music - Digital #Q5962. Published by Schott Music - Digital (S9.Q5962). Rolf Granderath has put together a sequence of the most spirited tunes and stirring Latin American rhythms from Heinz Geese’s popular children’s musical “the boat trip to Rio†(ED 6585 / ED 6586) and arranged them for (youth) wind band. (Children’s) voices may be added ad libitum.
$67.99 ≈
62.54€
The Story of a Leader
The Story of a Leader
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Chorale SATB
#
AVANCÉ
#
Classique
#
Igor Korneitchouk
#
The Story of a Leader
#
Studio at the Post
#
SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio ...
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Choral Choir (SATB) - Level 5 - SKU: A0.1143904 Composed by Igor Korneitchouk. 20th Century,A Cappella,Contemporary,Religious. Octavo. 37 pages. Studio at the Post #744209. Published by Studio at the Post (A0.1143904). Duration: 16 minutes, 33 pp. Description: Exodus is a great story that belongs to everyone. Not only is it central to Judaism, not only is it integral to the Christian Bible, it is an immortal story that has been, and continues to be, an inspiration to oppressed peoples everywhere on this planet. It is relevant not just as ancient scripture but as living text, to be rediscovered by each new generation of an ever-widening Family of Man. The theme of struggle against oppression and slavery was just as relevant to the early Christians persecuted in Ancient Rome as it was relevant to the American Civil Rights movement of the 1960's, just as relevant to the Soviet Jews wishing to emigrate as it is to the South African Blacks resisting Apartheid. From the Dark Ages and the Spanish Inquisition, to Ghandi's emancipation of India, to the Holocaust, to, full-circle, the ongoing struggles in Palestine today, the story of Exodus is a guiding light in a dim and often grim world. According to the composer: The Story of a Leader is a collection of ‘re-chorales’ I created one summer when I was totally immersed in a post-educational obsession with the 371 Chorales by Johann Sebastian Bach. We used to study these to learn the rules of harmony and voice-leading (no parallel fifths, avoid crossed voices, etc.) at the Cleveland Institute of Music where I began my compositional career. That summer, now a professor of music in my own right, I discovered many broken and bent rules by the master himself and, along with the glory of being able to work through these Chorales myself at the piano, I felt an incredible feeling of liberation and possibilities unmediated by instructors of music theory. I began by stripping away all that Bach wrote, leaving only the hymn tunes which were not his to begin with. These tunes existed long before Bach used them for his tonal experiments, some attributed to Martin Luther, or someone else, others simply listed as ‘anonymous’. The same is true for the texts, which were then translated into English mostly in the 19th century (the provenance of each can be found herein on the first page of each of my reharmonizations). In some cases I modified the text to fit the context. I selected 12 of these ‘re-chorales,’ linking them together based on their texts in a kind of logic that worked for me, and created a narrative that told The Story of a Leader (Moses). This story is highlighted in the music with such techniques as cross-modal harmonies, points of imitation, a beer drinking song in one instance, and in another, to symbolize the parting of the seas for Moses’ people, an inversion of the soprano line in the bass..
$15.04 ≈
13.83€
Hello Cupcake! for Brass Quintet
Hello Cupcake! for Brass Quintet
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Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
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INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Judith Cloud
#
#
Hello Cupcake! for Brass Quint
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Judith Cloud
#
SheetMusicPlus
Brass Ensemble - Level 4 - SKU: A0.981201 Composed by Judith Cloud. Contemporary. Score and parts. 73 pages. Judith Cloud #6591263. Published by Judith ...
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Brass Ensemble - Level 4 - SKU: A0.981201 Composed by Judith Cloud. Contemporary. Score and parts. 73 pages. Judith Cloud #6591263. Published by Judith Cloud (A0.981201). A humorous work for brass quintet in seven movements based on the high-end boutique HELLO CUPCAKE! in Washington, DC. Like the brief pleasure of a cupcake, whose life is finished within four, three (or maybe even two!) bites, each movement is a pithy musical excursion.1. Monday: heart of darknessStrictly for chocoholics-deep, devilish and dangerous2. Tuesday: prima donna For the spoiled brat-fresh, pink and fussy3. Wednesday: princess Prima donna’s sweet cousin-simple, humble and unassuming4. Thursday: velvet Elvis Peanut butter and banana-who knew it was the King’s favorite?5. Friday: you tart! Just enough tang to get you in trouble-6. Saturday: vanilla gorilla Pure monkey business-foolish, silly and mischievous7. Sunday: dulce da leche A little trip to South America
$25.00 ≈
22.99€
The Siege of Tripoli, an Historical Naval Sonata for the Piano Forte
The Siege of Tripoli, an Historical Naval Sonata for the Piano Forte
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Piano seul
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Mr
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The Siege of Tripoli, an Histo
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano - SKU: LV.14358 Composed by Mr. B. Carr. Campaigns & battles, Warfare, Patriotism. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins ...
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Piano - SKU: LV.14358 Composed by Mr. B. Carr. Campaigns & battles, Warfare, Patriotism. Lester S. Levy Collection. 9 pages. Published by Johns Hopkins University Sheridan Libraries (LV.14358). The Siege of Tripoli, an Historical Naval Sonata for the Piano Forte. Composed by Mr. B. Carr. Published [n.d.] by G.E. Blake, No. 13 South 5th street in Philadelphia. Composition of Multimovement, with descriptive titles (e.g., The Siege of Tripoli, The Americans prepare for the Seige, Martial Music heard on the walls of Tripoli,); Finale is Yankee Doodle Arranged as a Rondo. with piano instrumentation. Subject headings for this piece include Campaigns & battles, Warfare, Patriotism. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.51€
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
Cape Breton & Prince Edward Island Fiddle Tunes for Clawhammer Banjo 136 Note-for-Note Authentic Banjo Arrangements in Clear Tablature
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Intermediate
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Cape Breton & Prince Edwar
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Mus...
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Banjo - Beginning; Intermediate; Advanced - SKU: M0.31054MEB Folk. Old Time. Ebook and online audio. 185 pages. Mel Bay Publications - Digital Sheet Music #31054MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31054MEB). ISBN 9781513477107. 8.75X11.75 inches.The island of Cape Breton & its close neighbor, Prince Edward Island in eastern Canada are home to two of the oldest, strongest, and most vibrant fiddling traditions in North America. Cape Breton gave rise to a professional Celtic-based fiddling scene to rival anything coming out of Scotland & Ireland. Prince Edward Island’s traditional fiddlers developed lively, idiosyncratic styles every bit as musically compelling as anything you’ll hear on archival recordings of iconic American old-time fiddlers from the Appalachians. This book features 136 tunes from these two distinct but related fiddling traditions, collected by the author directly from master fiddlers, and arranged note-for-note for clawhammer banjo with as much flavor and nuance as possible. These settings of reels, hornpipes, jigs, marches, strathspeys, airs, and other fiddle tunes are all eminently playable and fully benefit from the author’s half-century of experience playing banjo, arranging for banjo, writing banjo instruction books, and researching fiddle-music traditions. Here’s what you’ll find in this volume. 136 fiddle tunes arranged for clawhammer banjo in clear tablatureOver 40 musical examples & exercisesInstruction on basic and advanced techniquesFingering diagrams & detailed fingering suggestionsA systematic approach to playing up-the-neckA thorough treatment of playing triplets, grace notes, and other characteristic ornaments in clawhammerGuides on how to approach playing various kinds of fiddle tunesA framework for understanding the modes encountered in fiddle musicHistorical notes on the tunes and musical traditionsBiographical information on source fiddlers169 audio illustrations available online Note: Most audio illustrations for the tunes in this book are drawn directly from the author’s CDs, Devil in the Kitchen, Frails & Frolics, Island Boy, and Northern Banjo.
Song List
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Andy Renwick's Ferret
Angus Campbell
Archie Menzies
The Banks Hornpipe
Bear River Jig
Bee's Wing Hornpipe, The
Belfast hornpipe, The
Belfast Jig
Big John McNeil
Bonaparte Crossing The Alps
Bonniest Lass in a' the World, The
Bonny Lass of Fisherrow, The
Bonny Lea Rig, The
Brae Reel, The
Braes of Auchtertyre, The
Brenda Stubbert's Reel
Caber Feidh
Cape Breton Wedding Reel, The
Captain Campbell
Carleton County Breakdown
Carnie's Canter
Chaisson Reel, The
Cheticamp Reel, The
Chorus Jig
Come Under My Plaidie
Compliments To Buddy Macmaster
Cutting Ferns
Darlin' Don't You Meddle Me
Delphine's Reel
Democratic Rage, The
Devil In The Kitchen
Dillon Brown
Dinkie's Reel
Don't Be Teasing
Dr Keith, Aberdeen
Dragger's Reel, The
Drunken piper, The
Dublin Porter
Duke of Gordon's Birthday, The
Durang's Hornpipe
East Neuk of Bear River, The
Emil Gaudet's Reel
Farmer's Daughter, The
Farmer's Reel, The
Fay's Hornpipe
Fermoy Lasses
Fig For A Kiss
Fisher's Hornpipe (F Setting)
Fred Wilson's Hornpipe
Glencoe March
Green Meadow Reel
Haggis, The
Hector's Fancy
Hector's New Dance Hall
High Level Hornpipe, The
Homeward Bound
Honeymoon, The
Inverness Jig
Irishman's Heart To The Ladies
Iron Man, The
Island Boy
Jack Webster's Reel
Jackson's Jig
Jenny Dang The Weaver
JEROME'S FAREWELL TO GIBRALTAR
Jerry Holland's Jig
Joe Kearney's Reel
Joe MacInnis' March
Kenmure's On & Awa', Willie
Killiecrankie
Koehler's Hornpipe
Lad O'beirne's Reel
Lasses of Glenaladale, The
Levantine's Barrel
Light & Airy
Little Donald In The Pigpen
Little Jack's Reel
Londonderry Hornpipe
Lord Gordon
Lord MacDonald's Reel
Macdonald's March Reel
Mackinnon's Rant
Marchioness of Tullibardine, The
Marie ? Pierre
Marquis of Huntly, The
Meeting of Waters, The
Miller o' Drone, The
Miller's Reel
Miramichi Fire, The
Miss Barker's Hornpipe
Miss Georgina Campbell
Miss Gordon
Miss Lyall Strathspey
Miss Maxwell
Mr. Murray
Munlochy Bridge
Munster Lass, The
North Side of the Grampians, The
Northside Tune
Orange & Blue, The
Ottawa Valley Reel
Paddy On The Turnpike
Pigeon On The Gatepost
Plains of Boyle, The
Poppy Leaf, ThePride of the Ball
Prince Edward Island Wedding Reel
Princess Reel
River Bend Jig
Robert Cormack, Aberdeen
Robert Stubbert
Rock Valley Jig
Rose in the Garden, The
Rose of Tennessee, The
Rothiemurchus Rant, The
Royal Circus Jig
Shandon Bells
Shores of Lough Gowna, The
Silver & Gold
Sleepy Maggie
Souris Breakwater
Southern Melody
St Anne's Reel -Original Version
St Anne's Reel -Prince County Version
St Kilda Wedding
Stack Of Barley
Stella's Trip To Kamloops
Stool of Repentance, The
Teviot Bridge
Trip To Windsor
West Point Jig
When I Go Out the Door
Where the North River Flows
Whiskey Jig
Wilfred's Fiddle
You Married My Daughter, & Yet
$24.99 ≈
22.99€
Latinas for Two
Latinas for Two
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2 Guitares (duo)
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INTERMÉDIAIRE
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Latin/Musique du monde
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Alfonso Montes
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Latinas for Two
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Alfonso Montes (1955-). For Guitar (Classical). Latin American. 44 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Alfonso Montes (1955-). For Guitar (Classical). Latin American. 44 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619111707. This is the follow-up to the successful Latinitas for Solo Guitar. (Product Number: 20995BCDEB Mel Bay Publications.) Some of the best-known Latin American rhythms are included in this collection which is carefully graded for intermediate level performance. The most natural way of making music is having the accompaniment independent from the melody, so both parts can be played with full expression and attention to nuances. Also, in Latin American music the second guitar plays some very attractive but sometimes complex rhythms. Therefore, having the two parts separated makes it possible to play this music with more accuracy and enjoyment. Latinas for Two, in addition to presenting beautiful melodies and captivating rhythms, should provide guitarists of all ages with a fantastic trip through the sensual South-American world of music! Includes access to online audio.
$14.99 ≈
13.79€
Camino en blanco
Camino en blanco
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Nicolas Mustillo
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Nicolas Mustillo
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Camino en blanco
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Nico Mustillo
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.540352 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Contemporary,Multicultural,New Age,Prais...
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C Instrument - Level 3 - SKU: A0.540352 By Nicolas Mustillo. By Nicolas Mustillo. Arranged by Nicolas Mustillo. Contemporary,Multicultural,New Age,Praise & Worship,Spiritual,World. Lead Sheet / Fake Book. 4 pages. Nico Mustillo #150500. Published by Nico Mustillo (A0.540352). La obra tiene un ritmo por momentos vertiginoso, y invita al juego de melodias, entre los instrumentos que ejecutan. El paisaje sonoro se compone de ritmos étnicos del mundo y por momentos de América del sur. The work has a vertiginous rhythm at times, and invites the play of melodies, between the instruments that they execute. The soundscape is made up of ethnic rhythms from around the world and at times from South America. It is part of a series of compositions that narrates the experience of an internal and external trip to Capilla del Monte, Córdoba (Argentina). Es parte de una serie de composiciones que narra la experiencia de un viaje interno y externo a Capilla del Monte, Córdoba (Argentina).
$10.00 ≈
9.20€
Walker Street Fiddlers Ireland Tour 2007 Fiddle
Walker Street Fiddlers Ireland Tour 2007 Fiddle
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Orchestre à Cordes
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INTERMÉDIAIRE
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Celtique/Irlandais
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Scott Walker
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Scott Walker
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Walker Street Fiddlers Ireland
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S'got Possiblities
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.780284 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish,Standards,Traditional. Score and par...
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String Orchestra - Level 3 - SKU: A0.780284 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish,Standards,Traditional. Score and parts. 33 pages. S'got Possiblities #387720. Published by S'got Possiblities (A0.780284). The Walker Street Fiddlers Ireland Tour 2007 is a collection of tunes that my group, “The Walker Street Fiddlers†played on their trip to Ireland in the summer of ‘07! We performed this music at a variety of venues, including several pubs, in the youth hostels where we stayed, on the street, and at the unique “Teach Ceoil†(Gaelic for Music House) in Tully Cross, County Galway. Starting with traditional Irish tunes, it continues with some Old Time American tunes and songs. There are some rags and some bluegrass. The Tunes are: Okeefe;s, Bring Back the Child, Padraig OKeefe’s, The Maid of Armagh, Britches full of Stitches, Sullivan’s, Ten Penny Bit, The Old Favorite, Dinkies, Rollin’ in the Rye Grass, Southwind, Fairwind, Julia Delaney, Star of Muster, Old Hag You Have Killed Me, Morrison’s, Father Kelly’s, Congress Reel, Ducks on the Pond, Shady Grove, Simple Gifts, Keep on the Sunny Side, Back up and Push, Stone’s Rag, Pig Ankle Rag, Billy in the Lowground, Devil’s Dream. Included here is a quick listen Mp3 to hear how the tunes are presented, and a Youtube link to the first set of tunes in the collection. A Youtube link to the playlist that includes all the tunes in their entirety performed by Scott Walker on fiddle and guitar https://youtube.com/playlist?list=PL1QxSodsD2nF1Zi26R7hhVr1lw-o3Xpla.
$15.00 ≈
13.80€
Walker Street Fiddlers Ireland Tour 2007 Cello
Walker Street Fiddlers Ireland Tour 2007 Cello
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Orchestre à Cordes
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INTERMÉDIAIRE
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Celtique/Irlandais
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Scott Walker
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Scott Walker
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Walker Street Fiddlers Ireland
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S'got Possiblities
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.805313 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish,Standards,Traditional. Score and par...
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String Orchestra - Level 3 - SKU: A0.805313 By Scott Walker. By Traditional. Arranged by Scott Walker. Celtic,Irish,Standards,Traditional. Score and parts. 38 pages. S'got Possiblities #412347. Published by S'got Possiblities (A0.805313). The Walker Street Fiddlers Ireland Tour 2007 is a collection of tunes that my group, “The Walker Street Fiddlers†played on their trip to Ireland in the summer of ‘07! We performed this music at a variety of venues, including several pubs, in the youth hostels where we stayed, on the street, and at the unique “Teach Ceoil†(Gaelic for Music House) in Tully Cross, County Galway. Starting with traditional Irish tunes, it continues with some Old Time American tunes and songs. There are some rags and some bluegrass. The Tunes are: Okeefe;s, Bring Back the Child, Padraig OKeefe’s, The Maid of Armagh, Britches full of Stitches, Sullivan’s, Ten Penny Bit, The Old Favorite, Dinkies, Rollin’ in the Rye Grass, Southwind, Fairwind, Julia Delaney, Star of Muster, Old Hag You Have Killed Me, Morrison’s, Father Kelly’s, Congress Reel, Ducks on the Pond, Shady Grove, Simple Gifts, Keep on the Sunny Side, Back up and Push, Stone’s Rag, Pig Ankle Rag, Billy in the Lowground, Devil’s Dream. Included here is a quick listen Mp3 to hear how the tunes are presented, and a Youtube link to the first set of tunes in the collection. A Youtube link to the playlist that includes all the tunes in their entirety performed by Scott Walker on fiddle and guitar https://youtube.com/playlist?list=PL1QxSodsD2nF1Zi26R7hhVr1lw-o3Xpla.
$15.00 ≈
13.80€
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
King Cotton by John Philip Sousa (Duet for alto saxophone and euphonium)
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Ensemble de cuivres
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AVANCÉ
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Classique
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John Philip Sousa
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Alexander L Burden
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King Cotton by John Philip Sou
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Alexander Burden
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SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Ale...
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Brass Ensemble - Level 5 - SKU: A0.899867 Composed by John Philip Sousa. Arranged by Alexander L Burden. Romantic Period. Score and parts. 10 pages. Alexander Burden #3560127. Published by Alexander Burden (A0.899867). Genre: MarchLength: 2:48Instrumentation: Alto Saxophone and EuphoniumKing Cotton is a military march composed in 1895 by John Philip Sousa, for the Cotton States and International Exposition (1895). The expression King Cotton in general refers to the historically high importance of cotton as a cash crop in the southern United States. This fun arrangement and challenging arrangement for alto saxophone and euphonium is sure to be a crowd favorite and includes altissimo passages in the saxophone part.The Composer:John Philip Sousa (November 6, 1854 – March 6, 1932) was an American composer and conductor of the late Romantic era, known primarily for American military and patriotic marches. Because of his mastery of march composition, he is known as The March King, or the American March King due to his British counterpart, Kenneth J. Alford also being known by the former nickname. Among his best-known marches are The Stars and Stripes Forever (National March of the United States of America), Semper Fidelis (Official March of the United States Marine Corps), The Liberty Bell (used as the theme for Monty Python's Flying Circus), The Thunderer and The Washington Post.The Arranger:Email: alburden9012@eagle.fgcu.eduAlexander Burden is a Florida born, professional musician and music educator residing in Southwest Florida. There, he is the music teacher at Westside Elementary in Clewiston. Concurrent with his duties at Westside, he also teaches private and group instrumental music lessons and preforms regularly with various professional ensembles throughout Southwest Florida. Burden holds a Bachelor of Music Education degree with an instrumental concentration from the Bower School of Music at Florida Gulf Coast University in Fort Myers, Florida. There he studied under world renowned saxophonist Mario Bernardo. He also holds an Associate of Arts degree with a Music Education and Saxophone Performance concentration from Eastern Florida State College where he was a student of James Bishop. During his time at the Bower School of music, he served as principle saxophonist in the FGCU Wind Orchestra, lead alto in the Jazz Band Flight: Jazz at FGCU, and played soprano saxophone in the Bower Saxophone Quartet. Alexander was selected to play tenor saxophone in the 2017 National Intercollegiate Band as well as principle alto saxophone in the 2017 Florida All-State Intercollegiate Band and tenor saxophone in the 2016 Florida All-State Intercollegiate Band. In November of 2015, Alexander participated in a critically acclaimed performance at Carnegie Hall in New York City with the FGCU Wind Orchestra.
$7.99 ≈
7.35€
Carson Cooman: Fantasy on "Nassau" for organ and four part wind band
Carson Cooman: Fantasy on "Nassau" for organ and four part wind band
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Orchestre d'harmonie
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INTERMÉDIAIRE
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Carson Cooman
#
#
Carson Cooman: Fantasy on &quo
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concert Band - Level 3 - SKU: A0.535419 Composed by Carson Cooman. 20th Century,Sacred. Score and parts. 39 pages. Musik Fabrik Music Publishing #623728...
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Concert Band - Level 3 - SKU: A0.535419 Composed by Carson Cooman. 20th Century,Sacred. Score and parts. 39 pages. Musik Fabrik Music Publishing #6237283. Published by Musik Fabrik Music Publishing (A0.535419). Fantasy on “Nassau†(2004) for organ and four-part band was written for and is dedicated to Wayne Leupold and Kernersville Moravian Church, Kernersville, NC.The work is based on the Moravian chorale tune NASSAU. The opening section of the work is slow and mystical: the band plays the first few notes of the chorale and the organ emerges from the chords with harmonic commentary.In the next section the organ and the band present the tune antiphonally because the organ emerges with a triplet figuration. This next development section builds to a climax. The band then plays the chorale tune all the way through for the first time with an organ “descant.â€The final section recalls the opening material and the work ends in tranquillity The disposition and instrument assignments for the parts is left at the conductor’s discretion. Though conceived originally for the “Moravian church bands†of the American South, the work may be played by any sort of band (including concert band) or combination of brass or wind instruments.
$29.95 ≈
27.55€
Hooray for Hollywood
Hooray for Hollywood
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Piano, Voix et Guitare
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Johnny Mercer and Richard A
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Hooray for Hollywood
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000265 Composed by Johnny Mercer and Richard A. Whiting. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-X...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000265 Composed by Johnny Mercer and Richard A. Whiting. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000265. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000265). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.67€
The Glow Worm
The Glow Worm
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Piano, Voix et Guitare
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Johnny Mercer and Paul Lincke
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The Glow Worm
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000275 Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-00002...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000275 Composed by Johnny Mercer and Paul Lincke. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000275. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000275). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.67€
Any Place I Hang My Hat is Home
Any Place I Hang My Hat is Home
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Piano, Voix et Guitare
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Harold Arlen and Johnny Mercer
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Any Place I Hang My Hat is Hom
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000276 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000276 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000276. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000276). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.67€
Satin Doll
Satin Doll
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Piano, Voix et Guitare
#
Billy Strayhorn, Duke Ellingto
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Satin Doll
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000274 Composed by Billy Strayhorn, Duke Ellington, and Johnny Mercer. Standard. 3 pages. Alfred Music - Digital She...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000274 Composed by Billy Strayhorn, Duke Ellington, and Johnny Mercer. Standard. 3 pages. Alfred Music - Digital Sheet Music #00-XS-0000274. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000274). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.67€
Satan's Li'l Lamb
Satan's Li'l Lamb
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Piano, Voix et Guitare
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Harold Arlen and Johnny Mercer
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Satan's Li'l Lamb
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Alfred Music - Digital Sheet Music
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SheetMusicPlus
Piano/Vocal/Chords - SKU: AX.00-XS-0000263 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000...
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Piano/Vocal/Chords - SKU: AX.00-XS-0000263 Composed by Harold Arlen and Johnny Mercer. Standard. 4 pages. Alfred Music - Digital Sheet Music #00-XS-0000263. Published by Alfred Music - Digital Sheet Music (AX.00-XS-0000263). ISBN 9780739074770. UPC: 038081404509.Johnny Mercer (1909--1976) was not only one of America's greatest lyricists---he helped define the American South from the outside in. His words paint rich and vivid portraits of life in his native Georgia. Mercer wrote a wide variety of songs, from lush, dreamy ballads to plays on colloquial American expressions. He joined forces with some of the most talented composers of his day, including Harold Arlen, Hoagy Carmichael, and Henry Mancini, to fashion one of the most startlingly original catalogs in American popular music. This songbook commemorates the centennial of his birth with piano/vocal sheet music arrangements (including guitar chord frames) for 46 of his most famous and best-loved classics. Titles: Ac-cent-tchu-ate the Positive * And the Angels Sing * Any Place I Hang My Hat Is Home * Autumn Leaves * Bless Yore Beautiful Hide * Blues in the Night * Charade * Come Rain or Come Shine * Day In---Day Out * Days of Wine and Roses * Dream * Drinking Again * Emily * Fools Rush In (Where Angels Fear to Tread) * G.I. Jive * The Glow-Worm * Goody-Goody * Hooray for Hollywood * I Thought About You * I Wanna Be Around * If I Had My Druthers * I'm an Old Cowhand (from the Rio Grande) * I'm Old Fashioned * In the Cool, Cool, Cool of the Evening * Jeepers Creepers * Laura * Lazybones * Legalize My Name * Moon River * My Shining Hour * Namely You * On the Atchison, Topeka and the Santa Fe * One for My Baby (and One More for the Road) * Satan's Li'l Lamb * Satin Doll * Skylark * Something's Gotta Give * Strip Polka * Summer Wind * The Sweetheart Tree * That Old Black Magic * Too Marvelous for Words * Two of a Kind * When the World Was Young * You Must Have Been a Beautiful Baby * You Were Never Lovelier.
$3.99 ≈
3.67€
Fifteen Safari Duets for Tubas
Fifteen Safari Duets for Tubas
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2 Tubas (duo)
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FACILE
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Jazz
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Gregory Fritze
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Fifteen Safari Duets for Tubas
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova US...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Score. 38 pages. Published by Musica Nova USA
Fifteen Safari Duets for Tubas was composed for playing duets with my tuba students. The fifteen duets are at different levels of difficulty and various styles so that we always had duets to play no matter what ability of student. There is something in each duet for students to learn from the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. They are all fun to play. Although for tubas, they may be played on any instrument.
In 1988 I spent a month in Kenya on safari and experiencing the African wildlife and culture, thus the inspiration for these duets that were composed soon after the trip in 1989 and 1990 and have been a regular part of my teaching ever since. Four of these duets are recorded on the compact disc ?Tuba Safari? (Troy 1173) on Albany Records.
1. Elephants at Stave
This duet presents the cantabile style studied for playing the tuba. I find that this duet helps the student much like the melodies of Borgodni etudes. There are more elephants in Tsavo than anywhere else in Kenya. It was not uncommon to see large families of thirty elephants at a time.
2. Gallop ? Thompson Gazelle at Amboseli
This duet provides an opportunity to read in a sharp key, D major, as well as basic rhythms and articulations. I find that the more advanced students can read in a faster tempo and other students can work in a slower tempo ? a common choice in all of the duets. Large herds of playful Thompson Gazelle were a usual occurrence in most of the game parks in Kenya.
3. Rhinos at Nairobi Game Park
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase. The rhinoceros is a very noble animal that can grow to more that 1,000 pounds and is known for its horn. The Nairobi game park is located just outside the city, giving a sense of surrealism to the panorama.
4. Giraffes at Nairobi Twiga Park
This is in a ?rock? style with syncopated rhythms and cantabile melodies. The Nairobi Twiga park is just outside the city and is the only place where one can feed the giraffes. Along with their long necks they have very long tongues.
5. Warthogs at Ngulia
Legato scales and syncopated rhythms are the features of this duet. Warthogs have tails that are held upright when they run.
6. Baboons at Kiliguni
This duets alternates in rock style and swing. Baboons are sometimes a problem because they will try to steal food from the tourists? tables. They will work together where one causes a diversion while the others steal.
7. Pastoral ? Cape Buffalo at Samburu
The key of A for this duet gives variation for the students. Cape Buffalo are in large herds on the savanna. The Samburu Lodge dining area was built next to a watering hole. At the beginning of breakfast there were no animals, but in fifteen minutes more than 500 cape buffalo were at the water hole.
8. Song - Hippos at Mzima Springs
This is the easiest of rhythms and range of the duets, especially for the 2nd(student) part. Hippopotamuses can grow up to 4,000 pounds and spend most of their time sleeping in the water during the day. At night they go on land to hunt.
9. Leopards at Kimana Lodge
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many have never experienced this notation before. The leopard is a large predatory cat that usually hunts at night.
10. Colobus Monkeys at the Ark
This is an Invention in the Bach style. The Ark is a building that was built in 1969 at a watering hole for tourists to watch wildlife. The colobus monkey is black with white on its forearms and chest.
11. Zebra Migration at Masai Mara
This duet is in a ?Medium Swing? jazz style. The great migration between the Masai Mara and Serengeti involves about two million wildebeest, zebras and other animals every year. It is considered one of the most impressive natural events worldwide.
12. Ostrich at Samburu
This duet works on double time and half time. The ostrich is the largest bird in the world. In Samburu there was an ostrich that hung around the lodge, her name was Margaret. She was very friendly with everybody but she would steal your hat.
13. Cheetah at Voi
This is another duet that includes graphic notation. The cheetah can run up to 80 miles an hour when chasing after prey. When not hunting prey it often walks very slowly.
14. Gallop ? Gerenuk at Buffalo Springs
This gallop displays different types of articulation. The gerenuk is an antelope with a slightly extended neck so it can eat higher leaves from trees.
15. Lions at Mara Sopa
This duet is in the style of a fanfare. The lion is considered the king of the savanna.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
18.40€
Mon Souffle (My Breath)
Mon Souffle (My Breath)
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Harpe, Violoncelle (duo)
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INTERMÉDIAIRE
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New Age
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Megan Metheney
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Mon Souffle
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Afghan Press Music for the Harp
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SheetMusicPlus
Instrumental Duet Cello,Harp,Instrumental Duet - Level 3 - SKU: A0.1087235 Composed by Megan Metheney. New Age. Score and parts. 10 pages. Afghan Press ...
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Instrumental Duet Cello,Harp,Instrumental Duet - Level 3 - SKU: A0.1087235 Composed by Megan Metheney. New Age. Score and parts. 10 pages. Afghan Press Music for the Harp #691437. Published by Afghan Press Music for the Harp (A0.1087235). ALL HARPS (with exception, please read description) INTERMEDIATE + CELLO – almost mesmerizing and new age sounding. Very uplifting! For harp and cello, the meaning is “my breathâ€. Using percussive sounds it has a soft yet driving energy. Spotify performance can be heard here: https://open.spotify.com/artist/7lKvuLtN8hlvIvUPBhoozE - This composition has a low range, going to the A below the normal C on a 36-string lever harp. It can be played on a 38-string lever harp with low A, such as the Triplett Eclipse or Salvi Ana with low A or L&H Prelude with low A. In this piece, you’ll have to learn a bit of coordination for the percussive parts. This piece made its world debut at the American Harp Society Conference, South Dakota, June 2022.
$8.00 ≈
7.36€
Concerto
Concerto
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Piano et Orchestre
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AVANCÉ
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Contemporain
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Gyorgy Ligeti
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Concerto
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Schott Music - Digital
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SheetMusicPlus
Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minut...
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Piano and orchestra - difficult - For piano and orchestra. Composed by Gyorgy Ligeti (1923-2006). This edition: solo part. Downloadable. Duration 24 minutes. Schott Music - Digital #Q53630. Published by Schott Music - Digital
I composed the Piano Concerto in two stages: the first three movements during the years 1985-86, the next two in 1987, the final autograph of the last movement was ready by January, 1988. The concerto is dedicated to the American conductor Mario di Bonaventura. .
The markings of the movements are the following: .
1. Vivace molto ritmico e preciso .
2. Lento e deserto .
3. Vivace cantabile .
4. Allegro risoluto .
5. Presto luminoso.
The first performance of the three-movement Concerto was on October 23rd, 1986 in Graz. Mario di Bonaventura conducted while his brother, Anthony di Bonaventura, was the soloist. Two days later the performance was repeated in the Vienna Konzerthaus. After hearing the work twice, I came to the conclusion that the third movement is not an adequate finale. my feeling of form demanded continuation, a supplement. That led to the composing of the next two movements. The premiere of the whole cycle took place on February 29th, 1988, in the Vienna Konzerthaus with the same conductor and the same pianist. .
The orchestra consisted of the following: flute, oboe, clarinet, bassoon, horn, trumpet, tenor trombone, percussion and strings. The flautist also plays the piccoIo, the clarinetist, the alto ocarina. The percussion is made up of diverse instruments, which one musician-virtuoso can play. It is more practical, however, if two or three musicians share the instruments. Besides traditional instruments the percussion part calls also for two simple wind instruments: the swanee whistle and the harmonica. The string instrument parts (two violins, viola, cello and doubles bass) can be performed soloistic since they do not contain divisi. For balance, however, the ensemble playing is recommended, for example 6-8 first violins, 6-8 second, 4-6 violas, 4-6 cellos, 3-4 double basses. .
In the Piano Concerto I realized new concepts of harmony and rhythm. .
The first movement is entirely written in bimetry: simultaneously 12/8 and 4/4 (8/8). This relates to the known triplet on a doule relation and in itself is nothing new. Because, however, I articulate 12 triola and 8 duola pulses, an entangled, up till now unheard kind of polymetry is created. The rhythm is additionally complicated because of asymmetric groupings inside two speed layers, which means accents are asymmetrically distributed. These groups, as in the talea technique, have a fixed, continuously repeating rhythmic structures of varying lengths in speed layers of 12/8 and 4/4. This means that the repeating pattern in the 12/8 level and the pattern in the 4/4 level do not coincide and continuously give a kaleidoscope of renewing combinations. .
In our perception we quickly resign from following particular rhythmical successions and that what is going on in time appears for us as something static, resting. This music, if it is played properly, in the right tempo and with the right accents inside particular layers, after a certain time rises, as it were, as a plane after taking off: the rhythmic action, too complex to be able to follow in detail, begins flying. This diffusion of individual structures into a different global structure is one of my basic compositional concepts: from the end of the fifties, from the orchestral works Apparitions and Atmospheres I continuously have been looking for new ways of resolving this basic question. The harmony of the first movement is based on mixtures, hence on the parallel leading of voices. This technique is used here in a rather simple form. later in the fourth movement it will be considerably developed. .
The second movement (the only slow one amongst five movements) also has a talea type of structure, it is however much simpler rhythmically, because it contains only one speed layer. The melody is consisted in the development of a rigorous interval mode in which two minor seconds and one major second alternate therefore nine notes inside an octave. This mode is transposed into different degrees and it also determines the harmony of the movement. however, in closing episode in the piano part there is a combination of diatonics (white keys) and pentatonics (black keys) led in brilliant, sparkling quasimixtures, while the orchestra continues to play in the nine tone mode. .
In this movement I used isolated sounds and extreme registers (piccolo in a very low register, bassoon in a very high register, canons played by the swanee whistle, the alto ocarina and brass with a harmon-mute' damper, cutting sound combinations of the piccolo, clarinet and oboe in an extremely high register, also alternating of a whistle-siren and xylophone). The third movement also has one speed layer and because of this it appears as simpler than the first, but actually the rhythm is very complicated in a different way here. Above the uninterrupted, fast and regular basic pulse, thanks to the asymmetric distribution of accents, different types of hemiolas and inherent melodical patterns appear (the term was coined by Gerhard Kubik in relation to central African music). If this movement is played with the adequate speed and with very clear accentuation, illusory rhythmic-melodical figures appear. These figures are not played directly. they do not appear in the score, but exist only in our perception as a result of co-operation of different voices. .
Already earlier I had experimented with illusory rhythmics, namely in Poeme symphonique for 100 metronomes (1962), in Continuum for harpsichord (1968), in Monument for two pianos (1976), and especially in the first and sixth piano etude Desordre and Automne a Varsovie (1985). .
The third movement of the Piano Concerto is up to now the clearest example of illusory rhythmics and illusory melody. In intervallic and chordal structure this movement is based on alternation, and also inter-relation of various modal and quasi-equidistant harmony spaces. The tempered twelve-part division of the octave allows for diatonical and other modal interval successions, which are not equidistant, but are based on the alternation of major and minor seconds in different groups. The tempered system also allows for the use of the anhemitonic pentatonic scale (the black keys of the piano). From equidistant scales, therefore interval formations which are based on the division of an octave in equal distances, the twelve-tone tempered system allows only chromatics (only minor seconds) and the six-tone scale (the whole-tone: only major seconds). .
Moreover, the division of the octave into four parts only minor thirds) and three parts (three major thirds) is possible. In several music cultures different equidistant divisions of an octave are accepted, for example, in the Javanese slendro into five parts, in Melanesia into seven parts, popular also in southeastern Asia, and apart from this, in southern Africa. This does not mean an exact equidistance: there is a certain tolerance for the inaccurateness of the interval tuning. .
These exotic for us, Europeans, harmony and melody have attracted me for several years. However I did not want to re-tune the piano (microtone deviations appear in the concerto only in a few places in the horn and trombone parts led in natural tones). After the period of experimenting, I got to pseudo- or quasiequidistant intervals, which is neither whole-tone nor chromatic: in the twelve-tone system, two whole-tone scales are possible, shifted a minor second apart from each other. Therefore, I connect these two scales (or sound resources), and for example, places occur where the melodies and figurations in the piano part are created from both whole tone scales. in one band one six-tone sound resource is utilized, and in the other hand, the complementary. In this way whole-tonality and chromaticism mutually reduce themselves: a type of deformed equidistancism is formed, strangely brilliant and at the same time slanting. illusory harmony, indeed being created inside the tempered twelve-tone system, but in sound quality not belonging to it anymore. .
The appearance of such slantedequidistant harmony fields alternating with modal fields and based on chords built on fifths (mainly in the piano part), complemented with mixtures built on fifths in the orchestra, gives this movement an individual, soft-metallic colour (a metallic sound resulting from harmonics). .
The fourth movement was meant to be the central movement of the Concerto. Its melodc-rhythmic elements (embryos or fragments of motives) in themselves are simple. The movement also begins simply, with a succession of overlapping of these elements in the mixture type structures. Also here a kaleidoscope is created, due to a limited number of these elements - of these pebbles in the kaleidoscope - which continuously return in augmentations and diminutions. .
Step by step, however, so that in the beginning we cannot hear it, a compiled rhythmic organization of the talea type gradually comes into daylight, based on the simultaneity of two mutually shifted to each other speed layers (also triplet and duoles, however, with different asymmetric structures than in the first movement). While longer rests are gradually filled in with motive fragments, we slowly come to the conclusion that we have found ourselves inside a rhythmic-melodical whirl: without change in tempo, only through increasing the density of the musical events, a rotation is created in the stream of successive and compiled, augmented and diminished motive fragments, and increasing the density suggests acceleration. .
Thanks to the periodical structure of the composition, always new but however of the same (all the motivic cells are similar to earlier ones but none of them are exactly repeated. the general structure is therefore self-similar), an impression is created of a gigantic, indissoluble network. Also, rhythmic structures at first hidden gradually begin to emerge, two independent speed layers with their various internal accentuations. .
This great, self-similar whirl in a very indirect way relates to musical associations, which came to my mind while watching the graphic projection of the mathematical sets of Julia and of Mandelbrot made with the help of a computer. I saw these wonderful pictures of fractal creations, made by scientists from Brema, Peitgen and Richter, for the first time in 1984. From that time they have played a great role in my musical concepts. This does not mean, however, that composing the fourth movement I used mathematical methods or iterative calculus. indeed, I did use constructions which, however, are not based on mathematical thinking, but are rather craftman's constructions (in this respect, my attitude towards mathematics is similar to that of the graphic artist Maurits Escher). .I am concerned rather with intuitional, poetic, synesthetic correspondence, not on the scientific, but on the poetic level of thinking. .
The fifth, very short Presto movement is harmonically very simple, but all the more complicated in its rhythmic structure: it is based on the further development of ''inherent patterns of the third movement. The quasi-equidistance system dominates harmonically and melodically in this movement, as in the third, alternating with harmonic fields, which are based on the division of the chromatic whole into diatonics and anhemitonic pentatonics. Polyrhythms and harmonic mixtures reach their greatest density, and at the same time this movement is strikingly light, enlightened with very bright colours: at first it seems chaotic, but after listening to it for a few times it is easy to grasp its content: many autonomous but self-similar figures which crossing themselves. .
I present my artistic credo in the Piano Concerto: I demonstrate my independence from criteria of the traditional avantgarde, as well as the fashionable postmodernism. Musical illusions which I consider to be also so important are not a goal in itself for me, but a foundation for my aesthetical attitude. I prefer musical forms which have a more object-like than processual character. Music as frozen time, as an object in imaginary space evoked by music in our imagination, as a creation which really develops in time, but in imagination it exists simultaneously in all its moments. The spell of time, the enduring its passing by, closing it in a moment of the present is my main intention as a composer. .
(Gyorgy Ligeti)
$23.99 ≈
22.07€
Thou Art so Near and Yet so Far
Thou Art so Near and Yet so Far
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Piano, Voix
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A
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Thou Art so Near and Yet so Fa
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Johns Hopkins University Sheridan Libraries
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SheetMusicPlus
Piano and voice - SKU: LV.22677 Composed by A. Reichardt. Courtship, Love. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University She...
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Piano and voice - SKU: LV.22677 Composed by A. Reichardt. Courtship, Love. Lester S. Levy Collection. 6 pages. Published by Johns Hopkins University Sheridan Libraries (LV.22677). The Southern Album. A Collection of Choice Pieces for the Piano. Thou Art so Near and Yet so Far. [German and English]. Germania. A. Reichardt. Published [n.d.] by Louis Tripp, No. 109 Fourth St. in Louisville, Ky. Composition of strophic with chorus with piano and voice instrumentation. Subject headings for this piece include Courtship, Love. First line reads I know an eye, so softly bright, that glistens like a star of night.. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
$5.99 ≈
5.51€
The Maid of the Mist for Bb Cornet ((Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet
The Maid of the Mist for Bb Cornet ((Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet
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Herbert L
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Keith Terrett
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The Maid of the Mist for Bb Co
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Keith Terrett
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SheetMusicPlus
Woodwind Ensemble - Level 5 - SKU: A0.747073 Composed by Herbert L. Clarke. Arranged by Keith Terrett. 20th Century,Traditional. 40 pages. Keith Terrett...
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Woodwind Ensemble - Level 5 - SKU: A0.747073 Composed by Herbert L. Clarke. Arranged by Keith Terrett. 20th Century,Traditional. 40 pages. Keith Terrett #6199053. Published by Keith Terrett (A0.747073). The Maid of the Mist in an arrangement for solo Cornet (Trumpet, Flugel, Baritone, Euphonium TC) & Wind Dectet of a fun light piece creating a great showpiece for the cornet. It is named after the sight-seeing boats for tourists in Niagara Falls. Set as a polka, there is much opportunity for the soloist to display quick fingers and light triple tonguing.To create a clean new edition, dynamics and articulations were made more consistent in the parts. Counter melodies were added to enhance the arrangement.American composer and Cornet player Herbert L. Clarke was one of the first soloists to combine a pyrotechnic technique with a lush, romantic sound. His virtuoso-with-a-heart' style set the standard for Cornet (and later Trumpet) players for the next several generations. He, along with Jean Baptiste Arban and Frank Simon, is considered to be one of the finest Cornetists in history. Many of Clarke's compositions are still regularly performed, including: 'The Maid of the Mist', 'Sounds of the Hudson', 'The Bride of the Waves', 'Stars in a Velvety Sky', 'From the Shores of the Mighty Pacific', 'The Debutante and Southern Cross'. 'The Maid of the Mist' was composed ca. 1912 and is one of about 50 pieces Clarke wrote to display his virtuosity in concerts. 'Maid of the Mist' is the name of a tourist boat that visitors to Niagara Falls can ride to view the falls up-close.
$15.99 ≈
14.71€
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A Trip to South America
