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A Day at the Beach for Solo Piano
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Vous avez sélectionné:
A Day at the Beach for Solo Piano
Partitions à imprimer
38 partitions trouvées
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A Day at the Beach for Solo Piano
A Day at the Beach for Solo Piano
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Piano seul
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INTERMÉDIAIRE
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Amy Stephens
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A Day at the Beach for Solo Pi
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Amy Stephens
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.933273 Composed by Amy Stephens. Blues,Instructional,Jazz,Latin. Score. 28 pages. Amy Stephens #6453767. Published by Amy...
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Piano Solo - Level 3 - SKU: A0.933273 Composed by Amy Stephens. Blues,Instructional,Jazz,Latin. Score. 28 pages. Amy Stephens #6453767. Published by Amy Stephens (A0.933273). A Day at the Beach (2021) is a suite for piano about the composer's favorite spots in Northern Coastal California--a gorgeous place with fascinating sights! Hope you enjoy these fully-notated jazz-style and Latin jazz-style songs as musical snapshots of life along the Pacific Ocean: 1. Skipping Rocks, 2. The Hang Gliders, 3. Tide Pools, 4. Riding the Waves, 5. Swimming with Dolphins. Appropriate for pianists level 4-5 and above. Also included are instructional pages on how each song is constructed with exercises for the pianist to improvise and/or compose. This suite won 1st place in the Composers Today 2022 competition. View the entire suite as played by the composer at the YouTube link provided and also at www.amystephens.comÂÂ
$10.00 ≈
8.98€
Flowers for Dorothy
Flowers for Dorothy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofon...
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Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
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The Girl from Ipanema for Solo Trumpet & Piano
The Girl from Ipanema for Solo Trumpet & Piano
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Trompette, Piano
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INTERMÉDIAIRE/AVANCÉ
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Latin/Musique du monde
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Various
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Keith Terrett
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The Girl from Ipanema for Solo
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Music for all Occasions
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SheetMusicPlus
By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions...
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By Various. Arranged by Keith Terrett. Score, Set of Parts. 8 pages. Published by Music for all Occasions
Arranged for Solo Bb Brass & Piano "Garota de Ipanema" ("The Girl from Ipanema") is a Brazilian bossa nova and jazz song. It was a worldwide hit in the mid-1960s and won a Grammy for Record of the Year in 1965. It was written in 1962, with music by Antônio Carlos Jobim and Portuguese lyrics by Vinícius de Moraes. English lyrics were written later by Norman Gimbel.
The first commercial recording was in 1962, by Pery Ribeiro. The Stan Getz recording featuring the vocal debut of Astrud Gilberto became an international hit. This version had been shortened from the version on the album Getz/Gilberto (recorded in March 1963, released in March 1964) which had also included the Portuguese lyrics sung by Astrud's then husband João Gilberto. In the US, the single peaked at number five on the Billboard Hot 100, and went to number one for two weeks on the Easy Listening chart. Overseas it peaked at number 29 in the United Kingdom, and charted highly throughout the world.
Numerous recordings have been used in films, sometimes as an elevator music cliché. It is believed to be the second most recorded pop song in history, after "Yesterday" by The Beatles. The song was inducted into the Latin Grammy Hall of Fame in 2001. In 2004, it was one of 50 recordings chosen that year by the Library of Congress to be added to the National Recording Registry. In 2009, the song was voted by the Brazilian edition of Rolling Stone as the 27th greatest Brazilian song.
Ipanema is a fashionable seaside neighborhood located in the southern region of the city of Rio de Janeiro.
Helô Pinheiro, the woman who inspired the song, in 2006.
The song was composed for a musical comedy titled Dirigível (Blimp), then a work-in-progress of Vinicius de Moraes. The original title was "Menina que Passa" ("The Girl Who Passes By"); the first verse was different. Jobim composed the melody on his piano in his new house in Rua Barão da Torre, in Ipanema. In turn, Moraes had written the lyrics in Petrópolis, near Rio de Janeiro, as he had done with "Chega de Saudade" ("No More Blues") six years earlier.
During a recording session in New York with João Gilberto, Antonio Carlos Jobim and Stan Getz, the idea of cutting an English-language version came up. Norman Gimbel wrote the English lyrics. João's wife, Astrud Gilberto, was the only one of the Brazilians who could speak English well and was chosen to sing. Her voice, without trained singer mannerisms, proved a perfect fit for the song. Ethel Ennis and Nat King Cole have also both recorded the song.
The song was inspired by Heloísa Eneida Menezes Paes Pinto (now known as Helô Pinheiro), a seventeen-year-old girl living on Montenegro Street in Ipanema. Daily, she would stroll past the Veloso bar-café, not just to the beach ("each day when she walks to the sea"), but in the everyday course of her life. She would sometimes enter the bar to buy cigarettes for her mother and leave to the sound of wolf-whistles. In the winter of 1962, the composers saw the girl pass by the bar. Since the song became popular, she has become a celebrity.
In Revelação: a verdadeira Garôta de Ipanema ("Revealed: The Real Girl from Ipanema") Moraes wrote that she was "the paradigm of the young Carioca: a golden teenage girl, a mixture of flower and mermaid, full of light and grace, the sight of whom is also sad, in that she carries with her, on her route to the sea, the feeling of youth that fades, of the beauty that is not ours alone?it is a gift of life in its beautiful and melancholic constant ebb and flow."
Ella Fitzgerald recorded this song on her two-disc set of Brazilian music Ella Abraca Jobim, released on the label [[Pablo today}] in 1981.
The legacy of "The Girl from Ipanema" was acknowledged by multiple aspects of the 2016 Summer Olympics and Paralympics held in Rio de Janeiro: the Olympic and Paralympic mascots were respectively named Vinicius and Tom after the song's co-writers by a public vote, while the Olympics' opening ceremony featured a segment themed around the song and the architecture of Oscar Niemeyer. Jobim's grandson Daniel performed the song during the segment, which also featured an appearance by Brazilian supermodel Gisele Bündchen. Spotify reported that the song had been streamed on its service 40,000 times per-day in the days following the ceremony (a 1200% increase), while in the U.S., the song reached #5 on Billboard's World Digital Songs chart the following week.
$7.99 ≈
7.18€
The Year of the Trumpeter (piano reduction)
The Year of the Trumpeter (piano reduction)
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Trompette, Piano
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FACILE
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Contemporain
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Gregory Fritze
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The Year of the Trumpeter
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by M...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Sacred, Funeral. Piano Reduction, Solo Part. 14 pages. Published by Musica Nova USA
Year of the Trumpeter (El Año del Trompetista) is a piece for solo trumpet and band. Duration is 5 minutes, Grade for band and soloist is Grade 3. This is the piano reduction. It was composed in 2010 as an homage to four friends of mine who played trumpet and passed away in 2009.
Fred Mills played trumpet with the Canadian Brass for 24 years. I met him when I performed with Harvey Phillips and his Tuba Consort when we joined the Canadian Brass in a Christmas concert at Carnegie Hall. I arranged a piccolo descant trumpet part for Fred that he played with the tuba group. We also worked together in Cordoba Argentina in 2006.
Linares Rodriguez was a member of the La Armonica Band of Buñol. After he retired from playing, hebecame the manager for the society?s buildings. When I first lived in Buñol in 1996 we became goodfriends and sometimes took walking excursions together.
Bill Maloof was my first boss as he was Chair of Composition during my first ten years as a facultymember at Berklee College of Music in Boston.
Nedo Pandolfi was considered a great musical force in Rhode Island. His last concert with the Rhode Island Philharmonic Orchestra in 1983 was my first performance with the orchestra. At that time heplayed French Horn but his original instrument was trumpet.
Year of the Trumpeter was premiered March 8, 2014 by Antonio Cambres Rodriguez and the CIM La Armonica, David Fiuza, Conductor in Buñol (Valencia), Spain. The version for trumpet and piano was premiered in Magallon, Spain, July 2017 by Antonio Cambres with the composer playing piano. The band version was recorded by Cambres and the CIM La Armonica, David Fiuza, Conductor. It is on the CD Music for Wind Orchestraon La Armonica Records.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$15.00 ≈
13.47€
An American in Valencia - Trumpet Solo with Band (piano reduction)
An American in Valencia - Trumpet Solo with Band (piano reduction)
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Trompette, Piano
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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An American in Valencia - Trum
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published ...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Neo-Classical, Repertoire, Recital. Piano Reduction, Solo Part. 39 pages. Published by Musica Nova USA
An American in Valencia was commissioned by the United States Army Band ?Pershing?s Own? in Washington, DC in 1999. The Premiere Performance was May 22, 1999 at the Casa de Cultura in L?Alcudia (Valencia), Spain by Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English, Principal Trumpet the U. S. Army Band "Pershing's Own" as was the soloist.
The piece is in three movements in a Spanish style suggesting the grand gesture of Bull fighting.The trumpet soloist portrays a toreador with the splendor of the corrida. The first movement represents theentrance of the toreador with all of the fanfare and showmanship as he bows to the audience. The second movement is a love song in a waltz tempo. The third movement starts with the raging bull coming out ofit?s corral, ready for the fight. The trumpet soloist is able to contain the bull with dashing melodic figures and a cadenza leading to the final bow in victory.
An American in Valencia was awarded Finalist in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. It is recorded on Mark Records with Rafael Sanz-Espirt conducting La Filharmonica Band. Woodrow English is the soloist.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over fifty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of Reneé Fisher Composition Prize, First Prize Winner in Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in 1991 TUBA International Etude Composition Competition, the IBLA Grand Prize (Italy), several awards from The American Prize, Composition Awards from Standard Awards Panel of American Society of Composers, Authors, and Publishers and many others. His compositions include works published by several publishers in the United States, South America and Europe and have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanish bands for Certamen competitions, with each band winning first prize.
He has thirty-three compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
17.96€
Concertino for Tuba (piano reduction)
Concertino for Tuba (piano reduction)
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Tuba et Piano
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INTERMÉDIAIRE
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Contemporain
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Gregory Fritze
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Concertino for Tuba
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Publishe...
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Composed by Gregory Fritze. 21st Century, 20th Century, Contemporary Classical, Neo- Classical, Recital. Piano Reduction, Solo Part. 31 pages. Published by Musica Nova USA
Concertino for Tuba was written in 2016 as a piano transcription to both the versions for band and orchestra, composed in 2003 and 2005, respectively. The duration is 13 minutes. The band version is grade 4 with the solo tuba grade 5. The solo tuba and band orchestration was adapted from Concertino for Euphonium and Band commissioned by the United States Army Band ?Pershing?s Own? in 1995. In 2002 Gary Bird asked me to compose a piece for him with band that was to be premiered by the Volga Band of Saratov, Russia conducted by Mary Ann Craig in 2004. Gary knew several of my compositions and asked me to compose a piece similar my Concertino for Euphonium and Band that was composed for Bob Powers and the United States Army Band. In 2004 Gary told my that he would be playing a solo with the Johnstown Symphony Orchestra and asked me to do a version for symphony orchestra. It was premiered by the Johnstown Symphony Orchestra; Istvan Jaray, Conductor in 2006. The orchestral version was recorded by Gary Bird and the Oak Grove Symphony Orchestra; Jack Stamp, Conducting. It is on the CD Tuba Safari on Albany Records. The band version was recorded by Gary Bird and the IUP Wind Ensemble; Jack Stamp, Conducting. Concertino for Tuba and Orchestra was a Semi Finalist Winner in the American Prize Composition Competition ? Orchestra Division in 2017, the only concerto awarded a prize in the Orchestra Division that year.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer and conductor. He recently retired from Berklee College of Music where he was Professor and Chair of Composition and tuba instructor, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally, including First Prize in the 1st WASBE (World Association of Symphonic Bands and Ensembles) International Composition Contest 2017, First Prize Winner of the Reneé Fisher Composition Prize, First Prize Winner in the Concurso Bienal de Composición de Musica para Banda, Ciudad de Santa Cruz de Tenerife (Spain), Menzione d?Onore (highest award given) of the Mario Bernardo Angelo-Comneno International Music Competition by the Accademia Angelica Costantiniana Arti E Scienze (Italy), First Prize in the 1991 TUBA International Etude Composition Competition and several others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
Gregory Fritze is also a very active tubist. He was Principal Tubist with the Rhode Island Philharmonic for thirty-three years as well as performing with many other ensembles in New England and Florida.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
He has thirty-four compositions commercially recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
17.96€
Beach Spring (Easy Bowed Psaltery Solo with Piano Accompaniment)
Beach Spring (Easy Bowed Psaltery Solo with Piano Accompaniment)
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Accompagnement Piano
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FACILE
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Sharon Wilson
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Sharon Wilson
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Beach Spring
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Sharon Wilson
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SheetMusicPlus
C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565910 By Sharon Wilson. By Traditional. Arranged...
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C Instrument,Folk Instrument,Instrumental Solo,Piano,Treble Clef Instrument,Zither - Level 2 - SKU: A0.565910 By Sharon Wilson. By Traditional. Arranged by Sharon Wilson. Easter,Folk,Holiday,Patriotic,Sacred. Score and individual part. 6 pages. Sharon Wilson #6574539. Published by Sharon Wilson (A0.565910). Here is an easy instrumental duet arrangement (for BOWED PSALTERY solo with PIANO accompaniment) of the classic hymn tune BEACH SPRING. Many lyrics have been set to this tune attributed to Benjamin F. White, including Come, All Christians, Be Committed and God of Day and God of Darkness. The psaltery part was designed for a beginning psaltery player and is written in the key of F major with only 1 flat (B♠= A♯). The piano accompaniment is at the intermediate level. To assist those new to reading music notation, two solo parts are included: one is the standard music notation. The second solo part is identical to the standard music but includes the note names below each note (example A, B, C…). The PSALTERY plays the melody throughout. An optional repeat is included in case a longer song is desired. A piano accompaniment and/or rehearsal track (MP3 format) is available for this arrangement as a separate purchase: Beach Spring (Piano Accompaniment Track for Easy Bowed Psaltery Solo).The range of a typical soprano psaltery is two octaves beginning with the G above middle C (G4). However, since some psalteries have fewer than 25 strings, the range for this song is just over 1 octave. Also, the notes are written an octave lower on the staff so they are easier to read and learn for beginner musicians. The notated range for this song is C4 (middle C) to D5 (second D above middle C).The purchase price includes a combined score (grand staff, 3-stave) with both parts (PSALTERY and PIANO) on each page, plus 2 options for the 1-staff solo part (one in standard notation, one with alphabetic note names). The solo part could also be played by other instruments with the same range such as a violin.Visit Sharon Wilson’s website: www.SharonWilsonMusic.comSubscribe to her YouTube Channel: www.youtube.com/user/SharonWilsonMusic
$3.99 ≈
3.58€
Island Cathedral
Island Cathedral
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Pam Asberry
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Island Cathedral
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Pamela C Asberry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.904869 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #3385353. Pub...
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Piano Solo - Level 3 - SKU: A0.904869 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #3385353. Published by Pamela C Asberry (A0.904869). Island Cathedral is a hymn-like piece inspired by the beautiful Alto Vista Chapel in Aruba. From the original solo piano album Seashells in My Pocket, released October 2017. Pam Asberry is off to a great start with this new phase of her musical career! (Kathy Parsons, MainlyPiano.com).Like shells plucked from the seashore and tucked into one's pocket as souvenirs from a magical day at the beach, these pieces evoke memories of beautiful islands and coastal cities. As you listen to her music, Pam's lifetime of playing experience shines ever-so-brilliantly through! I just love her 'right on time' pacing - it makes you feel like she's right there in your living room, telling her story of a walk along coastal shores! (Dick Metcalf, Contemporary Fusion Reviews). Pam's music can be heard on iTunes, Spotify, and Enlightened Piano Radio. For more information, visit www.pamasberry.com.
$5.50 ≈
4.94€
Afternoon at Casino Beach
Afternoon at Casino Beach
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Catherine Crawley
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Afternoon at Casino Beach
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Catherine Crawley
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.866408 Composed by Catherine Crawley. Romantic Period,Standards. Score. 3 pages. Catherine Crawley #2024637. Published by...
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Piano Solo - Level 4 - SKU: A0.866408 Composed by Catherine Crawley. Romantic Period,Standards. Score. 3 pages. Catherine Crawley #2024637. Published by Catherine Crawley (A0.866408). This is a relaxing, light hearted piano solo written in the key of D flat major ( which falls easy under the fingers) for the late intermediate student. Afternoon at Casino Beach depicts a calm, but playful day at the beach.
$3.99 ≈
3.58€
Con-Tse-To
Con-Tse-To
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Saxophone Alto et Piano
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INTERMÉDIAIRE
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Jazz
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Gregory Fritze
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Con-Tse-To
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica ...
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Composed by Gregory Fritze. 21st Century, Contemporary Classical, Post-Modern, Jazz, Bebop. Piano Reduction, Solo Part. 44 pages. Published by Musica Nova USA
Con-Tse-To ? a Concerto for Alto Saxophone and Concert Band was composed in 2013 at the request of Kenneth Tse. It is in three movements ? 1. Pasodoble Melanie, 2. Lamento and 3. Danza Jubiloso. First performance was July 14, 2013 for the Hong Kong International Saxophone Symposium at the Hong Kong Academy for Performing Arts. Hong Kong Chamber Wind Philharmonic; Victor Tam, Conductor; Kenneth Tse, Saxophone Soloist.
The first movement ? Pasodoble Melanie, is in the traditional form of the march in Spain knownas the Pasodoble. It has a beginning theme in traditional march style using Spanish flavor harmoniesand melodies. As the Spanish pasodoble is in the same form as American marches, the second theme isthe ?Trio? section. In the Spanish pasodoble, it is customary to have the first presentation of this secondtheme played extremely softly in the clarinets. It is also common during the repeat of the Trio to have a soloist such as a piccolo displaying an obligato of great virtuosic melodies in counterpoint to the clarinets. I felt this would be a very appropriate place for an alto saxophone obligato. In this pasodoble the thirdpresentation of the Trio is shortened to allow for the first cadenza. Since I met Kenneth Tse for the first time in Buñol (Valencia), Spain, I thought it would be very appropriate to use this traditional form for the firstmovement for his concerto. It is a Spanish custom for a composer to give a pasodoble composition as a gift such as to a musician or politician and the title of the piece often references the name of recipient?s wife. Kenneth Tse?s wife?s name is Melanie so this movement is dedicated to her.
The second movement ? Lamento was adapted from a melody of mine ?El año del Trumpetista? originally composed in 2010. I thought the beautiful sound of Dr. Tse?s saxophone playing would be very complimentary for this melody.
The third movement ? Danza Jubiloso is in allegro tempo with the first theme based on leaps of afourth and an octave in duple meter. The second theme is mostly in 7/8 meter. There is also a bit of a jazz element of harmonies and the added instruments of a drum set and jazz double bass in pizzicato.
Con-Tse-To was awarded Finalist category in the Band Composition Competition of the American Prize in 2017. One of only two Concertos with Band awarded that year. The full band instrumentation is available on Musica Nova USA.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over ninety compositions for orchestra, band, chamberensembles and soloists. He has won over fifty composition awards both nationally and internationally. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world.
He has been a frequent traveler to Spain since 1993 and has promoted compositions by Spanish composers around the world. He is the only composer who has been commissioned six times by Spanishbands for Certamen competitions, with each band winning first prize.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
The piano transcription was done by Derek Reme?.
$20.00 ≈
17.96€
Lonely Mother Cry Lullaby for Alto and Piano
Lonely Mother Cry Lullaby for Alto and Piano
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Voix Alto, Piano
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INTERMÉDIAIRE
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Sabrina Pena Young
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Lonely Mother Cry Lullaby for
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Sabrina Peña Young
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SheetMusicPlus
Alto Voice,Vocal Solo - Level 3 - SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Y...
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Alto Voice,Vocal Solo - Level 3 - SKU: A0.976930 Composed by Sabrina Pena Young. Children,Film/TV,Holiday,Musical/Show,Opera. 2 pages. Sabrina Peña Young #3430805. Published by Sabrina Peña Young (A0.976930). Sweet moving lullaby from groundbreaking animated opera film Libertaria by award-winning composer. A sad emotional waltz feel as the singer tells her child that she will never leave her. Simple, short, and quite beautiful. Intermediate/Advanced Student or Music Professional.Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99 ≈
6.28€
Sharktooth Frenzy
Sharktooth Frenzy
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Christine Southworth
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Sharktooth Frenzy
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Airplane Ears Music
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SheetMusicPlus
Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and ...
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Instrumental Duet Drums,Instrumental Duet,Piano - Level 5 - SKU: A0.1013054 Composed by Christine Southworth. 20th Century,Contemporary,Jazz. Score and parts. 7 pages. Airplane Ears Music #5802089. Published by Airplane Ears Music (A0.1013054). Sharktooth Frenzy (2014, 4') solo pianist with snare drum and bass drum. For Danny Holt. Composed at The Hermitage Artist Retreat. I wrote Sharktooth Frenzy for Danny Holt in January 2014, while in residence at The Hermitage Artist Retreat in Manasota Key, Florida, a special place, paleotologically, because fossilized shark teeth from up to 50 million years ago wash up on the beach here every day. Around 50 million years ago, Florida was completely under the ocean, and layers of limestone accumulated to create the bed rock of Florida. Starting around 30 million years ago, as the Earth cooled, sea levels dropped and Orange Island emerged in what is now north central Florida. 10 million years later, in the Miocene period, tectonic activity forced uplift around Orange Island and Florida began to resemble the land mass it is today. The coastal area was still covered by a shallow sea, but land animals lived inland. Further north the Appalachian Mountains were forming and sediment was flowing into Florida making very nutrient rich waters, which sank to the bottom of these shallow seas entombing dead marine animals and teeth from sharks (sharks loose teeth frequently, going through up to 30,000 in their lives). This continued until around 5 million years ago. There is an abundance of these fossilized teeth and other bones in the Peace River Formation and Myakka River, which washes out into the gulf each day, and then subsequently the fossils wash up onto the beaches of Manasota Key and Venice Beach. So while I was composing this piece for Danny, I was also obsessively collecting shark teeth. I’d go out each day as the tide was retracting and collect hundreds, actually thousands, of teeth. And it was a bit of a frenzy. So I decided this piece had to be about this process, collecting as many teeth as I could find and coming back to write music!About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$5.00 ≈
4.49€
Monday Mornin'- Piano
Monday Mornin'- Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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Richard Wellington Wan Young
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Monday Mornin'- Piano
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Richard Young
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.885337 Composed by Richard Wellington Wan Young. Jazz. Score. 2 pages. Richard Young #2013683. Published by Richard Young...
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Piano Solo - Level 4 - SKU: A0.885337 Composed by Richard Wellington Wan Young. Jazz. Score. 2 pages. Richard Young #2013683. Published by Richard Young (A0.885337). Written for Middle School and High School Jazz ensembles. This song was performed on numerous occasions at Universal Studios in Orlando, Florida by the David C. Hinson Middle School Jazz band of Ormond Beach, FL. This hot melody will have your students humming all day. This piece is a must for your list of jazz favorites.
$5.95 ≈
5.34€
Mother Imagined for Soprano and Piano
Mother Imagined for Soprano and Piano
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Voix Soprano
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INTERMÉDIAIRE
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Sabrina Pena Young
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Mother Imagined for Soprano an
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Sabrina Peña Young
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SheetMusicPlus
Soprano voice,Vocal Solo - Level 3 - SKU: A0.976932 Composed by Sabrina Pena Young. Contemporary,Film/TV,Holiday,Musical/Show,Opera. 1 pages. Sabrina Pe...
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Soprano voice,Vocal Solo - Level 3 - SKU: A0.976932 Composed by Sabrina Pena Young. Contemporary,Film/TV,Holiday,Musical/Show,Opera. 1 pages. Sabrina Peña Young #3430809. Published by Sabrina Peña Young (A0.976932). A beautiful operatic solo for soprano from the groundbreaking animated opera Libertaria. Written by award-winning composer. Ideal for the Intermediate/Advanced student, college singer, or vocal professional. Quite heartwrenching and beautiful. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$6.99 ≈
6.28€
Op.3 No.10-12 by In Son Zeng
Op.3 No.10-12 by In Son Zeng
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Piano seul
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INTERMÉDIAIRE
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In Son Zeng
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In Son Zeng
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Op.3 No.10-12 by In Son Zeng
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In Son Zeng
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1486801 By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 20th Century,Instructional,Jazz. Score. 7 pages. In Son ...
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Piano Solo - Level 3 - SKU: A0.1486801 By In Son Zeng. By In Son Zeng. Arranged by In Son Zeng. 20th Century,Instructional,Jazz. Score. 7 pages. In Son Zeng #1063868. Published by In Son Zeng (A0.1486801). Introduction of Op.3 No.10-12 by In Son Zeng:Op.3 No.1-12 is composed by In Son Zeng (from Macau) to cater to a variety of musical tastes and skill levels, offering a diverse range of experiences for the player.Op. 3 No. 10 How Beautiful the CountrysideThe tenth song in Op.3 uses an old country musical style. It depicts a gently flowing river, which does not create large ripples throughout the day, yet the surroundings are so beautiful that one cannot help but be captivated! The entire piece extensively designs two voice parts at the higher range. The upper voice often features non-legato triplets, while the left-hand employs a fixed rhythm common in country music, enhancing the picturesque scenery that the music evokes.Op. 3 No. 11 Charming New OrleansThe eleventh song is composed in a New Orleans jazz style that traces back to the origin of Jazz music! Being one of the ancestors of jazz, it poetically and lyrically reflects a refined lifestyle. This music is a great companion to the beauty of nature: listening to the relaxed, old-style jazz while strolling through a New Orleans park is truly invigorating!The entire piece is written in A-flat major and is divided into two short sections, both in an AA format (where the two sections are similar but differ in chord density). When practicing, it is important to prepare for an increase in intensity and atmosphere one measure before transitioning into the second section.Op. 3 No. 12 Summer SunThe twelfth song, in terms of jazz style, is a lively Boogie Woogie piece. Playing this music conjures images of people in bikinis dancing rhythmically on the beaches of Macedonia, surrounded by enthusiastic beach-loving tourists. The bustling crowd adds vibrant color to the hot summer beach.The entire piece is written in E-flat major and is also divided into two short sections in an AA format. During practice, there is a breathe and relax moment one measure before transitioning to the second section. It is important to play with a sense of relaxation at that point, followed by an augmented chord leading into the next section.
$5.99 ≈
5.38€
Nineteen Skeletal Duets for Trombones
Nineteen Skeletal Duets for Trombones
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2 Trombones (duo)
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FACILE
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Jazz
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Gregory Fritze
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Nineteen Skeletal Duets for Tr
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Musica Nova USA
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SheetMusicPlus
Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published ...
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Composed by Gregory Fritze. Classical Period, Contemporary Classical, Jazz, Method, Etudes and Exercises. Individual Part, Score. 44 pages. Published by Musica Nova USA
Nineteen Skeletal Duets for Trombones is a set of duets of easy to moderately difficult specifically for teachers and students in private lessons. The first 15 duets are arranged from Fifteen Safari Duets for Tubas which was composed in 1989 for playing with my tuba students at Berklee College of Music. They are at different levels of difficulty and in various styles so that we always had duets to play no matter what was the ability of the student. The additional four duets were added in 2020 for trombones for this set. The title of each duet is also a name for a bone in the human body, hence the name Skeletal Duets. There is something in each duet for students to learn: the basics of tone production, rhythms, melodic phrasing, jazz, graphic notation, etc. Most are sight readable and some have been performed in concerts. Nineteen Skeletal Duets for Euphoniums are the same duets but in treble clef. Twenty-two Skeletal Duets for Hornsuses the first 19 of the trombone set with three additional duets added. Some of the trombone and horn duets are in the same key so they can be played together.
1. Cranium
This duet presents the cantabile ?singing? style as studied for playing the trombone. I find that this duet helps the student much like the melodies of Borgodni (Rochet) etudes.
2. Stirrup
This duet provides an opportunity to read basic rhythms and articulations. I find that the more advanced students can read in a faster tempo while the less skilled students work best in the slower tempos ? a common choice for all of the duets.
3. Humerus
This waltz helps the student match phrasing in a cantabile setting. There are a few instances where the teacher (playing the first part) plays a phrase then the student plays a similar phrase.
4. Vertebra
This is in a ?rock? style with syncopated rhythms with cantabile melodies. Articulations are especially important in this duet.
5. Axis
Legato scales and syncopated rhythms are the features of this duet. This is a good exercise for legato playing on trombone, especially when the legato tongue is needed versus when the trombonist does not need to tongue when moving across partials.
6. Tibia
This duet alternates in rock style and swing. Articulations and manipulation of ?swing? rhythms are important.
7. Clavicle
The key of A for this duet provides variation for the students.
8. Fibula nd
This duet uses the easiest of rhythms and range, especially for the 2
9. Scapula
This duet is non-metric and uses graphic notation. This was a favorite duet of my students as many had never experienced this notation before.
10. Atlas ndThis is an Invention in the Bach style. This is probably the best duet to play when the 2 part is played by bass trombone.
(student) part.
11. Radius
This duet is in a ?Medium Swing? jazz style. Each part has a chance to play a little bit of a ?walking? bass line. Articulations and manipulation of ?swing? rhythms are important in this duet.
12. Femur
This duet works on double time and half time tempo changes.
13. Patella
This is another duet that includes graphic notation. In this duet ?Free rapid legato lines? are used.
14. Anvil
This gallop displays different types of articulation.
15. Hammer
This duet is in the style of a fanfare.
16. Rib
This duet is a melody, ?Magallon Blues?, that I originally composed when I taught at a summer music camp in Magallon, Spain. In that camp each of the students would practice playing a jazz solo. This duet also has jazz chord changes so you can add piano or guitar. The use of drums is also an added option.
17. Sacrum
This duet is a short arrangement of Mozart?s ?Eine Kleine Nachtmusic?.
18. Ulna
This duet is a short arrangement of the traditional Irish folk song ?Londonderry Air?, more commonly known as ?Danny Boy?.
19. Ilium
This duet is a short arrangement of the Beethoven?s song ?Ode to Joy? which represents the triumph of universal brotherhood against war and desperation.
Gregory Fritze is a prize-winning composer and Fulbright Scholar, as well as an active performer. He recently retired from Berklee College of Music where he was Tuba Professor and Chair of Composition, serving on the faculty from 1979 to 2016. He has written over one hundred compositions for orchestra, band, chamber ensembles and soloists. He has won over sixty composition awards both nationally and internationally including First Prize in the 1991 TUBA Etude Contest for Twenty Characteristic Etudes for Tuba, an award from The American Prize for his Petite Suite for Brass Quintet and others. His compositions include works published by several publishers in the United States, South America and Europe that have been performed extensively throughout the world. Many of his compositions are available on ITunes, Youtube and Soundcloud.
His compositions are recorded on Albany Records, MSR Classics, Crystal Records, Mark Records and others. He has been a guest lecturer, conductor and performer at many colleges, universities and music festivals in the United States, Canada, Japan, South America and Europe. He was born in Allentown, Pennsylvania in 1954 and has Composition degrees from the Boston Conservatory and Indiana University. He now resides in Daytona Beach Shores, Florida.
$20.00 ≈
17.96€
Veraneo
Veraneo
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Piano seul
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AVANCÉ
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Contemporain
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Deborah Keily Hanson
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Veraneo
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Deborah Keily Hanson
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.912166 Composed by Deborah Keily Hanson. Contemporary. Score. 9 pages. Deborah Keily Hanson #2033033. Published by Debora...
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Piano Solo - Level 5 - SKU: A0.912166 Composed by Deborah Keily Hanson. Contemporary. Score. 9 pages. Deborah Keily Hanson #2033033. Published by Deborah Keily Hanson (A0.912166). Veraneo means summering or vacationing in Spanish. I used a 3 note motif that plays forward and in reverse, alternating between Major and minor in rapid succession, giving a mood of both light and dark, like the sun on a hot day, rippling in a heat wave, cooling off in the shade, happy times on vacation at the beach, and hot summer nights all in one piece. It is a summer fantasy story in music.
$4.99 ≈
4.48€
Ocean Stars
Ocean Stars
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Pam Asberry
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Ocean Stars
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Pamela C Asberry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.904870 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 7 pages. Pamela C Asberry #3385359. Pub...
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Piano Solo - Level 3 - SKU: A0.904870 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 7 pages. Pamela C Asberry #3385359. Published by Pamela C Asberry (A0.904870). Ocean Stars is a sound painting of the sun shining brightly on the ocean surface, creating glittering stars in the daytime. It begins at the upper end of the piano with a lively, dancing rhythm that beautifully imitates sparkles on the water. I love the ending with a simple phrase from Twinkle, Twinkle Little Star. (Kathy Parsons, MainlyPiano.com).From the original solo piano album Seashells in My Pocket, released October 2017. Like shells plucked from the seashore and tucked into one's pocket as souvenirs from a magical day at the beach, these pieces evoke memories of beautiful islands and coastal cities. As you listen to her music, Pam's lifetime of playing experience shines ever-so-brilliantly through! I just love her 'right on time' pacing - it makes you feel like she's right there in your living room, telling her story of a walk along coastal shores! (Dick Metcalf, Contemporary Fusion Reviews). Pam's music can be heard on iTunes, Spotify, and Enlightened Piano Radio. For more information, visit www.pamasberry.com.
$5.50 ≈
4.94€
Sailing Home
Sailing Home
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Pam Asberry
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Sailing Home
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Pamela C Asberry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.904866 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #3385347. Pub...
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Piano Solo - Level 3 - SKU: A0.904866 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #3385347. Published by Pamela C Asberry (A0.904866). Sailing Home is a reflection on a voyage coming to an end, combined with the anticipation of a return to the comforts of home. The final track on the original solo piano album Seashells in My Pocket, released October 2017, Sailing Home brings our journey to a close with the mixed feelings that always come as we return to our 'normal' lives after an expedition, grand or humble. (Kathy Parsons, MainlyPiano.com).Like shells plucked from the seashore and tucked into one's pocket as souvenirs from a magical day at the beach, these pieces evoke memories of beautiful islands and coastal cities. As you listen to her music, Pam's lifetime of playing experience shines ever-so-brilliantly through! I just love her 'right on time' pacing - it makes you feel like she's right there in your living room, telling her story of a walk along coastal shores! (Dick Metcalf, Contemporary Fusion Reviews). Pam's music can be heard on iTunes, Spotify and Enlightened Piano Radio. For more information, visit www.pamasberry.com.
$5.50 ≈
4.94€
Palm Trees Sway
Palm Trees Sway
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Pam Asberry
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Palm Trees Sway
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Pamela C Asberry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.904872 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #3385367. Pub...
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Piano Solo - Level 3 - SKU: A0.904872 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 3 pages. Pamela C Asberry #3385367. Published by Pamela C Asberry (A0.904872). Palm Trees Sway evokes the tinkling sound palm leaves make as they sway in a gentle ocean breeze. From the original solo piano album Seashells in My Pocket, released October 2017. Pam Asberry is off to a great start with this new phase of her musical career! (Kathy Parsons, MainlyPiano.com).Like shells plucked from the seashore and tucked into one's pocket as souvenirs from a magical day at the beach, these pieces evoke memories of beautiful islands and coastal cities. As you listen to her music, Pam's lifetime of playing experience shines ever-so-brilliantly through! I just love her 'right on time' pacing - it makes you feel like she's right there in your living room, telling her story of a walk along coastal shores! (Dick Metcalf, Contemporary Fusion Reviews). Pam's music can be heard on iTunes, Spotify, and Enlightened Piano Radio. For more information, visit www.pamasberry.com.
$5.50 ≈
4.94€
Wishing Stones
Wishing Stones
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Piano seul
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INTERMÉDIAIRE
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New Age
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Contemporain
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Pam Asberry
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Wishing Stones
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Pamela C Asberry
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.904865 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Pamela C Asberry #3384153. Pub...
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Piano Solo - Level 3 - SKU: A0.904865 Composed by Pam Asberry. 20th Century,Concert,Contemporary,New Age. Score. 5 pages. Pamela C Asberry #3384153. Published by Pamela C Asberry (A0.904865). Wishing Stones is based on the Aruba tradition of building stacks of small stones on the beach and making a wish on each stone. Built on a cross rhythm (right hand triplets versus left hand eighth notes), the piece provides excellent growth opportunities for the intermediate pianist and the music is melodic and graceful. (Kathy Parsons, MainlyPiano.com).From the original solo piano album Seashells in My Pocket, released October 2017. Like shells plucked from the seashore and tucked into one's pocket as souvenirs from a magical day at the beach, these pieces evoke memories of beautiful islands and coastal cities. As you listen to her music, Pam's lifetime of playing experience shines ever-so-brilliantly through! I just love her 'right on time' pacing - it makes you feel like she's right there in your living room, telling her story of a walk along coastal shores! (Dick Metcalf, Contemporary Fusion Reviews). Pam's music can be heard on iTunes, Spotify, and Enlightened Piano Radio. For more information, visit www.pamasberry.com.
$5.50 ≈
4.94€
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A Day at the Beach for Solo Piano
