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Vous avez sélectionné:
4 Jazz Waltzes
Partitions à imprimer
16 partitions trouvées
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1
A Little Raggy (Jazzamatazz)
A Little Raggy (Jazzamatazz)
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Piano seul
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Lorraine Milne
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A Little Raggy
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Pucblished by Lorraine Milne
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SheetMusicPlus
Piano Solo - SKU: A0.972759 Composed by Lorraine Milne. Children,Jazz,Ragtime,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3387761. Publishe...
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Piano Solo - SKU: A0.972759 Composed by Lorraine Milne. Children,Jazz,Ragtime,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3387761. Published by Pucblished by Lorraine Milne (A0.972759). A Little Raggy is a cheeky little piece for young players in the style of ragtime. It is from a series of 13 jazz-style piano solos - Jazzamatazz - which covers a variety of jazz styles and feels from swing to jazz waltzes to the blues.
$4.50 ≈
4.03€
Goodnight (Jazzamatazz)
Goodnight (Jazzamatazz)
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Piano seul
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INTERMÉDIAIRE
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Lorraine Milne
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Goodnight
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Pucblished by Lorraine Milne
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972766 Composed by Lorraine Milne. Children,Jazz,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3388327. Publis...
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Piano Solo - Level 3 - SKU: A0.972766 Composed by Lorraine Milne. Children,Jazz,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3388327. Published by Pucblished by Lorraine Milne (A0.972766). Goodnight is a gentle jazz ballad in swing style. It features block chords and open fourths. It is from a series of 13 jazz-style piano solos for young players - Jazzamatazz - which covers a variety of styles and feels from swing to jazz waltzes to the blues.
$4.50 ≈
4.03€
Daddy's in the Chicken Shed Again (Jazzamatazz)
Daddy's in the Chicken Shed Again (Jazzamatazz)
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Piano seul
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INTERMÉDIAIRE
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Lorraine Milne
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Daddy's in the Chicken Shed Ag
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Pucblished by Lorraine Milne
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.972764 Composed by Lorraine Milne. Blues,Children,Jazz,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3388321. ...
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Piano Solo - Level 3 - SKU: A0.972764 Composed by Lorraine Milne. Blues,Children,Jazz,Standards. Score. 4 pages. Pucblished by Lorraine Milne #3388321. Published by Pucblished by Lorraine Milne (A0.972764). Daddy's in the Chicken Shed Again is a little bit funky and uses blues inflected harmonies along with whole tone scales, crushed notes and staccato playing to give the impression of chickens running about. It is from a series of 13 jazz-style piano solos for young players - Jazzamatazz - which covers a variety of styles and feels from swing to jazz waltzes to the blues.
$4.50 ≈
4.03€
Three Jazz Waltzes for Solo Piano
Three Jazz Waltzes for Solo Piano
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Jazz
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George Edward Brandon
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Three Jazz Waltzes for Solo Pi
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Blue Unity Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1006868 Composed by George Edward Brandon. Jazz. Score. 32 pages. Blue Unity Music #3113079. Published by Blue Unity Musi...
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Piano Solo - Level 4 - SKU: A0.1006868 Composed by George Edward Brandon. Jazz. Score. 32 pages. Blue Unity Music #3113079. Published by Blue Unity Music (A0.1006868). A set of three original jazz waltz compositions for solo piano. These compositions are for intermediate and advanced pianists who wish to add jazz based pieces to their repertories but are not trained as improvisors. Lead sheets are included for two of the waltzes so that they can be used as bases for improvisation in jazz groups. The audio clip is performed by Polish jazz pianist Kuba Cichocki.
$3.99 ≈
3.58€
Claude - a pair of piano waltzes for Debussy
Claude - a pair of piano waltzes for Debussy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Greg Woodward
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Claude - a pair of piano waltz
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Greg Woodward
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1471315 Composed by Greg Woodward. 21st Century,Chamber,Classical,Jazz,Ragtime. Score. 5 pages. Greg Woodward #1048975. P...
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Piano Solo - Level 4 - SKU: A0.1471315 Composed by Greg Woodward. 21st Century,Chamber,Classical,Jazz,Ragtime. Score. 5 pages. Greg Woodward #1048975. Published by Greg Woodward (A0.1471315). This delightful character piece for piano consists of two contrasting waltzes with a jazzy, French flavour. The first waltz is melancholy with lots of opportunity for expressive playing, but the second is far more exuberant and virtuosic with a bigger range and quite a few dramatic tempo shifts.It would make a good encore or concert piece.Visit my YouTube page for more performances, arrangements and compositions.
$35.00 ≈
31.37€
4 Jazz Waltzes
4 Jazz Waltzes
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Clarinette, Guitare (duo)
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INTERMÉDIAIRE
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Mark Houghton
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4 Jazz Waltzes
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Les Productions d'OZ - Digital
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SheetMusicPlus
By Mark Houghton. For guitar and clarinet. Level 3. 16 pages. Published by Les Productions d'OZ - Digital ...
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By Mark Houghton. For guitar and clarinet. Level 3. 16 pages. Published by Les Productions d'OZ - Digital
$9.95 ≈
8.92€
Valsette
Valsette
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1 Piano, 4 mains
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INTERMÉDIAIRE
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Eduard Puetz
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Valsette
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Schott Music - Digital
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SheetMusicPlus
Piano (4 hands) - intermediate - SKU: S9.Q19725 Composed by Eduard Puetz. This edition: Sheet music. Downloadable. Schott Music - Digital #Q19725. Publi...
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Piano (4 hands) - intermediate - SKU: S9.Q19725 Composed by Eduard Puetz. This edition: Sheet music. Downloadable. Schott Music - Digital #Q19725. Published by Schott Music - Digital (S9.Q19725). German • English • French.Aus: E. Pütz, 3 Jazz Waltzes.
$3.99 ≈
3.58€
Roses From the South - Strauss Waltz Medley for Big Band
Roses From the South - Strauss Waltz Medley for Big Band
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Ensemble Jazz
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INTERMÉDIAIRE
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Classique
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Johann Strauss Jr
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Daryl McKenzie
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4th opt
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Roses From the South - Strauss
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Daryl McKenzie
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.718329 Composed by Johann Strauss Jr. Arranged by Daryl McKenzie. Multicultural,Romantic Period,World. S...
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Jazz Ensemble Jazz Ensemble - Level 3 - SKU: A0.718329 Composed by Johann Strauss Jr. Arranged by Daryl McKenzie. Multicultural,Romantic Period,World. Score and Parts. 92 pages. Daryl McKenzie #5376935. Published by Daryl McKenzie (A0.718329). Roses From the South - Strauss Waltz Medley for Big Band (saxes). Four waltzes in a medley - each can be performed separately if required. 5 Saxes (Ten 2 & Bari opt.), 4 Trumpets (3rd & 4th opt.), 4 Trombones (3rd & 4th opt.), Piano, Guitar, Bass, Drums.An alternative arrangement using woodwind doubles on all sax parts is also available on SMP: Search HerePlayable with 3 Saxes, 2 Trumpets, 2 Trombones and no Guitar.Full audio demo (from Sibelius WW version): Click HereRosen aus dem Süden (Roses From the South), Op. 388, is a waltz medley composed by Johann Strauss II (1825 –  1899) in 1880 with its themes drawn from the operetta Das Spitzentuch der Königin (The Queen's Lace Handkerchief). This arrangement is ideal for formal balls or ballroom dancing requiring a Viennese waltz. More arrangements by Daryl McKenzie: https://bit.ly/2VKpOXF Contact: www.mckenziemusicproductions.com Youtube Playlist: https://bit.ly/3m0oUkH Â
$59.99 ≈
53.77€
Flowers for Dorothy
Flowers for Dorothy
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Mark S
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Flowers for Dorothy
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Geofonica Artistworks
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofon...
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Piano Solo - Level 4 - SKU: A0.948699 Composed by Mark S. Massey. 20th Century,Jazz. Score. 3 pages. Geofonica Artistworks #6038073. Published by Geofonica Artistworks (A0.948699). Flowers For Dorothy is a beautiful jazz waltz (in lead-sheet format here) from pianist Mark Massey's breakthrough jazz LP: API: Acoustic Piano International, performed by Mark Massey and his trio (Eric Stiller on acoustic bass and Aldo Bentivegna on drums). In the vein of great jazz waltzes like Someday My Prince Will come, Emily, and Waltz for Debby.ABOUT MARK:In 2018, the California State Assembly and the Los Angeles County Board of Supervisors issued proclamations recognizing Mark Massey as a Jazz Living Legend. Jazz pianist-composer Mark Massey was born and raised in Lynwood, California, where he showed early talent on piano, trombone, and drums. During high school, he studied classical piano and played in the bands Synopsis (with future trumpet giant Wayne Bergeron), and Sabor (with Poncho Sanchez and the Banda Brothers). Mark played in the Pico Rivera Stage Band, which won First Place at the Hollywood Bowl Battle of the Bands. Mark graduated from California State University, Long Beach (with Bachelors and Masters degrees in Music), where he was recipient of the Carmen Dragon Fellowship for composition and he was dubbed A Young Giant by the National Association Of Jazz Educators. Mark has performed throughout the U.S., Europe, the former Soviet Union (in the 1980s), Russia (2001), the Far East and India. He has worked with Larry Carlton, David Benoit, Paul Horn, Hubert Laws, Louie Bellson, the Side Street Strutters, Phil Upchurch, L. Subramaniam, Freddie Hubbard, Maynard Ferguson, Yehudi Menuhin, Stéphane Grappelli, and Tony Williams. Mark was featured in The Four Pianos In Concert series along with pianists Paul Smith, Pete Jolly and Steve Allen. Mark Massey's debut CD, Acoustic Piano International, has received wide airplay on jazz radio. API featured nine of Mark's original jazz compositions--including Flowers for Dorothy, offered here--inspired by his musical excursions around the globe, along with Eric Stiller (bass) and Aldo Bentivegna (drums), and guest artists Alex Acuña, percussion (Weather Report), Justo Almario, flute (Mongo Santamaria), Plas Johnson, tenor sax (The Pink Panther Theme), Bob Mintzer, soprano sax (The Yellow Jackets), and Ron Stout, flugelhorn, More recently, Mark has been recording his iconic Jazz Thoughts for the Day albums of original jazz improvisional compositions for each day of the year. Jazz Thoughts for the months of January through July have thus far been issued. COMMENTS FROM MAJOR CRITIC REVIEWS OF MARK MASSEY: Mark Massey is awfully good. His friendly, lyrical, melodic piano has a sound unto itself, API Coverbop and post-bop influenced, contemporarily informed, and languishing solidly in the modern mainstream. ...This is a very good trio that is together in many aspects of jazz expressionism. In larger, more interactive settings, Massey proves he has ideas that work well. ...Massey's talent being exposed is a breakthrough. A majority of jazz listeners should find this a worthwhile purchase, and a keeper. Recommended.----MICHAEL G. NASTOS, ALL MUSIC GUIDE (CD review of Acoustic Piano International) Mark Massey is an excellent straight-ahead pianist who often appears in the L.A. area. ...his playing is consistently appealing. Of the trio numbers, the often-introspective Flowers For Dorothy, the heated Limejuicer Blues, and Seraphs Of Terpsichore are highlights. The opening track, Que Garota Linda, is a particularly rewarding Latin jazz number... All in all, a well-rounded and easily enjoyable release from pianist Mark Massey.----SCOTT YANOW (author of the books Swing and Bebop : The Essential Listening Companion), in L.A. JAZZ SCENE The Mark Massey Trio makes an exciting impression... Massey has traveled the world, perfor.
$3.99 ≈
3.58€
On Ilkley Moor Bar t'At
On Ilkley Moor Bar t'At
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Chorale 2 parties
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INTERMÉDIAIRE/AVANCÉ
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Melody by Thomas Clark
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Stephen Smith
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On Ilkley Moor Bar t'At
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Stephen Smith
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SheetMusicPlus
Choral Choir,Choral (SA) - Level 4 - SKU: A0.1216084 Composed by Melody by Thomas Clark (1805) and Words Anonymous (ca. 1860). Arranged by Stephen Smith...
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Choral Choir,Choral (SA) - Level 4 - SKU: A0.1216084 Composed by Melody by Thomas Clark (1805) and Words Anonymous (ca. 1860). Arranged by Stephen Smith. Children,Classical,Comedy,Folk,Traditional. 12 pages. Stephen Smith #812710. Published by Stephen Smith (A0.1216084). The comical song On Ilkley Moor Bar t'At is thought to have been invented by the members of a church choir from the Halifax area of Yorkshire, England while on an outing to Ilkley Moor, some time around 1860. In the decades since, it has become so famous and popular that it is considered the unofficial anthem of Yorkshire.  The eight verses of the song warn against venturing on to Ilkley Moor--even to court your beloved-- bar t'at (without thy hat), lest you catch cold and end up as worm-food! Then, when the worms become duck-food, and the ducks become people-food... well, it doesn't bear thinking about! But it's a ton of fun to sing about, especially in this sensational arrangement for treble choir and piano. With wild harmonic twists, mock-serious counterpoint, references to jazz waltzes and funeral marches, and a virtual concerto of a piano accompaniment, this arrangement is a showpiece that will delight performers and wow audiences. And since half the fun is singing it with the customary broad West Yorkshire accent, a helpful pronunciation guide is included.
$1.99 ≈
1.78€
Angels We Have Heard On High
Angels We Have Heard On High
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional French Carol, Jame
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Jake Smolowe
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Angels We Have Heard On High
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ArrangeMe
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. A...
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Piano Solo - Level 4 - SKU: A0.1035856 Composed by Traditional French Carol, James Chadwick. Arranged by Jake Smolowe. Christmas,Jazz. Score. 2 pages. ArrangeMe #6904239. Published by ArrangeMe (A0.1035856). This is the lead sheet version of Jake Smolowe's recording of Angels We Have Heard on High, from his 2021 album Christmas Solo: Informal, Improvised. The chart includes the lead melody line, detailed chord symbols throughout, and a notated piano intro/interlude. Length: 2 pages Notes from Jake: This arrangement of Angels We Have Heard on High is kind of an ode to Brad Mehldau’s many jazz waltz arrangements over the years (for example, She’s Leaving Home, from Day is Done). I wanted to capture the feel of Mehldau’s classic trio waltzes, not just the piano but the drums and bass too. The A sections feature a constantly rising chord progression, with slight differences in chord quality between the first two A’s, and then the B sections highlight some more dramatic reharmonizations as well as a dichotomy between straight-eighths/behind the beat melody and swung accompaniment. The intro, which also serves as the outro vamp as well as an interlude between choruses, includes a bell-like theme that I hope instantly conjures up the Christmas/holiday spirit. Tips for Performance: The intro/interlude/outro can be tricky! I encourage watching the YouTube video and or/listening to the mp3 to get a sense of the timing for the fingering switches and pedaling. Also, in the B sections, the LH is often swinging while the right hand plays straight eighths; as with the intro, the best way to lock down this feel is to check out the YouTube video.------Visit me on the web: http://www.jakesmolowe.comYouTube: https://www.youtube.com/jakesmoloweInstagram: http://www.instagram.com/jakesmolowejazz Facebook: http://www.facebook.com/jakesmolowejazz
$3.00 ≈
2.69€
Dedication to Bill Evans
Dedication to Bill Evans
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Piano seul
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INTERMÉDIAIRE
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Yury Markin
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Yury Chugunov and Zellev
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Dedication to Bill Evans
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1198473 Composed by Yury Markin. Arranged by Yury Chugunov and Zellev. 20th Century,Contemporary,Film/TV,Jazz,Wedding. Sc...
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Piano Solo - Level 3 - SKU: A0.1198473 Composed by Yury Markin. Arranged by Yury Chugunov and Zellev. 20th Century,Contemporary,Film/TV,Jazz,Wedding. Score. 4 pages. Zellev Music #797617. Published by Zellev Music (A0.1198473). Key Signature: Bâ™ MajTime Signature: 3/4Tempo: Adagio Rubato (Slowly as the performer feels like)Difficulty: Intermediatenot much known about the composer, the piece originally comes from jazz compilation by Yury Chugunov.from the excerpt: The publication is dedicated to the waltz - not quite an ordinary genre in jazz, where the quadruple meter reigned supreme. The waltz was established in many respects thanks to the creativity in the fifty of the musicians kula (the so-called cool jazz - cool jazz). Interest in the waltz was shown by several major musicians of this direction, such as Miles Davis, Bill Evans, Dave Brubeck. One of the first waltz themes to penetrate jazz was Frank Churchill's most popular melody from the movie Snow White and the Seven Dwarfs. Soon waltzes written by jazz musicians began to appear.The jazz waltz represents the lyrical side of jazz along with the jazz ballad and bossa nova. The collection includes works by Soviet and foreign authors.The latter are represented by the names of R. Rogers, B. Evans, D. Brubeck, P. Desmond with his famous Take Five waltz and others. Dave Brubeck (in whose ensemble alto saxophonist Paul Desmond played) was perhaps the first to experiment with five-, six-, seven-quarter time signatures, widely using variable time signatures, polyrhythm; a typical example of a waltz of variable size belongs to the young Moscow pianist Daniil Kramer (Caprice). Recall, by the way, that an example of a five-quarter waltz in symphonic music is found in Tchaikovsky (second movement of the Sixth Symphony).We hope that the collection will be of interest not only to jazz musicians, but also to a wider circle of music lovers.-Yuri Chugunov.
$4.50 ≈
4.03€
Purple Horse
Purple Horse
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Piano seul
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AVANCÉ
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Valery Aralov
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Yury Chugunov and Zellev
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Purple Horse
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Zellev Music
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1201265 Composed by Valery Aralov. Arranged by Yury Chugunov and Zellev. 20th Century,Blues,Broadway,Jazz,Musical/Show,Vi...
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Piano Solo - Level 5 - SKU: A0.1201265 Composed by Valery Aralov. Arranged by Yury Chugunov and Zellev. 20th Century,Blues,Broadway,Jazz,Musical/Show,Video Game. Score. 6 pages. Zellev Music #799915. Published by Zellev Music (A0.1201265). Key Signature: NaturalTime Signature: 3/4Tempo: Con moto (with movement (as lively as possible/ vivace))Difficulty: Advancednot much known about the composer, the piece originally comes from jazz compilation by Yury Chugunov.from the excerpt: The publication is dedicated to the waltz - not quite an ordinary genre in jazz, where the quadruple meter reigned supreme. The waltz was established in many respects thanks to the creativity in the fifty of the musicians kula (the so-called cool jazz - cool jazz). Interest in the waltz was shown by several major musicians of this direction, such as Miles Davis, Bill Evans, Dave Brubeck. One of the first waltz themes to penetrate jazz was Frank Churchill's most popular melody from the movie Snow White and the Seven Dwarfs. Soon waltzes written by jazz musicians began to appear.The jazz waltz represents the lyrical side of jazz along with the jazz ballad and bossa nova. The collection includes works by Soviet and foreign authors.The latter are represented by the names of R. Rogers, B. Evans, D. Brubeck, P. Desmond with his famous Take Five waltz and others. Dave Brubeck (in whose ensemble alto saxophonist Paul Desmond played) was perhaps the first to experiment with five-, six-, seven-quarter time signatures, widely using variable time signatures, polyrhythm; a typical example of a waltz of variable size belongs to the young Moscow pianist Daniil Kramer (Caprice). Recall, by the way, that an example of a five-quarter waltz in symphonic music is found in Tchaikovsky (second movement of the Sixth Symphony).We hope that the collection will be of interest not only to jazz musicians, but also to a wider circle of music lovers.-Yuri Chugunov.
$5.00 ≈
4.48€
They Didn’t Believe Me (Early Intermediate Piano Solo)
They Didn’t Believe Me (Early Intermediate Piano Solo)
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Piano Facile
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FACILE
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Herbert Reynolds and Jerome D
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Cathy Stamegna
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They Didn’t Believe Me
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Cathy Stamegna
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.1076560 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. Broadway,Film/TV,Instructional,Jazz,...
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Easy Piano - Level 2 - SKU: A0.1076560 Composed by Herbert Reynolds and Jerome D. Kern. Arranged by Cathy Stamegna. Broadway,Film/TV,Instructional,Jazz,Musical/Show,Standards. Score. 8 pages. Cathy Stamegna #680699. Published by Cathy Stamegna (A0.1076560). Jerome Kern’s first big hit (with Herbert Reynolds), this number from the 1914 Broadway musical, “The Girl from Utah,†helped change the trajectory of American love songs away from European influence (waltzes, flowery lyrics) and more toward the musical styles of the time. Its 4/4 meter shows influence of the American musical styles of the era (ragtime, fox trot) as well as a move toward American vernacular lyrics. It also became a World War I anthem, but has continued to be popular and has appeared in films and been recorded by many over the years (Frank Sinatra, Bing Crosby, Harry Bellafonte). a.k.a. “We’ll Never Tell Them.†Lyrics included for singing along.
$4.99 ≈
4.47€
Waltz For André
Waltz For André
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Piano, Voix et Guitare
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INTERMÉDIAIRE
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Philip Jones
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Waltz For André
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Philip Jones
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1006629 Composed by Philip Jones. Contemporary,Jazz. Score. 4 pages. Philip Jones #548445. Published by Phi...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.1006629 Composed by Philip Jones. Contemporary,Jazz. Score. 4 pages. Philip Jones #548445. Published by Philip Jones (A0.1006629). A fusion of three waltzes. Composed after being inspired by both Strauss and André Rieu, who is keeping this particular style of classical music alive. A new melody to the market. With chord symbols for accompaniment.
$3.45 ≈
3.09€
Waltz Minuet for the Ballet
Waltz Minuet for the Ballet
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Julia Muench
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Waltz Minuet for the Ballet
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NJ Original Music
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.940743 Composed by Johann Sebastian Bach. Arranged by Julia Muench. Broadway,Children,Contemporary,Jazz. Score. 2 pages. ...
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Piano Solo - Level 4 - SKU: A0.940743 Composed by Johann Sebastian Bach. Arranged by Julia Muench. Broadway,Children,Contemporary,Jazz. Score. 2 pages. NJ Original Music #3436389. Published by NJ Original Music (A0.940743). Good Waltzes are always needed for the ballet, and after years of accompanying and working with dancers, I feel this one is a winner. Use it for pirouettes, tour jetes, partnering. Based on Bach's melody of Minuet in G.
$5.99 ≈
5.37€
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