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bach Haydn Opera
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bach Haydn Opera
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Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
Intermediate Music for Three, Volume 2, Part 3 Cello or Bassoon
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Daniel Kelley
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Daniel Kelley
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Intermediate Music for Three,
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Last Resort Music Publishing
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SheetMusicPlus
Bassoon,Cello - Level 3 - SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructi...
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Bassoon,Cello - Level 3 - SKU: A0.1110212 By Daniel Kelley. By Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 46 pages. Last Resort Music Publishing #712547. Published by Last Resort Music Publishing (A0.1110212). 52231 Part 3 Cello or Bassoon Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more! Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of Contents Tango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg) Andante from Symphony #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) Create your own ensemble - List of Available Parts: 52211 Part 1 Flute or Oboe or Violin 52213 Part 1 Clarinet in Bb 52215 Part 1 Alto Sax in Eb 52221 Part 2 Flute or Oboe or Violin *DD 52222 Part 2 Viola 52223 Part 2 Clarinet or Trumpet in Bb 52225 Part 2 Tenor Sax in Bb 52231 Part 3 Cello or Bassoon *DD 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb 52240 Keyboard or Guitar 52299 Score (Parts 1-3 in C) All available on SheetMusicPlus and www.lastresortmusic.com Published by Last Resort Music Publishing www.lastresortmusic.com.
$20.00 ≈
18.71€
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221
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Various
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Daniel Kelley
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Intermediate Music for Three V
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Last Resort Music Publishing
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SheetMusicPlus
Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - SKU: A0.1255183 Composed by Var...
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Alto Saxophone,Autoharp,B-Flat Clarinet,Baritone Saxophone,Bassoon,Cello,Flute,Oboe,Piano,Tenor Saxophone,Viola,Violin - SKU: A0.1255183 Composed by Various. Arranged by Daniel Kelley. 19th Century,20th Century,Baroque,Classical,Instructional. 45 pages. Last Resort Music Publishing #848746. Published by Last Resort Music Publishing (A0.1255183). Intermediate Music for Three Volume 2 - Part 2 Flute or Oboe or Violin #52221Featuring works by Gounod, Rossini, Sousa, Mozart, Haydn, Dvorak and many more!  Each volume is arranged in progressive order of difficulty. This series is designed to progress to the level of the Music for Three series. The keyboard/guitar part encompasses both parts 2 and 3. Therefore, the arrangements could be played as a piano trio, or an entire trio can play with a pianist - as long as Part 1 is being played. Table of ContentsTango in D from Suite Espana, Op. 165 #2 (Albeniz) Minuet in D minor from The Anna Magdalena Bach Notebook (Bach) Minuet from the Anna Magdalena Bach Notebook (Bach) Musette from the Anna Magdalena Bach Notebook (Bach) Toreador Song from Carmen (Bizet) Hatikva based on an Eastern European Folk Tune (Cohen & Imber) Daisy Bell (A bicycle Built for Two) (Dacre) Funiculi Funicula (Denza) Songs My Mother Taught Me, Op. 55 #4 (Dvorak) Opening Chorus from H.M.S. Pinafore (Gilbert & Sullivan) When A Felon's Not Engaged in His Employment-Pirates of Penzance (Gilbert & Sullivan) Ballet from Faust (Gounod) Soldier's Chorus from Faust (Gounod) Peer Gynt Suite No. 1, Op. 46, 4 movements (Grieg)Andante from Symphony  #101 in D, The Clock (Haydn) Tarantella (Italian Traditional) Villa from The Merry Widow (Lehar) La Ci Darem La Mano from Don Giovanni (Mozart) Menuetto from Symphony  #40 in G Minor, K. 550 (Mozart) Minuet from Don Giovanni (Mozart) Minuet in F, K. 2 (Mozart) Waltzing Doll Poupee Valsante from 7 Marionettes, #2 (Poldini) William Tell Overture (Rossini) The Elephant from Carnival of the Animals (Saint-Saens) Semper Fidelis March (Sousa) Washington Post, The March (Sousa) Tritsch-Tratsch Polka, Op. 214 (Strauss) Light Calvary Overture (Suppe) Gavotte from the opera Mignon (Thomas) Trio Sonata in D, RV93 for lute & strings, 3 movements (Vivaldi) 52211 Part 1 Flute or Oboe or Violin52213 Part 1 Clarinet in Bb  52215 Part 1 Alto Sax in Eb  52221 Part 2 Flute or Oboe or Violin 52222 Part 2 Viola  52223 Part 2 Clarinet or Trumpet in Bb52225 Part 2 Tenor Sax in Bb52231 Part 3 Cello or Bassoon 52233 Part 3 Bass Clarinet in Bb 52235 Part 3 Baritone Sax in Eb52240 Keyboard or Guitar52299 Score (Parts 1-3 in C) Published by Last Resort Music www.lastresortmusic.com
$20.00 ≈
18.71€
📄 Storia della Musica (Dalle origini al XX secolo)
📄 Storia della Musica (Dalle origini al XX secolo)
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Ligne De Mélodie, (Paroles) et Accords
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INTERMÉDIAIRE
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Andrea Balzani
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📄 Storia della Musica
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Andrea Balzani
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SheetMusicPlus
C Instrument - Level 3 - SKU: A0.1105055 By Andrea Balzani. By Andrea Balzani. Classical,Early Music,Historic,Medieval,Opera. Lead Sheet / Fake Book. 18...
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C Instrument - Level 3 - SKU: A0.1105055 By Andrea Balzani. By Andrea Balzani. Classical,Early Music,Historic,Medieval,Opera. Lead Sheet / Fake Book. 183 pages. Andrea Balzani #708300. Published by Andrea Balzani (A0.1105055). 👉  Dispensa di Storia della Musica (dispensa didattica)Language: ITALIAN 🇮🇹 ➡ï¸â€ŠLinktree: https://linktr.ee/AndreaBalzani Contenuti:- TESI n. 1 ◾  Origini monogenetiche della musica ed Etnomusicologia- TESI n. 2 ◾  Le Musiche dei popoli antichi e la musica ebraica - TESI n. 3 ◾  L'Antica musica Greca- TESI n. 4 ◾  Il Canto Cristiano e il Gregoriano - TESI n. 5 ◾  La Polifonia medioevale e l'Ars Antiqua- TESI n. 6 ◾  La Notazione musicale  - TESI n. 7 ◾  Guido d'Arezzo e la Teoria Medioevale - TESI n. 8 ◾  Canti sacri e profani, Trovatori, Trovieri e Minnesangers - TESI n. 9 ◾  Il Trecento: L'Ars Nova- TESI n. 10 ◾  Le Scuole fiamminghe del Quattrocento  - TESI n. 11 ◾  La Musica nel Rinascimento e la Polifonia sacra - TESI n. 12 ◾  Le Forme musicali dal XIII sec. al XVI sec.  - TESI n. 13 ◾  I Trattatisti e gli strumenti nel Rinascimento - TESI n. 14 ◾  La Nascita dell'Opera e la Camerata Bardi - TESI n. 15 ◾  L'Oratorio e la Musica sacra- TESI n. 16 ◾  L'Opera Italiana nel Seicento a Roma e Venezia - TESI n. 17 ◾  L'Opera Italiana nel Settecento in Italia e in Europa . - TESI n. 18 ◾  L'Opera seria e l'Opera buffa- TESI n. 19 ◾  Le riforme dell'Opera italiana : Gluck e Calzabigi - TESI n. 20 â—¾  L'Opera in Francia, Germania, Austria ed Inghilterra - TESI n. 21 ◾  L'Opera Italiana in Europa nel Seicento e Settecento- TESI n. 22 ◾  L'Opera nell'Ottocento: Rossini, Donizetti, Bellini, Verdi - TESI n. 23 ◾  Wagner : vita, opere e pensiero  - TESI n. 24 ◾  Musica, forme e strumenti del primo barocco - TESI n. 25 ◾  Il Barocco di mezzo : la Suite, la Sonata, Corelli  - TESI n. 26 ◾  Il Concerto, Vivaldi e Scarlatti   - TESI n. 27 ◾  J.S.Bach, Haendel, le scuole organistiche tedesche- TESI n. 28 ◾  Il Rococò e lÂ’Età Classica: Haydn, Mozart, Beethoven- TESI n. 29 ◾  Il Romanticismo: le forme ed i musicisti romantici   - TESI n. 30 ◾  La musica strumentale nella seconda Ottocento    - TESI n. 31 ◾  Le Scuole Nazionali      - TESI n. 32 ◾  Il Novecento, la Dodecafonia e la Musica elettronica  ✉ï¸â€Šâ€ŠContact: andreabalzani.workinprogress@gmail.com
$4.99 ≈
4.67€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99 ≈
7.48€
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical....
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Small Ensemble Cello,English Horn,Oboe,Viola,Violin - Level 3 - SKU: A0.828699 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 37 pages. Guido Menestrina #119775. Published by Guido Menestrina (A0.828699). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Primo Movimento - Allegro Karl Friedrich Abel - Symphony Op. 7 n. 1 - First Movement - Allegro Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen,[3][4] a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787.[citation needed] One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. https://www.youtube.com/watch?v=bN3mtmg-rLI.
$7.99 ≈
7.48€
In the Hall of the Mountain King for Beginner Piano
In the Hall of the Mountain King for Beginner Piano
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Piano Facile
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DÉBUTANT
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SilverTonalities
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SilverTonalities
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In the Hall of the Mountain Ki
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SilverTonalities
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1376532 By SilverTonalities. By Edvard Grieg. Arranged by SilverTonalities. Classical,Instructional,Opera,Romantic Period...
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Easy Piano - Level 1 - SKU: A0.1376532 By SilverTonalities. By Edvard Grieg. Arranged by SilverTonalities. Classical,Instructional,Opera,Romantic Period. Score. 39 pages. SilverTonalities #961052. Published by SilverTonalities (A0.1376532). In the Hall of the Mountain King Beginner Piano Collection Popular Classics for Beginner Pianists by SilverTonalities!With Colored Notation to enable Beginner Pianists to read Music quickly and accurately!PREVIEW, pages 1-2BELLA BOCCA POLKA Opus 163, written in 1881 by the French Romantic Composer Emile Waldteufel. Born into a musical family, Waldteufel composed over 270 Works including his famous “Skater’s Waltzâ€, pages 3-6TOREADOR Song is a popular Aria from the 4 Act Opera “Carmen†,by the French Romantic Composer Georges Bizet, which premiered in Paris in 1875, pages 7-9SUNRISE QUARTET Opus 76 Number 4 1st Movement, was written by the famous German Composer, Franz Joseph Haydn. Known as the “Sunrise†due to the rising theme throughout, this String Quartet which was written between 1797 to 1798, pages 10-12THE QUEEN OF THE NIGHT is from the Austrian Composer, Wolfgang Amadeus Mozart’s famous Opera “The Magic Flute†which premiered in 1791 in Vienna, pages 13-16IN THE HALL OF THE MOUNTAIN KING, Opus 46 Number 4 from the Norwegian Composer, Edvard Grieg’s Peer Gynt Suite written in 1875, pages 17-20CAN CAN from the Opera “Orpheus in the Underworldâ€, was written in 1858 by the French Romantic Era Composer Jaques Offenbach, pages 21-22AIR from the five Act Opera “King Arthurâ€, written by the English Baroque Composer Henry Purcell, which premiered in London in 1691. The plot is based on the battles between King Arthur’s Britons and the enemy Saxons, pages 23-25COMIC DUET FOR TWO CATS by the Italian Romantic Era Composer, Gioachino Rossini in 1825 is a popular performance piece originally written for two Sopranos and Piano, pages 26-30THE UNFINISHED SYMPHONY, from the Austrian Composer Franz Peter Schubert, originates from his Symphony Number 8 in D Minor D759. Schubert started it in 1822 but only completed 2 Mvts even though he lived another 6 years, pages 31-36.
$9.99 ≈
9.35€
Concerto G major
Concerto G major
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Francesco Antonio Rosetti
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Concerto G major
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Schott Music - Digital
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SheetMusicPlus
Flute and orchestra - intermediate to advanced - SKU: S9.Q16422 Composed by Francesco Antonio Rosetti. Downloadable, Score. Duration 19 minutes. Schott ...
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Flute and orchestra - intermediate to advanced - SKU: S9.Q16422 Composed by Francesco Antonio Rosetti. Downloadable, Score. Duration 19 minutes. Schott Music - Digital #Q16422. Published by Schott Music - Digital (S9.Q16422). Key: G major.Franz Anton Rössler-Rosetti was born in Mimoň, a town in Moravia, in 1746. He was employed in the orchestra of the Duke of Oettingen-Wallerstein, initially as a double bass player and later as director of music. In 1781 he went to Paris, where he heard symphonies by Haydn and operas by Gluck and Piccinni. He was director of music at the court of the Duke of Mecklenburg-Schwerin in Ludwigslust from 1789 until his death in 1792. This concerto in G major is one of fourteen flute concertos he composed. The score was prepared with reference to original orchestral parts kept at the King István (St Stephen) Museum in Székesfehérvár and solo parts published by André in Offenbach in 1796.
$22.99 ≈
21.51€
Concerto in Sol Maggiore
Concerto in Sol Maggiore
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Orchestre à Plectres
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AVANCÉ
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Classique
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J
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Vincent Beer-Demander
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Concerto in Sol Maggiore
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Les Productions d'OZ - Digital
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SheetMusicPlus
Plectrum orchestra - Advanced - SKU: ZZ.DZ-4247 Composed by J.A. Hasse. Arranged by Vincent Beer-Demander. Score and parts. 65 pages. Les Productions d'OZ - D...
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Plectrum orchestra - Advanced - SKU: ZZ.DZ-4247 Composed by J.A. Hasse. Arranged by Vincent Beer-Demander. Score and parts. 65 pages. Les Productions d'OZ - Digital #DZ 4247. Published by Les Productions d'OZ - Digital
N Hamburg en 1699, Johann Adolf Hasse, surnomm il Sassone tudie auprs de son pre, organiste de Bergedorf, puis Naples auprs de Porpora et se lie d?amiti avec Alessandro Scarlatti, Farinelli, Galuppi, Jommelli, Haydn et mme Jean Sebastien Bach, qu?il rencontre en 1731. Ds son premier opra, Antigonus, Hasse connait le succs et commence alors une carrire de compositeur, musicien et chef d?orchestre qui le fera voyager dans toute l?Europe avant de s?installer Venise. Auteur de 58 opras, oratorios, cantates, concertos et sonates en toute genre, la quasi totalit de son ?uvre est dtruite par l?incendie du sige de Dresde par les Prussiens en 1760. Malgr la stabilit de ses principaux traits, le style de Hasse, nettement prclassique, connait de lgres volutions au cours de sa carrire mais il reste un compositeur au got prononc pour le lyrisme, y compris dans son criture instrumentale, comme le dmontre le largo de son Concerto in sol Maggiore per Mandolino e cordi. De facture Vivaldienne, cette oeuvre date trs certainement de la priode napolitaine de Hasse et il y dveloppe une criture fluide et virtuose pour le petit luth, alors trs en vogue dans les cours et les salons princiers de ce XVIIIe sicle florissant. Le choix de la tonalit, le discours rythmique et l?orchestration lgre, constitue la preuve que le compositeur connaissait parfaitement les possibilits de la mandoline pour lequel il a sans doute compos d?autres oeuvres, malheureusement disparues aujourd?hui. Born in Hamburg in 1699, Johann Adolf Hasse, nicknamed "il Sassone", studied with his father, organist from Bergedorf, then in Naples with Porpora and became friends with Alessandro Scarlatti, Farinelli, Galuppi, Jommelli, Haydn and even Jean Sebastian Bach, whom he met in 1731. From his first opera, Antigonus, Hasse enjoyed success and began a career as a composer, musician and conductor which would take him throughout Europe before settling in Venice. Author of 58 operas, oratorios, cantatas, concertos and sonatas of all kinds, almost all of his work was destroyed by the fire of the siege of Dresden by the Prussians in 1760. Despite the stability of its main features, Hasse's style, clearly preclassical, underwent slight evolutions during his career but he remained a composer with a pronounced taste for lyricism, including in his instrumental writing, as demonstrated by the largo of his Concerto in sol Maggiore per Mandolino e cordi. Vivaldian in style, this work most certainly dates from Hasse's Neapolitan period and he developed a fluid and virtuoso writing for the small lute, then very fashionable in the courts and princely salons of this flourishing 18th century. The choice of tonality, the rhythmic discourse and the light orchestration constitute proof that the composer perfectly knew the possibilities of the mandolin for which he undoubtedly composed other works, unfortunately lost today.
$19.95 ≈
18.67€
Classical Pieces for Flute and Guitar
Classical Pieces for Flute and Guitar
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Flûte et Guitare
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INTERMÉDIAIRE
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Classique
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Eric Waters
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Classical Pieces for Flute and
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
By Eric Waters. For Guitar and Flute. Classic. 67 pages. Published by Mel Bay Publications - Digital Sheet Music ...
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By Eric Waters. For Guitar and Flute. Classic. 67 pages. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781619110199. Presents 33 easy to moderately-difficult arrangements of works by Bach, Beethoven, Bellini, Carulli, Czerny, Giuliani, Haydn, Leopold and Wolfgang Mozart, Mussorgsky, Purcell, Schubert, Vivaldi, and others. Thoroughly researched, all of the arrangements are faithful to the original compositions while remaining very readable. Selections include "The Old Castle" from "Pictures at an Exhibition" (Mussorgsky), "Largo" from "The Four Seasons" by Vivaldi, "CastaDiva" from the opera "Norma" by Bellini, and many more. Flute and guitar duos of any level will find this book both useful and beautiful - a great "gig" book. The guitar part is written in standard notation only. A free 40-page solo flute part is available for download.
$19.99 ≈
18.70€
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