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#Violon et Piano
VIOLON
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Claude Debussy: Sérénade for violin and piano
Claude Debussy: Sérénade for violin and piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabri...
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Piano,Violin - Level 4 - SKU: A0.534583 Composed by Claude Debussy/Robert Orledge. 20th Century,Concert,Romantic Period,Standards. 21 pages. Musik Fabrik Music Publishing #4727479. Published by Musik Fabrik Music Publishing (A0.534583). Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and other completions include La Saulaie and the Nocturne and Poème for violin and orchestra as well as Debussy’s other Poe opera Le Diable dans le Beffroi.Préface en français : Au debut des années 1890, Debussy a composé le debut d’une pièce lyrique en Mi majeur pour violon et piano, peut-être pour accompagner la Nocturne pour violon que Debussy a destinée pour le violoniste belge Eugène Ysaÿe. Après la morte de Debussy en 1918, sa deuxième femme Emma avait l’habitude d’offrir ses pages d’esquisses aux intérpètes et compositeurs en souvenir de son regreté mari. Cette page d’esquisse a été offerte aux compositeur et pianiste cubain Joaquin Nin (1879-1949). Cette page a été mise en vente dans la catalogue de l’antiquaire britannique Lisa Cox en 2010 et malgré que cette esquisse est peut-être le début d‘une mélodie pour contralto et piano, l‘idée dynamique dans la douzième mesure suggère la violon, surtout qu‘elle commence sur la.
$12.95 ≈
11.57€
Sonata for Fortepiano & Violin in E-flat (VB 161)
Sonata for Fortepiano & Violin in E-flat (VB 161)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Vi
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. P...
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Piano,Violin - Level 3 - SKU: A0.1488840 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 36 pages. Artaria Editions #1065694. Published by Artaria Editions (A0.1488840). Artaria Editions AE435Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. The sonata received its final form for keyboard alone as part of the Due Sonata per il Forte Piano published by Olof Åhlstrm some three years later in 1788. This sonata differs from the solo pianoforte version (also published by Artaria Editions as AE398) in that it is shorter (particularly in the slow movement) and less elaborate for both instruments. Nonetheless, it is an impressive sonata and among the most interesting works of its kind composed in the 1780s.Allan Badley.
$30.00 ≈
26.80€
God So Loved the World (Stainer) Intermediate Violin/Piano and Violin Part
God So Loved the World (Stainer) Intermediate Violin/Piano and Violin Part
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Violon et Piano
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INTERMÉDIAIRE
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Musique Sacrée
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John Stainer
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Pam Turner
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God So Loved the World
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Pam Turner
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.726563 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 3 - SKU: A0.726563 Composed by John Stainer. Arranged by Pam Turner. Christian,Christmas,Easter,Sacred. Score and parts. 12 pages. Pam Turner #5711053. Published by Pam Turner (A0.726563). Majestic hymn by John Stainer that is the basis of the Christian faith. Appropriate for church service needs at all times of the year, especially Easter and Christmas. Arranged for piano and violin at the Intermediate level by composer/arranger/teacher/church pianist, Pam Turner. Piano accompaniment doubles as a solo. Includes separate violin part. Connect with Pam at https://pamturnerpiano.com or on facebook at https://facebook.com/pamturnerpiano.
$5.99 ≈
5.35€
Sonata for Fortepiano & Violin in C (VB 160)
Sonata for Fortepiano & Violin in C (VB 160)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Vi
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Artaria Editions
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488839 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 31 pages. Artaria Editions #1065693. P...
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Piano,Violin - Level 3 - SKU: A0.1488839 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 31 pages. Artaria Editions #1065693. Published by Artaria Editions (A0.1488839). Artaria Editions AE434Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano; a fifth sonata, in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. The date of the C major sonata, the earlier of two works in this key, is not known, although it was probably written during Kraus's first years in Stockholm; stylistic evidence strongly suggests that it, and its companion piece, the Sonata in D major (VB 159), date from the later part of that period 1780-1782. Kraus was a proficient performer on both instruments and his sonatas, which display all his usual musical ingenuity and technical finish, are highly attractive works.Allan Badley.
$30.00 ≈
26.80€
Allegro for Fortepiano & Violin in D (VB 163)
Allegro for Fortepiano & Violin in D (VB 163)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Allegro for Fortepiano & V
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488843 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 12 pages. Artaria Editions #1065697. P...
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Piano,Violin - Level 3 - SKU: A0.1488843 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 12 pages. Artaria Editions #1065697. Published by Artaria Editions (A0.1488843). Artaria Editions AE437Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, as well as for pedagogical use at the Royal Swedish Academy of Music, for which he was educational director from 1788 until his death. This brief Allegro for violin and fortepiano was probably written around this time as a work intended for students at the aforementioned institution. This is evident in the use of deliberate devices, such as unison scalar passages and sustained notes in the violin part. Foreshadowing Hindemith's notion of Bildungsmusik from a century and a half later, it is clear that the intent is to create a substantive piece of music for future instrumentalists that not only allows for good compositional style, but both pedagogical function and a relatively easy degree of difficulty for the performers, as well. Allan Badley.
$30.00 ≈
26.80€
Sonata for Fortepiano & Violin in D (VB 159)
Sonata for Fortepiano & Violin in D (VB 159)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Vi
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Artaria Editions
#
SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488838 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 46 pages. Artaria Editions #1065692. P...
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Piano,Violin - Level 3 - SKU: A0.1488838 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 46 pages. Artaria Editions #1065692. Published by Artaria Editions (A0.1488838). Artaria Editions AE433Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including four sonatas for violin and fortepiano; a fifth sonata, in D minor, was written in 1777 expressly for violin and clavicembalo, representing a different sort of piece than the more common duo sonata. The date of the D major sonata is not known, although it was probably written during Kraus's first years in Stockholm; stylistic evidence strongly suggests that it, and its companion piece, the Sonata in C major (VB 160), date from the later part of that period 1780-1782. Kraus was a proficient performer on both instruments and his sonatas, which display all his usual musical ingenuity and technical finish, are highly attractive works.Allan Badley.
$30.00 ≈
26.80€
Sonata for Fortepiano & Violin in C (VB 162)
Sonata for Fortepiano & Violin in C (VB 162)
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Joseph Martin Kraus
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Bertil van Boer
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Sonata for Fortepiano & Vi
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Artaria Editions
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. P...
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Piano,Violin - Level 3 - SKU: A0.1488842 Composed by Joseph Martin Kraus. Arranged by Bertil van Boer. Classical. 42 pages. Artaria Editions #1065696. Published by Artaria Editions (A0.1488842). Artaria Editions AE436Joseph Martin Kraus was one of the most gifted and unusual composers of the 18th century, whose talent for thematic development, colourful orchestration and theatrical flair caused Haydn to proclaim him one of only two 'geniuses' he knew (Mozart being the other one). Although Kraus's focus as a composer was mainly upon works written for the stage, he had occasion and opportunity to write a variety of works for chamber setting, including this sonata for violin and fortepiano. It is not known for whom this work was written, but the sole surviving source, a set of parts in Uppsala University Library in the hand of Fredrik Silverstolpe, Kraus's first biographer and assiduous collector of his music, dates it to Kraus's grand tour; he notes that it was written in Paris in 1785. This sonata is the most virtuosic and imposing work in this genre that the composer wrote. Of particular interest is the use of a slow introduction with lyrical violin solo, the long Adagio with its alternating solo passages, and the playful final Scherzo which bears a thematic similarity to the now-lost original third movement of Kraus's Violin Concerto (VB 151). Indeed, this complex work merits the rubric Great C major.Allan Badley.
$30.00 ≈
26.80€
Carnival of Venice for Violin and Pianoa
Carnival of Venice for Violin and Pianoa
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Violon et Piano
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DÉBUTANT
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Traditional Italian
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Langanho
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Carnival of Venice for Violin
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Avery Lynn Jordan
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SheetMusicPlus
Piano,Viola - Level 1 - SKU: A0.1251051 Composed by Traditional Italian. Arranged by Langanho. 19th Century,Classical,Folk,Romantic Period. Score and pa...
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Piano,Viola - Level 1 - SKU: A0.1251051 Composed by Traditional Italian. Arranged by Langanho. 19th Century,Classical,Folk,Romantic Period. Score and part. 3 pages. Avery Lynn Jordan #845346. Published by Avery Lynn Jordan (A0.1251051). We present the sheet music for the Carnival of Venice, specially adapted for Viola and Piano, with the aim of meeting the needs of beginner musicians. This carefully crafted arrangement preserves the beauty and essence of the original work, providing a captivating musical experience. Whether you are a teacher in search of didactic materials for your classes or a parent looking to encourage your child's music study, this sheet music is the perfect choice. With its accessible and pedagogical approach, it is designed to facilitate learning and understanding, ensuring satisfactory progress from the first chords. The Carnival of Venice is a globally recognized composition, and this adapted version is an unmissable opportunity to explore the enchantment of this piece, diving into the rich musical tradition of Venice. Take advantage of this chance to acquire this exceptional sheet music and embark on an engaging and inspiring musical journey.
$2.99 ≈
2.67€
Romance_for_Violin_&_Piano,_Op._23 - Amy Beach
Romance_for_Violin_&_Piano,_Op._23 - Amy Beach
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Zellev Music
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Romance_for_Violin_&_Piano
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Zellev Music
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.910903 Arranged by Zellev Music. 20th Century,Contemporary. 15 pages. Zellev Music #5888745. Published by Zellev Music ...
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Piano,Violin - Level 4 - SKU: A0.910903 Arranged by Zellev Music. 20th Century,Contemporary. 15 pages. Zellev Music #5888745. Published by Zellev Music (A0.910903).
$4.00 ≈
3.57€
Three Sonatas for Violin & Fortepiano
Three Sonatas for Violin & Fortepiano
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Violon et Piano
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Classique
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the standards of the period Sa
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Chevalier de Saint-Georges
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Artaria Editions
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Three Sonatas for Violin &
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Artaria Editions
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SheetMusicPlus
Piano,Violin - SKU: A0.961416 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. 56 pages. Artaria Editions #6135151. Publ...
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Piano,Violin - SKU: A0.961416 Composed by Chevalier de Saint-Georges. Arranged by Artaria Editions. Classical. 56 pages. Artaria Editions #6135151. Published by Artaria Editions (A0.961416). Keyboard part and solo violin partArtaria Editions AE430Edited by Allan Badley 36 + 13 pages By the standards of the period Saint-Georges was not a prolific composer but this is perhaps hardly surprising given the exceptional range of his activities.
$37.00 ≈
33.05€
Siciliano for Violin and Piano
Siciliano for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Johann Sebastian Bach
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Mark Reeves
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Siciliano for Violin and Piano
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Mark Reeves
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.748704 Composed by Johann Sebastian Bach. Arranged by Mark Reeves. Baroque,Multicultural,Wedding,World. 7 pages. Mark R...
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Piano,Violin - Level 3 - SKU: A0.748704 Composed by Johann Sebastian Bach. Arranged by Mark Reeves. Baroque,Multicultural,Wedding,World. 7 pages. Mark Reeves #5322629. Published by Mark Reeves (A0.748704). Siciliano by J S Bach arranged for Violin and PianoMost arrangements of this music (the 2nd movement of J.S. Bach’s Sonata in E Flat for Flute and Cembalo BWV1031) repeat the first 22 bars of the original score, thus creating a lengthier piece suitable for a concert program. In this new arrangement, however, the repeated section is made more interesting by reversing the roles of the solo and accompaniment parts: the piano now plays the melodic line (along with the bass line as before) whilst the soloist provides the accompanying counterpoint. Bach’s original manuscript contains no performance directions other than a fermata (pause) at the very end. All performance directions in this version are suggestions only. About the ArrangerMark Reeves is a professional pianist, piano teacher and music arranger, with many years of experience. More of his arrangements for piano, choir and other instruments can be downloaded here: https://www.sheetmusicplus.com/publishers/mark-reeves-sheet-music/3001850 Further InformationWeb: https://www.markreeves.co.ukEmail: info@markreeves.co.ukFacebook: https://www.facebook.com/markreevespianistYouTube: https://www.youtube.com/channel/UCpySKWz7dvreLSmqUXvoXhATwitter: @MarkReevesPiano Instagram: @mark.reeves.pianist
$7.99 ≈
7.14€
''Ivresse'' for violin and piano --- Full score and violin part --- JCM 2010
''Ivresse'' for violin and piano --- Full score and violin part --- JCM 2010
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Violon et Piano
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Contemporain
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Jean-Christophe Masson
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''Ivresse'' for violin and pia
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Jean-Christophe Masson
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SheetMusicPlus
Piano,Violin - SKU: A0.878725 Composed by Jean-Christophe Masson. Contemporary. 17 pages. Jean-Christophe Masson #3056431. Published by Jean-Christophe ...
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Piano,Violin - SKU: A0.878725 Composed by Jean-Christophe Masson. Contemporary. 17 pages. Jean-Christophe Masson #3056431. Published by Jean-Christophe Masson (A0.878725). A neo-tonale piece for violin and piano by Jean-Christophe Masson (2010), Dedicated to Alexia Fouilloux.created July 20, 2010 at the castle of Gevrey - Chambertin (France), by Alexia Fouilloux violin and Livia Naas piano.©Jean-Christophe Masson N° de membre SACEM 00623 9409 sound reproduction rights reserved www.jcmasson.comUne pièce néo-tonale pour violon et piano de Jean-Christophe Masson (2010), dédicacée à Alexia Fouilloux.Création le 20 juillet 2010 au Château de Gevrey-Chambertin (France), par Alexia Fouilloux au violon et Livia Naas au piano. ©Jean-Christophe Masson N° de membre SACEM 00623 9409 Droits de reproduction sonore réservés www.jcmasson.com
$9.99 ≈
8.92€
Scent of the Summer for Violin and Piano
Scent of the Summer for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Contemporain
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Yukie Smith
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Sandra Goldberg & Yukie Smith
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Scent of the Summer for Violin
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Yukie Smith
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.903388 Composed by Yukie Smith. Arranged by Sandra Goldberg & Yukie Smith. Classical,Contemporar...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.903388 Composed by Yukie Smith. Arranged by Sandra Goldberg & Yukie Smith. Classical,Contemporary. Score and parts. 5 pages. Yukie Smith #509511. Published by Yukie Smith (A0.903388). The piece is originally written for my early intermediate piano students (inclueded in my self-published book, Piano Songs for Young Adults ~album two~). Sandra took an interest in creating a violin part as embelishment, and arranged it for piano and violin in 2019. I reworked on the piano part to create a little more of an orchestral sound for an online event this year. Sandra Goldberg: www.sandragoldbergmusic.com/ Yukie Smith: www.yukiestpiano.weebly.com.
$2.99 ≈
2.67€
We Wish You a Merry Christimas - Easy Violin Solo with Piano Accompaniment
We Wish You a Merry Christimas - Easy Violin Solo with Piano Accompaniment
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Violon et Piano
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DÉBUTANT
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Noël
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Christmas Carol
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Amanda Rodrigues
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We Wish You a Merry Christimas
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Amanda Rodrigues
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SheetMusicPlus
Piano,Violin - Level 1 - SKU: A0.1096339 Composed by Christmas Carol. Arranged by Amanda Rodrigues. Christmas,Holiday,Religious,Spiritual,Traditional. 2...
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Piano,Violin - Level 1 - SKU: A0.1096339 Composed by Christmas Carol. Arranged by Amanda Rodrigues. Christmas,Holiday,Religious,Spiritual,Traditional. 2 pages. Amanda Rodrigues #700309. Published by Amanda Rodrigues (A0.1096339). Simple, traditional, easy and beautiful: the four words that best describe this arrangement for Solo Violin with Piano accompaniment of the popular Christmas song We Wish You a Merry Christmas. The score has a high quality PDF, with great finishing and spacing. The beautiful melody played by the flute along with a majestic piano accompaniment turns the duet into a warm and enchanting song - just like Christmas. piano violin violinduet duet pianoviolin christmas tradicional holyday.
$2.49 ≈
2.22€
Jacques Leguerney: Ballade for violin and piano
Jacques Leguerney: Ballade for violin and piano
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Violon et Piano
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FACILE
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Jacques Leguerney
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Jacques Leguerney: Ballade for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.533317 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 8 pages. Musik Fabrik Music Publishing #2343077. ...
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Piano,Violin - Level 2 - SKU: A0.533317 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 8 pages. Musik Fabrik Music Publishing #2343077. Published by Musik Fabrik Music Publishing (A0.533317). The Ballade pour violon et piano was composed in 1925, with the first performance on February 3 of that year in a concert given by Madame M. Chabrol and Monsieur Pierre Lacroix. Lacroix and Chabrol also played in the first performance of Leguerney’s Premier Trio pour piano, harpe et violon in 1924. The Ballade was played again in 1929 with Lily Lacroix at the piano and Pierre Lacroix, violin. This concert was private and at the home of Leguerney’s aunt, Suzanne Duros. The dedication reads : “To Pierre Lacroix and Lily Lacroix as an expression of my very sincere affection and of my thanks.â€
$9.10 ≈
8.13€
Turn Your Eyes Upon Jesus (Violin Duet and Piano)
Turn Your Eyes Upon Jesus (Violin Duet and Piano)
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Violon et Piano
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FACILE
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Musique Sacrée
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Helen H
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Tyler Adams
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Turn Your Eyes Upon Jesus
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Adams Arrangements
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SheetMusicPlus
Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1213296 Composed by Helen H. Lemmel. Arranged by Tyler Adams. Christian,Prais...
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Instrumental Duet,Piano Instrumental Duet,Piano,Violin - Level 2 - SKU: A0.1213296 Composed by Helen H. Lemmel. Arranged by Tyler Adams. Christian,Praise & Worship,Religious,Sacred,Traditional. 14 pages. Adams Arrangements #810480. Published by Adams Arrangements (A0.1213296). Turn Your Eyes Upon Jesus warmly arranged as a duet for two violins with pianoa accompaniment.
$4.99 ≈
4.46€
Sonata-Fantasy, for Violin and Piano
Sonata-Fantasy, for Violin and Piano
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Violon et Piano
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AVANCÉ
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Contemporain
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Christopher Cooley
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Sonata-Fantasy, for Violin and
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Christopher Cooley
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.945047 Composed by Christopher Cooley. 20th Century,Concert,Contemporary. 22 pages. Christopher Cooley #6487331. Publis...
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Piano,Violin - Level 5 - SKU: A0.945047 Composed by Christopher Cooley. 20th Century,Concert,Contemporary. 22 pages. Christopher Cooley #6487331. Published by Christopher Cooley (A0.945047). A melodic, tonal, virtuosic 10-minute concert piece for violin and piano, showing influences of Ravel, Franck, and Brahms. A great way to fill out your concert program with an accessible modern piece. American pianist-composer Christopher Cooley wrote Sonata-Fantasy for Lithuanian violinist Lina Marija Songaile, and the two premiered it on July 13, 2021 in Klaipeda, Lithuania. chriscooleypiano.com.
$15.00 ≈
13.40€
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor (a selection of themes) - simpl
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor (a selection of themes) - simpl
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Violon et Piano
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FACILE
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Classique
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Edvard Grieg
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Andrei-Lucian Dragoi
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Grieg
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Andrei-Lucian Dragoi
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SheetMusicPlus
Clarinet,Flute,Guitar,Harp,Oboe,Organ,Piano,Violin - Level 2 - SKU: A0.913132 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. 20th Century,S...
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Clarinet,Flute,Guitar,Harp,Oboe,Organ,Piano,Violin - Level 2 - SKU: A0.913132 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. 20th Century,Standards. 3 pages. Andrei-Lucian Dragoi #6618935. Published by Andrei-Lucian Dragoi (A0.913132). Music (1868): Edvard Hagerup Grieg (1843-1907) Simplified arr. (with melo-harmonic modifications) for G-clef piano/harp (GCP/GCH) (13.11.2021) by: dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com, YT.dragoii.com)Wikipedia reference URLs: https://en.wikipedia.org/wiki/Edvard_Grieg https://en.wikipedia.org/wiki/Piano_Concerto_(Grieg)
$1.99 ≈
1.78€
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor (a selection of themes) - Lead
Grieg (Edvard) - First Movement of Grieg's Piano Concerto in A minor (a selection of themes) - Lead
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Violon et Piano
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FACILE
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Classique
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Edvard Grieg
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Andrei-Lucian Dragoi
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Grieg
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Andrei-Lucian Dragoi
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SheetMusicPlus
Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Violin - Level 2 - SKU: A0.913130 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. 20th Ce...
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Clarinet,Flute,Guitar,Harpsichord,Oboe,Organ,Piano,Violin - Level 2 - SKU: A0.913130 Composed by Edvard Grieg. Arranged by Andrei-Lucian Dragoi. 20th Century,Standards. 1 pages. Andrei-Lucian Dragoi #6618827. Published by Andrei-Lucian Dragoi (A0.913130). Music (1868): Edvard Hagerup Grieg (1843-1907) Lead sheet (A6) for G-clef piano/harp (GCP/GCH) (13.11.2021): dr. Andrei-Lucian Drăgoi (DRAGOII.com), (GCP.dragoii.com, MS.dragoii.com, SMP.dragoii.com) Just put it on your phone and play along!Wikipedia reference URLs: https://en.wikipedia.org/wiki/Edvard_Grieg https://en.wikipedia.org/wiki/Piano_Concerto_(Grieg)
$1.99 ≈
1.78€
Saint-Saens: The Swan (Carnival of the Animals) - Violin and Piano
Saint-Saens: The Swan (Carnival of the Animals) - Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Camille Saint-Saens
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Jim Paterson
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Saint-Saens: The Swan
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Music Files Ltd
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SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.1492766 Composed by Camille Saint-Saens. Arranged by Jim Paterson. Chamber,Children,Classical,Romantic Period. 9 pages....
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Piano,Violin - Level 4 - SKU: A0.1492766 Composed by Camille Saint-Saens. Arranged by Jim Paterson. Chamber,Children,Classical,Romantic Period. 9 pages. Music Files Ltd #1069450. Published by Music Files Ltd (A0.1492766). The Swan is a portrait of grace from Carnival of the Animals by Camille Saint-Saens. The original was scored for Cello and two Pianos, and this version is for Violin and Piano. The video shows the arrangement for Viola and Piano which is very similar.
$5.99 ≈
5.35€
Italian Polka for Violin & Piano
Italian Polka for Violin & Piano
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Violon et Piano
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INTERMÉDIAIRE
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Sergei Rachmaninoff
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Diego Marani
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Italian Polka for Violin &
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Diego Marani
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.669243 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,...
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Piano,Violin - Level 3 - SKU: A0.669243 Composed by Sergei Rachmaninoff. Arranged by Diego Marani. 20th Century,Classical,Instructional,Romantic Period,Standards. 8 pages. Diego Marani #278239. Published by Diego Marani (A0.669243). Sergei Vasilyevich Rachmaninoff was a Russian composer, virtuoso pianist, and conductor. Rachmaninoff is widely considered one of the finest pianists of his day and, as a composer, one of the last great representatives of Romanticism in Russian classical music. Early influences of Tchaikovsky, Rimsky-Korsakov, and other Russian composers gave way to a thoroughly personal idiom notable for its song-like melodicism, expressiveness and rich orchestral colours. The Polka Italienne (Italian Polka) is originally a piano work for two pianos. This arrangement for violin with piano accompaniment is suitable for classroom, repertoire, recital and for a funny encore.
$7.99 ≈
7.14€
Heidi, for violin and piano by Simon Peberdy
Heidi, for violin and piano by Simon Peberdy
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Violon et Piano
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FACILE
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Simon Peberdy
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Heidi, for violin and piano by
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Simon Peberdy
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1135466 Composed by Simon Peberdy. 20th Century,Contest,Festival,Instructional. 10 pages. Simon Peberdy #735513. Publis...
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Piano,Violin - Level 2 - SKU: A0.1135466 Composed by Simon Peberdy. 20th Century,Contest,Festival,Instructional. 10 pages. Simon Peberdy #735513. Published by Simon Peberdy (A0.1135466). Written originally as a flute and piano piece for Heidi Widauer, a lovely lady and good friend in Maria Alm, for her 70th birthday. (The sample mp3 and youtube video are of the flute version). For more pieces, choral, instrumental, 2 pianos, duets, please visit my website: www.simonpeberdymusic.com If you require an mp3 recording of the piano part, please contact me via my website.
$3.99 ≈
3.56€
Saint-Saens: The Swan for Violin and Piano
Saint-Saens: The Swan for Violin and Piano
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Violon et Piano
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INTERMÉDIAIRE
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Classique
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Camille Saint-Saens
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James M
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Saint-Saens: The Swan for Viol
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jmsgu3
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SheetMusicPlus
Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,His...
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Piano,Violin - Level 3 - SKU: A0.1254029 Composed by Camille Saint-Saens. Arranged by James M. Guthrie, ASCAP. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 9 pages. Jmsgu3 #847642. Published by jmsgu3 (A0.1254029). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind.
$34.95 ≈
31.22€
Nocturne Pour Piano Et Violon
Nocturne Pour Piano Et Violon
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Violon et Piano
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FACILE
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Contemporain
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Ryan K
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Nocturne Pour Piano Et Violon
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Ryan K. Sukkar
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SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.1025954 Composed by Ryan K. Sukkar. Contemporary. 3 pages. Ryan K. Sukkar #5984927. Published by Ryan K. Sukkar (A0.102...
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Piano,Violin - Level 2 - SKU: A0.1025954 Composed by Ryan K. Sukkar. Contemporary. 3 pages. Ryan K. Sukkar #5984927. Published by Ryan K. Sukkar (A0.1025954).
$1.99 ≈
1.78€
Jacques Leguerney: Première Sonate for piano and violin
Jacques Leguerney: Première Sonate for piano and violin
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Violon et Piano
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AVANCÉ
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Jacques Leguerney
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Jacques Leguerney: Premi&egrav
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano,Violin - Level 5 - SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095....
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Piano,Violin - Level 5 - SKU: A0.533318 Composed by Jacques Leguerney. 20th Century,Concert,Standards. 71 pages. Musik Fabrik Music Publishing #2343095. Published by Musik Fabrik Music Publishing (A0.533318). Première Sonate pour piano et violonI. ModéréII. Assez lentIII. AniméIV. Bien allant, mais d'expression tranquilleJacques Leguerney began the composition of his First Sonata for Piano and Violin in 1926, shortly after beginning composition studies with Nadia Boulanger. She was reportedly quite enthusiastic about the natural talent of her new student, and offered to give him private lessons to supplement her analysis classes. Leguerney was already reticent about studying composition. In an interview in 1989, he remembered his feeling at that time, saying that I found that this was useless work. If one is gifted for music, one is capable of writing harmonies. instead, Leguerney showed his Sonata to the French composer Albert Roussel, who was renting an apartment on Avenue Wagram in a building next to that of the Leguerney family. Leguerneyremembered Roussel's apartment with its dark blue walls and gilded Indian statues! Roussel encouraged his efforts and said of the second theme of the first movement: I would have liked to have written that. (J'aurais été très content d'avoir écrit ça.)The first performance of the Sonata was given by the pianist Thérèse Cahen (1897-1944) and the violinist Hortense de Sampigny (? – 1970) in a private concert. The violinist was already a well-known concert artist. De Sampigny finished her studies at the Paris Conservatory in 1915, where she was in the class of Jules Boucherit. In 1918 she married the French author Auguste Bailly (1878-1967). From 1921, she was a member of the Trio Trillat, founded by the pianist Ennemond Trillat with the collaboration of cellist Jean Witkowski. The Trio was active in concerts and recordings in France and abroad for about thirty years. De Sampigny later taught at the Conservatory as assistant to René Benedetti. Thérèse Cahen had studied piano, harmony and counterpoint at the Schola Cantorum, where she obtained a Second Prize. She was a faithful friend and muse for Leguerney, and recruited many musicians for first performances of his vocal and chamber works. She was deported to Auschwitz on July 31, 1944, a few weeks before the Liberation of Paris. This edition of the Sonata was performed at a private concert in Vernon (France) in July 2011 by French violinist Marion Larigaudrie and pianist Mary Dibbern. It is based upon the autograph manuscript OL 23, on deposit at the Music Department of the Bibliothèque national in Paris.
$25.95 ≈
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#Violon et Piano
