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Vous avez sélectionné:
À ma place
Partitions à imprimer
56 partitions trouvées
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51
Axel Bauer & Zazie,Zazie : À ma place - Version originale (niveau intermédiaire)
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Batterie
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INTERMÉDIAIRE
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Rock
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Axel Bauer & Zazie,Zazie
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À ma place
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Tomplay
Telechargez la partition Batterie À ma place - Version originale (niveau intermediaire) de Bauer Axel & Zazie. Partition avec audio Play Along. Pop/r...
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Telechargez la partition Batterie À ma place - Version originale (niveau intermediaire) de Bauer Axel & Zazie. Partition avec audio Play Along. Pop/rock
5.99€
Axel Bauer & Zazie,Zazie : À ma place (niveau facile)
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Batterie
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FACILE
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Rock
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Axel Bauer & Zazie,Zazie
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À ma place
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Tomplay
Telechargez la partition Batterie À ma place (niveau facile) de Bauer Axel & Zazie. Partition avec audio Play Along. Pop/rock...
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Telechargez la partition Batterie À ma place (niveau facile) de Bauer Axel & Zazie. Partition avec audio Play Along. Pop/rock
5.99€
Axel Bauer & Zazie : À ma place
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Voix seule
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FACILE
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Chanson Française
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Axel Bauer & Zazie
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À ma place
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Tomplay
Telechargez la partition Chant À ma place de Axel Bauer & Zazie. Partition pour Avec accompagnement orchestre -- Variete française...
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Telechargez la partition Chant À ma place de Axel Bauer & Zazie. Partition pour Avec accompagnement orchestre -- Variete française
5.99€
Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) for VIOLIN and
Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) for VIOLIN and
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Violon et Piano
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INTERMÉDIAIRE
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Jazz
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YO YO MA and Kathryn Stott
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Flavio Regis Cunha
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Rachmaninoff: Zdes' Khorosho,
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Flavio Regis Cunha
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SheetMusicPlus
Small Ensemble Piano,Violin - Level 3 - SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Centu...
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Small Ensemble Piano,Violin - Level 3 - SKU: A0.601828 By YO YO MA and Kathryn Stott. By Sergei Rachmaninoff. Arranged by Flavio Regis Cunha. 20th Century,Classical,Contemporary,Contest,Festival,Instructional. 8 pages. Flavio Regis Cunha #6669111. Published by Flavio Regis Cunha (A0.601828). Rachmaninoff: Zdes' Khorosho, Op. 21, No. 7 (as played by Yo Yo Ma and Kathryn Stott) ARRANGED for VIOLIN and Piano.___________________________________________ЗдеÑÑŒ хорошо (Zdes' khorosho, How nice is here) was written in April 1902, in a sweet moment in the composer's life: he had overcome a creative block and had just married his cousin Natalia Sarina. Zdes' khorosho is n. 7 from Twelve Romances, op. 21, a beautiful song that talks about the bond between man, nature and God. It’s also a love song; One of the things I like the most is the balance between contemplation and passion that Rachmaninov accomplishes. The poem, by the Countess Glafira Adolfovna Einerling, a contemporary writer of the composer who wrote under the pseudonym of Galina, simply describes a sunset. I don't know if the landscape portrayed is similar to what Rachmaninov could see from his home but no doubt he felt it part of his own; he even changed the beginning of the poem so he said that the nice place was here. Zdes' khorosho is a song full of lyricism, seemingly simple but demanding for the singer (please pay attention to the pianissimo at the last verse, which seems to arise from nowhere), with an exquisite accompaniment. Some scholars think that the true essence of Rachmaninov is found in songs like that, rather than in his athletic piano concerts.Songs of Comfort and Hope is inspired by the series of recorded-at-home musical offerings that Ma began sharing in the first days of the COVID-19 lockdown in the United States. Over the course of the last year, Yo-Yo Ma’s #SongsofComfort grew from a self-shot video of AntonÃn Dvořák’s Goin’ Home into a worldwide effort that has reached more than 20 million people. Ma and Stott marked the next chapter in the project with this album, offering consolation and connection in the face of fear and isolation. The album includes 21 new recordings, which span modern arrangements of traditional folk tunes, canonical pop songs, jazz standards, and mainstays from the western classical repertoire.Official Video by Yo-Yo Ma and Kathryn Stott, performing Rachmaninoff 'Zdes' khorosho' from Songs of Comfort and Hopehttps://youtu.be/bcBcXV3lmKs 8 pages.
$4.99 ≈
4.67€
El Dia De Puro Placer | Pop Song
El Dia De Puro Placer | Pop Song
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Lena Orsa
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Lena Orsa
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El Dia De Puro Placer | Pop So
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Lena Orsa
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SheetMusicPlus
Bass Guitar,Cello,Double Bass,Drum Set,Drums,Hand Percussion,Piano,Soprano voice,Viola,Violin - SKU: A0.1069809 Composed by Lena Orsa. Arranged by Lena ...
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Bass Guitar,Cello,Double Bass,Drum Set,Drums,Hand Percussion,Piano,Soprano voice,Viola,Violin - SKU: A0.1069809 Composed by Lena Orsa. Arranged by Lena Orsa. Film/TV,Holiday,Jazz,Latin,Pop. Full Performance. Duration 215. Lena Orsa #4804271. Published by Lena Orsa (A0.1069809). El Dia De Puro Placer, pop song (Spanish) Quiero olvidar lo malo, Solo recordar lo bueno Y tomar el cafecito sentadita en la teraza Voy a levantarme pronto Empezar el dia nuevo Este dia va a ser el mejor dia de mi vida Quiero ser como una niña jugando, Quiero ver a todo el mundo bailando Quiero tener un dia de placer, Sin mañana sin ayer un dia de puro placer Y saliendo a la calle Voy a disfrutar el aire Voy a disfrutar el tiempo y tomar solecito Quiero empezar de nuevo Construir el mundo entero Este dia va a ser el mejor dia de la vida Masha Bukhanets, lyrics, vocal solo, back vocal Lena Orsa, music, arrangement, piano Nick Orsa, sound producer, percussion Gennady Kogut, percussion V. Osinsky Recording Studio
$1.99 ≈
1.86€
En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
En vain j'espere...Idole de ma vie from Robert le diable - Isabelle-Only Audition/Recital Cut
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Piano, Voix
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AVANCÉ
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Giacomo Meyerbeer
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Nicole Elyse DiPaolo
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En vain j'espere...Idole de ma
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Nicole Elyse DiPaolo
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Per...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1107806 Composed by Giacomo Meyerbeer. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Opera,Romantic Period. Score. 6 pages. Nicole Elyse DiPaolo #710432. Published by Nicole Elyse DiPaolo (A0.1107806). The first of its kind, this is a customized Isabelle-only audition cut of En vain j'espere...Idole de ma vie, from Giacomo Meyerbeer's Robert le diable. In the past, singers wishing to audition for this role would have to make a series of awkward cuts to eliminate the gaps and additional page space created by the choral parts when performing this excerpt. The current edition omits those passages and also places a cut in the cabaletta portion, reducing the page count to 6 and creating a cut suitable for a recital or audition environment. All cuts are marked with asterisks in both the voice part and piano reduction. The piano reduction itself has not been simplified or drastically altered (at the commissioner's request), nor have ornaments been added, although the engraving features minor changes from the original edition (eliminating syllabic beaming and re-dividing a few tuplets for easier reading). About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .
$8.95 ≈
8.38€
Op. 41, No. 3: Amour, amour, que ma maîtresse est belle from Songs of Gouvy, V1 (Downloadable)
Op. 41, No. 3: Amour, amour, que ma maîtresse est belle from Songs of Gouvy, V1 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 41, No. 3: Amour, amour, q
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Sc...
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Voice and piano (2 songs with violoncello; 1 vocal duet) - Medium - SKU: MQ.8491-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. 6 pages. E. C. Schirmer Music Company - Digital #8491-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8491-09E). French.A French composer, Théodore Gouvy (1819-1898) was one of the most significant composers of 19th Century in Europe. The movement of rediscovering his instrumental music has been increasingly successful in Europe since the 1990s, especially following the birth of L’Institut Gouvy in France. However, his solo vocal music has been waiting to be unveiled to the public. Volume One includes 52 songs of Gouvy.Gouvy traveled widely throughout Europe. He was also a lover of nature. Generally, he spent his winters in Leipzig, but in the summertime, he always returned to Hombourg-Haut, France, to stroll through the woods, to hunt, and to relax. Gouvy was fluent in several languages and had a great appreciation of the Renaissance French Poetry of Pierre de Ronsard whose poetry he had set to music. The fifty-two songs in this volume are largely by Ronsard and other Renaissance poets of La Pléiade.Although Ronsard is approximately 300 years older than Gouvy, they both seem to have the same interest in classical literature, though, admittedly, for different reasons. Celebrated by the French and English courts, Ronsard (1525-1585) was the leader of La Pléiade: a group of seven poets (Joachim Du Bellay (1522-1560), Rémy Belleau (1528-1577), Étienne Jodelle (1532-1573), Pontus de Tyard (1521-1603), Jean–Antoine Baïf (1532-1589), and Jean Daurat (1508-1588), who dedicated their efforts to writing poetry in French rather than in Latin (or Greek) as most of the Romantic poets did. They wished to enrich the French language, and establish a new literature which would be the equal of the other literature of their period, and the equal to poets of the past. French Romantic poetry featured the closeness of the poet to nature, and his ability to communicate with nature by personifying (anthropomorphizing) all of nature’s elements: flowers, the planets, the moon, the breeze, and even the sand upon the shore. As a significant melodist, Gouvy’s treatment of the vocal solo line and his treatment and development of the piano accompaniment places him in the upper echelons as a composer of songs. His diverse cultural life led a rich and significant musical life, interacting with his contemporaries who admired his work, and whom Gouvy knew well, such as Liszt, Brahms, Schumann, Mendelssohn, Berlioz and Gounod. Contents:Six Odes de Ronsard pour ténor et piano, Op. 37 (No. 3 et No. 5 avec violoncelle) Neuf Poésies de Ronsard pour soprano ou ténor et piano, Op. 41 Six Poésies de Ronsard pour soprano ou ténor et piano, Op. 42 Quatre Odes de Ronsard pour baryton et piano, Op. 43 Huit Poésies de Ronsard pour ténor ou soprano et piano, Op. 44 Sept Poésies de Ronsard pour ténor ou soprano et piano, Op. 47.
$3.00 ≈
2.81€
Op. 45, No. 13: Des beaux yeux de ma Diane from Songs of Gouvy, V2 (Downloadable)
Op. 45, No. 13: Des beaux yeux de ma Diane from Songs of Gouvy, V2 (Downloadable)
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Piano, Voix
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INTERMÉDIAIRE
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MeeAe Cecilia Nam and Theodore
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Op. 45, No. 13: Des beaux yeux
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
Voice and piano - Medium - SKU: MQ.8492-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - D...
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Voice and piano - Medium - SKU: MQ.8492-13E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-13E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-13E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).
$3.00 ≈
2.81€
Vltava from Má Vlast - B Smetana (Violin & Cello) excerpt
Vltava from Má Vlast - B Smetana (Violin & Cello) excerpt
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Violon, Violoncelle (duo)
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INTERMÉDIAIRE
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Classique
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Bedrich Smetana
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Peet du Toit
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Vltava from Má Vlast -
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Peet du Toit
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SheetMusicPlus
Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.802589 Composed by Bedrich Smetana. Arranged by Peet du Toit. Contemporary. Score a...
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Instrumental Duet Cello,Instrumental Duet,Violin - Level 3 - SKU: A0.802589 Composed by Bedrich Smetana. Arranged by Peet du Toit. Contemporary. Score and parts. 1 pages. Peet du Toit #5828147. Published by Peet du Toit (A0.802589). Má Vlast ('My Homeland' in Czech language) is a set of six symphonic poems composed between 1874 and 1879 by the Czech composer Bedrich Smetana. While it is often presented as a single work in six movements and - with the exception of Vltava - almost recorded that way, the six pieces were conceived as individual works. They had their own separate premieres between 1875 and 1880; the premiere of the complete set took place on 5 November 1882 in Zofin Palace, Prague under Adolf Chech, who had also conducted two of the individual premieres.
$13.00 ≈
12.17€
Equlibrium 2 (La Mañana)
Equlibrium 2 (La Mañana)
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Piano seul
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INTERMÉDIAIRE/AVANCÉ
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Adrian Placenti
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Equlibrium 2
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Adrian Placenti
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.946245 Composed by Adrian Placenti. 20th Century,Contemporary,Latin,World. Score. 5 pages. Adrian Placenti #6486727. Publ...
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Piano Solo - Level 4 - SKU: A0.946245 Composed by Adrian Placenti. 20th Century,Contemporary,Latin,World. Score. 5 pages. Adrian Placenti #6486727. Published by Adrian Placenti (A0.946245). Minimal Piano Tango. Equilibrium 2: La Mañana. It is the second number of the wonderful piano work. Tango Music and Minimal music in a unique fusion.It is a piece for all minimalims music lovers and/or tango lovers.
$4.99 ≈
4.67€
Paul Wehage: Maïa for flute and harp
Paul Wehage: Maïa for flute and harp
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Harpe, Flûte (duo)
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AVANCÉ
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Paul Wehage
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Paul Wehage: Maïa for flu
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Musik Fabrik Music Publishing
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SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 5 - SKU: A0.534371 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 15 p...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 5 - SKU: A0.534371 Composed by Paul Wehage. Concert,Contemporary,Standards. Score and parts. 15 pages. Musik Fabrik Music Publishing #3395447. Published by Musik Fabrik Music Publishing (A0.534371). Maïa for flute and harp was written for and is dedicated to the French duo of Anne Ricquebourg, harpist and Christophe Brandon, flutist.In Greek mythology, Maïa was the eldest of the Pleiades and one of Zeus's numerous conquests. She was the mother of Hermes, who is credited with inventing both the lyre and the flute. Considered to be a Spring godess, her name is the inspiration for the month of May. She was worshiped in ceremonies of rebirth during the Spring. The work is written in a moto perpetuoso style with much interplace between the two instruments. A lyrical openning section is followed by a more mysterious minor passage which uses a two note rocking motif. The initial material comes back in ornamented form and a short coda combining the two elements closes the work
$12.95 ≈
12.12€
Renaissance Guitar Music for Fingerstyle Ukulele
Renaissance Guitar Music for Fingerstyle Ukulele
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Renaissance Guitar Music for F
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Guitar - Intermediate - SKU: M0.31089MEB Classical. Ebook and online audio. 77 pages. Mel Bay Publications - Digital Sheet Music #31089MEB. Published by...
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Guitar - Intermediate - SKU: M0.31089MEB Classical. Ebook and online audio. 77 pages. Mel Bay Publications - Digital Sheet Music #31089MEB. Published by Mel Bay Publications - Digital Sheet Music (M0.31089MEB). ISBN 9781513477619. 8.75X11.75 inches.This book presents 37 pieces of Renaissance guitar music transcribed for solo fingerstyle ukulele together with the author’s recordings of every transcription. Moreover, a generous introduction provides a brief history of the Renaissance guitar, tips on period ornamentation and musicianship, recommended recordings, and invaluable resources for further research of your own.Throughout Europe, the Renaissance guitar was a popular instrument in the middle of the sixteenth century. Its composers left us a treasure-trove of music, from rustic dances to chansons and elaborate fantasias. Five-hundred years later, this music fits beautifully on the Renaissance guitar’s musical descendant, the ukulele.The Renaissance guitar and the ukulele share an almost identical tuning. As the transcriptions in this book are written in standard notation and tablature, any type of ukulele, from soprano to baritone—as well as the top four strings of the guitar— can be used to play them. Most of the pieces are in standard gCEA or GCEA tuning; the seven pieces in the second section of the book, however, require low-G tuning to render the counterpoint as written. It’s also possible for guitar and baritone uke players to read the tablature provided. The music will sound a perfect 4th lower than the notation, but as there was no standard pitch in the time of the Renaissance guitar, modern players should feel no obligation to play this music at fixed pitch. If you wish to read from the tablature and sound in the same key as the notation for ensemble purposes, guitar and baritone uke players merely need to place a capo at the fifth fret. With a certain sense of historical irony, the music of the Renaissance guitar is here reborn on modern fretted instruments.
Song List
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Branle
Allemande
Branle
Quand i?entens le perdu temps
Gaillarde
Tourdion
Bransle De Poictou
Branle
Bransle Haulbaroys
Chi dira mai
Villanesque
Bransle De Poictou
Almande tourne
Vous estes la personne
Branle
Pavane
Branle de Bourgogne I
Branle de Bourgogne III
Gaillarde
Almande le Pied de cheval
Branle gay
Le Branle precedent plus diminue
Gaillarde
Gaillarde
Pimontoyse
Lo, what it is to love
Il estoit une fillette en basse-dance
Ma bouche rit
Contreclare
La Seraphine
Prelude I
Prelude Ii
Fantasie V
Fantasia
Fantasie III
Canon
Fantasie I
$17.99 ≈
16.84€
Heart Of The Father
Heart Of The Father
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Piano, Voix et Guitare
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FACILE
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Musique Sacrée
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Mac Montgomery, Mitch Wong, an
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Barry McCormick
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Heart Of The Father
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B. McCormick
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick. Praise & Worsh...
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Guitar,Piano,Vocal,Voice - Level 2 - SKU: A0.1040262 Composed by Mac Montgomery, Mitch Wong, and Ryan Ellis. Arranged by Barry McCormick. Praise & Worship,Sacred. Score. 12 pages. B. McCormick #645041. Published by B. McCormick (A0.1040262). About this Piano/Vocal/Guitar arrangement of “Heart of the Father†This arrangement containing a simple piano accompaniment and melody with chords of Heart of the Father by Ryan Ellis was created with the focus of ease of use in a Church setting for this modern song of worship. In the popular recording of this song Ellis uses his musicianship to change the melody slightly each verse as well as include expressive and elaborate vocal runs in numerous places through out the song. My aim was to write the melody omitting these vocal flourishes which are not as suitable for a corporate worship setting. With my many years of experience as church musician, worship leader and MD, I shaped this arrangement in a way to convey all necessary information for a modern church worship band with ease. Firstly the main Score simply has the melody and piano accompaniment. Secondly the parts are split up so the melody and accompaniment can be shared separately. The Lead, melody part, includes the chords so this part acts as a lead sheet which can be used for guitarists. I have also included the melody for Bb instruments also for bands which may have them. I have used repeats in a optimised way so that the music for each part takes up no more than 2 pages. All musicians know the frustrating limitations of music stands to hold much more than that! If you like this arrangement a also have some other arrangements of Christian worship songs and Hymns from Lead sheets to classical guitar arrangements you may also like to check out. About the Arranger, Barry McCormick I am Barry McCormick, I have an MA in music from the University of Glasgow. I am a musician, composer and arranger from Scotland. I have over 20 years experience in teaching music at a classroom and private tuition level and have taught students from early years to more mature in years. I was involved in a group using music as a means to aid mental health teaching guitar for those purposes. I now mainly focus on composing and arranging and trying to provide resources through various means for students and music educators. You can find me online You can keep up to date with me through my website and social media: Connect on inaminim.com. This is my new website where I am posting my new arrangements and compositions as well as trying to help build and collate resources that will be useful for those learning and teaching music. Connect on YouTube This is the place I will be uploading the videos of my arrangements where you can hear them alongside music educational content. Connect on Tik Tok This is a platform I am cautiously trying to utilise properly to promote my website. If you would like to follow me there please feel free. I will hopefully get over my apprehension and post more frequently soon!
$4.99 ≈
4.67€
A Simple Life and Some Tea Please
A Simple Life and Some Tea Please
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Violon, Guitare (duo)
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INTERMÉDIAIRE
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Silver Sickle Publications
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A Simple Life and Some Tea Ple
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Silver Sickle Publications
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SheetMusicPlus
Instrumental Duet Guitar,Instrumental Duet,Violin - Level 3 - SKU: A0.942055 Composed by Silver Sickle Publications. 20th Century,Film/TV,World. Score a...
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Instrumental Duet Guitar,Instrumental Duet,Violin - Level 3 - SKU: A0.942055 Composed by Silver Sickle Publications. 20th Century,Film/TV,World. Score and parts. 4 pages. Silver Sickle Publications #4717967. Published by Silver Sickle Publications (A0.942055). A Simple Life and Some Tea PleaseThis piece was conceived in a lovely tea place somewhere in Harvard Square in Cambridge, MA and it was written in Medford, MA. It was given as a birthday present to Laura Tjoelker a violin player in Boston, MA. It is tonal oriented and to a great extent different than my original composition language which serves simple as a vehicle of direct communication to any music lover with an emphasis in melody and harmony. I used the tonalities of D minor and A major with the desire to create a flavor of nostalgic romanticism with some Greek character which is part of my heritage as musician. Not demanding for the performers and short in duration could certainly serve as a charming conclusion to any demanding duo program. …well after all it is a birthday present… apostolos paraskevas
$5.99 ≈
5.61€
Polka from "The Bartered Bride" (Smetana) - Brass Band
Polka from "The Bartered Bride" (Smetana) - Brass Band
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Classique
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Bedrich Smetana
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Rob Bushnell
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Polka from "The Bartered
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RBMusic
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SheetMusicPlus
Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Per...
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Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - SKU: A0.1372035 Composed by Bedrich Smetana. Arranged by Rob Bushnell. 19th Century,Classical,Folk,Opera,Traditional. Brass Band. 121 pages. RBMusic #956255. Published by RBMusic (A0.1372035). Considered a major contribution to the develop of Czech music, The Bartered Bride by BedÅ™ich Smetana is a comic opera in three acts that premiered, in its final version, in 1870; having not been a great success when the original two-act version premiered at the Provisional Theatre, Prague on 30 May 1866. The opera was part of Smetana’s aim to create a native Czech music after the conductor Johann von Herbeck commented that Czechs were incapable of making music of their own. Whilst he avoided the direct use of folksongs, Smetana did use numerous traditional Bohemian dance forms, such as the furiant and the polka, leading to music that was Czech in spirit.“Sold Brideâ€, a more accurate translation of the original Czech title (Prodaná nevÄ›sta), tells the story of two lovers (MaÅ™enka and Jenik) who want to marry despite MaÅ™enka’s father’s obligations for his daughter to marry the son of a wealthy landowner, Micha. Scheming, condition proposals and secret identities leads to a happy ending.The polka was not in the original 1866 version. A revision in October 1866 saw the addition of a gypsy dance near the start of act 2. But by the next performance in January 1869, this had been replaced by a polka. In June 1869, a new polka replaced the January version’s (as well as being moved to the end of act 1) and this is the one that we know and love today.This arrangement is for the UK-style brass band, with alternative parts for horns in F and bass-clef lower brass. A recording of the original composition can be found here on YouTube: https://www.youtube.com/watch?v=UE8B93XD8NM.
$44.99 ≈
42.10€
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
Five Australian Scenes for String Orchestra - 5. A Day at the Beach
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Publ...
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String Orchestra - Level 3 - SKU: A0.1414027 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 43 pages. MA Lass & I Lass #995794. Published by MA Lass & I Lass (A0.1414027). Martin Lass is an Australian violinist, composer, arranger, and teacher. He is most well known for his performance career as a classical crossover and popular music artist with 11 CD recordings, numerous awards and accolades, and performances with the likes of Luciano Pavorotti, Julio Iglesias, and Joan Baez. Before this, he was a founding member of the Australian Chamber Orchestra, as well as playing with the Sydney Symphony Orchestra and the Australian Opera and Ballet Orchestra. When he is not spending time with his wife of 46 years, his three middle-aged children, and his two grandchildren, he spends his time and energy teaching, writing, arranging, and performing.Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring a few cello passages, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, “A Day at the Beach,†is set in Surfers Paradise on the Gold Coast in QLD. On a perfect summer day, one heads for the beach where fun and games, swimming, surfing, sun-baking, a picnic, and more games are the order of the day before heading home, full of sand, sun, food, and tired satisfaction.
$39.00 ≈
36.50€
Five Australian Scenes for String Orchestra - 1. Bush Trek
Five Australian Scenes for String Orchestra - 1. Bush Trek
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368918 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 40 pages. MA Lass & I Lass #953253. Publ...
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String Orchestra - Level 3 - SKU: A0.1368918 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 40 pages. MA Lass & I Lass #953253. Published by MA Lass & I Lass (A0.1368918). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This first piece, Bush Trek, is about a bush walk (hike) in the Australian bush in the Myall Lakes National Park in the state of NSW. The hike takes the trekkers higher and higher until a vast and wonderful vista is encountered. From there, the trekkers return the way they came.
$39.00 ≈
36.50€
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
Five Australian Scenes for String Orchestra - 4. Snowy Mountains
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Publ...
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String Orchestra - Level 3 - SKU: A0.1368932 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 32 pages. MA Lass & I Lass #953274. Published by MA Lass & I Lass (A0.1368932). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Snowy Mountains, is set in the alpine region of Australia, in Thredbo in the state of NSW, which is a popular ski resort. The scene opens with the majesty and austerity of the alpine mountains. Then, the cold sets the teeth chattering and the feet stamping with a paraphrase from Vivaldi's Winter from The Four Seasons but which transforms into the iconic Australian song, Waltzing Matilda. From there, fun is had in the snow followed by the journey up the ski lift to the top of the ski fields. Then, of course, there is the exhilarating ski journey down the mountain! After more fun in the snow, the day ends, everybody tired but happy!
$39.00 ≈
36.50€
Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
Five Australian Scenes for String Orchestra - 2. Glowworm Tunnel
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Publ...
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String Orchestra - Level 3 - SKU: A0.1368923 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 26 pages. MA Lass & I Lass #953264. Published by MA Lass & I Lass (A0.1368923). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, Glowworm Tunnel, is about a day trip in Newnes in the state of NSW. Newnes is a former shale mining site, now abandoned. A railway once ran from the entry of the site to the mine itself. A tunnel was bored through a low mountain to gain access. Since then, the railway itself now removed but the path of it remaining, the tunnel has become the home of thousands of glowworms - a magical and awe-inspiring experience to witness. The piece depicts the journey along the former rail line, the experience of the glowworm tunnel, and the journey back.
$39.00 ≈
36.50€
Five Australian Scenes for String Orchestra - 3. The Outback
Five Australian Scenes for String Orchestra - 3. The Outback
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Orchestre à Cordes
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INTERMÉDIAIRE
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Martin Lass
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Five Australian Scenes for Str
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MA Lass & I Lass
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SheetMusicPlus
String Orchestra - Level 3 - SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Publ...
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String Orchestra - Level 3 - SKU: A0.1368928 Composed by Martin Lass. Chamber,Children,Classical,Instructional. 28 pages. MA Lass & I Lass #953270. Published by MA Lass & I Lass (A0.1368928). Five Australian Scenes for String Orchestra was conceived with specific iconic Australian places in mind, as well as with the intention to convey the experience of these places programmatically through the music. From this point of view, the pieces could have just as successfully been called Australian Days. As such, each piece represents a kind of day journey in microcosm, like a travel diary set to music. The points of interest in each day are indicated sequentially in the music.The pieces were written with the intermediate student string orchestra in mind. As such, they explore a wide variety of string techniques, dynamic and tonal contrasts, styles, and moods. Although the writing never takes a student out of first position barring one solo cello passage, and the fingering avoids the use of cello forward extensions and minimises high 3s for the upper strings, the technical, rhythmic, ensemble, and intonational challenges put these pieces at the intermediate level. There are ossias and other alternatives for greater challenge or greater ease. Fingering has been offered where appropriate. And bowing has been meticulously indicated.This particular piece, The Outback, is set in the abandoned gold mining town of Goongarrie in the state WA. It depicts sunrise in the outback, the gradual heating up of the day, the scourge of blow flies, the searing and unbearable heat of midday, a sudden flash thunderstorm, and, as the storm clears, sunset over the abandoned town.
$39.00 ≈
36.50€
Waterloo
Waterloo
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ABBA
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Rob Bushnell
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the BBC agreed to stage it
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Waterloo
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RBMusic
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752412 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752412 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Contemporary,Contest,Festival,Pop. Score and parts. 2 pages. RBMusic #5795689. Published by RBMusic (A0.752412). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two treble-clef instruments (part 1 in Bb and part 2 in F). This version is in C major (concert pitch) – part 1 has a written range from B3 to D5 and part 2 has a written range from B3 to D5. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here onYouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99 ≈
4.67€
The Egret's Wishes《白鷺鷥的願望》
The Egret's Wishes《白鷺鷥的願望》
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Orchestre de chambre
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Ma Shui Long 馬水é¾
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The Egret's Wishes《ç™
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SpringAutumnmusic
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SheetMusicPlus
Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic ...
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Chamber Orchestra - SKU: A0.961999 Composed by Ma Shui Long 馬水é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). 《白鷺鷥的願望》，鋼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´ 　本曲應白鷺鷥文教基金會之委託，特別以å°ç£ç«¥è¬ <白鷺鷥>的旋律為創作之主è¦ç´ ；全曲略分為四段，動機之發展亦為單純，但æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚多種的ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—到純化，象徵白鷺鷥乘著希望之翼翻山越嶺，飛å‘安和幸ç¦çš„家園。 ※本曲首演於2002å¹´8月25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚節ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopian，第二å°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ，大æç´æž—浥雯。 《The Egret's Wishes》for Piano and String Quartet（2002） The Egret’s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of ​​this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egret’s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99 ≈
19.64€
Ótal stjarna hröp
Ótal stjarna hröp
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Piano, Voix
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AVANCÉ
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Helga Ragnars and Knut Rygnest
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Ótal stjarna hröp
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Knut Olav Rygnestad
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SheetMusicPlus
Piano,Vocal,Voice - Level 5 - SKU: A0.1250185 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemp...
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Piano,Vocal,Voice - Level 5 - SKU: A0.1250185 By Helga Ragnars and Knut Rygnestad. By Guðfinna Jónsdóttir and Knut Rygnestad. Classical,Contemporary,Folk. Score. 60 pages. Knut Olav Rygnestad #844518. Published by Knut Olav Rygnestad (A0.1250185). This morning your being wokeIn knowledge of your heart’s lossAs the night had no dreamsBut only a thousand falling stars.Then the richness of a busy daySeemed to you the work of evil witches.– Guðfinna Jónsdóttir from Hömrum (1899–1946)This quote, taken from the poem “The Golden Momentâ€, showcases some of Guðfinna’s writing’s distinct qualities: Profound sadness with a layer of beauty, and a juxtaposition of the mundane and the colloquial with grand imagery and the supernatural. Throughout her poetry we see these strong contrasts: A once-upon-a-lifetime moment that passes you by, but also the infinite beauty of a new-born baby. The wild Icelandic nature presented metaphorically like a protective Viking ship, but also great evil hiding under a sweet, romantic exterior. The life-long journey to a place of great beauty that was always inside you, yet also man’s desperate and futile attempts to bend a great mountain to their will. Her colourful and imaginative writing evokes the dramatic landscapes of her homeland in careful detail, as we’re presented with situations that carry both the great beauty and danger that the volcanic island holds.Guðfinna lived most of her life in Northern Iceland, working as a church musician and writing beautiful texts that unfortunately never made it outside of her native country during her lifetime. We get some small hints about her personal life through her poetry, such as the tragic and early death of her sister Hulda, who died from tuberculosis shortly after getting engaged. Helga Ragnars, being from the same town as Guðfinna and already familiar with her poetry, introduced Knut Rygnestad to it in 2019, after he expressed interest in writing settings of little-known poetry by women. The first two she sent were “Hið gullna augnablik†and “Tvær systurâ€, and Knut found these a joy to work with and quickly requested more, eventually leading to nine songs in total. With funding from Hljóðritasjóður RannÃs and the Norwegian Arts Council, they were able to record and release these songs in 2023, and hope that this will help to make Guðfinna’s poetry reach a wider audience.This book contains sheet music for nine songs: Hið gullna augnablik Vöggubarnsins maÌl AÌfangastaður Tvær systur LjoÌssins knörr Hver ert þuÌ Mannsbarn Fjallið blaÌtt Mig dreymir enn
$22.00 ≈
20.59€
Night Hawks
Night Hawks
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Contemporain
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Fredrik Schwenk
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Night Hawks
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Fredrik Schwenk
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SheetMusicPlus
Instrumental Duet Instrumental Duet - SKU: A0.1022030 Composed by Fredrik Schwenk. Contemporary. Score and parts. 17 pages. Fredrik Schwenk #6303827. Pu...
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Instrumental Duet Instrumental Duet - SKU: A0.1022030 Composed by Fredrik Schwenk. Contemporary. Score and parts. 17 pages. Fredrik Schwenk #6303827. Published by Fredrik Schwenk (A0.1022030). This edition contains the Duo for Bohlen-Pierce clarinet and clarinet in A. The Bohlen-Pierce scale is based on the division of the duodecime into thirteen steps, which was discovered and further developed by Heinz Bohlen, Kees van Prooijen, and John R. Pierce beginning in 1972. The work was written as part of a series of new compositions for this instrument and was premiered at a performance concert on March 20, 2008 at the Forum of the Hochschule für Musik und Theater. Anna Christina Bardelli and Nora-Luise Müller performed. The American premiere took place at the first Bohlen-Pierce Symposium in Boston MA from March 7-9, 2010. It was co-sponsored by the Goethe-Institut Boston, Berklee College of Music, Northeastern University, and the New England Conservatory of Music.
$12.00 ≈
11.23€
Waterloo
Waterloo
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ABBA
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Rob Bushnell
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Waterloo
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RBMusic
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SheetMusicPlus
Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752408 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. ...
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Instrumental Duet Instrumental Duet - Level 3 - SKU: A0.752408 By ABBA. By Benny Andersson, Bjorn Ulvaeus, and Stig Anderson. Arranged by Rob Bushnell. Broadway,Contemporary,Contest,Festival,Musical/Show,Pop. Score and parts. 2 pages. RBMusic #5795229. Published by RBMusic (A0.752408). On 6 April 1974, the 1974 Eurovision Song Contest took place in Brighton, UK. It should have been held in Luxembourg but, after having won in both 1972 and 1973, they declined to stage the contest in 1974 on the grounds of the expense to host it for a second consecutive year; the BBC agreed to stage it. Drawn 8th, the conductor for the Swedish, Sven-Olof Walldoff, comes on stage dressed as Napoleon. The music starts, and less than 3 minutes later, history was made. This was the year that ABBA won with Waterloo and the victory began their path to worldwide fame. Waterloo is the first single from ABBA's second album, Waterloo, and is the first to be credited to the group performing under the name ABBA. It became a No.1 hit in several countries, including the UK, and went on to sell nearly six million copies, making it one of the best-selling singles in history. At the 50th anniversary celebration of the Eurovision Song Contest in 2005, it was chosen as the best song in the competition's history. It has been recorded in English, Swedish, French, German and Finnish – it was the first winning entry to Eurovision in a language other than that of their home country (with rules concerning language having been relaxed in 1973). Waterloo was released on 1 June 2018 as the second single from the Mamma Mia! Here We Go Again soundtrack, performed by Hugh Skinner and Lily James. Arranged to mark the 65th edition of the Eurovision Song Contest, due to be held in Rotterdam, Netherlands, on 16 May 2020, but cancelled due to the 2019/2020 Coronavirus Pandemic. It is designed for two treble-clef instruments (part 1 in Bb and part 2 in Eb). This version is in C major (concert pitch) – part 1 has a written range from B3 to D5 and part 2 has a written range from C#4 to E5. (For other parts/versions, see my other Waterloo titles.) A recording of the original song can be found here on YouTube: https://www.youtube.com/watch?v=Sj_9CiNkkn4. Other searchable terms: Agnetha Fältskog, Björn Ulvaeus, Benny Andersson, Anni-Frid Lyngstad, Sweden, United Kingdom, England, Ring Ring, Melodifestivalen, Janne Schaffer, Rutger Gunnarsson, Ola Brunkert, Claude-Michel Schönberg, Les Misérables, London, Battle of Waterloo, 1815, Hasta Mañana, Wizzard, Cher, The Martian, Matt Damon
$4.99 ≈
4.67€
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